Write on one (1) of the following topicsTopic 1The Heart.docx
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Write on one (1) of the following topics: Topic 1: The Heart of Darkness is one of the great literary criticisms of Imperialism in Africa. Marlow, the main character, is originally fascinated by the possibilities that exploring Africa has to offer a young man seeking his fortune and a name for himself, but he later becomes disillusioned with the process. Discuss why Marlow originally had faith in Imperialism, but then came to regret his participation in it. Topic 2: The painting by Manet titled “Olympia” in The Making of the West was intended to shock the smug, self-assured sensibilities of the bourgeoisie in Paris at the time. But paintings of nude women are a common subject throughout the history of art. Why is this painting different? To support your response, you might also google Manet’s painting “The Luncheon on the Grass,” another image that shocked the casual viewer in nineteenth century France. .
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Eliot is arguably the most important literary figure of the Modernist era and he is still extremely relevant in the contemporary era as well. One of the best ways to approach the poetic work of Eliot is to begin with his first poem, “The Love Song of J. Alfred Prufrock.”
While “Prufrock” can be difficult to understand, there is a simple narrative that holds the poem together. The entire poem is an internal dialogue between different aspects of Prufrock’s personality. The first line introduces the participants of the dialogue, “you and I.” “I” is Prufrock’s ego, his boring, witty, public personality; “you” represents the deep passions that lie dormant and buried within his heart.
The mental dialogue boils down to a couple questions that Prufrock debates. The first question, on the surface, is: will I tell this woman that I love her? (The woman is referred to as “the one” reclining on a pillow in lines 96 and 107.) The second, and deeper, question is: will “I” (Alfred Prufrock) actually let “you” (my deepest passions) emerge from hiding? Will “I”
ever
let “you” do something crazy?
1. Eliot is famous for developing a key Modernist literary technique called the “objective correlative.” The o.c. is a technique in which the description of an object correlates with description of the character’s (or author’s) attitude about the object. The person’s subjective experience controls how reality is viewed. Eliot’s poem is filled with vivid imagery about the places Prufrock goes, the weather of that day, and the city he’s in. How does this vivid imagery of these places correlate with Prufrock’s personality? Focus on Lines 1-36 for this question, and pick two objects from that section of the poem.
Hints:
Focus on the description of London. London is a large, exciting cosmopolitan mega-city that always has people going about at all times. However, in the poem, it is presented very differently. The presentation isn’t really an accurate view of London, but of Prufrock’s personality.
Focus on the “yellow fog”. Fog is not usually yellow. But yellow has some symbolic connotations… sickness, fear
2. Describe the passages where Prufrock is struggling with himself. How is this self-struggle related to Modernist themes? Focus on Lines 37-86 for this question. Select two passages and relate them to two different themes. (So, for example, find a poetic passage that can connect to the 4th Modernist theme, the loss of meaning, then explain the connection you see.)
Hint:
Just to review from my lecture on modernism, here are the 4 main themes:
--fragmentation as a motif: works are composed of seemingly disconnected scenes or images. This motif discards traditional assumptions of fiction where reality was supposedly reflected by a coherent, linear plotline. (Edgar Lee Masters, Sherwood Anderson)
--the art of omission: parallel to fragmentation, modernist fiction/poetry omits authorial explanations and interpretations. Scenes are .
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Esra Minniti
Western Governors University
A. Analyze the historical Context
Realism overlapped with the Romantic Period from around the 19th century to the early 20th century. The major events of the Realism were Darwinism, Industrialization and Marxism, and Individualism.
Charles Darwin’s “The Origin of Species” (1859) was a major publication that was written to prove that every species, including human, went through natural selection, where the dominant genes that were needed for survival were given to the next generation. With the industrial Revolution and “technological advances such as steam locomotives, electricity, and steel processing”, urbanization occurred. Also the development of social classes of upper and lower classes developed. Karl Marx was the one who criticized that the gap between the worker class and upper class will eventually lead to revolution. He represented this idea in his work “Communist Manifesto” written in 1848.
John Stuart Mill developed “Utilitarianism”, the idea of what is morally right according to what is best for the community. Another important subject of the “Realism” time was Individualism. In the center of this idea was portraying realistic people during that time, most importantly, the worker class. One of the major innovations was the development of photography, which realism artists used to portray detailed reflections of everyday humans. Another important innovation was tube colors. With these artists were able to paint outside of their homes and were able to capture their art on site.
Later in the 19th century artist were importing Japans art of wood painting and incorporating this tool into their own artistic creations.
