Wojciech Pater - selected works
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The document provides information about various games, apps, animations, artworks and design projects. It includes descriptions of elements like environments, characters, UI/UX, logos, icons, animations and gameplay for several mobile and desktop games. It also outlines features for music apps and includes links to videos and app store listings. Additionally, it showcases logos, digital artworks, oil paintings, illustrations and website designs created by the artist.
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Final presentation
This document describes a two-player pong game app that can be played between two Android phones using Bluetooth. The app features a tilt-sensitive paddle controlled by the phone's sensors, background music, and the ability to post victory messages to Facebook. It uses APIs for Bluetooth communication, graphics rendering, sensors, media, and Facebook to enable its core gameplay and sharing functions. Demo videos show the gameplay and Facebook integration in action. Developing the app required addressing challenges like bidirectional data transfer over WiFi Direct and coordinating the ball position between phones via Bluetooth.
Last of us pipeline pdf
The document describes the development process of the video game The Last of Us. It began in the ideation stage where the team drew inspiration from a BBC documentary about a mind-controlling fungus. In pre-production, they developed characters, cast actors, and wrote the script. During production, motion capture and voice acting was recorded and assets were created. In post-production, marketing and adding the soundtrack occurred. After release, they reflected on sales, improved the experience with downloadable content, and continued updating the multiplayer portion of the game.
Squidiverse Production Pipeline
Phoenix and Aaron came up with the concept for Squidiverse, a platformer game starring a squid character. They established an 8-bit art style inspired by classic Mario and Sonic games. Phoenix created concept art for the squid and villains while Aaron composed the soundtrack. Throughout production, they refined the user interface and gameplay based on testing feedback. To promote the game, they shared concept art, videos, and gameplay footage on social media and YouTube. While the gameplay was fun and engaging, they noted that adding more enemy variety and fixing minor glitches could improve the game.
Save The Hamsters Underground Portfolio
The document provides a project plan for the game "Save the Hamsters #Underground" which will have 200 levels across 10 locations. It will have an interactive main menu and game stages featuring locations like the Great Wall of China and the Pyramids of Egypt. The revenue models will include a paid app with a 15-level trial and optional in-app purchases to skip levels or get hints using an in-game coin system. The target revenue for the first year is $20,000.
Production reflection
This document provides a summary of the process taken to create a racing game. It describes how the key scenes were developed, including the title screen, car selection page, level complete screen, leaderboard, and game over screen. Tools like the pencil and eraser tools in Photoshop were used to draw elements. Levels were then made and integrated together in Premiere. Additional touches like loading screens and flags to warn of hazards were added. Finally, appropriate sounds were created using BeepBox for each element to complete the game.
Game halo
The document provides instructions for playing the Halo multiplayer game. It explains that the main menu allows players to join a local area network multiplayer game, create an online multiplayer game to play with friends, or start a single player game where the goal is to reach the last level. The profile menu lets players choose their controls, character, and game settings before creating a new profile or editing an existing one. Settings can be adjusted for names, colors, controls, audio, video, and network connectivity.
Evaluation
The document provides an evaluation of the student's game design project. Some strengths included having clear inspiration from other games in the genre, coming up with the game idea quickly, and completing all work on time. Weaknesses included needing more detailed planning and research into a wider range of genres. The game's visuals and audio were evaluated, with pixel art being a strength but levels and animations needing more detail. The simplicity of the design appealed to the target audience of males aged 11-19.
Project presentation 2
The document proposes a physics puzzle game for the iPad based on Rube Goldberg machines. The goal is to move an object from start to finish by placing items like ramps, pulleys and fans that trigger a chain reaction. It reviews similar games and aims to improve on the closest competitor, Crazy Machines, by adding new mechanics, themed levels, and selling at a lower price. Technical details discuss using Corona SDK and launching on the App Store. An early testing demo video is available for review.
