On The Road Character Analysis

On The Road Character Analysis
In Jack Kerouac's novel On the Road, the main character, Sal, battles with his white identity. He spends most of his time on the road, traveling
long distances across the United States and back and meeting different people from various backgrounds during his road trips. Throughout the
course of his novel, he frequently takes on other forms of identities and appears to detach himself away from not only his own character, but from
his own hometown and upbringing. At the end of Part Two, Sal has decided to leave Dean behind in North Carolina. (Kerouac, 180) At the end of
the chapter, he had realized that coming to Frisco with Dean made him feel unaccomplished and unsatisfied, and he then decides to embark on a
trip to Denver on his own. (Kerouac, 180) He tells us here: "At lilac evening I walked with every muscle aching among the lights of 27th and
Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ecstasy for me, not
enough life, joy, kicks, darkness, music, not enough night... I wished I were a Denver Mexican, or even a poor overworked Jap, anything but what I
was so drearily, a 'white man' disillusioned..." (Kerouac, 181–182) It is clear to us that Sal is unsatisfied with his life from the beginning, itching to try
out new environments far from home. However, as he goes across the country–either with Dean or on his own–he realizes how unhappy he is. He
desires to be another person, with another person,
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Irritating In On The Road
The most irritating part of On the Road is at the end, when Dean leaves Sal, delirious with dysentery, alone in Mexico to return to New York. After
several days of fever induced unconsciousness, Sal wakes to find Dean preparing to leave. Sal is incredulous and deeply hurt, but Dean simply
smoothes it over with sweet talk, fixes his blanket, and leaves without any valid explanation. Even once Sal has realized what slimy action that was, he
continues justifying it to himself, concluding he just does not understand how complex Dean's life is. While typical of Dean and not at all unexpected,
this is tremendously disappointing. From the reader's perspective, this is a very lackluster ending. Both anti–climactic and devoid of character
development, it leaves one to question the purpose of everything prior. In a typical novel, there is a rising action, a climax, and a resolution, whereas
here it is only Dean, doing the exact same thing Dean has always done, while Sal quietly accepts it, even romanticizing it as complexity. In several
hundred pages, everything is relatively the same as it was in the beginning. They have shared adventures and experiences, but none of the growth one
would expect to come from such a journey.... Show more content on Helpwriting.net ...
Although Sal can be irritating and entitled, the reader has followed him through many challenges and developed some level of attachment to him.
Despite watching Dean walk out on numerous people throughout the novel, including his children, Sal really appears to have believed that their bond
was different and that Dean would never throw him away, as he has done to everyone else. It is sad and painful, both that Dean does walk away so
callously, and that it took Sal so long to realize he would. Furthermore, Sal still glorifies Dean, settling on the notion that he only did what he had

On The Road Dean Morarty Analysis
In Jack Kerouac's novel On the Road, we meet Sal Paradise and Dean Moriarty, two very lost men. After publishing the novel, many critics
commented that Kerouac's novel glorifies the deeds of criminal young men living irresponsible lives. Because of the low tolerance for rebellious
youth, nowadays most of society would share the critics' opinion. As Dean and Sal are adults, most of their actions are not inappropriate. Though this
is true, the more one reads the novel, one sees just how much of a failure Dean is. Throughout the novel, Dean, Sal, and their friends have many
parties. Drugs, alcohol, and parties are common themes in the novel. These actions are appropriate. Dean, Sal, and their friends are trying to find
themselves. As Sal says,... Show more content on Helpwriting.net ...
I saw his huge face over the plains with the mad, bony purpose and the gleaming eyes; I saw his wings; I saw his old jalopy chariot with thousands
of sparkling flames shooting out from it; I saw the path it burned over the road; it even made its own road and went over the corn, through cities,
destroying bridges, drying rivers. It came like wrath to the West. I knew Dean had gone mad again. (Kerouac

Romanticism and Modernism as Strange Bedfellows: A Fresh...
Romanticism and Modernism as Strange Bedfellows: A Fresh Look of Jack Kerouac's
On the Road Bliss was it in that dawn to be alive,
But to be young was very Heaven! O time
In which the meagre, stale, forbidding ways
Of custom, law and statute, took at once
The attraction of a Country in Romance! The Prelude–William Wordsworth
(Come in under the shadow of this rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening striding to meet you;
I will show you fear in a handful of dust. The Waste Land–T. S. Eliot On 2 April 1951, in a loft in New York City,Jack Kerouac fed 120 feet of Japanese
drawing paper into his typewriter, and for the ... Show more content on Helpwriting.net ...
. . he created a new symbol of flaming American youth, the American hero of the Beat Generation" (33). This same "flaming hero" was found in
other facets of American culture, more specifically in American cinema, with the likes of Marlon Brando and James Dean. However, even Moriarty's
flame would flicker at the conclusion of the novel where he is depicted as a gaunt figure in "a motheaten overcoat" (306) without a car, walking alone
in the frigid New York night.
The next subject is the west, the American symbol of autonomy and freedom. The west and its wild, unbridled spirit have been celebrated as an
American utopia in literature, lore, song and cinema. Paradise states early on "the stars seemed to get brighter the more we climbed the High
Plains. We were in Wyoming. Flat on my back, I stared straight up at the magnificent firmament, glorying in the time I was making" (30). Even the
popular music of the time focused on the romantic concept of moving west. In his essay, "Free Ways and Straight Roads," Lars Larsen notes how in
the late 1940s, "Nat 'King' Cole's version of Bobby Troupe's 'Route 66' helped redefine Steinbeck's grim migrant road as a place of 'kicks'" (37).
However, the west was not exactly the west of Paradise's dreams. Not only is Sal disillusioned by the mass commercialism of a Wild West festival, but
he spends two weeks in a migrant camp in California in abject poverty living on fresh picked grapes before fleeing

An Analysis Of Salva's A Long Walk To Water
It took 648 miles to walk from Southern Sudan to Ethiopia. Salva did this on an empty stomach with no food or water. Do you think you would
survive in a 100 degree weather with no food or water, with the same cloths that you been wearing for a year? Because salva did. In the book "A Long
Walk to Water" written byLinda Sue park, she talks about Salva's journey that took years and years to get to safety after the war stated. The war came
to his village while he was in school he had to run to the bush with not knowing where is his family or even knowing if they are alive. Salva was
running from the war for 24 years before he finally found safety in the united states. He was 11 when he started to run, he met a friend along the
way but he sadly died due to being eaten by a lion. He also meant his uncle along the way which help Salva gain confidence that he was going to
make it out alive, but again the uncle passed away due to three men shooting him, because he was trying to keep everyone safe. In this essay I am
going to prove that we can learn to never give up even if things are at the worst point possible and if you take things one step at a time you will get
through whatever you are struggling with. The key aspects I am going to be talking about are how did Salva learn never give up and even when salva
is at his worst he never gives up and still has hope that he is going to make it out alive. My first body paragraph I am explaining how salva never gave
up.

