Rubens' Venus and Adonis Painting Analyzed

Venus And Adonis
The painting is said to be influenced by but not modeled after Titian's Venus and Adonis. At first
glance, one notices how the painting looks so effortless. Rubens takes advantage of the space he has;
the elaborate shadowing gives the painting more depth. When studying the background, one realize
the foreshortening of the trees. It gives off the illusion that the trees are at more distance than Venus
and Adonis are. When looking at the shading and hues it is amazing how the shades come together
and how the details of the figures are. The bodies have detail, you can see the curve of Venus' waist.
One notices more details the longer it is observed.
The style that characterizes Rubens' magnificent piece is the baroque style. This style is described ...
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Nudity has been an essential aspect in Western art. After the Renaissance, this is when the nudity
was exploited as humans in their natural state. The nude form first was conquered by the ancient
Greeks from approximately two thousand five hundred years ago. The Greeks celebrated the human
body and cultivated the mastery of the human body through these sculptures of David. Rubens
captures the nudity of Venus and makes her seen pure and compelling. When taking a glance at this
masterpiece, one is immediately fixated and dragged in, it is a piece that cannot be missed. Ruben's
expression in this piece can be defined as timeless. Historians conclude that besides the magnificent
Michelangelo, no other painter had a greater knowledge of the human body and visual power as
Rubens. This is how he is able to cultivate these mythological pieces, and incorporate much detail.
There is much life in Rubens' painting, through the vibrant hues and how he depicts Venus and
Adonis as these massive creatures. Figures depicted in art are more often nude then one would think.
It is seen the human body is at its ideal state when artist depict the figure as nude. It is seemed as
heroic because humans are compelled to see how artist illustrate the human body. Hence why the
male and female body is the central theme of western art. When thinking about the human form,
there is nothing more compelling, which is why the theme is still prominent in modern and
contemporary
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Venus And Adonis Essay
Venus and Adonis is a canvas painting, by Nicolas Poussin, measuring at thirty by thirty–nine inches
big, from the 17th Century which is now located in the Rhode Island School is Design Museum. The
story behind the painting is the cupid in sitting in the clouds shooting at Venus with his bow and
arrow. Making Venus to fall in love with Adonis, who is a hunter in this painting. The rabbit which
symbolizes fertility is being held back by is ears and back legs by the angels and Adonis dogs
chasing it, later killing the rabbit. The main focus on the bottom center there is Venus and Adonis,
Adonis lazily but yet gracefully half way laying with Venus on top of her. While Venus, goddess of
sex, love and beauty, is laying unclothed, exposing the

Metropolitan Museum of Art Critical/Research Paper
This work of art measures about 42 inches x 52 1/2 inches ("Venus and Adonis; Titian..."). The art
was created using oil paint, a medium composed of pigments and varying types of vegetable oils,
such as poppy, bear–seed, walnut, and linseed oils (Frank 122). The painting was done on stretched
canvas, and thus it gives the painting a slight textured quality. The technique in which Titian painted
this work accounts for the soft appearance of the colors. It can be observed that the paint is very well
blended, leaving almost no sign of harsh brush strokes on the surface of the work. The colors have a
beautiful luminescent quality, from the light fleshy colored skin of the figures to the bright blue sky
in the background; it appears that ... Show more content on Helpwriting.net ...
The positioning of each of the figures causes the painting to feel crowded, considering each
character is placed right next to one another. This technique places emphasis and focus on the story
occurring between each of the figures rather than on the landscape in the background. However,
Titian "subordinates" the painting by creating a bright sun that peeks through the clouds in the
upper–right–hand corner of the background, giving viewers a bit of distraction from the
concentrated foreground (Frank 82). The bright and brilliant colors of the painting are a result from
Titian's usage of oil paint. Because oil paint is very thin and slow drying, artists who use this
medium are able to layer and blend the colors of an artwork to create more distinct and deep colors
that stand out (Frank 124). The colors also appear very soft, resulting from the way in which Titian
painted the artwork, probably using very light, thin brushstrokes. This technique further
compliments the luminosity, or the glow and brightness of the work when it is viewed in person. A
slight illusion of depth is given by Titian's use of shadowy murky colors in the background, while he
uses lighter and more luminous colors on the subjects in the foreground of the painting. While some
may suggest the small sloping hill in the background also gives

Tiziano Titian Research Paper
Titian (Tiziano Vecellio) was born in Pieve di Cadore, a small town at the foot of the Dolomites on
the Venetian side of the Alps. The Vecellio's had been based in Cadore since the 14th century.
Titian's father, Gregorio, was a military man. His older brother Francesco was also a painter. There
is still no documentary evidence of Titian's exact date of birth, but contemporary sources and his
early stylistic development suggest that he was born around 1490. Titian was a painter who painted
famous paintings of religious beliefs such as "Sacred and Profane Love" and "Venus of Urbino"
which were lost in fire but are safe on the internet. Titian trained under two other seminal Venetian
artists, Giovanni Bellini (active by 1459, died 1516) and ... Show more content on Helpwriting.net
...
This mythology–inspired work was just one of several commissioned by Alfonso I d'Este, duke of
Ferrara. Titian managed to cultivate a broad range of royal patrons during his career, including King
Philip II of Spain and Holy Roman Emperor Charles V. Titian's Venetian home was a mecca for
many of the community's artistic types. He had an especially close friendship with writer Pietro
Aretino. Aretino is said to have helped Titian get some of his commissions. Sculptor and architect
Jacopo Sansovino was another frequent visitor. Over the years, Titian created portraits of leading
figures of the day. He painted two works featuring Pope Paul III between 1545 and '46, and spent six
months living at the Vatican while making these paintings. In 1548, he traveled to the court of
Charles V, where he painted his portrait as well. In his later career, Titian focused more on religious
and mythological works. For Spain's Philip II, he painted "Venus and Adonis" (c. 1554), a piece
inspired by Ovid's "Metamorphoses" that shows the goddess Venus trying in vain to hold on to her
beloved Adonis. Titian again explored his fascination with the Roman goddess of love in "Venus and
the Lute Player"

Essay on Formal Analysis and Historical Context of Artwork
Peter Paul Rubens' masterpiece, Venus and Adonis, is not only a significant artwork of the baroque–
period in Europe during the seventeenth century, but it also tells the mythological story that begins
with love, and ends in tragedy. Displayed in the Metropolitan Museum of Art, this painting is
admired for representing the unique baroque–style of this era, as well as Rubens' particular use of
the medium and how it reaches those who are viewing it. His attention to detail and crafty use of
symbolism within the painting assist viewers in deciphering the story, along with the values of the
period in which Rubens was living. In studying the composition of the work and noting the
historical context from which it came, one can ultimately ... Show more content on Helpwriting.net
...
Considering its position within the museum and in comparison to the other works with which it is
exhibited, the painting definitely holds a dominance in the room and must therefore draw much
attention from viewers. It size, as well as its subject matter, make it a very notable piece of artwork
as well. Peter Paul Rubens uses the story of Venus, the goddess of love, and Adonis, Venus' mortal
lover, as the focus for his work. Their story, originally told in Ovid's Metamorphoses, begins with
the struggle of love as Venus tries to stop Adonis from voyaging on his hunt by attempting to seduce
him ("Titian..."). Her struggle to keep him with her, because she knows of his fate, ends in tragedy
as Adonis is killed by a wild boar. The scene that is depicted within the painting is Venus in the
middle of restraining Adonis, with the help from her son Cupid, who latches himself on to Adonis'
leg. Adonis appears calm and assuring, for he is gently caressing Venus' leg in a seductive fashion,
while his dogs wait eagerly in the background (Adams 350). Along with the hidden seduction that
lies in Venus' face and Adonis' touch, other hints of symbolism are incorporated throughout the
work. Adonis' dogs can be said to represent impatience, for the further of the two dogs appears to
possess a somewhat

