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Whitney
Museum at
the High Line
Background
   Founded in 1931 by
    Gertrude Vanderbilt
    Whitney, a sculptor
   700 works of
    American Art were
    displayed at 8-12
    West 8th Street
   In 1966, building
    moved to its current
    location at 75th and
    Madison Ave.
   Current building
    designed by
    Hungarian architect,
    Marcel Brever
Proposed Expansion
   In 2003, Rem
    Koolhaas
    proposed a 9-story
    building on top of
    adjacent
    brownstones
   Estimated cost
    was $200 million
   Plan was rejected
    because the
    Museum couldn’t
    afford it
“Whitney’s Identity Crisis”
   Leonard A. Lauder
    donated $131 million to
    the Whitney in 2008
   $680 million project that
    involved opening a
    second museum at the
    High Line was proposed
   Is it affordable? Should
    the uptown building be
    abandoned? Can there
    be a compromise?
Budget Issues
 Combined  yearly costs would increase
 from $36 million to $60 million

 Whitneyhad only raised $371 million
 through signed pledges

 The
    original building was leased to the
 Metropolitan Museum of Art for next 8
 years
The High Line Project




   Designed by Renzo Piano, an Italian Pritzker-
    Prize winning architect
   Six-story, 195,000 square-foot building
 Cantilevered entrance with restaurants
 and cafes. Transparent, glass doors.
   Four levels of outdoor gallery space that face the
    High Line, including the roof.
   Exposed steel girders on the roof echo the steel
    structure of the High Line itself.
 170-seattheater with windows
 overlooking the Hudson
The Museum is
expected to be
open to public by
2015.
Sources
 http://whitney.org/About/NewBuilding?q
  uery=Future
 http://buildipedia.com/in-
  studio/architects-firms/what-s-next-for-the-
  whitney?print=1&tmpl=component
 http://www.nytimes.com/2006/11/02/arts/
  design/02whit.html
 http://www.nytimes.com/2010/04/12/arts/
  design/12museum.html?pagewanted=all

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Whitney museum

  • 2. Background  Founded in 1931 by Gertrude Vanderbilt Whitney, a sculptor  700 works of American Art were displayed at 8-12 West 8th Street  In 1966, building moved to its current location at 75th and Madison Ave.  Current building designed by Hungarian architect, Marcel Brever
  • 3. Proposed Expansion  In 2003, Rem Koolhaas proposed a 9-story building on top of adjacent brownstones  Estimated cost was $200 million  Plan was rejected because the Museum couldn’t afford it
  • 4. “Whitney’s Identity Crisis”  Leonard A. Lauder donated $131 million to the Whitney in 2008  $680 million project that involved opening a second museum at the High Line was proposed  Is it affordable? Should the uptown building be abandoned? Can there be a compromise?
  • 5. Budget Issues  Combined yearly costs would increase from $36 million to $60 million  Whitneyhad only raised $371 million through signed pledges  The original building was leased to the Metropolitan Museum of Art for next 8 years
  • 6. The High Line Project  Designed by Renzo Piano, an Italian Pritzker- Prize winning architect  Six-story, 195,000 square-foot building
  • 7.  Cantilevered entrance with restaurants and cafes. Transparent, glass doors.
  • 8. Four levels of outdoor gallery space that face the High Line, including the roof.  Exposed steel girders on the roof echo the steel structure of the High Line itself.
  • 9.  170-seattheater with windows overlooking the Hudson
  • 10. The Museum is expected to be open to public by 2015.
  • 11. Sources  http://whitney.org/About/NewBuilding?q uery=Future  http://buildipedia.com/in- studio/architects-firms/what-s-next-for-the- whitney?print=1&tmpl=component  http://www.nytimes.com/2006/11/02/arts/ design/02whit.html  http://www.nytimes.com/2010/04/12/arts/ design/12museum.html?pagewanted=all

Editor's Notes

  1. Protective arm over the original building. Koolhaas talked about how when you switch floors in a skyscraper, it feels like you’re entering a whole new world- each skyscraper was trying to be its own little city. This was his way of expanding the museum and at the same time, avoiding the feel of separation.
  2. Stepped formation- point out highline, entrance…
  3. Reminds of Brooklyn Museum
  4. Theme of interaction with the environment and nature just like the High Line- entrance lets light and fresh air into the museum, the outdoor galleries overlook the High Line – Sense of belonging with the High Line
  5. At any location in the museum you don’t feel enclosed. There’s this idea of openness and interaction with the outside