Workshop materials notes
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This document provides materials and instructions for an oil glazes and figurative painting workshop with Jacques de Beaufort. It lists the paints, mediums, varnishes, brushes, pallets, and other supplies that will be used, including mineral and organic paints in opaque and transparent varieties from brands like Gamblin and Sennelier. The workshop instructions are broken into six steps which are not further detailed.
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Directional force refers to the compositional means artists use to arrange design elements to move a viewer's eye in a intended way through a work of art. Key directional forces include vertical, horizontal, diagonal, circular and triangular lines or shapes that imply visual lines leading the eye to the focal point. Effective works of art often combine multiple directional forces.
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de Beaufort REFLECTION AND REFRACTION
Light travels in straight lines until it encounters a new medium, like air and glass, where it can either pass through (refraction) or bounce off of (reflection). Reflection occurs when light hits a smooth surface like a mirror, bouncing at the same angle, while refraction happens when light passes from one medium to another of different density, changing direction as it enters the new medium at a different speed. The bending of light that occurs during refraction can be described using Snell's law, which relates the angle of incidence and refraction based on the densities of the materials.
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Workshop materials notes
- 1. WORKSHOP: Oil Glazes and Figurative Painting with Jacques de Beaufort MATERIALS: Mineral vs. Organic(synthetic) Opaque vs. transparent Surface: Birch Panel (home-made) Primer: Zinsser Bull’s Eye 1-2-3 Primer For this particular exercise we will be using: PAINT: Gamblin Paints Brown Pink (transparent) Indian Yellow (transparent) Quinacridone Red (transparent) Radiant White (highly opaque) Cobalt Teal Sennelier King’s Blue (sometimes “powder blue”) Cadmium Red (opaque) Naples Yellow Naples Yellow Red Any professional brand Titanium white (slightly transparent) Paynes Grey Burnt Umber
- 2. Magenta Transparent Red Oxide Ultramarine Blue (transparent) Cold and Warm Grey 50% MEDIUM: Stand oil Refined Linseed oil Gamsol (solvent) Galkyd (alkyd resin) VARNISH Ketone matte varnish (wax based) BRUSH CLEANER: Murphy’s Oil Soap Industrial Strength PALLETTE Freezer Paper BRUSHES As many as you can afford of all types and sizes PENCIL Ebony pencil (8B graphite)
- 7. Step 4 Step 5 Step 6