Tseng Sun Man presents two case studies from Hong Kong Arts Festival and Oriental Art Centre, Shanghai as part of a presentation exploring the role cultural institutions play in society. This presentation was part of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
The philosophical values and foundations of social workShaarotto Yoora
this ppt. is my report during college days so please spare the poor use of backgrounds and graphic charts... hoping that the ppt. can help the students like me before.
The role of Non Governmental Organisations and Community based organisations has continued to evolve. What is the role of this third sector and how can the youth of today be a part of this key sector
THE CIVIL SERVICE COMMISSION AND THE SALIENT FEATURES OF RA 6713VERNALYN TOBIAS
In this presentation, the students can explain the vision, mission and objectives of CSC; research and comment on the current csc programs in professionalizing the government workforce and learn about the salient features of RA 6713
The philosophical values and foundations of social workShaarotto Yoora
this ppt. is my report during college days so please spare the poor use of backgrounds and graphic charts... hoping that the ppt. can help the students like me before.
The role of Non Governmental Organisations and Community based organisations has continued to evolve. What is the role of this third sector and how can the youth of today be a part of this key sector
THE CIVIL SERVICE COMMISSION AND THE SALIENT FEATURES OF RA 6713VERNALYN TOBIAS
In this presentation, the students can explain the vision, mission and objectives of CSC; research and comment on the current csc programs in professionalizing the government workforce and learn about the salient features of RA 6713
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
Unexpected Partnership: New spaces for creation and creativity: How do we support them?" Presented by Lidia Varbanova at IFACCA 7th World Summit, Malta, October, 2016
This is a set of slides I used to initiate discussion in a high-level strategic planning committee on Singapore's livability and economic growth in 2010. All content was found online. Disclaimer: Questions and opinions represent my views and not the Singapore Government's.
View presentation slides from our November 2012 Briefing events for funded organisations.
The briefings aimed to update funded organisations on the changes the Arts Council is going through and discuss how they can help us make a strong case for maintaining public funding of arts and culture in advance of the next Government spending review.
Persistent Creativity: Making the Case for Art, Culture and the Creative Indu...Victoria Durrer
Despite a growing number of valuable, and valid, critiques, the notion that ‘creativity’ has a special role to play in the future success of post-industrial societies has proved to be remarkably persistent. Cultural Policy Observatory Ireland was delighted to host Dr. Peter Campbell on 23rd October 2018 at the Brian Friel Theatre. He presented findings from an upcoming publication, which considers this persistence and examines how ‘creativity’ has become entrenched within a range of discourses and practices, particularly since the turn of the century.
The Bayanihan Spirit: Cultural Governance in the PhilippinesVictoria Durrer
Jason Vitorillo, Lecturer in Arts Management at LaSalle College of the Arts, Singapore introduced a discourse on cultural governance and the complexities of power relations in the Philippine for Cultural Policy Observatory Ireland in Belfast in February 2018.
In February 2018 for Cultural Policy Observatory Ireland, Jerry Liu, Professor (Associate) in Graduate School of Arts Management and Cultural Policy, National Taiwan University of Arts introduced discourses and practices of contemporary cultural economy in Taiwan, and its historic roots. How does the Ministry of Culture play a role in the policy of creative & cultural industries and international trade of cultural goods and services? And what is the logic underlying its decision-making? We are also testing potentials and limits of such an East Asian Approach on state cultural economy.