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Final presentation
This document describes a two-player pong game app that can be played between two Android phones using Bluetooth. The app features a tilt-sensitive paddle controlled by the phone's sensors, background music, and the ability to post victory messages to Facebook. It uses APIs for Bluetooth communication, graphics rendering, sensors, media, and Facebook to enable its core gameplay and sharing functions. Demo videos show the gameplay and Facebook integration in action. Developing the app required addressing challenges like bidirectional data transfer over WiFi Direct and coordinating the ball position between phones via Bluetooth.
Last of us pipeline pdf
The document describes the development process of the video game The Last of Us. It began in the ideation stage where the team drew inspiration from a BBC documentary about a mind-controlling fungus. In pre-production, they developed characters, cast actors, and wrote the script. During production, motion capture and voice acting was recorded and assets were created. In post-production, marketing and adding the soundtrack occurred. After release, they reflected on sales, improved the experience with downloadable content, and continued updating the multiplayer portion of the game.
Squidiverse Production Pipeline
Phoenix and Aaron came up with the concept for Squidiverse, a platformer game starring a squid character. They established an 8-bit art style inspired by classic Mario and Sonic games. Phoenix created concept art for the squid and villains while Aaron composed the soundtrack. Throughout production, they refined the user interface and gameplay based on testing feedback. To promote the game, they shared concept art, videos, and gameplay footage on social media and YouTube. While the gameplay was fun and engaging, they noted that adding more enemy variety and fixing minor glitches could improve the game.
Save The Hamsters Underground Portfolio
The document provides a project plan for the game "Save the Hamsters #Underground" which will have 200 levels across 10 locations. It will have an interactive main menu and game stages featuring locations like the Great Wall of China and the Pyramids of Egypt. The revenue models will include a paid app with a 15-level trial and optional in-app purchases to skip levels or get hints using an in-game coin system. The target revenue for the first year is $20,000.
Production reflection
This document provides a summary of the process taken to create a racing game. It describes how the key scenes were developed, including the title screen, car selection page, level complete screen, leaderboard, and game over screen. Tools like the pencil and eraser tools in Photoshop were used to draw elements. Levels were then made and integrated together in Premiere. Additional touches like loading screens and flags to warn of hazards were added. Finally, appropriate sounds were created using BeepBox for each element to complete the game.
Game halo
The document provides instructions for playing the Halo multiplayer game. It explains that the main menu allows players to join a local area network multiplayer game, create an online multiplayer game to play with friends, or start a single player game where the goal is to reach the last level. The profile menu lets players choose their controls, character, and game settings before creating a new profile or editing an existing one. Settings can be adjusted for names, colors, controls, audio, video, and network connectivity.
Evaluation
The document provides an evaluation of the student's game design project. Some strengths included having clear inspiration from other games in the genre, coming up with the game idea quickly, and completing all work on time. Weaknesses included needing more detailed planning and research into a wider range of genres. The game's visuals and audio were evaluated, with pixel art being a strength but levels and animations needing more detail. The simplicity of the design appealed to the target audience of males aged 11-19.
Project presentation 2
The document proposes a physics puzzle game for the iPad based on Rube Goldberg machines. The goal is to move an object from start to finish by placing items like ramps, pulleys and fans that trigger a chain reaction. It reviews similar games and aims to improve on the closest competitor, Crazy Machines, by adding new mechanics, themed levels, and selling at a lower price. Technical details discuss using Corona SDK and launching on the App Store. An early testing demo video is available for review.
5. Pre-Production
The document provides an audience profile and target demographic for a new game being created. It aims to attract heterosexual male children aged 7-12 from a lower middle class background through cartoon-style non-graphic violence and a teenage/young adult male protagonist. It also aims to interest "achievers" through collectables, coins, and achievements in the game. Similar games referenced include Super Mario, Sonic the Hedgehog, Cuphead and Shovel Knight. It also outlines plans for sound effects, contingency planning, and health and safety considerations.