What Is The Difference Between Dido And Aeneas
The Roman myth of Dido and Aeneas as told by Vergil in his Aeneid was redone by Henry Purcell
in 1689 in his opera Dido and Aeneas. Although the opera follows the overall storyline of the myth,
there are several differences between the retelling and the original myth. These differences affecting
the message the myths convey and reflecting the time period they were written in.
In Vergil's version Aeneas and the other refugees' ships crash in North Africa due to a storm Juno
asks the king of the winds, Aeolus, to create. Venus, wanting her son Aeneas to be safe sends Cupid
to make Queen Dido of Carthage fall in love with Aeneas. Aeneas arrives at Carthage where Dido
offers them refuge, one day she and Aeneas go hunting and get caught up in a storm. Seeking
shelter, they end up alone together and succumb to their passions, causing Dido to break her vow of
chastity. A vow she made when her late husband, Sychaeus, was murdered by her brother causing
her to flee her home kingdom and found Carthage. The news of the affair spreads and is heard by a
neighboring king who the Queen had rejected due to her vow. In his anger the king asks for Jupiter's
help who sends Mercury to tell Aeneas that he needs to continue his journey to Italy. Dido is angry
with Aeneas leaving, but he tells her it is not his destiny to stay, in the end she threatens to kill
herself if he leaves. As Aeneas sails away, Dido curses him with her last breath, the smoke from her
funeral pyre rising into the sky where Aeneas can see it. Aeneas meets Dido one last time when he
travels to the underworld, but this does not come up in Henry Purcell's retelling.
In Henry's version of Dido and Aeneas, Aeneas' crash is not shown he simply appears in front of
Queen Dido and they profess their feelings for each other. The second difference in the myths is that
in this version there are witches and a sorcerer that work together to destroy the Queen and Carthage
who they hate. To do this they create a storm while Dido, Aeneas and their entourage are out hunting
forcing the party to return to the castle. Aeneas is the last to leave and before he joins the party the
witches send an elf disguised as Mercury with a message that the gods are angry with him for his

Was William Shakespeare an Author? Essay
Was William Shakespeare an Author?
"That every word doth almost tell my name / Showing their birth, and where they did proceed..."
Some might say that this quote from Sonnet 76 eloquently expresses the narrator's desire to be
heard. This is a normal enough emotion to have. In today's society, people will fight behemently for
that right. In Elizabethan times, however, to be heard was not a right at all, but a privilege. The
queen, Elizabeth I, had the power to silence any opposition. One could easily see how a verse like
the above example could find its inspiration. Some would argue that, with the necessary
information, one could just as easily see a darker purpose uncovered, William Shakespeare: Did he
exist? There is no doubt ... Show more content on Helpwriting.net ...
In case the traditional view is not familiar, I'll review it briefly here. It states that William
Shakespeare was born in 1654 in Stratford–upon–Avon, a small town near London. He married at
age 18, had three children, and died in 1616. In that time, he penned at least 154 sonnets and 37
plays. He lived a commoner's life and was an actor with the Globe Theater in London. His death
sparked no comment anywhere. This much is generally agreed upon. To our detriment, very few
documents exist pertaining to him. There is no record of his ever being schooled anywhere, no birth
records, and no documents written by him. The only examples of his handwriting we have are six
signatures, three from his will. Interestingly enough, they are all spelled differently. I will spell it
Shakespeare here to avoid confusion, but "... variants such as Shake–speare, Shakspeare, Shaksper,
and even 'Shak–––' exist. These inconsistencies were not common, but did exist in 16th century
Elizabethan society" (Stevens, 1992). No one ever thought to disbelieve his authenticity. His name is
indeed recorded as an actor with His Majesty's Servants, a popular theater troupe of the time. He did
exist. That, however, is not the question at hand.
For Mark Twain, the great American writer, the seeds of doubt were planted in his head while
traveling to England on a riverboat. He heard the shipmaster talking in a manner entirely unfamiliar
to him. The

Aphrodite : Greek Mythology Of Ancient Greece
Aphrodite was a major greek goddess , she was the greek version of an asian goddess of life similar
to Astarte . Many artist and poets have restricted Aphrodite 's role to goddess of love and beauty ,but
her functions in ancient greece were varied and complex. The greeks worshiped Aphrodite as a
universal goddess called urania (queen of heaven) and as a goddess of civic life called pandemos(
goddess of all people ) .
In some parts of greece ,Aphrodite was considered a goddess of seafaring and warfare. She was also
associated with the myths and ceremonies surrounding adonis, a fertility god who died and was
reborn annually . Many myths report that she instigated human love affairs. The roman goddess
venus was identified with aphrodite . Aphrodite was married to hephaestus, the blacksmith of the
gods . Many gods believed that her beauty was such that their rivalry over her would spark a war of
the gods Aphrodite was the daughter of the goddess Dione and zeus , the king of the gods .In earth
myths , aphrodite rose full –grown from sea foam
The name aphrodite may come from aphros ,the greek word for foam.
Zeus married aphrodite to hephaestus– he wasn 't seen as a threat because of his ugliness and
deformity . Despite this marriage to hephaestus , aphrodite had many lovers . her lovers include both
gods and men–including the god ares and the mortal

Midsummer Night Dream Venus And Adonis Analysis
Iyanna Penigo
Ms. Chirat
Period 4
May 13, 2017 In the works of Midsummer's Night Dream, Venus and Adonis, and, Shakespeare uses
themes, motifs, allusions, and imagery to suggest his audience reread and deeply analyze confusing
passages several times to fully understand his masterpieces. In the play, A Midsummer's Night
Dream begins with Theseus, Duke of Athens, preparing for his marriage to Hippolyta, Queen of the
Amazons, with a four–day festival. Egeus, a citizen of Athens, goes to see Theseus with a complaint
against his daughter: although Egeus has promised Hermia in marriage to Demetrius, who loves her,
Lysander has won Hermia's heart and refuses to obey her father and marry Demetrius. "Theseus
speaks to Hermia, warning her to expect to be sent to a nunnery or put to death if she doesn't obey
her father's wishes. Lysander interrupts, accusing Demetrius of being fickle in love, saying he was
once engaged to Hermia's friend, Helena but abandoned her after he laid eyes on Hermia."
(Shakespeare, Act I Scene i) Demetrius, Egeus, Hippolyta, and Theseus take off leaving Hermia
alone with Lysander. While given the time to be alone, Hermia and Lysander create a plan to be
married at her house, because the manor is outside of Athens they would be free from the Athenian
law. Later in the scene, Helena enters the room, lovesick and deeply depressed because Demetrius
no longer loves her. From the Outset, Shakespeare subtly displays the lovers as a group out of
balance, a

