Modernity in Middle Eastern architecture has led to the secularization and westernization of architecture in Iraq, replacing traditional vernacular styles. In Erbil City in Kurdistan, the unique Kurdish architectural identity and traditions, as seen in the Citadel of Erbil, have given way to modern abstract styles influenced by the West after Iraq gained independence following World War I. While Kurdish areas gained more autonomy in 1991, architects have struggled to develop a modern national style that draws from traditional Kurdish architecture due to it being ignored in schools and by government policy for over a century, leaving a gap in understanding traditional Kurdish styles and how to apply them today.
A presentation on "Evolution of town, cities and urban: A world perspective, by Rajendra P Sharma, Social Anthropologist and Planner, Kathmandu, Nepal can be reached at rpsharma@mailcity.com
Regional Architecture and Identity in the Age of Globalization
CSAAR 2007
The International Conference of
The Center for the Study of Architecture in the Arab Region
In Collaboration with
National School of Architecture and Urbanism
Tunis, Tunisia, 13-15 November, 2006
This paper argues that the world regions, according to their traditional definitions as isolated distinctive entities, do not exist any more.
Globalization has created “a virtual region” that is influencing the life of the individual more than the physical geographic regions.
This paper investigates how the process of globalization has taken place in the Arabian Gulf region since the middle of the 20th century and its impact on the formation of contemporary built environment identity.
It traces the origins of globalization and investigates its current “tides” at the beginning of the 21st century.
A presentation on "Evolution of town, cities and urban: A world perspective, by Rajendra P Sharma, Social Anthropologist and Planner, Kathmandu, Nepal can be reached at rpsharma@mailcity.com
Regional Architecture and Identity in the Age of Globalization
CSAAR 2007
The International Conference of
The Center for the Study of Architecture in the Arab Region
In Collaboration with
National School of Architecture and Urbanism
Tunis, Tunisia, 13-15 November, 2006
This paper argues that the world regions, according to their traditional definitions as isolated distinctive entities, do not exist any more.
Globalization has created “a virtual region” that is influencing the life of the individual more than the physical geographic regions.
This paper investigates how the process of globalization has taken place in the Arabian Gulf region since the middle of the 20th century and its impact on the formation of contemporary built environment identity.
It traces the origins of globalization and investigates its current “tides” at the beginning of the 21st century.
Unplanned modernization may lead to threat to architectural heritage a case o...eSAT Journals
Abstract
Dhaka, the capital city of Bangladesh, comprises of many mosques of Pre-Mughal (1204-1576 AD) and Mughal (1576-1751 AD) periods with great historical values and significance. Some of these historic mosques are now in the possession of the local people and the community of old Dhaka. These mosques are transforming due to the uncontrolled development by the community people in the name of modernization to accommodate their unlimited needs. The paper has termed these mosques as historic community mosques. These mosques represent a definite style of that period which is different from other mosque typologies in Bangladesh. The paper has discussed the historical significance of these mosques which possessed important architectural heritage.
The paper has illustrated the gradual transformation of these historic mosques by the intervention of the community people through some case studies. It has also highlighted on how most of those historic testimonies of the past are losing the original architectural style and pattern, partially, and to some extent completely due to unplanned and uncontrolled development by the local people. These unplanned developments raise questions of authenticity of the historic past. Therefore, the authenticity of these structures will be verified through the comparison of the intrinsic pattern of mosque architecture built in Bengal during the Mughal and Pre-Mughal period and also from the information of researches done by the historians. .
The paper focused on the aspect of participatory design process- as an approach to attain more responsive design solutions and these transformed mosques are the vivid examples of such an approach. Those are viable examples of an interactive design process deeply rooted in local culture expressed through a live and endless process of design. Later, recommendations on conservation were given to protect these historic mosques from diminishing, so if they can be retained through the art of conservation, the past history and heritage may be cherished by the present and future generations.
Keywords: Pre-Mughal and Mughal period ; Modernization; Historic Community Mosque; Architectural Heritage; authenticity; conservation; participatory design process
This study introduces an eminent acting architect in the Arab World, working with a deep understanding of his rich heritage and culture, and full awareness of his moral duty in producing architecture that respects and reflects this special culture besides satisfying functional needs of the end-users.
