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Second Play Review
2nd Play Review
!  Choose one of the following Broadway musicals
to write your second review.
The image cannot be displayed. Your computer may not have
enough memory to open the image, or the image may have been
corrupted. Restart your computer, and then open the file again. If
the red x still appears, you may have to delete the image and then
insert it again.
Before Attending (or watching)
the Production
Read as much as you can about the play before
going to the production. If available, you can read
even read it. (It is important to be prepared for the
production you plan to attend; otherwise, you run
the risk of having to see it several times.)
Before Attending (or watching)
the Production
!  In your mind, have a good sense of how a
"standard" production might look, complete with
a sense of what the characters might look like,
the type of costuming that might be used, a
suitable set design, and an appropriate
rendering of the theme and tone of the work.
Before Attending (or watching)
the Production
!  Pick out, as you read, several critical or
problematic points within the play that may be of
particular interest to watch for in the production
you are about to attend. If your instructor has
asked you to pay particular attention to certain
elements, make sure that you are prepared to
recognize them in performance.
Attending (or watching) the
Production
!  Watch the play with an open mind, a willingness
to accept the play as the director has presented
it in production.
Attending (or watching) the
Production
!  Note any deviations from your concept of a
"standard" production and try to find a good
explanation for that deviation. (Is the director
trying to "say" something new or different? Was
your sense of the play somehow inaccurate, or
were you shown new insights by the director's
production?)
Attending (or watching) the
Production
!  You may want to consider some of the following:
!  Why the choice of costumes, and why the set
design?
!  How did the actors deliver their lines (seriously,
comically, realistically, formally)? Were there any
significant actions or gestures that contributed to the
play's meaning?
!  Were any "special effects" utilized (consider lighting,
sound, audience participation, machinery)?
!  Were any significant cuts made in the script?
Evaluate the performance.
Evaluate the performance.
!  Did the director miss any important opportunities
to convey something you were able to see in
your reading of the play?
!  Would you have liked to have seen more
attention paid to what you perceived as critical
passages, passages the director seemed less
interested in?
!  Why would you have preferred this attention,
and why do you think the director avoided giving
the passage such attention?
Consider the following practical
aspects:
!  What kind of stage does the director have at his
disposal? What kinds of restrictions does the
stage impose on the director concerning
movement and set design?
!  Are the actors professionals, amateurs, or
students? What restrictions does this impose on
the director? Are the actors capable of dealing
with the script's requirements? (Be fair to the
actors in your assessment of their talents and the
level of their "craftsmanship.”)
References
!  Adapted from:
WINSCONSIN UNIVERSITY WRITING CENTER
(http://writing.wisc.edu/Handbook/
PlayReview.html )

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Writing a Play Review

  • 2. 2nd Play Review !  Choose one of the following Broadway musicals to write your second review. The image cannot be displayed. Your computer may not have enough memory to open the image, or the image may have been corrupted. Restart your computer, and then open the file again. If the red x still appears, you may have to delete the image and then insert it again.
  • 3. Before Attending (or watching) the Production Read as much as you can about the play before going to the production. If available, you can read even read it. (It is important to be prepared for the production you plan to attend; otherwise, you run the risk of having to see it several times.)
  • 4. Before Attending (or watching) the Production !  In your mind, have a good sense of how a "standard" production might look, complete with a sense of what the characters might look like, the type of costuming that might be used, a suitable set design, and an appropriate rendering of the theme and tone of the work.
  • 5. Before Attending (or watching) the Production !  Pick out, as you read, several critical or problematic points within the play that may be of particular interest to watch for in the production you are about to attend. If your instructor has asked you to pay particular attention to certain elements, make sure that you are prepared to recognize them in performance.
  • 6. Attending (or watching) the Production !  Watch the play with an open mind, a willingness to accept the play as the director has presented it in production.
  • 7. Attending (or watching) the Production !  Note any deviations from your concept of a "standard" production and try to find a good explanation for that deviation. (Is the director trying to "say" something new or different? Was your sense of the play somehow inaccurate, or were you shown new insights by the director's production?)
  • 8. Attending (or watching) the Production !  You may want to consider some of the following: !  Why the choice of costumes, and why the set design? !  How did the actors deliver their lines (seriously, comically, realistically, formally)? Were there any significant actions or gestures that contributed to the play's meaning? !  Were any "special effects" utilized (consider lighting, sound, audience participation, machinery)? !  Were any significant cuts made in the script?
  • 10. Evaluate the performance. !  Did the director miss any important opportunities to convey something you were able to see in your reading of the play? !  Would you have liked to have seen more attention paid to what you perceived as critical passages, passages the director seemed less interested in? !  Why would you have preferred this attention, and why do you think the director avoided giving the passage such attention?
  • 11. Consider the following practical aspects: !  What kind of stage does the director have at his disposal? What kinds of restrictions does the stage impose on the director concerning movement and set design? !  Are the actors professionals, amateurs, or students? What restrictions does this impose on the director? Are the actors capable of dealing with the script's requirements? (Be fair to the actors in your assessment of their talents and the level of their "craftsmanship.”)
  • 12. References !  Adapted from: WINSCONSIN UNIVERSITY WRITING CENTER (http://writing.wisc.edu/Handbook/ PlayReview.html )