"Trapped" by Stelly (2014) is an art series exploring the interplay of futurism, personal identity, and digital culture within a satire of contemporary societal issues. It critiques the commodification of self and the obsession with digital content creation, signaling a shift from written expression to visual communication as the primary form of self-representation. The work suggests a world where traditional concepts such as poverty and personal interaction are redefined in an age dominated by media and technology, inviting viewers to reflect on the implications of a reality increasingly mediated by digital experiences.