Allen Ginsberg Beat Generation Analysis
In and around the 1950s Allen Ginsberg, along with several other great poets interested in changing social consciousness and defying conventional
writing, became known as the Beat generation. Beat poetry focuses on the battle against social conformity and literary tradition. These Beat poets,
known for their unconventional lifestyle, unorthodox political views, rowdy behavior, and experimental drug use, caused a lot of controversy. In
Ginsberg's Howl and Other Poems, Ginsberg employs a particularly confrontational and crude writing style to challenge the heteronormative, nuclear
driven society that promotes the marginalisation and ostracisation of minorities and individuals whose ideology does not agree with that of the rest of
the nation. Ginsberg believes that American society remains gravely repressed and his writing works to challenge that. Ginsberg, along with the other
poets of the beat generation, introduce all the social taboos of the time such as heterosexual as well as homosexual sex, drugs, and addiction, into their
writings. Ginsberg became one of the most influential poets in literary history, preaching his personal truths and promoting the idea of breaking the
mold of the idealistic nuclear American society.
Bond 2
At the time Ginsberg began to write, this idea of the perfect family, (working father, stay at home wife, kids and a dog), had been a widely spread
idealistic way of life followed by the mass mainstream population of America. Although equality of opportunity is central to the concept of the
American Dream, only those who fit the mold of the straight laced American man receive the privilege of equal opportunity. Ginsberg believes this
concept of the idealistic "American Dream" proceeds to do nothing but harm minorities much like himself. Ginsberg "saw the best minds of [his]
generation destroyed by madness... demanding instantaneous lobotomy..."(1–69). The harmful and destructive ideology of the great American dream
remains engraved in our society dating all the way back to The Bill of Rights, 1789, " No person shall be... deprived of life, liberty, or property" and
Allen Ginsberg strived to dismantle this falsely constructed ideology. Ginsberg uses his sexaulity as a prime

On The Road Thesis
Kerouac wrote the novel On the Road in late 1940s. The beat generation is a lost generation of disillusioned young men looking for freedom and
self–expression. Jack Kerouac is the famous and most prominent writer who portrays his journey across America in his Novel.
Thesis statement The novel explains how the beats are often criticized for their behavior, which is in particularly concerning drug use and sex. Here I
explain how Kerouac and the beats experience those tensions.
Kerouac and the Beats Experience The beat is a mead term given to the post world war II writers who came to the limelight in the late 1940s. Any
story you may have heard about the beatniks is likely to be true. That was a culture full of experimentation. A unique culture... Show more content on
Helpwriting.net ...
Dean has a little regard for the la and conventions of the society. In the novel, authority is seen through the pleadings of the maternal character for Sal
and Dean to settle down and fulfill their responsibilities. In addition, it is understood more clearly in the several run–ins that the group of beatniks has
with law enforcement. During the day of Truman's re–election inauguration in Washington, the two conflicting side come face to face. The
government on one side and the beats on the other side who were intellectuals opposing political and social prejudice and stereotypes. Sal and his
friend Dean are stopped and harassed by the law police when they drive and speed on the wrong side of the road. That shows the difference between
the beats and the authority and reasons why the beat generation has to flee. It is chased out by its on society. The authorities in the novel disapprove of
the lifestyle that the beats are leading. Others can tell simply from the looks that the beats are rejecting the authority of the

The Reinforcement of Racial Hierarchies in Morrison's "The...
Race and racial hierarchies are reinforced through the proliferation of a predominant, societal, white aesthetic and through the perceptions associated
with physical characteristics. In The Bluest Eye, Toni Morrison first illustrates the reinforcement of racial hierarchies through the proliferation of a
predominant, societal white aesthetic by recounting passages from the Dick and Jane books, a standardization of family life. Next, "The Black Arts
Movement" by Larry Neal demonstrates the reinforcement of racial hierarchies through the proliferation of a white aesthetic by discussing how Black
culture, including Black art, is in danger if the white aesthetic is accepted by Black artists.
The reinforcement of racial hierarchies through ... Show more content on Helpwriting.net ...
These books, with their simplistic two and three word sentences, were widely used to teach all children how to read and suggested that the
lifestyle of Dick and Jane was typical and standard. But, the Dick and Jane lifestyle was certainly not the typical lifestyle for Claudia, Pecola or
either of their families. So, that lifestyle was presumed to be the typical white lifestyle. Furthermore, the lifestyle of Dick and Jane was obviously
viewed as superior to a sad, broken, difficult family life, similar to what Claudia and Pecola were accustomed, so white lifestyles in general were
viewed as superior. Consequently, exposure to this white aesthetic, especially at an early age, would create, proliferate and reinforce a racial hierarchy.
In "The Black Arts Movement," Larry Neal also discusses how a racial hierarchy is reinforced through the proliferation of a predominant, societal,
white aesthetic. Neal says that, "there are in fact and in spirit two Americas – one black, one white." (Neal 2039). Further, Neal discusses the danger of
not counteracting the white way of thinking, trumpeting the need for a Black aesthetic. "The motive behind the Black aesthetic is the destruction of
the white thing, the destruction of white ideas, and white ways of looking at the world." (Neal 2040). Neal's adamancy concerning the need for a
Black aesthetic confirms his belief in the existence and power of a predominant, societal, white

Allen Ginsberg, "Howl" Cultural Imapact Essay
Howl's Explicit Language and Revolution
"Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's
what the poet does." Allen Ginsberg believed this wholly and based his means of poetry by what he said in this sentence. One cannot censor thoughts,
just as one can't censor expression. Ginsberg faced controversy for sexual content and profanities that he used in his poetry, but those were merely his
private thoughts that he brought to the public. His poetry fueled a whole generational revolution in the 1950s. In times of cookie cutter uniformity Allen
Ginsberg went against norm and wrote explicit poetry for the sake of expressing a ... Show more content on Helpwriting.net ...
They pushed an open headedness to alternative sexualities and experimentation with drugs. This movement conflicted with the publicly accepted ideals
of the time period ("The Beat Generation"). These ideals of the beat generation that "Howl" stood for is a big reason why there was so much
controversy surrounding this poem. "Howl" was banned for obscenity because of its sexual and drug references, but without these references the voice
of a movement could not be heard (poets.org.)
The San Francisco Police Department deemed the poem "Howl" obscene due to the graphic sexual language the poem contained and arrested its
publisher, Lawrence Ferlinghetti on June 3, 1957("Howl on trial" pg. 2). The trial that proceeded was sure to change the tides of the literary world.
The ruling could change the ways of the Country, from prudery to expression sexual and other kinds. This was proven by the revolution in the sixties;
Ginsberg breathed the unspoken truth into American consciousness, when he spoke frankly in colloquiums in "Howl." October 3, 1957 "Judge Clayton
W. Horn not guilty of publishing and selling obscene writings, on the grounds that Howl and Other Poems was not written with lewd intent and was
not without 'redeeming social importance'("Howl on trial" pg.3.)" Judge Clayton said during the declaration of his decision that, "I do not believe that
"Howl" is without redeeming social importance. The first part

Nanotechnology Essay
Nanotechnology
Jeremy Rifkin wrote, in his article Biotech Century: Playing Ecological Roulette with Mother Natures Design, "Humans have been remaking the Earth
for as long as we have had a history." Well the path of history humans have chosen to take also affects how we remake the Earth. InNeal Stephensons
novel, The Diamond Age, one is shown how the technology of the time reshapes the political, economical and educational aspects of history. That
technology is the manipulation of molecules into atomic–sized machines called nano–machines. Stephenson brilliantly shows how such a powerful and
truly revolutionary technology like nanotechnology could change life, as we now know it, or they in the future know life. Nanotechnology, as ... Show
more content on Helpwriting.net ...
Many today would argue that an education that was all books and no hands–on experience would be an education wasted. And many would also argue
that most individuals learn best from those that know best– other humans with experience themselves. However, nanotechnology made it possible for
one young girl named Nell, a nobody lower class four year–old, get the education that anyone would wish for. The reason behind the success of her
educational experience with a book was because of the nanotechnology implemented to make the book itself. This book, called the Primer, was
fully dynamic in every way possible. Every question Nell had was answered. Every possible situation conceivable was covered. Nell did not even
know how to read before she started using the Primer, and at the end of the novel, she could understand books more advanced than most could even
read, she could solve incredibly complex problems, she had the articulation of an orator, and the properness even a Victorian would be proud of. This
same technology that Nell possessed was past on to approximately two hundred and fifty thousand other little girls the same age as Nell when she
started. Just think of the immediate impact such a volume of well–educated poor girls would have on the economy and politics of the time. A huge
closure in the gap between the privileged and the unprivileged in such a sudden time frame would create utter chaos, and in the story, such an event did
create utter chaos. All these