Game halo
The document provides instructions for playing the Halo multiplayer game. It explains that the main menu allows players to join a local area network multiplayer game, create an online multiplayer game to play with friends, or start a single player game where the goal is to reach the last level. It also describes how the profile menu lets players choose controls, character, and game settings before creating a new profile or editing an existing one. Settings can be adjusted for names, colors, controls, audio, video, and network connectivity.
Game aspects reworked
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3. Research
This document summarizes Leticia Lopes' research on existing mobile games to inform the development of their own game. It describes common features across several games, such as collecting items, avoiding hazards to pass levels, and including a statistics bar. The document indicates aspects Leticia plans to include in their own work, like unique start menus and loading pages as well as a statistics bar. It concludes by listing the specific games researched: Jetpack Joyride, Subway Surfers, Gravity Guy, and Fancy Pants Adventures World 2.
Ig1 task 2 analysis work sheet (7)
The document provides an analysis of the sound design and soundtrack of the video game Watch Dogs. It examines how the sounds establish the setting of a technologically advanced Chicago and represent the game's genres of action. The mood and pace of the soundtrack changes to correspond with the changing moods in the game, such as faster music during action scenes, which was achieved through sound editing software. Effects like gunshots were prerecorded and imported into the game to help portray the action genre. The voice acting in cutscenes helps set the tone and narrative of the game by giving a sense of the characters and story.
6. production reflection(1)
The document discusses the process of creating a horror game. It describes how the student created different stages for the game, each with their own dark, creepy atmosphere and details to make the environment feel lived in. Speech cards and clues were added throughout to guide players and give context to the main character. Additional stages were created halfway through to improve the gameplay experience. A main menu was also added later to set the tone and theme of the game.
3. research
The document discusses research on existing horror survival games including Deadlight, Lone Survivor, Dying Light, and Silent Hill. It analyzes the games' use of sound effects, music, graphics, and narratives to create atmosphere and appeal to audiences. Interviews with the target audience suggest sound effects and immersive elements are important to create a scary experience. The research will help inform the development of the author's own horror survival game.
GO! How two guys made an iPhone game (and lived to tell the tale)
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Task 4 of gears of war
During the pre-production stage of game development, developers create initial design documents that outline tasks, schedules, and estimates. They determine the game's genre, story, target audience, and other key elements. The end result is a game design document detailing major gameplay elements.
In the production stage, artists create game assets, sound engineers work on audio, and level designers build levels. Level creation takes the longest initially as tools are tested. Testing occurs to ensure quality and identify bugs. After bugs are fixed and the game is approved, it enters post-production where marketing promotes the game and demos are released.
Task 4 of gears of war
The pre-production phase involves planning, designing documents, and determining the game concept, genre, story, and target audience. Production is when development occurs, including creating assets, levels, sounds, and testing. Multiple testing stages occur to identify and fix bugs. Once ready, the game is sent for review and release. Post-production includes ongoing bug fixes, marketing, and demo releases.
Research - video game project
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Concept artists in the game industry
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Game halo
The document provides instructions for playing a Halo multiplayer game. It outlines 8 steps including joining a LAN game, choosing profile settings like controls and difficulty, creating a new player profile, and customizing game settings. The goal is to be the last player surviving on the map by using keys and mouse controls to move the character and shoot other players.
Need for speed analysis
The document summarizes the soundtrack of the racing game "Need for Speed: Most Wanted". It describes the setting as urban areas to facilitate racing and escaping the police in vehicles. The mood is explained as exciting due to the music and narrative describing missions. The genre is identified as a racing game from the inclusion of car engines in the audio. The narrative provides details on the storyline and objectives that the player will encounter.
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Computer gaming involves games played on PCs using interfaces like keyboards, mice, or joysticks. PC games can be played at home, unlike arcade games which are in public settings. Most computer game developers are small enterprises that hire programmers, artists, and others to create games. Multiple PCs connected through a local area network and copies of the same game allow people to play computer games together over a LAN.