Intercultural Relations in Arts and Cultural ManagementVictoria Durrer
Raphaela Henze, co-investigator of Brokering Intercultural Exchange, provided context for this fourth seminar of our 2017 series, held at Goldsmith's, University of London in Nov. www.managingculture.net
Arts Managers as Incubators for Intercultural RelationsVictoria Durrer
Kristin Cheung, Development Officer at the Contemporary Art Gallery, Vancouver calls for Arts Managers to identify staff, volunteers and interns who have different perspectives, who are ambitious, who want to collaborate and build mentorship opportunities in order to build stronger community engagement for intercultural relations. She argues that this approach will flip the current hierarchy and have these staff members teaching Arts Managers on intercultural relations. Talk presented at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Curators as gatekeepers – Diversity at Art FestivalsVictoria Durrer
Lisa Gaupp, Post Doctoral Researcher, University of Luneburg, analyzes how diversity is being standardized through conventions in the (performing) arts. It takes a look at how different notions of diversity are curated at renowned international (performing) art festivals while analyzing the respective meanings of diversity. Talk held at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Wu Fan, PhD Candidate, University of Leeds, considers the audience experience in cross cultural contexts, leading us to interrogate who and what arts and cultural management activity in cross cultural contexts is for. Presented at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Gudrun Wallenböck, Founder and Artistic Director, Hinterland GalleryVictoria Durrer
Gudrun Wallenböck, Founder and Artistic Director, Hinterland Gallery, reflected on her experiences, roles, assumptions and responsibilities in working within intercultural exchanges between nations at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Kayla Rush, who had recently completed her PhD thesis at Queen's University Belfast, explored the concept of ‘value’ as it relates to intercultural arts and cultural management practices at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Re-imagining inter-cultural collaborations: perspectives from India, Canada a...Victoria Durrer
Ruhi Jhunjhunwala, MA Goldsmiths, University of London and Amy Walker, Executive Director of Highlight Arts, shared their perspectives on collaborating in international arts and cultural projects at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze) www.managingculture.net
On Intercultural Public Intellectual EngagementVictoria Durrer
Tariq Modood, Director of the Research Centre for the Study of Ethnicity and Citizenship at the University of Bristol at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Understanding cultural value in the everyday localities: museums and parks as...Victoria Durrer
Dr. Abigail Gilmore
Abi gave a brief overview of the Arts and Humanities Research Council Connected Communities project Understanding Everyday Participation – Articulating Cultural Value, a mixed-methods, multisite research project in England and Scotland. This project aims to radically re-evaluate the relationship between participation and cultural value, and is producing new understanding of local governance of culture, its history and challenges through empirical research on the situated practices of everyday life. Her presentation focused on current research exploring museums and parks as public spaces for everyday participation, social cohesion and (inter)cultural integration.For Cultural Policy Observatory Ireland event, 23 Oct 2017, Queen's University Belfast
The cultural participant versus the cultural non-participant: defining desira...Victoria Durrer
Dr. David Stevenson
David’s presentation considered the subject identity of the cultural non-participant. Drawing on primary data generated in the form of policy texts, speeches, and 42 in-depth qualitative interviews, David offered a close analysis of the discursive logics that problematise the agency of those who show little interest in state-supported cultural activities. Beginning with a discussion about how cultural non-participants are represented as socially deprived and hard to reach, the discussion moved on to highlight how they are also presumed to lack knowledge and understanding about what they are rejecting. The flawed subjectivity of the cultural non-participant was then contrasted with the desirable model of agency associated with those who lay claim to the identity of the cultural participant. The talk concluded with a consideration of how these two identities serve to sustain asymmetric relations of power within the field of cultural policy. For Cultural Policy Observatory Ireland event, 23 Oct 2017, Queen's University Belfast
The Participation Myth
Dr. Leila Jancovich
For Cultural Policy Observatory Ireland event on 23 October 2017 at Queen's University Belfast, Leila Jancovich introduced her research on the participatory turn in cultural policy. She will explore the gap between policy and practice in the cultural sector. She did this through examination of both policy rhetoric and strategies to increase participation in general and participatory decision making in particular. In so doing she examined the politics of participation and the nature of power within the cultural sector and called for a wider range of voices to be heard in decision making.