Exploration of a Particular Theme or Style
Guy de Maupassant and his work “The Necklace” shows how a woman from a lower class in society is trying to become part of the upper class, rich women. She borrows a necklace to go to a gathering at the palace that is held by the Minister and his wife. This work is a good example of the “realism” subject of portraying the contemporary life of the people during that time. It emphasises on the different societal classes. The main idea of this work is the importance of your societal class and how every woman is trying to be part of something better. Every woman wants to feel beautiful, beloved and wanted. ( “She would so have liked to be please, to be envied, to be charming, to be sought after”. ) (Maupassant,1884)
It also refers to the struggle of the working class of the society because it shows us how just for that one necklace they had to work 10 years to pay off their debt. That is a way of pointing out the struggles of the working class. The elevation of the societal class is represented by how every woman wants to be “with men famous and sought after, whom all women envy and whose attenti.
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Modern novels from the late 19th/early 20th century realistically depicted psychological aspects of life and contained a sense of pessimism. Key modern authors included Thomas Hardy who explored fate in novels like Tess of the d'Urbervilles. Postmodernism emerged in the 1940s incorporating elements like parody, playfulness and black humor. Notable postmodern authors were Joseph Heller, Kurt Vonnegut, and Thomas Pynchon who blended genres to critique aspects of modern society like war and consumerism. Postmodern novels by Tim O'Brien incorporated both fiction and reality from his Vietnam War experiences.
5_6078015925188034968.pdf
This document discusses trends in English literature from the post-World War 2 period to the present. It covers several topics:
1) Post-war novels in the 1950s showed a nostalgic longing for pre-war times and innocence. Writers like Golding examined humanity's flaws.
2) In the 1950s, literature shifted to portray the lives and perspectives of the lower middle/working classes in response to new social mobility.
3) By the 1970s-1990s, the English novel demonstrated diversity and commercial success through various genres and reluctance to adhere strictly to movements. Contemporary writers resist simple categorization.
Elit 46 c class 13
The document summarizes a lecture on Joseph Conrad's novella Heart of Darkness. Some key points:
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- It analyzes how the novella engages with imperialism, initially seeming to justify it but later complicating that view by showing the negative impacts of colonialism.
- Psychological concepts from Freud and Jung are mentioned as influences on Conrad's narrative strategies and symbols.
- The absence of women from the story and shifting views of concepts like "civilization" are noted as signs of modernism emerging from Victorian values.
- Conrad is seen as
The romanticism period (1800 1860)work
The Romanticism Period occurred between 1800-1860 originating in Europe as a reaction to industrialization and rationalism. It emphasized emotion, nature, individualism and the supernatural in art, literature and intellectual thought. Key characteristics included engaged artists, glorification of nature, and the romantic hero who rejected society to live closely with nature. Famous Romantic writers and their works included Washington Irving, James Fenimore Cooper, Edgar Allan Poe and Nathaniel Hawthorne. The period highlighted the soul and potential of individuals who could achieve self-realization through their artistic expression.
arts of Romantic period.pptx
This document discusses key aspects of Romanticism in painting, sculpture, and architecture. It provides information on several major Romantic artists like Jacques-Louis David, Theodore Gericault, Eugene Delacroix, Francisco Goya, and others. It describes some of their most famous works such as The Raft of Medusa, Liberty Leading the People, and Saturn Devouring His Son. It also discusses key characteristics of Romantic landscape painting and sculpture, as well as the Gothic Revival architectural style.
American Romanticism 2
American Romanticism began in the 1820s as a reaction against Enlightenment rationalism, placing new emphasis on emotion, nature, imagination, and the supernatural. Key characteristics included an appreciation of nature's beauty, a belief in humanity's inherent goodness, and the concept of the Romantic hero as intuitive and close to nature. The movement saw works produced by early American writers like Irving, Cooper, Bryant, and Longfellow before the Civil War ended the Romantic period and ushered in Realism. Dark Romantics like Poe, Hawthorne, and Melville acknowledged humanity's capacity for evil.
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Supporting Materials
Week 8 Assignment Grading Rubric.docx
(14 KB)
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Creative Restart 2024: Mike Martin - Finding a way around “no”
Write on one (1) of the following topicsTopic 1The Heart.docx
- 1. Write on one (1) of the following topics: Topic 1: The Heart of Darkness is one of the great literary criticisms of Imperialism in Africa. Marlow, the main character, is originally fascinated by the possibilities that exploring Africa has to offer a young man seeking his fortune and a name for himself, but he later becomes disillusioned with the process. Discuss why Marlow originally had faith in Imperialism, but then came to regret his participation in it. Topic 2: The painting by Manet titled “Olympia” in The Making of the West was intended to shock the smug, self-assured sensibilities of the bourgeoisie in Paris at the time. But paintings of nude women are a common subject throughout the history of art. Why is this painting different? To support your response, you might also google Manet’s painting “The Luncheon on the Grass,” another image that shocked the casual viewer in nineteenth century France.