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PC games are played on a computer using devices like a keyboard, mouse, joystick or gamepad with speakers or headphones. They differ from arcade, video, and console games which are often connected to televisions. Games that were originally only in arcades have evolved into PC games played at home without inserting cash. Computer game development is typically done by small enterprises that hire various staff like programmers and artists to create games. To play computer games on a local area network requires two or more PCs, a router, and network cables connecting the machines with each PC needing a network card and copy of the game.
Game development
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The future of video games
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5. Pre-Production
The document provides an audience profile and target demographic for a new game being created. It aims to attract heterosexual male children aged 7-12 from a lower middle class background through cartoon-style non-graphic violence and a teenage/young adult male protagonist. It also aims to interest "achievers" through collectables, coins, and achievements in the game. Similar games referenced include Super Mario, Sonic the Hedgehog, Cuphead and Shovel Knight. It also outlines plans for sound effects, contingency planning, and health and safety considerations.
Game halo
The document provides instructions for playing the Halo multiplayer game. It explains that the main menu allows players to join a local area network multiplayer game, create an online multiplayer game to play with friends, or start a single player game where the goal is to reach the last level. It also describes how the profile menu lets players choose controls, character, and game settings before creating a new profile or editing an existing one. Settings can be adjusted for names, colors, controls, audio, video, and network connectivity.
Game aspects reworked
The document discusses various elements that are important for the success of games, including customization, exploration, obtaining rewards and gear, quests, and player vs player/environment gameplay. It provides screenshots as examples of customizing keybindings and talent trees in World of Warcraft, designing vehicles in APB: Reloaded, receiving rewards for exploration, viewing loading screens that describe a game's lore and world, obtaining cosmetic and advantageous gear, managing multiple characters, receiving quest directions, and engaging in PvP and PvE modes. Trailers are also discussed as a way to showcase a game's lore, gameplay, or both.
3. Research
This document summarizes Leticia Lopes' research on existing mobile games to inform the development of their own game. It describes common features across several games, such as collecting items, avoiding hazards to pass levels, and including a statistics bar. The document indicates aspects Leticia plans to include in their own work, like unique start menus and loading pages as well as a statistics bar. It concludes by listing the specific games researched: Jetpack Joyride, Subway Surfers, Gravity Guy, and Fancy Pants Adventures World 2.
Ig1 task 2 analysis work sheet (7)
The document provides an analysis of the sound design and soundtrack of the video game Watch Dogs. It examines how the sounds establish the setting of a technologically advanced Chicago and represent the game's genres of action. The mood and pace of the soundtrack changes to correspond with the changing moods in the game, such as faster music during action scenes, which was achieved through sound editing software. Effects like gunshots were prerecorded and imported into the game to help portray the action genre. The voice acting in cutscenes helps set the tone and narrative of the game by giving a sense of the characters and story.
6. production reflection(1)
The document discusses the process of creating a horror game. It describes how the student created different stages for the game, each with their own dark, creepy atmosphere and details to make the environment feel lived in. Speech cards and clues were added throughout to guide players and give context to the main character. Additional stages were created halfway through to improve the gameplay experience. A main menu was also added later to set the tone and theme of the game.
3. research
The document discusses research on existing horror survival games including Deadlight, Lone Survivor, Dying Light, and Silent Hill. It analyzes the games' use of sound effects, music, graphics, and narratives to create atmosphere and appeal to audiences. Interviews with the target audience suggest sound effects and immersive elements are important to create a scary experience. The research will help inform the development of the author's own horror survival game.
GO! How two guys made an iPhone game (and lived to tell the tale)
Two guys created an iPhone game called Ramps that became very popular, with over 1 million plays. They chose tools that allowed quick and cheap collaboration. They avoided over-planning and iterated the game rapidly, soliciting feedback from peers along the way. While the game was not a huge commercial success, it was well-received by critics for its simplicity and originality. The document recommends resisting over-planning, iterating often, listening to feedback, and focusing on making the best game possible.