LGBTI Youth Coming in from the Policy Margins?Victoria Durrer
Presentation by Michael Barron (PhD Applied Social Studies, University of Maynooth) for Spaces to Belong to: young people’s perspectives on culture, identity and cultural participation on the island of Ireland today, organised by Cultural Policy Observatory Ireland and Queen's University Belfast. Curated by Molly Goyer Gorman. More info at www.culturalpolicyireland.org
What Counts as Culture? Understanding Young People’s ViewsVictoria Durrer
Presentation by Victoria Durrer (Lecturer in Arts Management and Cultural Policy, Queen’s University Belfast) for Spaces to Belong to: young people’s perspectives on culture, identity and cultural participation on the island of Ireland today, organised by Cultural Policy Observatory Ireland and Queen's University Belfast. Curated by Molly Goyer Gorman. More info at www.culturalpolicyireland.org
Positive Youth Development and Resilience in Early School Leavers: Challengin...Victoria Durrer
Presentation by Dan O’ Sullivan (PhD Education, Mary Immaculate College, Limerick) for Spaces to Belong to: young people’s perspectives on culture, identity and cultural participation on the island of Ireland today, organised by Cultural Policy Observatory Ireland and Queen's University Belfast. Curated by Molly Goyer Gorman. More info at www.culturalpolicyireland.org
Once a Young Farmer, always a Young Farmer: Culture and Identity in Glarryfor...Victoria Durrer
Presentation by Molly Goyer Gorman (PhD Drama, Queen’s University Belfast) for Spaces to Belong to: young people’s perspectives on culture, identity and cultural participation on the island of Ireland today, organised by Cultural Policy Observatory Ireland and Queen's University Belfast. Curated by Molly Goyer Gorman. More info at www.culturalpolicyireland.org
INTERNATIONAL COLLABORATION AND INTERCULTURAL EXCHANGE IN SCHOOL OF MSSESVictoria Durrer
Olga Karpova, MSc in Cultural Management (Aberdeen University), Dean of the Faculty of Cultural Management, MSSES; Ekaterina Lapina-Kratasyuk, PhD in Cultural Studies, Lecturer of the Faculty of Cultural Management, MSSES; and Margarita Shulgina, student of the MA in Cultural management programme, MSSES discuss how are arts and cultural management educators and students are experiencing internationalization and how it influences their career and cultural practices in Russia. The presentation was held at a seminar focusing on Intercultural Relations in Arts and Cultural Management Higher Education, part of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Diversity a lived experience by Suzanne AlleyneVictoria Durrer
Part of Seminar 3, exploring intercultural relations in arts and cultural management higher education, for an AHRC funded research network (www.managingculture.net)
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
2. Development of conceptual framework
• According
to
Hewison
and
Holden,
the
“main
responsibility
for
cultural
leaders
is
to
ar8culate
the
cultural
value
of
the
arts”
• Cultural
values
includes
intrinsic
value,
instrumental
value
and
ins8tu8onal
value
• My
reading
of
“instrumental
value”
is
that
it
includes
economic,
social
and
educa8on
values,
hence
cultural
ins8tu8ons
plays
ar8s8c,
economic,
social
and
educa8onal
role
in
society
3. Development of conceptual framework
• Hewison
and
Holden,
the
“main
responsibility
for
cultural
leaders
is
to
ar8culate
the
cultural
value
of
the
arts”
• Cultural
values
includes
intrinsic,
instrumental
and
ins8tu8onal
values
•
4. • My
reading
of
“instrumental
value”
is
that
it
includes
economic,
social
and
educa8on
values,
hence
cultural
ins8tu8ons
play
ar8s8c,
economic,
social
and
educa8onal
roles
in
society
5. • Economic
–
developing
a
market
for
the
arts
• Create
jobs
and
leads
to
economic
ac8vi8es
(mul8plier
effect)
• Social
*
• Promo8on
of
cultural
diversity
connects
people and
builds a
more cohesive and open society
(EU).