Jack KerouacвЂ™s The Dharma Bums Essay
Jack Kerouac's The Dharma Bums
Jack Kerouac's The Dharma Bums does not fall too far from a basic description of his life. Kerouac spent the bulk of his writing career riding trains
from city to city, meeting people and writing books and poetry. He was among the premier writers of the Beat Generation, a group of primarily urban
poets and writers who put the basics of life and their spiritual nuances into poetry with a beat. The book, The Dharma Bums, is a window into the daily
structure of the Beat Generation.
Kerouac wrote The Dharma Bums while living the life of a bum, riding from city to city as a stowaway on various trains. He used an old portable
typewriter that fed from a large roll of paper, into the typewriter, and back into... Show more content on Helpwriting.net ...
He is almost always meticulous in certain aspects of a given scene while leaving out what one would think are important details. However, the
descriptions given are always enough to reveal a full, vivid picture of moments, whether only gestures are described or wall paper.
The various scenes of the book are often unexpected, but the matter of fact style of writing usually diffuses. Kerouac creates such a familiarity with
his readers that it becomes assumed that any place unusual to the reader is typical for him, and in this way he pulls the reader further into this world
of the Beat Generation. Oftentimes the scenes are set in the cramped places such as boxcars and single room shacks frequented by Ray and his
friends. Other times the scenes are places like cafe's and restaurants around San Francisco, San Diego, and other, usually Californian, cities; however
some of Kerouac's most effective place descriptions throughout The Dharma Bums are found in the stories of other places told by those Ray meets,
rather than where he actually goes.
Among the most poignant aspects of The Dharma Bums is Kerouac's ability to use long narratives to pull his readers into the experiences of the
characters. The Dharma Bums is replete with the explanation of the experiences of ancient Zen Buddhist thinkers and their experiences as they search
for enlightenment. Kerouac constantly accesses the ancient writings of Zen Buddhist monks. Using such writings as a

Disappointment In 'Unwind And By The Waters Of Babylon'
Expect the Unexpected "Disappointment, noun; The feeling of sadness or displeasure caused by the non fulfillment of one's hopes or expectations."
(Dictionary.com) There is a large amount of disappointment shown in Unwind and "By the Waters of Babylon". A post
–apocalyptic genre is where the
end of the world has already taken place and characters are trying to survive and dealing with unavoidable disappointment. In the novel Unwind by
Neal Shusterman, the Bill of Life is drafted, a bill that outlaws abortion, but makes it legal to "retroactively 'abort' a child" between ages of 13 and 18.
The process is called unwinding. Unwind begins as our three main characters, Connor, Risa, and Lev – all whom are due to be unwound for one reason
... Show more content on Helpwriting.net ...
In Unwind, it can be stressful when things don't go as planned, even more so stressful for Lev, when he believes in a certain moment his life got
ruined. "Lev, dressed in his silk tithing whites, eats carefully, so as not to leave any stains on his clothes. He says to himself, this is what I was
born for. It's what I've lived for. I am chosen. I am blessed. And I am happy. Then Lev is on the way to the harvest camp, where they go to be
unwound and his car crashes then Connor and Risa take him and group him with them." (Schusterman, 36) Lev has been preparing for his
unwinding since before he could even remember. He was expecting to be a tithe until he was kidnapped by two rebels, Connor and Risa. This
incident caused Lev's entire process to be ruined and that went against his expectations of what he thought being unwound would be like and what
his future was going to look like. He expected this great process, but was disappointed that it didn't go as planned. Comparatively, in "By the Waters
of Babylon" lies are discovered, the truth always wants to come out but can create a problem when it has to be kept a secret. "A final conflict for
John occurs after he learns that the "gods" were actually real humans that lived in a former great city. He wants to tell his people the truth, but his dad
warns him against

Confessional Poetry Essay
Confessional poetry is a style that emerged in the late 1950's. Poetry of this type tends to be very personal and emotional. Many confessional poets
dealt with subject matter that had previously been taboo. Death, trauma, mental illness, sexuality, and numerous other topics flowed through the works
of the poetry from this movement. Confessional poetry was not purely autobiographical, but did often express deeply disturbing personal experience.
(Academy of American Poets)
Three important poets who are typically associated with the confessional poetry movement are Anne Sexton, Allen Ginsberg, and Denise Levertov. An
analysis of selected works from these poets yields a deeper insight into the individual poets and the broad ... Show more content on Helpwriting.net ...
Much of her poetry deals with topics such as sexual abuse, suicide, addiction, relationships, and sexuality. Of interest is the liberated feminist aspect
of her work which can be seen in such poems as "The Ballad of the Lonely Masturbator". Throughout her adult life, and until her death in 1974, Anne
Sexton plied her unique brand of poetry as a form of therapy and expression. Sexton stated: "My analyst told me to write between our sessions about
what I was feeling and thinking and dreaming." (Poetry Foundation)
"45 Mercy Street" is an example of Anne Sexton's late work, just prior to her suicide. Released in a posthumous collection, this poem extends past
the idea of confession. "45 Mercy Street" is a pure cry for help from a tortured psyche which has already decided that death is the only viable
escape. Sexton's work is a case study in severe depression and bipolar disorder. Regarding her classification as a confessional poet, Sexton often
disliked the term, yet still applied it to herself on occasion. In an interview with Patricia Marx, Sexton stated: "If anything influenced me it was W. D.
Snodgrass' Heart's Needle.... It so changed me, and undoubtedly it must have influenced my poetry. At the same time everyone said, 'You can't write
this way. It's too personal; it's confessional; you can't write this, Anne,' and everyone was

Neal Shusterman's Unwind
Former President John F. Kennedy said, "Efforts and courage are not enough without purpose and direction." Leadership is a quality found in many
characters of writer. In Neal Shusterman's Unwind, Connor is a main character that found direction and became a great leader. Unwind is a story that
takes place in future America. The unwinding process takes place from the ages of thirteen to eighteen. During this time, kids are able to be unwound
and harvested for their body parts. Kids will not die but they will live in a divided state. Connor is one of the main characters in Unwind. From the
moment Connor was introduced, he was a ticking time bomb that could explode at anytime. As the story progressed, however, he learned to control
these emotions,... Show more content on Helpwriting.net ...
Connor has had many attributes needed to become a leader before he met Risa and Lev, but he never touched into them. From the moment Connor was
on the highway, he showed us his leadership qualities. As Connor carries Lev into the woods following Risa, he stops Risa saying, "Whatever
you're running from, you won't get away unless we work together."(38) When they are around the campfire later, Risa says 'I wouldn't be here if it
wasn't for Connor.'(42) Connor was able to come up with a plan to take down the juve cop in a short amount of time with a girl he had never met
before. When the Unwinds revolt against the admiral and destroy the Graveyard, Connor is nowhere to be found. By the time he gets back, the
place is complete chaos. This, however, does not stop Connor as he is able to get everyone's attention. Shusterman uses words like 'obediently'(252)
to show Connor's power over the kids. After Connor gets Risa and the Admiral out of the jet, he assigns Hayden to calm everyone down. The way it
goes from complete chaos to order and control right as Connor gets there is astonishing. Even Roland realizes this when they come back to the
Graveyard and all the attention is on Connor and everyone listens to him. Roland thinks to himself, 'all his support was gone,'(259) and that he had
become an 'outsider.'(259) At the very end of the story, Connor ends up running the Graveyard. He makes eye contact with