Task 4 of gears of war
During the pre-production stage of game development, developers create initial design documents that outline tasks, schedules, and estimates. They determine the game's genre, story, target audience, and other key elements. The end result is a game design document detailing major gameplay elements.
In the production stage, artists create game assets, sound engineers work on audio, and level designers build levels. Level creation takes the longest initially as tools are tested. Testing occurs to ensure quality and identify bugs. After bugs are fixed and the game is approved, it enters post-production where marketing promotes the game and demos are released.
Task 4 of gears of war
The pre-production phase involves planning, designing documents, and determining the game concept, genre, story, and target audience. Production is when development occurs, including creating assets, levels, sounds, and testing. Multiple testing stages occur to identify and fix bugs. Once ready, the game is sent for review and release. Post-production includes ongoing bug fixes, marketing, and demo releases.
Research - video game project
The document summarizes and analyzes several existing retro video game products: Monaco GP from 1979, Grand Theft Auto, and Mario Kart 64 from 1996. It describes key elements of each game like graphics, gameplay, menus, sound effects, and music. The author indicates they will take influence from these classic games by including colorful visuals and maps like Monaco GP, positive sound effects and mission completions like GTA, and selection menus/options and starting sequences like Mario Kart 64 to improve their own upcoming product.
Evaluation
This document appears to be an evaluation or presentation that discusses challenging conventions of real products, the effectiveness of "my products", and audience feedback. It also mentions creating a YouTube channel to advertise music videos, albums and interviews. The presentation highlights the software used such as Photoshop and Final Cut Pro for editing, and notes that voice clips were recorded on a Blackberry and added to the slides.
Concept artists in the game industry
This document discusses several concept artists who have worked on major video game titles and provides brief descriptions of their roles and contributions. It profiles Adam Adamowicz and his hand-drawn concept art for Fallout 3 and Skyrim, John Sweeny's focus on lighting and environments in The Last of Us, Hethe Srodawa's character and scene concept art for Red Dead Redemption, and Ben Lo's work on scenery and levels for Bioshock Infinite. It also mentions Piero Macgowan's interior and exterior concepts for XCOM: Enemy Unknown and the team of Japanese artists who focused on varied character designs for Fire Emblem Awakening.
Game halo
The document provides instructions for playing a Halo multiplayer game. It outlines 8 steps including joining a LAN game, choosing profile settings like controls and difficulty, creating a new player profile, and customizing game settings. The goal is to be the last player surviving on the map by using keys and mouse controls to move the character and shoot other players.
Need for speed analysis
The document summarizes the soundtrack of the racing game "Need for Speed: Most Wanted". It describes the setting as urban areas to facilitate racing and escaping the police in vehicles. The mood is explained as exciting due to the music and narrative describing missions. The genre is identified as a racing game from the inclusion of car engines in the audio. The narrative provides details on the storyline and objectives that the player will encounter.
Computer gaming
Computer gaming involves games played on PCs using interfaces like keyboards, mice, or joysticks. PC games can be played at home, unlike arcade games which are in public settings. Most computer game developers are small enterprises that hire programmers, artists, and others to create games. Multiple PCs connected through a local area network and copies of the same game allow people to play computer games together over a LAN.
Computer games-
PC games are played on a computer using devices like a keyboard, mouse, joystick or gamepad with speakers or headphones. They differ from arcade, video, and console games which are often connected to televisions. Games that were originally only in arcades have evolved into PC games played at home without inserting cash. Computer game development is typically done by small enterprises that hire various staff like programmers and artists to create games. To play computer games on a local area network requires two or more PCs, a router, and network cables connecting the machines with each PC needing a network card and copy of the game.