Veronese Venus And Adonis
Venus and Adonis painted by Paolo Veronese and his workshop before 1580 is an example of large–
scale Italian Renaissance painting. The oil painting towers over the viewer, a scale that is
appropriate for interacting with the goddess. The subject matter, mythology from Ancient Rome,
reflects Humanist values and trends from the 14th to 17th centuries. Venus and Adonis illustrates an
excerpt from Metamorphoses, Book 10 by Ovid that describes the love between the goddess Venus
and the hunter Adonis. Veronese makes compositional and color choices that highlight the beauty of
Venus creating a sense of romance and drama.
The color palette chosen by Veronese consists of mainly warm, earth tones. The vibrancy of Adonis'
outfit stands out against the subdued greens, blues, and browns of nature surrounding the figures.
Though Adonis' clothes are the most saturated colors in the piece, the most eye–catching aspect of
the painting is the whiteness of Venus' skin. The light source within the work highlights her torso,
more so than her limbs or face. The emphasis on Venus' breasts and stomach could represent ...
The intertwined arms and legs in the center of the painting and the overlapping of their bodies allude
to two becoming one. Additionally, their positions mirror each other, their overlapping bodies are
parallel, and their gazes are cast in the same direction. This mix of limbs contributes to the painting's
overall sense of romance and intimacy. The position of Venus' arms and legs, in particular, create the
dramatic element of the piece. As if Veronese caught a snapshot of the two, Venus' slightly contorted
body seems to be paused in the middle of a movement. Even so, the painting radiates a stillness.
Venus' outstretched body is balanced by Adonis wrapped around her backside. Adonis' embrace
grounds Venus, both literally in the painting and figuratively in the mythological

Literary Analysis Of Adonis And The Goddess Of Love
e majority of the authors I have read before writing this essay consider Adonis as a weak, bored and
childish boy who tries to find every mean to escape responsibility. He avoids, when he physically
can, the contact with Venus and it seems that his only concern in life is to catch up with his
companions and going hunting. Indeed, in his shoes, probably every man on the planet would surely
accept – and enjoy – the company of such a goddess: the goddess of Love.
But, considering it form another perspective, I am not sure that such an aggressive and sexaholic
woman would really be the goal of every man's desire: we are not talking about spending a night
together. Indeed, from Adonis' point of view, we are considering spending a whole life together. ...
Indeed, she is "sick–thoughted" (v.5) , insane thoughts affect "her troubled brain" (1040), as she is
completely overwhelmed not by the desire of power, but by sex lust.
This insatiable desire of sex is made even more disgusting by her carelessness of Adonis family
situation . During one of her rhetoric assaults to the boy, one of her arguments touch him exactly
where it hurts, recalling his mother's sad story , and showing us, paradoxically, a god of love without
sense of tact: "Art thou a woman's son, and canst not feel/What 'tis to love? How want of love
tormenteth?/O! had thy mother borne so hard a mind,/She had not rought forth without thee, but
died unkind" (199–202).
By the way, even if she has no sense of tact, surely she shows a talent for acting. In order to grab
Adonis' attention and compassion, she does not hesitate to pretend to be death, faking a fainting that
remind us of the Romeo and Juliet strategy to escape their parents' plans: "And at his look she flatly
falleth down/For looks kill love, and love by looks reviveth" (463–464). The effect on the ingenuous
Adonis is immediate: "And all amaz'd brake off his late intent,/For sharply he did think to reprehend
her,/Which cunning love did wittily prevent:/Fair fall the wit that can so well defend her!"

Analysis Of Mars And Venus Surprised By Vultron
Prompt 1
First Paragraph–Principles of Art
The aesthetic experience of the painting Mars and Venus Surprised by Vultron by Hendrick De
Clerck boldly explores the human condition, which during the renaissance was a mindset that
existed in a society driven to find moral balance between our desires and the desires of God. Stories
that originated from mythology are formed to illustrate the difference between right and wrong. The
artist emphasizes the never ending battle between heaven and hell and good and bad through the
dramatic passionate tale of Mars and Venus. This Juxtaposition is illustrated in the artist's use of
color. For instance, the intense reds of the bed canopy against the peaceful blues of the sheets they
lie on. As you can see, the juxtaposition of the good and evil that resides in the hearts of man in his
choice of chiaroscuro, or value, which he uses to heavily contrast the luminous features of the
painting with darkness. It is also clear to see in the contrast in line work and texture, for example,
the following lines of the sheets against the round, sculpted flesh of the humans depicted. This
painting reflects realism and religious themes were of high importance in this specific era of the
sixteenth century.
WC–203
This specific piece of art is an example of classical discipline and individual expression in the
renaissance time period. The artist expresses individuality to express mood especially in the
expressions he chose to paint with great care on each subject's face. The artist seemed to put a lot of
emphasis on how each subject was feeling at the time. The lovers are distraught and ashamed as
they are caught in the act. Her husband is upset at the betrayal, and inquiring in his gaze to God
what punishments should be sought, while Mars has his arm around her, as if to protect her. Though
Venus is defiant of her marriage by cheating on her husband with Mars, it is a temporary validation
that came from lust, symbolized by the artist with bowls of fruit in the foreground by the bed. The
intensity of these feelings are done justice with a massive scale panel as his canvas, with all these
elements combined, the painting ultimately portrays the complicated war between good and evil in
the

Who Is Aphrodite?
Aphrodite Aphrodite = greek name, Venus = roman Goddess of: Love & Procreation Beauty &
Grace Pleasure, Merriment Love Poetry Pleasure and joy Symbols: Star of Venus dove apple scallop
shell mirror Family: Children of Aphrodite Pothos (son) Phobos (son) Peitho sometimes called her
daughter Iakkhos (son) Himeros ( son ) Hermaphroditos (son) Harmonia (daughter) Eros+Erotes
(sons) Deimos (son) Beroe (daughter) Anteros (son) Aeneas (son) Astynoos (son) Eryx (son)
Herophilos (daughter) Lyros (son) Rhodos (daughter) Priapos (son) Aphrodite's Parents Caelus and
Dies ( First parents) Mercurious and Cupidus ( Second parents) Jupiter and Dione ( Third parents )
Aphrodite's Marriage Adonis (husband) Myth Summary: One day Aphrodite was with her boyfriend

Romeo And Juliet Research Paper
William Shakespeare was born on April 23, 1564 in Stratford–upon–Avon and was baptized in the
Holy Trinity Church on April 26, 1564. His name can be spelt in many different ways. He got
married at the age of 18 to Anne Hathaway and had three children, but their third child was the only
one that survived infancy. He pursued in his acting career. His first two poems were "Venus and
Adonis", made in 1593, and "The Rape of Lucrece", made in 1594. He joined Lord Chamberlain's
company of actors in 1594. He then joined a group of Chamberlain's Men that would build and
operate "The Globe" (the most famous playhouse of its time.) He wrote 30 more plays in history,
comedy, tragedy, and romance. Shakespeare also wrote 152 sonnets (which are 14 ... Show more
content on Helpwriting.net ...
It is about two "star–cross'd lovers" whose families, Montague and Capulet, despise each other.
They were supposed to marry two different people, but instead they fall in love with each other at
the Capulet's ball. They secretly got married. Juliet's cousin, Tybalt, challenges Romeo to a duel but
he refuses. Romeo is exiled after the murder of a kinsman in the warring families' feud and is under
a penalty of death if he ever returns. Romeo secretly spends the night in Juliet's chamber. Capulet
agrees to marry Juliet to Count Paris and threatened to disown her if she refuses. She visits Friar
Laurence for help, and he offers her a potion that will put her in a death–like coma for "two and
forty hours." Friar promises to send a messenger to inform Romeo about the plan so he can reunite
with her when she awakens. Juliet takes the drug the night before the wedding and she is laid in the
family crypt when she is found "dead." The messenger doesn't reach Romeo and he is heartbroken.
He then buys a potion from an apothecary and goes to the Capulet crypt. Still believing that Juliet is
dead, he drinks the potion. Juliet then awakens and finds Romeo dead. She then grabs a dagger and
stabs herself. The Montague's and Capulet's find them dead and are reconciled by their children's
deaths and agree to end their violent