On The Road Essay
Jack Kerouac was born in Massachusetts, in 1922. Kerouac quit school and joined the Merchant Marine, starting the travels which would become 'On
the Road' his most acclaimed novel. It is said to be an account of Kerouac's ("Sal Paradise's") travels with Neal Cassady ("Dean
Moriarty"). According to Allen Ginsberg, Kerouac typed the first draft of On the Road on afifty–foot long roll of paper.
On the Road gave an outlet of release for the dissatisfied young generation of the late forties and early fifties. And although it has been fifty years
since the events in On the Road, the feelings, ideas and experiences in the novel are still fresh as expressions of restless, idealistic youth who need
something more than the ... Show more content on Helpwriting.net ...
It is all focused on the hero, Dean Moriarty. The scene is established, with descriptions of Sal's life before he met Dean. Sal after splitting up with his
wife and recovering from a serious illness feels depressed, tired and motionless. Sal has always dreamed of the West, which he has never experienced,
when Dean, the personification of Sal's dream of the West, arrives and sparks everything into motion.
Throughout the novel there is a clear division of ideas of the East (intellectual, stagnant, old, saddened and critical) compared to the ideas of the West
(passionate, young, exuberant and wild).
The characters in "On the road" are often described with the attributes of the places which they are from, or rather, Sal's idea of that place.
Sal thinks in descriptive and needless to say long, rambling sentences, like the way Sal and Dean and Carlo talk. The sentences have an abundant
quality, cleverly incorporating the excitement and energy of the characters and events.
Sal describes his friends as earnestly as he can, yet seems to sometimes depict himself self–deprecatingly. He is the observer, often a little behind and at
a distance. He's late starting west, and can't hitchhike and travel as easily as he thought, and ends up having to take the bus all the way to Chicago.
While, the others, he imagines, are already there, having great fun.
The descriptions of

Essay on Treatment of Women in Jack Kerouacв
Ђ™s On The Road
The Treatment of Women in On The Road
The women in Jack Kerouac's On The Road were, it seems, not afforded the same depth in character which the author gave the men. The treatment of
the women characters in both word and action by Sal and Dean seems to show that women could only be a virgin/mother figure or a whore. Throughout
the novel there are many instances in which women and their feelings or actions are either referred to flippantly or blatantly degraded. It can be said,
however, that Sal (Kerouac) did not necessarily agree with this narrow female identity, and there is evidence to support this claim. The novel also shows
though that Sal did participate in this male forced female stereotyping whether he ... Show more content on Helpwriting.net ...
So, in consequence, there are many instances of the diminishment of the female identity. These can be seen in the novels treatment of the female
characters like Marylou, Sal's Aunt, and Terry. Marylou is repeatedly talked about, not talked to. In the part in which Dean wishes Sal to sleep
with Marylou the only dialogue that goes on is either Sal's or Dean's. Marylou has no lines. All she really has is a little "go ahead". That is all and
that really does not even imply cooperation; only coercion like "go ahead and You do Your thing to me". Dean is flippantly wanting Marylou to
sleep with his friend with little regard to anything she feels. She is a women, and, what is more to Dean she is a whore so of course she will sleep
with Sal. To Sal's credit though he does ask what she wants or thinks from the start but this sudden care seems to arise due to his own nervousness
and insecurities not any kind of genuine feeling for Marylou. Her identity as seen through the eyes of men would fall into the whore stereotype of
women. This is the exact opposite from Sal's Aunt. The most apparent treatment of Sal's Aunt as something less than an equal comes at the end of
part one. Sal has just returned from his first trip west. He is tired. He has been starving for three days now and of course eats everything in the house.
Then his Aunt's few extensive lines in the entire novel occur, and in a decidedly motherly fashion she says "Poor little Salvatore". She has fulfilled Sal's

AP English Literature : The Beat Generation
Vianney Mangyao
Ms. Hamill
AP English Literature
26 October 2017
What's so hip about the Beat? The Beat Generation can be perceived in many ways depending on how a person may translate the traits characterizing it
but the real definition of this generation remains the same all throughout. The Beat Generation is a literary movement that happened during the 1950's
after World War II and was greatly influenced by a group of artists and authors who explored. The Beat movement was centralized in certain
communities where freedom of expression was greatly prevalent. The lifestyle in bohemian centralized communities were explored and described by
many authors and some of the most well–known authors of this generation are Herbert Huncke, Allen Ginsberg, William S. Burroughs, Lucien Carr, and
Jack Kerouac. All authors gave light to what beat generation was like through their work of art. They outlined that Beat Generation is an approach
made by the people to reach a certain goal. Some of the goals are personal release and purification. Sounds familiar? These goals are more similar to
the goals of yoga. These goals were attained mainly through the use of drugs, sex, and expressed in jazz music.. The Beat Generation is a rejection of
standard narrative values, spiritual quest, rejection of materialism, explicit portrayals of the human condition, experimentation with drugs, and sexual
exploration. All these components are widely known as the characteristics of "hippies" and

Critical Analysis Of One Flew Over The Cuckoo's Nest
Whissen, Thomas Reed. "One Flew Over the Cuckoo's Nest: Ken Kesey (1962)." Contemporary Literary Criticism, vol. 341, Literary Resource
Center, Accessed 6 Nov. 2017. Thomas Whissen shares a deeper look into the critically acclaimed, One Flew Over the Cuckoo's Nest. In
Whissen's writing, he describes how the book is a depiction of a modern morality play. Kesey's writing gives his readers a relatable, savior of the
institution, Randle McMurphy. Kesey also delights his readers with a mysterious, yet decisive character in Chief Bromden. Whissen gives insight
on how this book became a world renown cult classic representing true evil that lives inside all of us. Thomas is able to clearly compare the writing
of Kesey to the infamous Adolf Hitler and the horrors of the Nazi concentration camps. Throughout the book the reader is able to realize that Kesey's
main idea was to develop a type of good vs evil or conformity vs nonconformity and Whissen is able to demonstrate multiple examples through his
representation of One Flew Over the Cuckoo's Nest. One of the many examples Whissen provides is how McMurphy is able, in such a short time, to
change the whole structure of the ward. McMurphy is able to change the ideologies of all the men in the institution and encourage non–conformism of
the men through a series of protests and strikes. Mr. Whissen is able to bring this to light by saying that even though someone is condemned by society
they can still rebel and put a dent in society's