Game development
Game programming is a subset of game development and involves the software development of video games. A game programmer is a software engineer who primarily develops the codebase for video games or related tools. Game development involves many disciplines including artificial intelligence, game design, interaction design, game programming/coding, level design, video game art, music, and graphics. Games have a unique structure compared to other software, including startup screens, main menus, loading screens, gameplay loops, and ending credits. The gameplay loop typically involves processing input, updating the game state, and rendering graphics in a continuous cycle.
Audio not playing out of epson projector
This document provides instructions to play audio out of an Epson projector. It instructs the user to right click the sound icon and select playback devices to check for an Epson device. If no Epson device is listed or enabled, the user should enable and set the Epson device as default to play audio through the projector.
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GO! How two guys made an iPhone game (and lived to tell the tale)
GO! How two guys made an iPhone game (and lived to tell the tale)
Similar to Wojciech Pater - selected works
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Baiyon is an artist and game designer who has worked on both console and mobile games. He discusses bridging the gap between these platforms by adapting his game PixelJunk Eden to mobile. Some of the challenges included achieving unique visual effects on mobile, balancing gameplay duration and difficulty to suit casual mobile play, and creating engaging touchscreen controls. Baiyon also discusses monetization strategies and his work translating console games to the new mobile medium.
The future of video games
This document discusses the history and current state of video games. It outlines how the first video games were developed in the 1940s-1970s and became popular in arcades. Today, video games are played on various devices and consoles and have evolved into different genres. The future of video games may include more immersive, realistic experiences that incorporate full-body movement. While video games can provide benefits like improved skills, they also present consequences such as addiction and health issues if overplayed.
Workshop DDB Magyarország
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But, let assume you are freelancer on your own with as skills, you incredible flair, favorite wires tool and a solid UX understanding to help you out.
On my down time I had spent 2 sleepless nights to try an exercise that I've been scared about since my last year in master degree. Therefore, I chose LA Lakers App which I heard would like to give a new UX philosophy to their App.
The brief (bare in mind, there is no wrong answer at this stage):
LA Lakers have requested a mobile solution to engage fans between games and while games are going on - especially in the time between the four periods of the games.
They are targeting young affluent lakers fans based all over the US. The aim is to help turn casual fans into super fans through connection with the players and improved emotional engagement while the games are going on.
Here is my "WHY - The step before the UI" reason.
Enjoy.
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5 steps into creating your first mobile game
This document outlines the 5 steps to creating your first mobile game: 1) Gathering a group of people to fill key roles like programmer, artist, designer, and producer, 2) Generating game ideas, 3) Developing and testing the game, 4) Publishing the game on app stores and markets, and 5) Evaluating the game's success and determining next steps. It provides details on each step, including defining roles and responsibilities, idea generation techniques, development milestones, testing approaches, publishing options, and metrics for evaluating a game's performance.
temp
Concept games are video games designed for learning rather than solely entertainment. They simulate real-world processes in a virtual environment to train users without risk. Both fun and knowledge are balanced to create an engaging experience. Developing concept games requires teams of game designers, developers, artists, producers, writers, and subject matter experts from education to ensure effective learning through play. While more expensive than typical games, concept games provide low-to-medium-cost training alternatives to real-world simulations. Popular examples include educational games and military or software training simulations.
Task 4 of gears of war
During the pre-production stage of game development, developers create initial design documents that outline tasks, schedules, and estimates. They determine the game's genre, story, target audience, and other key details. At the end of pre-production, developers complete a game design document detailing major gameplay elements. In production, artists create assets, sound engineers work on audio, and level designers build levels while writers craft characters and cutscenes. Multiple testing stages occur to identify and fix bugs before final code release and review. Post-production involves ongoing maintenance through patches and marketing the game.
4. Pre Production
The document provides details about the pre-production process for a mobile game and accompanying promotional materials. The game will allow players to explore an apartment and interact with benign monster tenants. Customizable outfits and appearances are planned. The game is targeted at females ages 10-17 and will include in-game currency earned through gameplay or purchases. Screenshots and style guides are presented to visualize planned gameplay, characters, and a promotional poster.
