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VISUAL CULTURE IN INDIA



Presentation by
Nithin Kalorth (October 20 2012)
FOLK
   People in general having peculiar tastes. A
    group of people of same kind of culture,
    lifestyle and identified together because of
    various sociological reasons.
   Example : Country folk, Town folk, Farming
    Folk etc.
   Study of folk( tradition, culture etc) are known
    as "FOLKLORE”
FOLK MEDIA
   The form of media which is created or formed
    generations back or the media having a
    cultural identity of some place are known as
    FOLK MEDIA.
   The folk culture in India are connected with
    moral, religious, and socio-political purposes.
    But since it contains elements of art, humor
    and spontaneity it is also widely used as a
    medium of entertainment.
FOLK MEDIA - ADVANTAGES
   Since folk culture is familiar “cross culture”
    problems will not encounter.
   Effect is direct to their heart.
   Barriers to communication is not there.
   It can be understood or enjoyed by large group
    of people even without high educational
    standards.
   Most of folk media are flexible in
    accommodating in new themes of life.
THAMASHA
   It rooted in Maharashtra before 600 years ago.
   It means “fun”.
   Here a group of people around 6 mostly males
    sing songs with a drum accompany and two
    females dance according to the theme.
   It is not a religious but it contains story from
    Hindu mythology and black humor which
    concerns about society.
POWADA or PAWALA
   I also originated in Maharashtra and have
    similar features of THAMASHA but the story is
    concentrated on historical events.
   This got popularity in most of northern parts of
    our country and have Hindi version of this.
   Male and female together perform this but its
    considered a male dominated area of
    performance and viewing.
KEERTANA
   Performed and seen in TamilNadu, Karnataka
    and in northern states of India.
   It is believed that the saint Narda made this for
    praising Lord Vishnu.
   It is related with bhakti movement in India.
   It helped in social reformation and social
    education.
   It is now concentrated on temple rather than its
    original social needs.
YAKSHAGANA
   Folk drama originated from Karnataka.
   Performed from 16th centaury.
   It is connected with bhagavata with mixing up
    with various local flavors.
   The players are dressed quit frightfully and
    dance according to the song sung by singer.
   Singer and players interact each other during
    the drama which creates humor.
RAMLILA AND RASLILA
   Ram Lila tells the story of Lord Rama.
   Rasa Lila is concentrated on the love of Lord
    Krishna for Radha.
   Ram Lila played during Dashara festival and it
    is found in Maharashtra, Manipur, Gujarat and
    even some parts of Kerala.
   Rasa Lila is famous in Brindhavan and other
    near by areas the roles are played by the young
    boys.
OTHER IMPORTANT FOLKS
TAMIL NADU      THERUKOOTHU, NIZHAL ATTAM,
                VILLUPATTU

KERALA          OTTAN THULLAL, KOOTHU, THERU
                NADAKAM (STREET PLAY)

BENGAL          JATRA(JOURNEY)


GUJARAT         BHAVANI


UTTAR PRADESH   NAUTANKI


KONKAN          DASAVATHAR
ELECTRONIC MEDIA
              INFLUENCE
   The powerful approach of electronic media the
    role of our folk dance have been misused.
    Glamorization or vulgarization of our culture
    is done. Best example is inclusion of our folk
    dances and songs as item numbers in Hindi,
    Telugu and Tamizh movies.
   But while seeing in other point government
    approach through Dhoordarshan are
    supporting the old folk culture and introduce it
    to new generations.
GOVERNMENT SUPPORT TO
IMPROVE FOLK CULTURE:
   There are many campaign and programs
    conducted by government of India as well
    government of states and other NGO’s.
   Example ; Chennai Sangamam in Tamil Nadu
    and State level cultural competition conducted
    by Kerala government in school and university
    levels which provide importance to our cultural
    values.
   Its ultimate role of youth or the new generation
    to carry forward our cultural values and its
    importance to next generation.
   Remember any development without
    understanding our culture is not permanent.
Visual culture in india

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Visual culture in india

  • 1. VISUAL CULTURE IN INDIA Presentation by Nithin Kalorth (October 20 2012)
  • 2. FOLK  People in general having peculiar tastes. A group of people of same kind of culture, lifestyle and identified together because of various sociological reasons.  Example : Country folk, Town folk, Farming Folk etc.  Study of folk( tradition, culture etc) are known as "FOLKLORE”
  • 3. FOLK MEDIA  The form of media which is created or formed generations back or the media having a cultural identity of some place are known as FOLK MEDIA.  The folk culture in India are connected with moral, religious, and socio-political purposes. But since it contains elements of art, humor and spontaneity it is also widely used as a medium of entertainment.
  • 4. FOLK MEDIA - ADVANTAGES  Since folk culture is familiar “cross culture” problems will not encounter.  Effect is direct to their heart.  Barriers to communication is not there.  It can be understood or enjoyed by large group of people even without high educational standards.  Most of folk media are flexible in accommodating in new themes of life.
  • 5.
  • 6. THAMASHA  It rooted in Maharashtra before 600 years ago.  It means “fun”.  Here a group of people around 6 mostly males sing songs with a drum accompany and two females dance according to the theme.  It is not a religious but it contains story from Hindu mythology and black humor which concerns about society.
  • 7. POWADA or PAWALA  I also originated in Maharashtra and have similar features of THAMASHA but the story is concentrated on historical events.  This got popularity in most of northern parts of our country and have Hindi version of this.  Male and female together perform this but its considered a male dominated area of performance and viewing.
  • 8. KEERTANA  Performed and seen in TamilNadu, Karnataka and in northern states of India.  It is believed that the saint Narda made this for praising Lord Vishnu.  It is related with bhakti movement in India.  It helped in social reformation and social education.  It is now concentrated on temple rather than its original social needs.
  • 9. YAKSHAGANA  Folk drama originated from Karnataka.  Performed from 16th centaury.  It is connected with bhagavata with mixing up with various local flavors.  The players are dressed quit frightfully and dance according to the song sung by singer.  Singer and players interact each other during the drama which creates humor.
  • 10. RAMLILA AND RASLILA  Ram Lila tells the story of Lord Rama.  Rasa Lila is concentrated on the love of Lord Krishna for Radha.  Ram Lila played during Dashara festival and it is found in Maharashtra, Manipur, Gujarat and even some parts of Kerala.  Rasa Lila is famous in Brindhavan and other near by areas the roles are played by the young boys.
  • 11. OTHER IMPORTANT FOLKS TAMIL NADU THERUKOOTHU, NIZHAL ATTAM, VILLUPATTU KERALA OTTAN THULLAL, KOOTHU, THERU NADAKAM (STREET PLAY) BENGAL JATRA(JOURNEY) GUJARAT BHAVANI UTTAR PRADESH NAUTANKI KONKAN DASAVATHAR
  • 12. ELECTRONIC MEDIA INFLUENCE  The powerful approach of electronic media the role of our folk dance have been misused. Glamorization or vulgarization of our culture is done. Best example is inclusion of our folk dances and songs as item numbers in Hindi, Telugu and Tamizh movies.  But while seeing in other point government approach through Dhoordarshan are supporting the old folk culture and introduce it to new generations.
  • 13. GOVERNMENT SUPPORT TO IMPROVE FOLK CULTURE:  There are many campaign and programs conducted by government of India as well government of states and other NGO’s.  Example ; Chennai Sangamam in Tamil Nadu and State level cultural competition conducted by Kerala government in school and university levels which provide importance to our cultural values.
  • 14. Its ultimate role of youth or the new generation to carry forward our cultural values and its importance to next generation.  Remember any development without understanding our culture is not permanent.