The Beat Generation Essay
"The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of
some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death." (Kerouac, Jack. "On the
road."). This quote, from Jack Kerouac's book On the Road, is a brilliant example of the overall feel of the Beat Generation. Jack Kerouac is one of the
most influential writers of the Beat Generation, rivaled only by the likes of Allen Ginsberg and William S. Burrough. But what exactly is the Beat
Generation? What does it mean? Who of note was involved? When did it take place? The "Beat Generation" is a play on words, implying that the
participants ... Show more content on Helpwriting.net ...
The Beat Generation, a highly rebellious and conflict heavy group were invaluable in our countries development, without them America would be a
completely different place. It is common knowledge that Jack Kerouac was a key part of the Beat Generation, but why did he matter, what was his
most influential work? Born on March 12, 1922 in Lowell, Massachusetts to French–speaking parents from the French quarter of Quebec and French
was spoken at home, Kerouac was the final of three children (Jack Kerouac). As a result of his upbringing, Kerouac was not a native English
speaker; he actually did not learn English until the age of six (Jack Kerouac). Kerouac experienced tragedy at a dreadfully young age, his older
brother Gerard died of rheumatic fever when he was four years old (Jack Kerouac). Kerouac and Gerard had grown close during Gerard's illness, and
Gerard's death left Kerouac feeling exceptionally lost. But the lessons Kerouac learned from Gerard's death would stay with him forever and shape his
future writing, particularly his "reverence for life" (Jack Kerouac). Kerouac actually coined the term Beat Generation in his highly influential book On
the Road "They were like the man with the dungeon stone and gloom, rising from the underground, the

Unwind Quotes
Unwind In the novel Unwind by Neal Shusterman, Lev changed over time because in the beginning he is easy going and by the end, he is willing
and caring. Lev has many different feelings and thoughts throughout the book. At some times, Lev doesn't think about what he is doing and takes
risks. All of the characters change, but Lev changes more. He undergoes a major conformation. In the beginning, Lev was happy about going to the
camp and just went along with what happened. On page 34 he says "This is what I was born for. It's what I lived for. I am chosen. I am blessed. And I
am happy.ВЁ This illustrates that he doesn't want to be unwound. He just goes along with what's happening. In

Somebody's Nasal Say It By Neal Bortz
Somebody's Gotta Say It is a very self–explanatory title. In this novel, Neal
Boortz, a Libertarian and o so anti–liberal, expresses himself on certain issues in the
2006–2008 era of government which others would not peep a word about. Named The
#1 New York Bestselling Author of The Fairfax Book,Neal Boortz's Somebody's Gotta
Say It gives The Talkmaster himself the spotlight. Boortz is an American attorney and former radio host of The Neal Boortz Show, which ended in
2013 (par. 1). Describing him as an outspoken person would be an understatement. The radio talk show was ranked seventh overall listeners with an
average of about 4.25 million every week.
Boortz did not completely fall off the talk show radio bandwagon after 2013 – anyone
can ... Show more content on Helpwriting.net ...
Supportive evidence in his own child's life made him aware of how the government and the government operated school system really works; from
day care confiscations to little sweet, innocent girls with charity benefits. "The adorable tyke used to canvas her neighborhood regularly, collecting
donations for one cause or another (pg. 65)." The little girl would always explain her charitable reason to be: "Everybody ought to have the equal
amount of stuff (pg. 66)." Boortz says she is the real deal – a proud product of today's educational system. Connotations towards the individual are not
heavily emphasized in government schools due to the "equality" of aspects. If one does not have certain things, then others should not either. Simple
theory, right? There is no
SOMEBODY'S GOTTA SAY IT _4 room for competition, at all. From personal experiences, being a subject of the government school system, "the
most rampant form of child abuse that is not only legal, but committed routinely (pg. 124)," the only time in my life that I have ever felt challenged
is this year with class rank. Everyone desires to be on top; the sad truth is the people who are in the top ten or so, earned their spots. They were not given

Analysis Of Jack Kerouac's On The Road
Author and Beat literary movement pioneer Jack Kerouac adopts what he calls "spontaneous prose" as his own unique style in On the Road. Otherwise
known as "stream of consciousness," this is a method of writing that essentially captures the nebulous and unrelated thoughts that cross the narrator's
mind at any given moment, without break for explanation. Critics are quick to point out that this concept is materialized in the premise of Kerouac's
novel On the Road itself, citing the cross–country trek that is the center around which the novel revolves. It is one of confusion, calamity, and
carelessness, as well as fast–paced, unpredictable change of direction and complete emancipation of personal responsibility that is the self–proclaimed
... Show more content on Helpwriting.net ...
Neal's attitude towards society is one more of individuality rather than rebellion. As one critic puts it, "[Neal] doesn't want to overthrow the
government, but he doesn't want a government, or anyone else for that matter, to have control over him" (Napierkowski and Stanley 188). He begins
to idolize Neal and his viral, vivid personality. One critic describes the pair's relationship as one of "lost brother[s]," and goes on to describe Neal as
the like–minded, vibrant wanderer that Kerouac desired (Cunnel 8). Kerouac even grows jealous when Neal meets Allen Ginsberg, where he writes,
"Two keen minds that [Allen and Neal] are they took to each other at the drop of a hat... the holy con–man the great sorrowful poetic con–man that is
Allen Ginsberg. From that moment on I saw very little of Neal and I was a little sorry too... Their energies met head–on. I was a lout compared; I
couldn't keep up with them" (Kerouac 112). Kerouac's feelings of inadequacy in terms of the explosive personalities of the two survive through his
strong affinity towards Neal. While in Denver, Neal and Allen try to "soul–connect," the two of them both having taken Benzedrine and babbling
complete nonsense to each other straight through the night. The pair realize "'[Kerouac's] been awake all this time listening,'" and

Beats as a counterculture Essay
The Beats As A Counterculture
Many of the Beat writers wrote in a style known as spontaneous prose. Allen Ginsberg often writes in this style. He does so in the poem "Howl" in
which he rants and raves about society via his friends – Jack Kerouac, Willaim S. Burroughs, Lawrence Ferlingetti, and Neil Cassidy to name a few,
live. He discusses their poverty, civil disobedience, the ways that they fight society, and his personal fight against industrialization; he uses many
images in order to allow the reader to understand his lifestyle, the lifestyle of his friends and points of view, specifically their rejection of society.
Ginsberg depicts the deprived environment in which he chooses to live in through imagery. For instance the speaker ... Show more content on
Helpwriting.net ...
This is depicted in the quote: "who got bused in their public beards returning through Laredo with a belt of marijuana for New York," The belief
that Marijuana should not be illegal provoked them to attempt to bring marijuana across the Mexican boarder. Certain Beats were arrested for the
cause of legalization. The narrator of "Howl" pronounces: "Who bit detectives in the neck and shrieked with delight in policecars for committing no
crime but their own wild cooling pederasty..." They had the will to be arrested simply because they did not believe in a law and be glad about being
arrested as an act of civil disobedience. It is one of the ways in which people can fight against society.
The fight against societal values was a constant battle. As an anti–society act The Beats " threw their watches off the roof to cast their ballot for
Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade." This shows the irony of their battle against society
because although it would be nice to live completely outside of society it is very difficult. Because they threw their watches off the roof they were
forced to ask the time wherever they went in order to coincide with the "outside world." This battle turned out to be a losing one. This is proved in the
quote from "Howl": "who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores

African American Black Arts Poetry
This chapter undertakes to explicate the way that distinction operates at a key moment in African American cultural history. Black art is the aesthetic
and spiritual sister of the Black power. The Black arts and the Black power concept both relate to the African Americans for self–determination and
nationhood. It has been widely held that the fundamental characteristic of Black arts poetry is its virulent antiwhite rhetoric. Houston Baker stated, the
influential black critic J. Saunders Redding disparaged the Black Aesthetic as representative of a discourse of "hate", a "native racism in reverse". The
personality of African–American culture is established in the authentic experience of the African–American individuals, including the Middle ... Show
From this air, they treated their condition with careful care. They additionally for the most part trusted that a profound life source existed after death,
and that progenitors in this otherworldly domain could then intercede between the incomparable maker and the living. The Black Power development
of the 1970s followed in the wake of the peaceful Civil Rights Movement. The development advanced racial pride and ethnic union rather than the
emphasis on reconciliation of the Civil Rights Movement and embraced a more activist stance even with prejudice. It likewise roused another
renaissance in African–American scholarly and aesthetic articulation for the most part alluded to as the African–American or "Dark Arts Movement.
The inheritance of the African–American oral convention shows in differing frames. African–American evangelists tend to perform instead of
essentially talk. The feeling of the subject is brought through the speaker's tone, volume, and rhythm, which tend to reflect the rising activity, peak, and
sliding activity of the sermon. Frequently melody, move, verse, and organized delays are put all through the