•
promo8on
of
interna8onal
rela8onship
through
interna8onal
partnerships
• Social
/cultural
• Enhance
the
iden8ty
of
its
city
• *
EU
working
group
on
role
of
public
arts
and
cultural
ins7tu7ons
in
the
promo7on
of
cultural
diversity
and
intercultural
dialogue
(2014)
6. • My
reading
of
intrinsic
/ar8s8c
roles
include
• Promo8ng
EXCELLENCE
• presen8ng
arts
ac8vi8es
of
the
highest
quality
• Increasing
ACCESS
• a^rac8ng
new
audiences,
also
educa8on
role
• Promo8ng
diversity
to
broaden
EXPOSURE
• exposing
ar8sts
and
audiences
to
new
and
innova8ve
works,
heritage
arts,
latest
interna8onal
trends,
young
talents
• Contributes
to
the
development
of
local
ar8sts
/groups
• Enhance
local
arts
ecology
through
industry
development
7. Proposed Roles of Key Cultural Ins/tu/ons
Aspects
Roles
Ar8s8c
Promo8ng
excellence
Increasing
access
Diversified
programmes
to
broaden
exposure
/outlook
Facilitate
development
of
local
ar8sts
/groups
Economic
Develops
a
market
Social
Cultural
diversity
builds
social
cohesion
Enhance
intercultural
dialogue
Social
/cultural
Enhance
the
iden8ty
of
its
city
Cultural
Ecology
Industry
development
8. ng
ng
ts
s/val
erformances
7 Fes/val
nniversary
9. Changing context led to changing role
Colonial
period
(1973-‐1996)
London-‐based
director
to
Hong
Kong-‐based
expatriate
director
Main-‐stream
famous
interna7onal
ar7sts
to
present
a
high
quality
arts
fes8val
of
interna8onal
standing
in
Hong
Kong
Countdown
to
Re-‐unifica8on
(1988-‐1996)
Hong
Kong-‐born
execu8ve
director
Strategic
review
to
add
local
characteris7cs
such
as
commissions
To
present
an
arts
fes8val
of
interna8onal
standing
which
reflects
the
uniqueness
of
Hong
Kong
Aier
re-‐unifica8on
(aier
19
Co-‐produc8ons
with
overse
fes8vals
and
opera
house
Provide
showcase
for
select
Hong
Kong
ar7sts
Raise
profile
of
Hong
Ko
ar8sts
interna8onally
Intercultural
dialogue
Industry
developmen
10.
Role
Hong
Kong
Arts
Fes1val
Ar8s8c
Promo8ng
excellence
Top
ar8sts
&
groups
Increasing
access
Young
friends
scheme
Diversified
programme
to
broaden
exposure
/outlook
New
and
unfamiliar
programmes
such
as
early
music
and
foreign-‐language
drama
Facilitate
development
of
local
ar8sts
/
groups
Local
commissions
Showing
young
local
ar8sts
Economic
Develops
a
market
Sold
more
than
120,000
seats
each
year
Supported
by
government
&
sponsors
Social
Cultural
diversity
builds
social
cohesion
Local
art
forms
such
as
Cantonese
opera
included
Enhance
intercultural
dialogue
Interna8onal
co-‐produc8ons
Touring
of
Fes8val
produc8ons
Social
/
cultural
Enhance
the
iden8ty
of
its
city
Cosmopolitan
with
local
characteris8cs
Brings
interna7onal
pres7ge
1
of
the
top
arts
fes7vals
in
the
world
Put
HK
on
the
interna7onal
map
(1970s)
Cultural
Ecology
Industry
development
Commissioning
of
chamber
opera
12. Oriental Art Centre, Shanghai
• Opened
in
2005
• (2015)
655
performances
and
630,000
audience
• Situated
in
Pudong
district
of
Shanghai
• Facili8es:
Concert
Hall,
Opera
Hall
and
recital
hall
• Shanghai
is
the
most
cosmopolitan
city
in
China
• Home
of
the
first
symphony
orchestra,
opera,
movie
and
drama
in
China
• Big
middle
class
seeking
trendy
leisure
ac8vi8es
• In
1997
saw
the
opening
of
Shanghai
Grand
Theatre,
started
with
no
subsidy
(hence
similar
arrangement
with
OAC)
13. Major accomplishments from 2005 to 2017
Clear
posi8oning
–
home
of
the
symphony
Strategic
planning
–
5
year
plans
Understand
audiences
–
4
major
audience
researches
in
11
years
• preference
of
Shanghai
audiences:
1-‐
Symphony,
2-‐Ballet,
3-‐Musical
Introduce
concept
of
season
planning
and
different
series
to
China
Pioneer
membership
scheme
Achieve
excellence
• Berlin
Philharmonic
Orchestra
and
invita8on
of
Top
10
world
orchestras
Audience
building
-‐-‐
Saturday
brunch
concerts
• RMB30/50/80,
100,000
audience
a
year
• Student
8cket
scheme
Introduce
Chinese
Opera
Fes8val
and
Chinese
music
series
Strategic
partnership
with
Philadelphia
Orchestra
and
Vienna
Philharmonic
Orchestra
in
2016
14.