Proclaiming Colonial Urban Heritage: Towards an Inclusive Heritage-interpretation for Colombo’s Past
* Professor Dr. Harsha Munasinghe Image result for research orcid
School of Architectural Studies, George Brown College, Toronto, Canada
E-mail: hmunasinghe@georgebrown.ca
ARTICLE INFO:
Article History:
Received 13 April 2021
Accepted 18 July 2021
Available online 26 July 2021
Keywords:
Urban Heritage;
Colonialism;
Contested-Past;
Historic-City;
Inclusive heritage Interpretation;
Colombo.
ABSTRACT D:\My Journal\papers\Vol 4 ISSUE 1\1 senem sadri Turkey\check for updates2020ijcua.tif
Colombo, Sri Lanka’s commercial capital is a forceful creation of European colonialists who occupied the island for over four centuries. Its urban structure displays the social fragmentation sought by the rulers. Colombo elaborates an extraordinary process of city-making, stratified with its Dutch-origin, British-reshaping, and post-colonial adaptation. Proclaiming such a contested past as an inheritance requires an inclusive heritage interpretation. The recent renovation of monumental buildings for potential market values and demolishing minor architecture do not display such a heritage interpretation. This, placing undue attention on a selected social group, is found to be further emptying the compartmentalized city. The exclusion of some sub-societies also cost possible stewardship to urban heritage. Having observed the non-sustainability of current heritage-interpretation practised in Colombo, we searched for alternative means to unify societies in time-space thus sustaining the diversity of urban spaces. Our empirical studies have established the need to integrate the inherent cultural values of the colonial-built urban fabric in heritage interpretation. The results of vibrant heritage-interpretation results have been studied through a literature survey with aims to contribute towards the development of an inclusive heritage interpretation practice to protect Colombo’s colonial past sustainably.
JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2022), 6(1), 1-12.
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings or other structures.
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and "creator") is both the process and the product of planning, designing, and constructing buildings or other structures. Architectural works, in the material form of buildings
Art and architecture are getting divorced despite the fact, there exists thin line to differentiate between art and architecture. If Art is labelled as,’ expression of human creative skill/imagination in visual form, Architecture ,is defined as art and science of creating buildings based on utility ,strength and beauty. If a great piece of art is an object of joy and pleasure, a well designed and constructed building brings joy and happiness for the owner, community and user .As a creative science Art has leveraged architecture in numerous ways giving architecture a new theme, meaning and vocabulary. Chandigarh, a role model in the field of architecture and urban planning, designed by Mon Le-Corbusier and his team of great architects, have made extensive use of art as integral part of the designing various buildings including buildings in Capitol Complex, High Court, Assembly, College of Art and Architecture etc to promote their aesthetics and beauty. If architecture is called the body, art rightly assumes the role of soul. Majority of problems facing the profession of architecture has genesis in growing mismatch between art and architecture. The existing ideology of architectural education and practice needs to be, revisited
Defining Role of Art in promoting Chandigarh architecture JIT KUMAR GUPTA
Art and architecture are getting divorced despite the fact, there exists thin line to differentiate between art and architecture. If Art is labelled as,’ expression of human creative skill/imagination in visual form, Architecture ,is defined as art and science of creating buildings based on utility ,strength and beauty. If a great piece of art is an object of joy and pleasure, a well designed and constructed building brings joy and happiness for the owner, community and user .As a creative science Art has leveraged architecture in numerous ways giving architecture a new theme, meaning and vocabulary. Chandigarh, a role model in the field of architecture and urban planning, designed by Mon Le-Corbusier and his team of great architects, have made extensive use of art as integral part of the designing various buildings including buildings in Capitol Complex, High Court, Assembly, College of Art and Architecture etc to promote their aesthetics and beauty. If architecture is called the body, art rightly assumes the role of soul. Majority of problems facing the profession of architecture has genesis in growing mismatch between art and architecture. The existing ideology of architectural education and practice needs to be, revisited
Unplanned modernization may lead to threat to architectural heritage a case o...eSAT Journals
Abstract
Dhaka, the capital city of Bangladesh, comprises of many mosques of Pre-Mughal (1204-1576 AD) and Mughal (1576-1751 AD) periods with great historical values and significance. Some of these historic mosques are now in the possession of the local people and the community of old Dhaka. These mosques are transforming due to the uncontrolled development by the community people in the name of modernization to accommodate their unlimited needs. The paper has termed these mosques as historic community mosques. These mosques represent a definite style of that period which is different from other mosque typologies in Bangladesh. The paper has discussed the historical significance of these mosques which possessed important architectural heritage.