The Black Arts Movement Essay
The Black Arts Movement
The Black Arts movement refers to a period of "furious flowering" of African American creativity beginning in the mid–1960's and continuing through
much of the 1970's (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the
idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists
created for black audiences. The movement saw artistic production as the key to revising Black American's perceptions of themselves, thus the Black
Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black ... Show more content on
Helpwriting.net ...
The Black Arts Movement is famously described by Larry Neal, in his essay "The Black Arts Movement" as the "aesthetic and spiritual sister of the
Black Power concept" (Neal 272). Led, in some ways, by Malcolm X and advocated by the Black Panthers for Self–Defense, the Black Power
Movement can be viewed as a distinct break from earlier civil rights movements. Black Power encouraged the improvement of African American
communities rather than the fight for integration and acceptance according to white standards. The Black Power Movement cultivated racial dignity
and self–reliance, and also revived an interest in cultural heritage and history. Furthermore, the movement recognized that "standards of beauty and
self–esteem were integral to power relations" and sought to cultivate confidence within the black community. (Hiltz and Sell). In addition to sharing
an ideological basis, The Black Arts Movement and Black Power Movement merged even further, because the BAM allowed for "concrete expression"
of many of the "political values inherent in the Black Power concept" (Neal 272).
As an artistic movement, the Black Arts Movement rebelled against the Euro–American assumptions of art, and emphasized importance of community,
ethics, and nationalism in art. The Western artist tends

Morality And Ethics On Transhumanism
Morality and Ethics on Transhumanism
A Concentrated Look at The Diamond Age
Stephan Ehr
Science Fiction
HU 424
April 17, 2015
Envision a world where nano sized robots can burrow themselves into your skin just by touching something or perhaps explode within you on
command. Consider perchance, a world were humans have collective thoughts and can generate the processing power of a super computer. Sounds like
something out of an awesome dream or a nightmare, depending on how you perceive it. These are just some of the ideas that are presented in
transhumanism. Transhumanism can be explained as the belief that the human race can advance past its current physical and intellectual confines
through the use of technology (Bostrom, 2014). In the current world we live in, we are limited by a number of factors, many of these include the
scientific limitations and the properties of physics. On the other side of the limitations, lay the concepts of morality and ethical issues. Along with those
concepts include how this technology correlates to our current world. In the novel The Diamond Age byNeal Stephenson, humans live alongside
nanobots (and various other technology) in a transhumanist world. In this advanced world, the ideas of morality and ethics are still present within the
human race. In many aspects, the morality and ethical issues that humans encounter today are reencountered in this transhuman world. In the novel The
Diamond Age, Neal opens the story with the

The Glass Castle Character Analysis
In "The Glass Castle", pages 62–121, some of the characters have an experience that makes them undergo a change in character. While it is not too
noticeable, if you dig deep into the text you can see how the characters are affected, and possibly make some predictions of how this is later relevant
to the story. Some of the predictions and assumptions may not be totally accurate, but are made based on evidence from the story. Jeanette, Brian, and
Lori all go through a transformation after they each experienced some sort of distressing event. The first transformative event happens to Jeanette in
the hot pool. Jeanette's father is trying to teach her how to swim by throwing her into the deep water and telling her to "sink or swim." When she... Show
The next transformative event happens to Brian. Brian was intrigued by The Green Lantern since it was a place his parents had always warned them
about. Brian was dared to go talk to the woman on the porch, with whom he became smitten with. After this event, it can be inferred that Brian
started distrusting what his parents had to say since he didn't have a bad experience. Later on his birthday, Brian learns the truth about the women
at The Green Lantern. His dad takes him to a hotel with Ginger where they assumingly have sex while Brian is outside. "Later, when Dad and
Ginger came out, she sat down next to Brian. He didn't look up. He kept staring at the comic book, even though he'd already read it all the way
through twice." I think that this is implying that Brian knew what they were doing since he read it twice. I believe he read it multiple times to distract
him from what was going on in the other room. Afterwards, his father makes him give the comic book to Ginger which makes Brian angry. Brian
loses his only source of sanity during that moment. I think the comic book was a symbol Brian's innocence and he was holding onto it until his father
made him give it up. The comic book was with him and helped him get through the traumatic experience in the hotel which could be another reason he
was so angry to let it go. In addition, Jeanette hints at Brian knowing what they did since he knows that the women make

Kerouac Hangover Analysis
To secure these debaucheries as more than just self–indulgence on Kerouac's part, however, we are far better off considering the segments which
directly followed, in where moments of a distinctive clarity are provided to Sal, whether fresh off a hangover from an evening's indulgences, or the
much harder–to–define "hangover," and each mixed emotion entailed, in returning from another run out into his beloved America, where whatever he's
searching for has either strayed from reach, or simply failed to present itself. In either circumstance, this dissatisfaction, coupled with the straying in
purpose to have started this endeavor in the first place, takes over in the dissipation of true identity; in a few, lingering instances, Sal foregoes such

The Typewriter By Allen Ginsberg: Chapter Summary
The Typewriter is holy begins with a chance encounter between Lucien Carr and Allen Ginsberg on the Columbia University campus in the spring
of 1943. This meeting would soon develop into a friendship that would be the foundation of a group of writers and intellectuals known as the "Beat
Generation". The first few chapters of the novel focus on the introduction of the wild and erratic characters known as the "Beats". The readers are
introduced to the likes of Jack Kerouac, William Burroughs, Allen Ginsberg, Edie Parker, and Joan Adams just to name a few. This motley group of
friends quickly adopted a communal lifestyle and became deeply involved in each other's lives. These individuals were outcasts in the conservative
society that ruled the time period. Their views on sex, drugs, alcohol, and literature differed significantly from the norm.
Writing––Chapters 4–6 ... Show more content on Helpwriting.net ...
Initially, Jack Kerouac is the only serious writer in the group; however, he eventually inspires Allen Ginsberg and a few others to pursue writing and
poetry. This section also introduces the intelligent, charming, and destructive Neal Cassady. Cassady plays a central role in the lives of both Ginsberg
and Kerouac. Sexuality and substance abuse is a central theme in this section. Allen Ginsberg battles with repressing his homosexuality and admits
himself into psychiatric wards to "fix" his sexual orientation. William Burroughs pioneers through several different kinds of substances ranging from
amphetamines to heroin. Burroughs introduces these drugs to many of his friends and begins a dangerous cycle of addiction and