Ovid's Metamorphoses Sexuality
When one becomes familiar with mythology through Ovid's Metamorphoses, a collection of
preexisting myths, strung together with the unifying theme of metamorphosis and divine
intervention, a new language of allusions is discovered. This is used by Christopher Marlowe to
better express the themes of beauty and sexuality through an Ovidian aesthetic in his epyllion, "Hero
and Leander." Marlowe writes of two naïve lovers, equal in beauty, separated by the Hellespont,
Leander in Abydos and Hero in Sestos. During the festival of Venus and Adonis in Sestos, Leander
falls in love with Venus' nun, Hero, who vowed chastity to the goddess. Despite this, Leander
continues to court her with passionate and persuasive language. Hero overcome by her own feelings,
... Show more content on Helpwriting.net ...
Throughout the story, Hero has struggled with her love for Leander and dedication to Venus. In her
first amorous meeting with Leander "He asked, she gave and nothing was denied; ... / And what he
did, she willingly requited" (509, 512). This encounter does not seem to go further than embracing
and sweet kisses, so Hero was able to both love Leander and respect her vow. Leander, however,
seems to be overwhelmed with his newly discovered sexual desire and eager to act on it. When he
does after reaching Hero's tower, she tries to hide but is at his mercy. The girl who before was
enamored with "Love's holy fire, with words, with sighs and tears / Which like sweet music entered
Hero's ears" (193–194) is now left to believe: "Love is not full of pity, as men say, / But deaf and
cruel, where he means to prey" (771–772). Leander's words, which once pleased Hero, spoke over
and dismissed Hero's hesitance; Leander's hands, she lovingly held, are now said to resemble a snare
for prey, showing the deafness and cruelty of

Aphrodite: The Greek Goddess Of Beauty
We all have a different idea of beauty, since beauty is in the eye of the beholder. However, when
pushed to personify beauty, many people think of the same mythological figure: Aphrodite, the
Greek goddess of love and beauty. She is very popular, so authors often make allusions to her when
they are talking about beauty or love. In the short stories The Perfect Girl and Your Own Destiny by
Joyce Campos, Campos creates stories that feature Aphrodite because it highlights physical beauty,
as well as inner beauty. Similarly, in the poem "Venus by Adonis' Side," an excerpt from William
Browne's Britannia's Pastorals, Aphrodite is featured because of who she is, the goddess of love. The
poem mentions Adonis, one of her many lovers and how much she ... Show more content on
Helpwriting.net ...
Aphrodite inspires Campos in Your Own Destiny, to use a dove when showing the love and bond
between a mother and son. The narrator begins with showing how much her son cares and loves his
mom. We see this by the way he's distraught from seeing his mom after she's had a car accident. "He
instantly bursted into tears, he couldn't believe that his mom was laying there, but at least she was
still alive. As he went to hug her, he looked up and saw a dove sitting on the edge of the window,
just staring at them" (Campos, Destiny 4). This quote shows how much Anthony loved his mother,
by the way he reacts after seeing her. We also see this because he says a dove was staring at them
through the window. Most people associate a dove with love, so by using a dove it's making an
allusion to Aphrodite since she is the goddess of love. The author uses symbolism; a dove, to show
how the love between them. This helps the author's writing because it's a subtle hint, that has a much
deeper connection to love, which is what Aphrodite represents. The author is not only making an
allusion to Aphrodite, but is doing so through her symbolic

Shakespeare School Room Essay
A Review of Shakespeare's School Room
Shakespeare's Schoolroom, by Lynn Enterline, explores, ana–lyzes, and discusses the methods used
in schools during Shake–speare's time; these schools created the learning environment that shaped
The Bard's character and therefore his work. The major focus on Latin studies and translation
resulted in the ap–pearance of the ancient Roman culture and mythology themes in many of
Shakespeare's poems and plays. This review explains the origins of specific works by describing
particular teaching tac–tics present in Shakespeare's time. We learn how these teaching methods,
combined with the social expectations of young English boys, influenced both their behavior and
their moral beliefs . This ... Show more content on Helpwriting.net ...
Venus' relentless pursuit of the beautiful youth (Adonis), represents some of the most disturbing
aspects of the relationship between adolescent boys and their schoolmasters . When Adonis resists
Venus's advances, claiming that he is too young to be physically involved with a woman, she
responds by insisting that it is her duty to in–struct him in this part of life. Publicly spanking boys
who misbehaved or did not complete their lessons properly was commonplace in Shakespeare's era;
of–ten teachers found it necessary to beat the lesson into the boys. Unfortunately, years later,
psychologists concluded that it was actually a sexual fetish for many of the teachers. This influ–ence
carried with the future teachers who, unaware of their sub–conscious drive, often inflicted the same
punishments on their students. Venus and Adonis' story ends with Adonis' accidental death when
Venus sends a boar to snuggle up to Adonis and one of the boar's tusks impales his groin. This
manslaugh–ter through an act of passion symbolizes how adult desires can destroy innocence. In
chapters four and five, we examine how teachers ex–posed school boys to literature , mainly ancient
Roman. We see how teachers taugh t children to not only read but to im–merse themselves in each
character, including female charac–ters. This method of English training helped boys become strong
actors in any role, and opened their minds to

The Art And Baroque Art Of Peter Paul Rubens
Peter Paul Rubens (b. Siegen, Germany, 1577; d. Antwerp, 1640) was a Flemish painter revered as
the most versatile and influential baroque artist of Northern Europe in the 17th century. Rubens's art
emphasizes the theory of artistic imitation, and blends features of the Italian High Renaissance and
Northern realism with elements from antiquity. Rubens specialized in making altarpieces, portraits,
landscapes, and history paintings of mythological and allegorical subjects. In his painting Venus and
Adonis, mid–1630s, Rubens juxtaposed Ovid's "Metamorphoses" (book X) and Titian's Venus and
Adonis, 1553–1554, to generate his own invention that relies on his theories of artistic imitation.
Rubens painting is predominantly influenced by, but not modeled after Titian's piece, which he
copied in Madrid in 1629. Rubens was born in the German town of Siegen, in Westphalia. His
father, Jan Rubens, a lawyer and alderman of Antwerp, had fled the Spanish Netherlands in 1568
with his wife, Maria Pypelinckx, and four children to escape religious persecution for his Calvinist
beliefs. After Jan's death in 1587, the family returned to Antwerp, where young Peter Paul, raised in
his mother's Roman Catholic faith, and received a classical education. His humanist education
seriously began with his apprenticeship to Otto van Veen, with whom he probably worked with from
1594 to 1598. During this period, Antwerp developed into an important center for the Counter
Reformation due to a serious

Comparing Venus And Ovid's Metamorphosis
Titan's inspiration of Adonis and Venus originated in the story of Ovid's "Metamorphosis". Overall,
it's a love story between Goddess Venus and Adonis. The artwork display movement as Venus
attempts to stop Adonis from meeting his fate before he died hunting a boar while his dogs eagerly
wait. His interpretation took reference from Greek mythology and other mythical stories during the
renaissance. Nearly 100 years later, Rueben was inspired by Titan's original theme. Based on his
composition and the position of the lovers are strikingly similar. Despite the similarity, the different
eras also cause great contrasts on how each artist interprets their version.
Despite the similarity between themes, they display a great difference in views of ... Show more
Titan also treated landscape to be mountainous, which reached towards the top of the figures head.
In the meantime Rueben went for flat plains to occupy the backgrounds. Both artists were successful
in equalizing the composition and manipulation in the negative space. Yet Venus's body had her
back turned away from the viewers in Rueben while Titan cause Venus 's body to face the opposite
way. , Rueben influence of style goes towards baroque with softer tones on the skin along with the
softness of the textures including the hunting dog's fur and trees. Titan's influence clings from
mannerism due to the elongated bodies with little focus of the background using dull colors. Titan
use dull values mostly yellow and brown values for the mountains on the ground and clouds above
everyone's