Task 1 c
This document discusses and compares moving images and digital games. It notes that while they share the platform of being viewed on screens, their relationships in other ways are difficult to discern. Moving images are typically viewed first on television, while digital games can be played on a variety of devices from handhelds to game consoles connected to televisions. Both mediums make use of on-screen icons and maps to provide contextual information to the viewer or player. Posters and websites are designed to attract attention and convey what the game or movie contains visually.
Nathan Farrugia Design Portfolio
Nathan Farrugia has experience designing and developing card games, action games, and fitness apps. Some of his projects include Roshamken, a paper-rock-scissors card game; Hive Defense, a 2D action game where players protect beehives by drawing lines; and One Fitness Daily, a fitness app that encourages users to complete one activity per day. Nathan focuses on game and UI design, creating concept documents, prototyping, and taking projects from design to completion. He is looking to provide more samples of his work to potential clients.
Noughts and Crosses Specification
The document provides details on the design of a simple noughts and crosses game for Windows Phone. It includes sections on the game concept, description, key features, design information, and technical details. The game allows single-player against an AI or multiplayer on one device. It aims to be simple and accessible for children with basic gameplay and a clean, flat interface in line with Windows Phone guidelines.
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PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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This is my presentation for the Record Store Scavenger Hunt.
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Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
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PART B. UNIT 1 REPORT.pptx The Artist Mindset in the Elementary Grades
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❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
storyboard: Victor and Verlin discussing about top hat
storyboard: Victor and Verlin discussing about top hat
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Wojciech Pater - selected works
- 1. Pirate Explorer Mobile game ∙ environments & tiles ∙ UI/UX ∙ characters ∙ items ∙ buildings and objects ∙ animations ∙ logos and icons ∙ intro ∙ advertising Free to Play on Google Play and at Amazon: Game Development
- 4. ∙ assets
- 8. Jam Jar Mobile game ∙ UI/UX ∙ items ∙ backgrounds ∙ animations ∙ particles effects ∙ logos and icons ∙ advertising Get it on Google Play: Game Development
- 9. Pirate Village Desktop game ∙ UI redesign ∙ characters ∙ animations ∙ environments ∙ buildings and objects ∙ backgrounds ∙ logo ∙ advertising Game Development
- 10. Flex fx Music app ∙ backgrounds ∙ buttons ∙ icon Mobile apps
- 11. ∙ UI clickable mockup
- 12. ∙ buttons ∙ knobs ∙ animated knobs ∙ components
- 13. ∙ product icon
- 14. Loop Twister Beat-remixing music app ∙ backgrounds ∙ buttons ∙ icon ∙ logo ∙ advertising Video presentation and demo on YouTube: Mobile apps
- 15. Amen Break Generator Loop player music app ∙ backgrounds ∙ buttons ∙ icon Watch the demo on YouTube and get the app on the App Store: Mobile apps
- 16. game intro particles effects website background website backgrounds & animations presentation in-game animations Animations Mainly Adobe Flash ∙ game intro ∙ in-game animations ∙ particles effects ∙ backgrounds ∙ presentations Click thumbnails to navigate Animations
- 18. Digital art Leshy Digital painting for “Slavic Tales”
- 19. Striga Digital painting for “Slavic Tales”
- 20. Scraps ∙ speed painting ∙ photo study ∙ landscape art
- 23. Oil paintings Surreal ∙ more recent works (the same on the next page) Traditional art
- 25. Oil paintings Landscape ∙ more recent works
- 26. Oil paintings Various ∙ some of the older works from 2005-2009
- 31. Websites Examples ∙ layout design ∙ icons ∙ logos ∙ backgrounds Web design
- 32. DTP Examples ∙ cd cover ∙ flyer ∙ poster Print