On The Road Conformity
Major Research Essay: On the Road The 1950's were a time of social conformity and singularity. The Cold War raged, as suspected communists were
hunted. Anyone who didn't fit into the little box that defined what was right would be accused. However, people known as the beat would revoke
conformity, while other writers of the time period wanted to create a novel that defined the generation. On the Road by Jack Kerouac shows this time
period through the eyes of a wanderlustful writer. He didn't try to show the cultural geography of the common people who lived ordinary lives, but
rather the wanderers who lived to see the diversity of America. On the Road by Jack Kerouac shows the cultural geography of the time period using
the road and the ... Show more content on Helpwriting.net ...
As the protagonist Sal Paradise heads west, he meets an enormous amount of people. He hitchhikes all the way from New Jersey to Denver, and
meets quite a few travellers. Most notably, the two Minnesota farm boys who take any hitchhiker they can west. The collection of youth in the truck
represent the uncommon population. The youths mentality of traveling says something about the 1950's. When the high school boys in the truck yell
"Columbus so long! What would Sparkie and the boys say if they was here. Yow!"(Kerouac 25) it shows the need to travel. Even though the boys
were going west to work, that was still unconventional, and the boys are overjoyed to travel. "Nobody [payed] attention to the strangeness of the kids
inside the tarpaulin" (31). The people on the road are the real America, not the people in the

Allen Ginsberg Essay
An essay about Allen Ginsberg
Allen Ginsberg was one of the founding fathers of what is considered the Beat Generation and the Beat Movement. Throughout his entire life he wrote
multiple poems which voiced his certain opinions and thoughts about what America had been going through at the time. American poet, writer, and
philosopher, Allen Ginsberg uses his life experiences and ideas on resistance, freedom, and the Beat Movement to express specific ideas within his
poems.
Born on June 3rd, 1926, Allen Ginsberg grew up in the city of Patterson with his mother and father. He kept a journal in his teen years and loved the
poetry of Walt Whitman during high school and attended Columbia University after his high school years. In 1954 Ginsberg moved... Show more
content on Helpwriting.net ...
Now knowing that Allen is a very peace promotive person one might think that he would be a very peaceful speaker but that is nowhere close to the
real truth. In 1955 Allen wrote a poem called Howl which brough much criticism to face him. Howl, like War profit Litany, exposed America as
cruel. Howl exposed the hookers, the strippers, the drug dealers, the assassins, and pretty much any cruel person you can think of were exposed in
this poem. "...who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull..." In this quote Allen almost is
a little sympathetic for these certain kind of people mentioned earlier. This quote is saying these poor people were pushed away from places that could
potentially help them but most of the population didn't care about these people. Some people that read this poem changed their opinions on the less
fortunate, the ones that take cruel jobs to survive, and the homeless. This poem actually helped a good portion of these people. Citizens took it upon
themselves to get these less fortunate into shelter, get them warm, cleaned up, and turn them in to productive members of society. "...who passed
through universities with radiant cool eyes hallucinating Arkansas and Blake–light tragedy among the scholars of war..." The reason for using this
example is simple; it has an example of both aspects talked about previously. People were

Neal Cassady Essay
Neal Cassady: The Man Who Set The World Free
Neal Cassady grew up as a quasi–homeless wayfaring boy with his alcoholic, unemployed father in the projects of Denver. His unconventional
upbringing led to adolescence rife with theft, drug use, and extreme sexual awakening at a young age. Cassady grew up quite quickly and led an
overexposed life, which foreshadows his death at the age of 42 of exposure, next to railroad tracks in Mexico. His life, however, seems to be regarded
by many as the eighth wonder of the world. He was full of an interminable curiosity and energy, and was considered by many as the herald angel of the
Beat Movement. The oft–used term to describe Cassady, &quot;Damaged Angel,&quot; has its source in Cassady's... Show more content on
Helpwriting.net ...
Cassady epitomizes these attitudes through his lifestyle, a lifestyle of limit pushing and rule breaking. From his childhood, he had always been testing
boundaries. By the time he was 18, it is estimated he had stolen over 500 cars, just for fun.
Cassady, through a close friendship beginning at age 20 with Jack Kerouac and a twisted relationship with Allen Ginsberg, provided much of the
inspiration for the quintessential Beat poems and texts. Even his correspondence with the two of them is considered Beat literature, for it encapsulates
the ideals and attitudes of the counterculture and the Beat Generation. Cassady appears in Kerouac's On the Road as the legendary Dean Moriarty and
Cody in Visions of Cody. Cassady as Dean Moriarty in On the Road captured the spirit ofNeal as the ultimate Beat.
Allen Ginsberg was introduced to Neal Cassady in 1946 in New York City and was instantly enamored. The young Jewish poet from Paterson, New
Jersey saw Cassady as an ideal hero and mate. Their early sexual relationship and Cassady's later rejection of Ginsberg both had a significant effect
on Ginsberg's writing. (Richman). Jack Kerouac (Sal) tells the story of when Dean (Neal) met Carlo (Allen Ginsberg) in On the Road,
&quot;Two keen minds that they are, they took to each other at the drop of a hat. Two piercing eyes glanced into two piercing eyes– the holy
con–man

Critical Analysis Of Allen Ginsberg's 'Howl'
The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored
American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and
concerns confined to only male outcasts. In Allen Ginsberg's 1956 "Howl", he brings his audience's attention to male outcasts in society. In her 2015
"Howl", a critical response to Ginsberg's "Howl", Amy Newman explores the oppression outcasted women endure in a male–dominated culture through
the allusions of an admired female poet, Ginsberg's original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen
Ginsberg's original.
In Amy Newman's "Howl", she alludes to Sylvia Plath, an American female poet, who is acknowledged for her hardships as a outcasted female in the
poetry world due to her oppressive marriage. Newman illustrates Plath as, "[a] star–spangled lost in her housebound Eden curse with orchards and a
million gossipy daffodils, writing and nursing and not on the lists..." (Newman). In Allen Ginsberg's original "Howl" he adverts to male poets he
admires of his time, opposingly Newman emulates Ginsberg's technique and alludes to a feminist iconic poet Sylvia Plath. Newman implements a
biblical allusion referencing The Garden of Eden to depict Plath as a successful female poet who was metaphorically locked in her household; where a
woman's place

Howl By William Ginsberg
Howl by Allen Ginsberg: A Reflection on Institutions In the midst of radical changes in America during the 1950s as a result of the Cold War, the
Beat Generation came into existence. America in the 1950s was an age of conformity, something the Beats were against. Individuality was thrown out
the window. The middle class emerged. In the suburbs, every house looked the same and everyone wanted to buy what their neighbor had and keep up
with societal norms. Everyone acted the same way and shared the same beliefs as everyone else. Society in the 1950s, were "confined" to institutions in
which Allen Ginsberg wrote about in the poem, Howl. In fact, he met some of his fellow beat poets at his university and a companion whom he
dedicates this poem to at a psychiatric ward. His experiences at these institutions was of great influence to him as a person and as a poet. ... Show more
content on Helpwriting.net ...
They were influenced by jazz, experimented with drugs and wrote obscene poetry to go against society. The Beats lived in a society where
individuality was a negative thing. In the poem Howl, Ginsberg reflects on a world of madness in which institutions such as universities, the
government, and psychiatric wards created a conformist society that stifled creativity and individuality. Ginsberg opens the poem with the line, "I saw
the best minds of my generation destroyed by madness" (1). The "best minds" he refers to were not the elites but the outcasts such as poets, musicians,
and the underprivileged. They were against a conformist society that didn't allow them to express themselves freely. Society rejected them and their
attempts to break free from institutions. They sought many ways to escape this world of