The paper has illustrated the gradual transformation of these historic mosques by the intervention of the community people through some case studies. It has also highlighted on how most of those historic testimonies of the past are losing the original architectural style and pattern, partially, and to some extent completely due to unplanned and uncontrolled development by the local people. These unplanned developments raise questions of authenticity of the historic past. Therefore, the authenticity of these structures will be verified through the comparison of the intrinsic pattern of mosque architecture built in Bengal during the Mughal and Pre-Mughal period and also from the information of researches done by the historians. .
The paper focused on the aspect of participatory design process- as an approach to attain more responsive design solutions and these transformed mosques are the vivid examples of such an approach. Those are viable examples of an interactive design process deeply rooted in local culture expressed through a live and endless process of design. Later, recommendations on conservation were given to protect these historic mosques from diminishing, so if they can be retained through the art of conservation, the past history and heritage may be cherished by the present and future generations.
Keywords: Pre-Mughal and Mughal period ; Modernization; Historic Community Mosque; Architectural Heritage; authenticity; conservation; participatory design process
This study introduces an eminent acting architect in the Arab World, working with a deep understanding of his rich heritage and culture, and full awareness of his moral duty in producing architecture that respects and reflects this special culture besides satisfying functional needs of the end-users.
Proclaiming Colonial Urban Heritage: Towards an Inclusive Heritage-interpretation for Colombo’s Past
* Professor Dr. Harsha Munasinghe Image result for research orcid
School of Architectural Studies, George Brown College, Toronto, Canada
E-mail: hmunasinghe@georgebrown.ca
ARTICLE INFO:
Article History:
Received 13 April 2021
Accepted 18 July 2021
Available online 26 July 2021
Keywords:
Urban Heritage;
Colonialism;
Contested-Past;
Historic-City;
Inclusive heritage Interpretation;
Colombo.
ABSTRACT D:\My Journal\papers\Vol 4 ISSUE 1\1 senem sadri Turkey\check for updates2020ijcua.tif
Colombo, Sri Lanka’s commercial capital is a forceful creation of European colonialists who occupied the island for over four centuries. Its urban structure displays the social fragmentation sought by the rulers. Colombo elaborates an extraordinary process of city-making, stratified with its Dutch-origin, British-reshaping, and post-colonial adaptation. Proclaiming such a contested past as an inheritance requires an inclusive heritage interpretation. The recent renovation of monumental buildings for potential market values and demolishing minor architecture do not display such a heritage interpretation. This, placing undue attention on a selected social group, is found to be further emptying the compartmentalized city. The exclusion of some sub-societies also cost possible stewardship to urban heritage. Having observed the non-sustainability of current heritage-interpretation practised in Colombo, we searched for alternative means to unify societies in time-space thus sustaining the diversity of urban spaces. Our empirical studies have established the need to integrate the inherent cultural values of the colonial-built urban fabric in heritage interpretation. The results of vibrant heritage-interpretation results have been studied through a literature survey with aims to contribute towards the development of an inclusive heritage interpretation practice to protect Colombo’s colonial past sustainably.
JOURNAL OF CONTEMPORARY URBAN AFFAIRS (2022), 6(1), 1-12.
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and τέκτων "creator") is both the process and the product of planning, designing, and constructing buildings or other structures.