How Did Humanism Influence Titian Art
How humanism changed artists' paintings: An analysis of Titian's work during the 16th century
Ashmini Shiwbalak
The High Renaissance was a period of Italian painting that had the qualities of harmony and balance
with dignified, calm movement. The present study will focus on the development of early sixteen
century Venetian paintings by Titian during the High Renaissance. I've chosen Gallery 607 at the
Metropolitan Museum of Art because it has the work of Titian, who was one of the greatest Venetian
artists, well known for his remarkable use of color and for his appealing renderings of the human
form. Titian created rich, luminous images by layering oil paint onto canvas. However, like many of
the Renaissance painters, Titian showed an interest ... Show more content on Helpwriting.net ...
Humanists were more curious about life in the present and focused on the achievements of the
individual. Hence, instead of religious issues, humanists examined worldly subjects that the ancient
Greeks and Romans had studied. This led the people of the Renaissance to become interested in
other areas of science, the natural world, biology and astronomy. Mazzocco goes on to list some of
the effects that humanism had on Renaissance paintings. Firstly, ordinary people grew to be the
same size as saints in paintings and saints began to look more like ordinary people. Secondly, halos
became fainter and eventually disappeared. Thirdly, the natural landscape began to appear as a
background in paintings, unlike the middle ages when artists represented figures of heaven against a
gold background. Fourthly, artists became famous for their work, and the human body was depicted
in anatomical accuracy, and frequently nude. The perfect human type had proportions, muscular
structure, oval face, triangular forehead, straight nose, and balance with the weight on one hip.
Lastly, the use of mathematical perspective to represent three–dimensional space in paintings was
invented. Mazzocco's book stresses how humanism changed art and thus, artists' like Titian adopted
these changes and used them in his paintings during that

The Goddess Among Gods : Aphrodite
The goddess among gods: Aphrodite Aphrodite was a powerful goddess who held raw power over
gods and immortals. When she walked, flowers bloomed at her feet. She is the goddess of love,
desire, and seduction, and though she was once just foam from the sea, she was born and manifest
into such a power that can bring those who look at her down to their knees. She had a magic girdle
that mad others around her to desire her. Aphrodite is most frequently represented as beaming and
shining. "Foam–born," she is related to the inventive, invigorating ocean and represents a way of
freshness, renewal, and hope. A descendant of the prehistoric water bird immortal of previous
Europe, she is usually among birds. The immortal of each religious and demon–ridden love. She is a
female being who represents love as her abundance, and her realm is that of relationship and feeling.
Aphrodite demands maturity if we have a tendency to be in a true relationship. Aphrodite was
likewise known for her numerous undertakings. All of the men who seen her needed her as his better
half. Indeed, even Zeus needed to wed her. Zeus became irate with her and made her marry
Hephaestus. While wedded to Hephaestus, she had numerous illicit relationships with divine beings
and mortals. Some of her youngsters incorporate Cupid who was the child of her and Zeus. Anteros
who she had with Ares . Anteros rebuffed the individuals who neglected to return adoration to
others. Some of her other youngsters were the

Sandra Botticelli's Analysis
The unconscious mind seeks to pacify the destructive nature of primitive thoughts as a threat to the
order of society. Throughout history, this repression of primitive instincts are brought to surface in
artworks especially in societies where sex is a taboo subject. This is done through sublimation; the
defense mechanism of re–modelling natural impulses and energy externally through socially
acceptable means. In psychoanalysis, theories of Sigmund Freud support the concept that sexual
energy can bring satisfaction when transformed. This often requires creativity to help transcend the
battle of the id and superego. This concept is made evidence in the works of great artist and
manifested in Picasso's famous quote "sex and art are the same ... Show more content on
Helpwriting.net ...
The expression of artist tended toward an illusionary new word, one of fantasy. (Jones, 2014, p. 2)
Paintings of nude females were rampant during that era. To release sexual energies the artist would
have to find a good representation of sex. Since, the books of Greek myths and philosophers was
being rediscovered at that time the artist used this as a tool Venus, the goddess of love, beauty, and
sexual desires was often painted nude in the renaissance (Moss, 1987, p.174). They painted nude
under the disguise of representing knowledge. The Birth of Venus (1484–1486) by Sandra Botticelli,
shows Venus rising from a sea foam. The female artist painter Venus with her hands covering her
sexual organs and used a seashell as a metaphor for vulva. While, The Sleeping Venus (1510) by
Gigione and Venus and Adonis (1586) by Titan show a more revealed picture of the goddess shown
in a more submissive image. In The Sleeping Venus, Venus is in reclining nude and is seem more as
a sex object and in Venus and Adonis clinging desperately to her love. Their release of energy reveal
a more superior complex against women. These socially acceptable revealed the secrets of the
unconscious mind in male artist. Societal norms were set in the renaissance many by the church and
political states to normalize a repressed state of sexual energy. The commissioning of art and the
competitive markets kept artists channeling

What Role Does Venus Play In Greek Mythology
Mythology is a story composed of reality and fantasy. Roman Mythology is unique, as its characters
portray attributes that have influenced mans ego. Powers possessed by gods such as wisdom,
endearment , and potential to perform supernatural activities, have affected many individuals habits
and feelings. Although Venus is best known for her peculiar beauty and self–love, she is also known
for her role of women in society, and myth influence on the modern day world. The goddess of love
and fertility had a very abnormal birth."The legend arose that Venus was created from the white
foam produced by the severed genitals of Heaven after being thrown to the sea by his son."
("Venus") "Daughter of Zeus and Dione", Venus was primarily "worsiped as the goddess of the sea
and seafaring." ... Show more content on Helpwriting.net ...
Venus was originally a "minor agricultural deity of ancient italian gardens and fields" and was
associated with the "birth of nature".( Davidson 203) At a very young age, "Zeus banished Venus
from Mount Olympus to be stuck on earth in order to bring love". (Davidson 203 ) Her first role was
"one who gave birth" which helped make love matches down on earth.(Davidson 204) Among her
symbols include the dove, pomagranted and swan.("Venus") Her actions made her be presided over
marriage." ( Davidson 205) Although she was helpful to many, "her bad choices made her doubt the
ability to find a decent man" , and find love herself.("Venus") Venus"

William Shakespeare Essay
William Shakespeare
William Shakespeare, the playwright, had a life of virtual mystery, intrigue and relative sadness.
Shakespeare grew up in a modest upbringing and was known to have only completed elementary
school. Though he did not attend college, he would end up as one of histories greatest literary
success stories. The mysteries surrounding the life of William Shakespeare are perpetuated with the
reference to the ‘lost years'; two distinct periods of time from 1578–1582 and 1585–1592, where
Shakespeare seemed to have fallen off the face of the plant. I will discuss the town where
Shakespeare hales from, excerpts from his works and not commonly discussed information.
Followed by a summary of my research.
I recently had the ... Show more content on Helpwriting.net ...
Instead, baptismal records reveal that a child of this same name, from the same town, was born on
the 23rd of April in the year 1564. It is believed this is the only documented record of William
Shakespeare's birth. In the year 1582, William Shakespeare married Anne Hathaway and within one
year had his daughter, Susanna. Two years later Anne bore twins, daughter Judith and son, Hamnet.
Shakespeare was unknown for many years, until in Robert Greene, a very popular dramatist of the
era, wrote in his biography entitled "Groats–worth of Witte," of Shakespeare's conceitedness and
lack of talent.
" for there is an upstart Crow, beautified with our feathers, that with his Tygers hart wrapt in a
Players hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and
beeing an absolute
Johannes fac totum, is in his owne conceit the onely Shake–scene in a countrey "
Greene's inclusion of Shakespeare in his biography seemed to be the catalyst to the remarkable
career of William Shakespeare, as within a year of Greene's mentioning of Shakespeare in his
biography, he [William Shakespeare] published ‘Venus and Adonis'. ‘Venus and Adonis' is the
stereotypical romance story, but of the day were insightful and was a true display of genius. Venus, a
hopeless romantic, falls in love with Adonis, the prototypical athletic, very masculine type. "Hunting
he loved, but love he laugh'd to scorn" refers to Adonis avoidance of