An Analysis Of Eastin 's Style Of Writing
Eastin's style of writing is very focused on characters and how they interact. Every single one of his characters possesses unique traits and
personalities. He somehow manages to create characters that the audience strives to be, and yet they are all pretty normal people. Take Neal Caffrey
for example. He is the main character of White Collar and a pretty normal person. He turns from his life of crime and seeks a home, friends, and
family (Eastin). The audience wants to be like him not because of the life he was given, but because of the life he creates for himself through hard
work and reform. There is rarely a scene focusing solely on one character. The many interactions between characters make the show feel alive and
buzzing with ... Show more content on Helpwriting.net ...
Throughout the show, they grow closer and Neal tries to put his life of crime behind him and start a new life in New York with the bureau (Eastin).
Throughout the series, Neal betrays Peter's trust time and time again despite their friendship. Although Neal has good intentions, the audience knows
what he is doing is wrong. That doesn't matter, though, as the audience still finds themselves rooting for Neal. His character has such a unique
personality it almost feels real. Neal Caffrey has been sculpted so magnificently that by the end of the show he is like a friend to many viewers.
Eastin said the thing that gives Neal his allure is "They get to where they're going by sheer force of personality. Neal is someone you could easily
hate, but I think Matt Bomer brings so much boyish charm to him that you end up liking the guy despite that." (Shattuck). In a way, Neal has conned
the audience into liking him, but nobody seems to mind. Peter Burke, Eastin's "alter ego", transforms throughout the show, each season growing more
compassionate and less strict. Neal convinces him that the way to justice is sometimes blocked by corruption in the FBI and other agencies, and they
work together to skirt around that corruption and make a difference in the world (Shattuck). The whole idea for White Collar came from a hot tub with
Jeff Eastin and his friend, Travis Romero. Eastin wanted to pursue a show about white collar crime because he thought it was "the one place

Essay about Jack KerouacвЂ™s On The Road
On The Road and the American Quest
Jack Kerouac's On The Road is the most uniquely American novel of its time. While it has never fared well with academics, On The Road has come to
symbolize for many an entire generation of disaffected young Americans. One can focus on numerous issues wh en addressing the novel, but the two
primary reasons which make the book uniquely American are its frantic Romantic search for the great American hero (and ecstasy in general), and
Kerouac's "Spontaneous Prose" method of writing.
On The Road is an autobiographical first–person book written in 1951 and based on Kerouac's experiences of the late 1940's. At the time, America was
undergoing drastic changes and the sense of sterility brought on ... Show more content on Helpwriting.net ...
(42)
Dean and Kerouac's alter ego, Sal, represent one of the three main types of character patterns seen in '50s literature: that of the Rebel. And while
representative of the rebellious James Dean–like figures of literature, they are perhaps even more repres entative of '50s youth culture in their endless
searches. For what? The quest is left open for debate. Tim Hunt suggests that Kerouac could be searching for several things in On The Road: a father
(or brother) figure, the chance to regain lost joy, or a type of revelation (91). Hipkiss contends that Neal's
speeding dashes down the road are as much flights of panic,
the fear of never making it, the fear of losing all the life
he ever had, as they are quests for ecstasy, which is itself
an escape from fear and the frustrations of desire. (43)
Of course, elements of restlessness surface in earlier American novelists such as Hemingway and Fitzgerald,
but Kerouac's search for a type of identity in an era of increasing conformity sparked rebelliousness On The

Road–style and encouraged many to, as Tim Leary would put it several years later, "tune in, turn on, and drop
out."
As Kerouac's searches for the great American hero and ecstasy in general made On The Road uniquely American,
so too does his style of writing. Kerouac's "search for ecstasy naturally led to the exploration

Analysis Of Jack Kerouac's On The Road
"We gotta go and never stop going till we get there."
"Where are we going, man?"
"I don't know but we gotta go." (238)
And: –
. "вЂћWhatвЂџs your road, man?вЂџ" Dean asks later, "вЂћ–holyboy road, madman road, rainbow road, guppy road, any road. ItвЂџs an anywhere
road for anybody anyhowвЂџ" (Kerouac: 237).
These conversations between Sal Paradise and Dean Moriarty in On the Road shows that Kerouac has used the technique of spontaneous prose to mirror
spontaneity in the characters. The characters do not have any direction, but they know that they have to continue on the road, very much like Kerouac
and his methods of spontaneous prose. This is reaffirmed in the essay, "Formal experiments of theBeat Generation, focusing on Jack Kerouac's
spontaneous prose", Gert Buelens writes,
"this moving without thinking about the place you want to end up, or considering how you want to get there, is like Kerouac's spontaneous writing,
when he does not think about what precisely he wants to write in which order, he just writes without pausing to think"
The structure of the original scroll, along with the layout, and the long, sweeping sentences is another technique used to symbolise the attitudes of the
character's in the novel. On the Road was published in 1957, when the country was in the cold war, and conformism was applauded, but the characters
in the novel, they do not conform. They do not conform to what is expected of them in 1950's America i.e. jobs, families, and with the lack of line

Literature Circle Essay
How do you think it would feel to be raised knowing that your body was going to be harvested, even if it was for a God? In the novel Unwind by
Neal Shusterman, one of the characters changes drastically throughout the book. The book takes place in a future dystopian society where unwinding,
a process where children between the ages of 13 and 18 have their body parts are harvested and sold as replacement body parts to other humans, is
now a normal part of society. Three runaway unwinds go on a journey to fight for their lives. One of the main characters, Lev, develops greatly
throughout the novel by firstly being a holy tithe, then questioning his faith, and eventually realizing that his purpose in life is not to be a tithe.
At the beginning of the novel, Lev is a tithe and believes that it is his destiny to let himself be unwound. He doesn't believe in doing the wrong thing
and tries his best to be honest. He is infuriated when Connor and Risa save him because he still believes that it is his destiny to be tithed and that
they are holding him back. Lev says, "It's no use trying to explain to this godless pair what tithing is all about. How giving one's self is the ultimate
blessing ( Unwind 42)." This quote shows how narrow–minded he is when it comes to seeing what unwinding truly is about. He doesn't see unwinding
as a bad thing, but as a blessing and an honor that he must complete in order to please God. Unlike the other characters who tried to escape their fate,
Lev was

Unsounded Compare And Contrast
I will be comparing the extraordinary world of Unsounded to the terrifying conceivable world of The Walking Dead. The author of Unsounded is
Ashley Cope. Unsounded is a free weekly updated online graphic novel that is set in an epic fantasy world. It follows the adventures and
shenanigans of the daughter of the King of Thieves, Sette, and her very unlikely side kick, a mystical and magic wielding zombie named Duane. It
follows them on their quest to get to Sette's cousin Stockyard. On their way they run into mystic creatures, epic bad guys, and a squadron of city
guards, which only leads to trouble thanks to Sette's ignorance of the real world. The graphic novel Unsounded is different from the graphic novel
The Walking Dead because, it is based in a fairy tale world, has... Show more content on Helpwriting.net ...
The graphic novel Unsounded is based in a fantasy and fairy tale universe. When you look at the pictures and examine the detail of each pictures
you'll see the majestic and glorious world of Unsounded. The first hint of the setting for this graphic novel is during the first chapter. On page two of
chapter one you see the main character Sette climb up on to a cliff, as she gets up on the cliff you get to see her mysteriously cloaked partner float up
on a piece of earth (Cope, 1.2). Another piece of evidence that Unsounded is a fantasy world is on page five of chapter one. The scene is of Sette
getting pushed off a cliff by her zombie partner Duane. You can see she's falling from the vertical lines behind her and her hair is flowing backwards
from the wind going through it. As she is falling Duane floats down on another piece of earth and stops Sette's momentum in mid fall with

On The Road Character Analysis

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On The Road Character Analysis