Architecture (Latin architectura, from the Greek ἀρχιτέκτων architekton "architect", from ἀρχι- "chief" and "creator") is both the process and the product of planning, designing, and constructing buildings or other structures. Architectural works, in the material form of buildings
Art and architecture are getting divorced despite the fact, there exists thin line to differentiate between art and architecture. If Art is labelled as,’ expression of human creative skill/imagination in visual form, Architecture ,is defined as art and science of creating buildings based on utility ,strength and beauty. If a great piece of art is an object of joy and pleasure, a well designed and constructed building brings joy and happiness for the owner, community and user .As a creative science Art has leveraged architecture in numerous ways giving architecture a new theme, meaning and vocabulary. Chandigarh, a role model in the field of architecture and urban planning, designed by Mon Le-Corbusier and his team of great architects, have made extensive use of art as integral part of the designing various buildings including buildings in Capitol Complex, High Court, Assembly, College of Art and Architecture etc to promote their aesthetics and beauty. If architecture is called the body, art rightly assumes the role of soul. Majority of problems facing the profession of architecture has genesis in growing mismatch between art and architecture. The existing ideology of architectural education and practice needs to be, revisited
Defining Role of Art in promoting Chandigarh architecture JIT KUMAR GUPTA
Art and architecture are getting divorced despite the fact, there exists thin line to differentiate between art and architecture. If Art is labelled as,’ expression of human creative skill/imagination in visual form, Architecture ,is defined as art and science of creating buildings based on utility ,strength and beauty. If a great piece of art is an object of joy and pleasure, a well designed and constructed building brings joy and happiness for the owner, community and user .As a creative science Art has leveraged architecture in numerous ways giving architecture a new theme, meaning and vocabulary. Chandigarh, a role model in the field of architecture and urban planning, designed by Mon Le-Corbusier and his team of great architects, have made extensive use of art as integral part of the designing various buildings including buildings in Capitol Complex, High Court, Assembly, College of Art and Architecture etc to promote their aesthetics and beauty. If architecture is called the body, art rightly assumes the role of soul. Majority of problems facing the profession of architecture has genesis in growing mismatch between art and architecture. The existing ideology of architectural education and practice needs to be, revisited
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2. THE STARTING POINT OF
EVERY ARTISTIC CREATION
MUSTBE THE NEEDS,ABILITY,
ANDACHIEVEMENTS OF OUR
TIME.
- OTTO WAGNER
3. WHAT IS
MODERNITY
IN ARCHITECTURE?
Modernity is thus marked by the
unprecedented pace and scope of
change and the emergence of new and
unprecedented social institutions
structured around the imperatives of
the post feudal society. The creative
response to modernity is modernism.
Given the contested nature of
modernity, it is unsurprising to find
that modernism operates under
similar conditions of ambiguity and
irresolution. In the specific context of
architecture any account of
modernism must be grounded on a
careful analysis of the intellectual
parameters within which the architect
is working.
4. THE EBRILCITY
•Modernity in Middle Eastern society has
emerged in such a way that it clearly indicates
the western form of secularization of
architecture with specifically the Iraq liberation
in 2003 from the vernacular architecture that
comprises the dwellings and other buildings of
the people. Related to their environmental
contexts and available resources they are
customarily owner- or community-built,
utilizing traditional technologies. All forms of
vernacular architecture are built to meet specific
needs, accommodating the values, economies
and ways of life of the cultures that produce
them that was found in the vernacular Islamic
culture of the Middle east that had the Persian,
Egyptian , Kurdish and Arabic architectural
forms.
Ebril City that had its unique Kurdish
identity and architecture and marked the
rich culture and tradition. Kurdish
traditional architecture can be classified
into three basic categories according to
their location, towns(shar), village (gund),
and nomadic. Citadel of Erbil (Arbil) is a
good example of this old and unique
architectural heritage in KurdistanAfter the
First World War, Erbil became part of the
new established kingdom of Iraq and since
then the city’s urban growth has been
directly influenced by the economic, social
and political process that has lead to
westernization of architecture and from
vernacular art it has been secularised to
abstract modern art.
5. •Large territories of Kurdish area have gained
local control since 1991 following the Gulf
war. Since then, large reconstruction projects
have started in rural and urban areas. Till
2003, the projects were administrated by UN
under the agreement of oil for food that
further influenced the architecture and in the
process of urbanization. Even after the
liberation, areas of Kurdistan got autonomous
identity where the local population have
achieved large control over the their territory.
Yet architects and schools of architecture in
this area couldn’t manage till now to benefit
from this historical change in Iraq that can
support building modern local national
architectural identity. One century of
ignoring Kurdish architecture in schools of
architecture and the government’s policies
has created a gap about identifying Kurdish
traditional architectural style and how to
regenerate and apply it in the present built
environment.