Allusions In A Midsummer's Night Dream
Iyanna Penigo
Ms. Chirat
Period 4
May 13, 2017 In the works of Midsummer's Night Dream, Venus and Adonis, and, Shakespeare uses
themes, motifs, allusions, and imagery to suggest his audience reread and deeply analyze confusing
passages several times to fully understand his masterpieces. In the play, A Midsummer's Night
Dream begins with Theseus, Duke of Athens, preparing for his marriage to Hippolyta, Queen of the
Amazons, with a four–day festival. Egeus, a citizen of Athens, goes to see Theseus with a complaint
against his daughter: although Egeus has promised Hermia in marriage to Demetrius, who loves her,
Lysander has won Hermia's heart and refuses to obey her father and marry Demetrius. "Theseus
speaks to Hermia, warning her to ... Show more content on Helpwriting.net ...
Shakespeare portrays the lovers as overly serious, as each is sincerely busy with his or her own
feelings: "Helena is fixed about her looks; Hermia becomes self–conscious about her height;
Demetrius is plotting on how to keep Hermia from marrying other men, and Lysander believes he is
the main character/superhero of this great story."(Shakespeare Act II Scene iii) The breezy world of
the fairies and the nonsensical predicaments in which the lovers find themselves is Shakespeare's
way of making light out of their grave concerns. Next, in Venus and Adonis, the world where there
is no man as greatly put together as Adonis. Venus, a goddess of love, sees Adonis and is filed with
love for him. Believing that Adonis is her one and only she has her mind set on coming down to
earth and making Adonis her's. Venus finally got to meet Adonis while he was on a morning hunt in
the fields. Once she catches his attention and encouraging him to dismount his horse and talk her,
Adonis reveals that he has no interest to talk to any woman, but she eventually forces him to do as
she pleases. The more she talks, the more she desires that he would look at her with kind eyes, but
the more Adonis wishes to leave and continue in with his hunting. Eventually broken free from
Venus's arms he gets on his horse

Romeo And Juliet, Hamlet, And Macbeth By William Shakespeare
William Shakespeare was a playwright from the Elizabethan era who wrote famous plus such as
Romeo and Juliet, Hamlet, and Macbeth. He wrote about 32 plays, two major narrative poems,
many sequences of sonnets, and many short poems. Shakespeare's plays have been studied,
performed, and presented throughout the world. William Shakespeare was born on April 23, 1564 in
Stratford–on–Avon Warwickshire, England. William was the third of eight children to John
Shakespeare and Mary Ardon. Shakespeare grew up in a middle class family with a father who held
many important titles in the government. Shakespeare attended Stratford Grammar School. There he
learned Latin a read ancient Roman literature. He married Anne Hathaway on November 27, 1582.
Shakespeare got married at the age of 18 while Anne was 26. Together they had their first child
Susanna six months after their wedding, and Hamnet and Judith, twins, born in January 1585. Sadly
Hamnet died when he was eleven. He and his family moved back and forth from London to
Stratford. He died on April 23, 1616 only a month after receiving his will. Shakespeare started work
as an actor. He also wrote many poems and found a lot of financial success with it. Despite the
success he stopped writing poems and went back to writing plays. His first play that got published
was Venus and Adonis in 1593. It was printed 15 times The Rape of Lucerne came out next. It was
successful but not like Venus and Adonis. A recurring problem

Love In A Midsummer Night's Dream
Since the beginning of time, the ideas of love and the carnal need of lust has plagued the human
race. In William Shakespeare's works, he too, often makes the distinction between love and lust, but
what message is he trying to portray? Is he on team love or team lust? In William Shakespeare's play
A Midsummer Night's Dream and in his poem "Venus and Adonis", Shakespeare clearly argues that
true love is a temporary, irrational, deceitful facade that cannot be trusted, and lust is the "real love"
and the true concept that is driving the world.
In A Midsummer Night's Dream, readers and spectators can clearly see that Shakespeare has an
uncanny fascination for the aspects of love. Since this play is a comedy, its goal is to entertain and
have a happy ending, but at the end of the play, audiences can question its idea of love. Due the fact
that Shakespeare includes mythology in his writings and uses it as a foundation for his play, this is
where the idea of love can become quite confusing and discredited. In order for a person to fall in
love, they must be given a love potion in their eye by Cupid and must see their intended love at the
exact moment when they receive the potion in order for it to work. When Oberon says, "Take some
of it [the love potion], and seek through this grove. / A sweet Athenian lady is in love/ With a
disdainful youth. Anoint his eyes..." (Act 2
Boudreaux 2
Scene 1 Lines 259–261), he is ordering Robin to put the potion in Demetrius' eyes, so he can fall

Aphrodite Or Venus
Aphrodite or Venus, the Roman name, was the goddess of Love, Beauty and Fertility, also she was
connected to the death of nature and human beings. This goddess has many names like, either
Aciadalia, Cytherea and Cerigo, used in different areas of Greece. The Greek word aphros means
FOAM, and Hesiod said that Aphrodite was born from a white foam near the island of Cyprus, and
so she was worshipped as a goddess of the sea. However, she was known of the love and fertility.
On the other hand, Homer said that Aphrodite was the daughter of Zeus and Dione.
She was physically attractive and was able to make men fall in love with her. In addition, her
features are soft, romantic and passionate. She was extraordinarily beautiful, perfectly proportioned.

Short Story On Deadweather
Nobody lived on Deadweather but us and the pirates. It wasn't hard to understand why. For one
thing, the weather was atrocious. Eleven months out of twelve, it was brutally hot and humid, with
no wind at all, so on a bad day the air felt like a hot, soggy blanket smothering you from all sides.
And the other month was September, which meant hurricanes. Then there was the volcano. It hadn't
actually blown in ages, but it belched smoke and shook the earth enough to scare away anybody
who might've overlooked the pirates and the weather. The only reason it didn't scare me, even
though plenty of things do, was because I'd been born and raised halfway up its slope and didn't
know any different. That's how I felt about the pirates, too. There were two kinds on Deadweather:
the normal ones, who hung around down in Port Scratch, drinking and getting into knife fights
whenever they weren't off raiding Cartager gold ships; and the busted–down, broken ones, who'd
lost too many limbs or eyes or organs to crew a ship, but not enough to kill them outright. A few of
those stayed in the Scratch, patching together a living in the taverns and the gun shops, but most of
them hobbled up the mountain to work for Dad on the ugly fruit plantation. I don't know what he
paid them–it couldn't have been much, because we didn't have much. But I guess it was enough,
since none ... Show more content on Helpwriting.net ...
Dad had his hands full running the plantation, so he left the rest of the housework to the kids–the
kids being me, my sister Venus, and my brother Adonis. I was the youngest, which I didn't much
like. Adonis whaled on me every chance he got, and even though I fought back as best I could, he
had three years on me, so I usually got the short end of it–especially after he turned fifteen and shot
up past six feet, with shoulders almost as wide and thick as