Role
Oriental
Art
Centre
Ar8s8c
Promo8ng
excellence
10
World
Top
Orchestras
Increasing
access
Saturday
Brunch
Concerts
Student
8ckets
Diversified
programme
to
broaden
exposure
/outlook
Chinese
Opera
season
Chinese
music
series
Facilitate
development
of
local
ar8sts
/groups
Resident
symphony
orchestra
Economic
Develops
a
market
More
than
633,000
audience
each
year
No
regular
subsidy
from
government
Social
Cultural
diversity
builds
social
cohesion
Saturday
Brunch
Concerts
Open
Day
Enhance
intercultural
dialogue
Strategic
partnership
with
Chicago
Symphony
&
VPO
Social
/
cultural
Enhance
the
iden8ty
of
its
city
Cultural
sympbol
of
the
most
cosmopolitan
city
in
PRC
Brings
Interna7onal
pres7ge
Shanghai’s
prime
music
centre
The
second
home
of
world-‐class
orchestras
Cultural
ecology
Industry
development
Nurture
venue
managers
Best
prac8ces
for
cultural
venues
in
China
Brings
healthy
compe88on
15. Conclusion
• How
they
differ
from
their
western
counterparts
?
• Not
much,
both
governed
by
a
board,
OAC
monitored
by
a
government
commi^ee
• OAC
staff
very
young,
HKAF
key
staff
very
stable
• All
HKAF
programmes
have
to
be
approved
by
two
commi^ees
• OAC
no
regular
subsidy
from
government
• Both
ins8tu8ons
play
similar
roles
• OAC
less
support
to
local
ar8sts
/groups
but
making
bigger
impact
on
industry
development
• OAC
has
a
shorter
history
than
HKAF
and
has
to
be
more
market-‐driven
• Freedom
of
expression
protected
in
Hong
Kong
16. Role
Hong
Kong
Arts
Fes1val
Oriental
Art
Centre
8c
Promo8ng
excellence
Top
ar8sts
&
groups
10
World
Top
Orchestras
Increasing
access
Young
friends
scheme
Saturday
Brunch
Concerts
Student
8ckets
Diversified
programme
to
broaden
exposure
/outlook
New
and
unfamiliar
programmes
Chinese
Opera
season
Chinese
music
series
Facilitate
development
of
local
ar8sts
/groups
Local
commissions
Plaqorm
for
local
ar8sts
Resident
symphony
orchestra
omic
Develops
a
market
Sold
more
than
120,000
seats
each
year
Supported
by
government
&
sponsorship
More
than
630,000
audiences
in
2015
No
regular
subsidy
from
government
al
Cultural
diversity
builds
social
cohesion
Local
art
forms
included
Chinese
opera
season
Chinese
music
series
Enhance
intercultural
dialogue
Interna8onal
co-‐produc8ons
Touring
of
Fes8val
produc8ons
Strategic
partnership
with
Chicago
Symphony
and
VPO
al
/
ral
Enhance
the
iden8ty
of
its
city
Cosmopolitan
with
local
characteris8cs
Most
cosmopolitan
city
in
PRC
Brings
interna7onal
pres7ge
1
of
the
top
arts
fes7vals
in
the
world
Put
HK
on
the
interna8onal
map
Shanghai’s
prime
music
centre
The
second
home
of
world-‐class
orchestras
ural
ogy
Industry
development
Commissioning
Hong
Kong
chamber
opera
Nurture
venue
managers
Best
prac8ces
for
cultural
venues
in
China
Compe88on
is
healthy
for
industry
development