Love And Sorrow In Venus And Adonis
B) Making reference to Ovid's Metamorphoses, discuss the ways in which William Shakespeare's
Venus and Adonis presents the relationship between love and sorrow.
The relationship between Love and Sorrow is very complex in William Shakespeare's Venus and
Adonis, as the tale leaves out key parts of the myth, in order to be as entertaining as possible. That is
where Ovid's Metamorphoses comes into the picture – as it almost 'fills in the gaps' of Shakespeare's
recounting. Throughout both instances of the myth, the meaning of love is constantly being played
with, and a lot of the time the definition lends itself better to that of lust's. In Shakespeare's Venus
and Adonis, Venus comes to terms with her true feelings as Adonis lay there dying in ... Show more
To grow unto himself was his desire,
And so 'tis thine; but know, it is as good
To wither in my breast as in his blood.
Here was thy father's bed, here in my breast;
Thou art the next of blood, and 'tis thy right.
Lo, in this hollow cradle take thy rest;
My throbbing heart shall rock thee day and night:
There shall not be one minute in an hour
Wherein I will not kiss my sweet love's flower." (Shakespeare, William)
In Ovid's Metamorphoses', we learn the name of this flower is the Anemone – and in turn, we learn
that Venus is right about her father. In Mythology, Venus/Aphrodite is believed to be born from
seafoam. The Anemone is not only a purple flower found in Greece, but the name of an animal that
lives under the sea – hence the connection to her father. In this final epilogue, we learn Venus' true
feelings for Adonis. She truly did love him, and that flower is a symbol of that of "a forsaken love of
any kind" (Anemone Flower Meaning – Flower Meaning).
In Ovid's Metamorphoses, we find out the backstory that leads up to this moment in the woods.
Adonis' parents, Cinyras and Myrrha have a non–conventional relationship – as Cinyras is also
Myrrha's father. This leads to death of Myrrha and a love

The Absurdity Of Venus By William Shakespeare
Shakespeare quickly manifests Venus as a desire driven being. In order to convince Adonis to give
in to her lust, Venus' attempted to persuade Adonis with grand exaltation, forced contact, and even a
fraudulent fainting episode. All throughout these lustful demonstrations of "love", Venus
hyperbolizes both her love for Adonis and his beauty. Despite her best efforts, Venus fails in her
efforts to gain both his love and lust. Furthermore, her falsified claims "reveal to us a character
whose desire is not constructed as a stable force, but as an (...) attempt to reshape reality"
(Stanivukovic 293). The absurdity of Venus' acts hint at Shakespeare's attempt to implement Venus
as the personified emotion of "desire". Her attempts to reshape the reality of Adonis' disdain indicate
that a different force, more powerful than Venus' lust, is preventing Adonis from complying. Many
events throughout the poem indicate nature's prominence as this preventive and controlling force.
Many indications that nature encompasses all lie within Venus' coercion. Early on, Venus tries to
convince Adonis that failing to reproduce is an abuse of his gifted life: The first line argues against
individuals being selfish and living just for themselves – quite ironic in itself given that she never
grows due to immortality. Whether she believes in what she says or says it to manipulate Adonis,
desire clearly controls her actions. Previewing her thoughts in the next stanza, the next two lines
explain the

Venus Lamenting The Death Of Adonis
Venus Lamenting the Death of Adonis (Benjamin West, 19768) the oil painting is one of the
paintings that I did feel drawn to at Carnegie Museum. In this painting you see a woman who is
Venus, and a young Cupid sitting with sad expressions on their faces, it appears they are mourning
over the death of the man, Adonis. This painting is done during the neo–classicism times in the early
19th Century. Benjamin West captured a legendary topic during those times. Legend has is it Venus
was scratched by Cupid's arrow and fall madly in love with Adonis. They would hunt together all
the time and Venus constantly reminded to be careful the vicious animals he was hunting since
Adonis was only a human. One day while off hunting alone Adonis's dog

Shakespeare School Room Summary
A Review of Shakespeare's "School Room" Shakespeare's Schoolroom, by Lynn Enterline, explores,
ana–lyzes, and discusses the methods used in schools during Shake–speare's time that created the
learning environment that shaped his character and therefore his work. The least of these influences
would be the major focus on Latin studies and translation that re–sulted in the ancient Roman
culture and mythology themes that appear in many of his poems and plays. Specific works will have
their origins explained by describing particular teaching tactics. We learn how these teaching
methods, combined with the social ex–pectations of English boys, starting at a young age,
influenced both their behavior and their moral beliefs. The question of how a man such as
Shakespeare came to be is answered. Chapters one and two discuss the role of the teacher and just
how central he was in the development of his pupils. During Shakespeare's childhood, teachers were
considered to be the most important adults in a young boy's life–even more important than his
parents. Teachers were expected to set the perfect example so that their students would grow to be
proper English gentlemen. A great deal of pressure was placed on school masters. Their appear–
ance, mannerisms, and speech had to be perfect. Teachers were strong, imposing, and strict with
their students as it was their job to mould impressionable youths into morally upstanding adults.
Schoolmasters required their students to memorize

William Shakespeare Research Paper
William Shakespeare is one of the greatest writers in the English language, playwright and actor.
Shakespeare lived during the times of Elizabeth I and James I. He coined most of the new words and
phrases that are still used today. This paper will analyze various information regarding
Shakespeare's childhood, education, employment, etc.
Shakespeare was born in Stratford–upon–Avon, and was baptized on 26 April 1564. John
Shakespeare was his father who was a glove maker and wool merchant. On the other hand, his
mother was Mary Arden, the daughter of a well to do landowner from Wilmcote. Shakespeare was
the fourth of the eight children whereby only five of whom survived to maturity (Chedgzoy n.p). He
grew up in a small English Market town located hundred miles north–west of London that was along
the River Avon banks.
When he was four or five years, he was enrolled at the King's New School located in Stratford. The
school was located at a short distance from their house on Henley Street. In addition, King's New
School stood as a grammar school that operated for the benefits of civil servant sons like the
Shakespeare's father. Shakespeare learned his basic readings and writing skills from a hornbook (a
reading book for children), ... Show more content on Helpwriting.net ...
He got married when he was eighteen years old to Anne Hathaway, who was the daughter of a local
farmer. His marriage took place on 28 November 1582. Hathaway was eight years older than
Shakespeare was, and they got their first child Susanna six months after their wedding. After two
years of marriage, they conceived twin children, Hamnet and Judith though their son passed away
when he was eleven years old. There was a gap in scholar's recordings regarding Shakespeare's life
between the year 1585 and 1592. In the next mentioning of Shakespeare in London, he had made his
way to London without his family, and he was working in a

Cruel Outrage Of Cupid
6. a) Cruel outrage of Cupid for Apollo teasing him. Cupid takes revenge by making Apollo fall in
love with Daphne. b) Daphne wishes to remain unmarried, she loathed to have anything to do with
men. She preferred to roam the forest. c) She runs away and begs her father to destroy her beauty.
She is then transformed into a laurel tree. d) It is a symbol of victory. 7. a) Jove turned day into night
by covering the area with a swift–flying clouds. When he gets caught by Juno his wife, he
transformed Io into a gleaming heifer. b) Juno asked Jove for the heifer as gift, and Jove could not
refuse. Juno placed the heifer Io in the care of Argus, the watchman with a hundred eyes so that she
would always be watched. c) Mercury disguised himself as a herdsman and played tunes upon his
pipe of reeds. He then tells him the story of Syrinx until Argus fell completely asleep, and then he
cut off his head. 8. a) ... Show more content on Helpwriting.net ...
a) Pluto/Dis was smitten, seized her and carried her away to the underworld. b) Ceres mourned and
searched over all the lands and deep into the ocean, when she got thirsty and sought water from a
hut, a foul mouthed boy taunted her and she turned him into a lizard. When Ceres returned she
condemned the lands, especially Sicily. c) Ceres made an agreement with Jupiter that Proserpina
would not eat, but Proserpina had already eaten seven seeds of a pomegranate. d) Ascalaphus was
turned into an Owl for being the only witness, and by his discloser, kept Proserpina from returning.
e) The year was divided into two equal portions, so that the two realms are shared equally by the
goddess. As many months are spent with her mother as with her

The Goddess Of The Harvest
Taylor Textor
Coach Kendrick
English II
April 6, 2016
Powerful Women
Do you know who the supreme goddess is? Or the goddess of the harvest? What about the goddess
of love? Most goddesses are symbolized by and associated with fertility and marriage but very few
with power and war. Although there are many Greek goddesses, Hera, Demeter, and Aphrodite are
three of the most important.
Hera is the wife of Zeus. She is the goddess of women and marriage and also known as the most
matron goddess. Hera considered the lion, the cow, and the peacock scared. She is often portrayed as
majestic and solemn. A pomegranate is the symbol of fertile blood and death, Hera is often shown
holding up a pomegranate. Juno is considered Hera's counterpart ... Show more content on
Helpwriting.net ...
Hera is intertwined throughout mythology. When Alcmene becomes pregnant with Heracles, Hera
tried to tie her legs in knots to prevent the birth. Alcmene's servant, Galanthis, lied to Hera and told
her that the baby had already been born. When Hera found out about the deception, she turned
Galanthis in to a weasel. Later, while Heracles was still an infant, Hera sent two serpents to kill him.
His nurse found him with a single snake in each hand squeezed to death. Another time, he was on a
quest and she sent amazon's to attack him. In another account, Zeus had tricked Hera into nursing
Heracles. When Hera realized who he was, she ripped him off of her breast. Upon his removal, a
spurt of her breast milk shot and was smeared across the sky. These attacks continued until some
myths state that he saved her. Porphyrion was a giant that tried to rape Hera and Heracles saved her.
Some myths state that she even gave her daughter, Hebe, to Heracles to be his bride.
Hera has showed in many myths how vengeful she could be, either by killing, torturing, or turning
the subject into something else. In one account, Zeus deeply loved Lamia (queen of Libya). Hera
turned her into a monster and killed their children. Gerana, the queen of Pygmies, once bragged that
she was more beautiful than Hera. In response, Hera turned Gerana in to a crane. Hera has her most
dominant role in the epic poem, The Illiad.
Demeter is known as the goddess of

Venus And Adonis, By Tiziano Vecellio And Dates
Venus of adonis was painted by Tiziano Vecellio and dates back to A.D 1400–1600. He was one of
the greatest italian renaissance painter and he was recognized as a great painter early in his life. He
was a master of the oil medium and a supreme colorist. Many of his paintings represent either
religion, antiquity and/or beauty. In his painting of Venus and Adonis it was inspired by a tale called
Ovid's Metamorphoses and therefore was called poetry in paint, also known as poesie (The MET).
The painting portrays the goddess Venus has fallen in love with Adonis. The goddess Venus is trying
to hold back Adonis because she does not want him leaving, since he is a hunter. While the goddess
Venus is trying to hold Adonis back, his dogs are ... Show more content on Helpwriting.net ...
Principle of design is shown through the artist 's use of various elements in his work of art. In this
painting balance, proportion, emphasis, variety, and unity are all exemplified. The balance is not to
even but leans more to the left. I believe it leans more to the left because there is more going on in
that area than on the right side. Proportion and emphasis is greatly shown through the goddess
Venus and her hunter Adonis because they stand out the most. Through the use of the brush, Titian
represents them as three dimensional. Titian painted Venus and Adonis because of the tale called
Ovid's Metamorphoses. Basically, the tale was about the goddess Venus getting struck by cupid and
her falling desperately in love with Adonis. Adonis, a hunter was leaving with his hunting dogs but
the goddess Venus does not want him leaving. She foresees the hunt will be dangerous for him and
tries very hard for Adonis not to leave. Titian grabbed the moment of the goddess Venus, giving of
her warning, and Adonis's death and basically painting the emotionally charged moment of Adonis's
departure for the hunt (Venice). The goddess Venus in this painting is portrayed as more of a frantic
women rather than a dignified feminine ideal. Also the role is sort of reversed and the goddess
Venus is portrayed more as masculine than feminine. Since she was struck by love so hard, she is
depicted as sort of an aggressive women in

I Am A Big Deal
For some, turning thirty is a big deal. For Opera Atelier turning thirty is an outstanding
accomplishment few companies could ever compare or measure up to. Moreover, retrofitting
Purcell's Dido and Aeneas seven times in the companies history is a creative feat unto itself. I first
became familiar with Opera Atelier in the 1990's. A time when it was still considered to be an "indy
opera company". Fortunately, that label has changed and I've been able to witness the companies
progression. I have attended three of their Dido productions and must admit, this was not my
favorite for a number of reasons.
So, how does a company like Opera Atelier reinvent a period piece that was initially staged in the
basement of an all girls school, at a time when the gods were a part of recent history, and music so
boring it could send one to sleep?
Perhaps it would be best to understand OA's genetic makeup. The artistic directors are just as
passionate about their company as they were twenty years ago. Not only was their joy for
storytelling effervescent but their commitment to the aesthetic vision even more. On a warm
Saturday afternoon, the theatre fills with an impressive audience. A number of tourists catch a last
minute performance, parents, children, adults, students, and the Tafelmusik Orchestra's dedicated
fans (some of which appeared in period dress). Toronto's Elgin could not be a more fitting
environment to stage Dido, for the gilded ceilings, ornate wrought iron gold leaf

Research Paper On Aphrodite
Aphrodite is the Olympian Greek Goddess of love, beauty, pleasure, and procreation. She is
identified with the planet Venus and her Roman equivalent is the Goddess Venus. She is depicted as
a beautiful women. Aphrodite was born out of the sea foam and then went on to land on an island.
Her parents became Zeus and Dione. Seeing Aphrodite was the Goddess of procreation, she had
many children. Aphrodite had fourteen divine children, and five mortal children. Her name came
from a Greek word aphrogeniea which means the foam born. This name was given to her because
she was born out of the foam. Aphrodite had her children with different men. Five of the divine
children she had with Ares, one of them she had with Adonis, One she had with hermes, one of ...
One of her children who's name is Beroe actually got married to Poseidon which Beroe's mother
aphrodite had children with him already. Aphrodite also had her mortal children with different men.
Two of them she had with Ankhises, one she had with Phaethon, one she had with Poseidon, and
one she had with Argonaut. Eventually she ended up marrying Hephaestus, but then later on cheated
on him with Ares. In Book Eight of the Odyssey, the blind singer Demodocus tells of how Aphrodite
committed adultery with Ares, the god of war. The sun god Helios saw Aphrodite and Ares having
sex in Hephaestus's bed and warned Hephaestus who made a net of gold. The next time Ares and
Aphrodite had sex together, the net trapped them both. Hephaestus brought all the gods into the
bedchamber to laugh at the captured adulterers, but Apollo, Hermes,

Rubens' Venus and Adonis Painting Analyzed

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