Martin Charlier @ O'Reilly Design Conference 2018
This is a talk about how video is a powerful tool for rapid low-fi prototyping of connected products & the Internet of Things. This talk argues how this method is useful, shows how it builds on existing prototyping methods and gives a practical example for how you can apply this method. Finally, the talk shows how the same ideas and principles of animated or filmed artefacts can be used at different levels of fidelity and focussed on different purposes.
6. 6
You might learn more
about user experience
from a wooden block and
a chop stick than from
an high-tech prototype.
7. 7
Through early low-ļ¬
prototyping, you can ask
big and fundamental
questions about your
product before you sink
too much cost.
ā¢ Would people use this?
ā¢ How would it have to work
to be desirable?
ā¢ What would it feel like to
use this?
ā¢ Should we build this at all?
9. 9
Challenges with connected products
ā¢ The interface might be controls on a new
kind of device.
ā¢ The interface could be non-screen based,
like voice, gesture, proximity, physical
interaction.
ā¢ Interaction might happen across different
devices, across space or time.
ā¢ The overall experience doesnāt just happen
on a computer or a mobile - it involves
unboxing, manuals, different devices,
installationā¦
Above: Tado Thermostat
Below: Jordi Parraās Spotify Box (http://blog.zenona.com/)
10. 10
Challenges with connected products
ā¢ The interface might be controls on a new
kind of device.
ā¢ The interface could be non-screen based,
like voice, gesture, proximity, physical
interaction.
ā¢ Interaction might happen across different
devices, across space or time.
ā¢ The overall experience doesnāt just happen
on a computer or a mobile - it involves
unboxing, manuals, different devices,
installationā¦
Amazon Echo
11. 11
Challenges with connected products
ā¢ The interface might be controls on a new
kind of device.
ā¢ The interface could be non-screen based,
like voice, gesture, proximity, physical
interaction.
ā¢ Interaction might happen across different
devices, across space or time.
ā¢ The overall experience doesnāt just happen
on a computer or a mobile - it involves
unboxing, manuals, different devices,
installationā¦
Fujiļ¬lm manual
12. 12
Challenges with connected products
ā¢ The interface might be controls on a new
kind of device.
ā¢ The interface could be non-screen based,
like voice, gesture, proximity, physical
interaction.
ā¢ Interaction might happen across different
devices, across space or time.
ā¢ The overall experience doesnāt just happen
on a computer or a mobile - it involves
unboxing, manuals, different devices,
installationā¦
Photo by Ari Jay Comet (www.arijaycomet.com)
15. 15
Bootstrap
HTML/CSS/JS
Objective-C / Swift
ā¢ Software UX tools are often too
screen centric too soon.
ā¢ They donāt really work for Voice
or Gesture UIs.
ā¢ Prototyping user journeys that
happen across multiple screens
or devices isnāt ideal.
ā¢ Itās easy to forget the physical
context around the device.
17. 17
ā¢ Industrial design and physical
prototyping methods often lack
interactivity at the low-ļ¬ level.
ā¢ You need electronics - this can
be time-consuming.
ā¢ Electronics can become a barrier
quickly.
ā¢ Easy to get carried away with
optimisation.
22. 22
The ļ¬rst association for āvideoā āØ
in design is often a polished, CGI āØ
heavy vision ļ¬lm illustrating a āØ
shiny, seamless future.
23. 23
What makes video great
ā¢ Effortless to follow
ā¢ Easy to share
ā¢ Conveys what an experience feels like -
viewers gain empathy with the actors.
24. 24
Dissecting video
ā¢ Script/Scenes = Description of action sequence
ā¢ Set = The physical context in which action takes place
ā¢ Actors = Multiple humans that carry out actions or interact
ā¢ Props = Physical things, mock-ups, prototypes
ā¢ Special Effects = Things, actions or behaviours that donāt exist
25. 25
Dissecting video
ā¢ Script/Scenes = Description of action sequence
ā¢ Set = The physical context in which action takes place
ā¢ Actors = Multiple humans that carry out actions or interact
ā¢ Props = Physical things, mock-ups, prototypes
ā¢ Special Effects = Things, actions or behaviours that donāt exist
The user journey you iterate and develop
26. 26
Dissecting video
ā¢ Script/Scenes = Description of action sequence
ā¢ Set = The physical context in which action takes place
ā¢ Actors = Multiple humans that carry out actions or interact
ā¢ Props = Physical things, mock-ups, prototypes
ā¢ Special Effects = Things, actions or behaviours that donāt exist
How you gain (and convey) empathy
with the user and their context
27. 27
Dissecting video
ā¢ Script/Scenes = Description of action sequence
ā¢ Set = The physical context in which action takes place
ā¢ Actors = Multiple humans that carry out actions or interact
ā¢ Props = Physical things, mock-ups, prototypes
ā¢ Special Effects = Things, actions or behaviours that donāt exist
Working across different touch
points, interface types, spaces and
taking into account multiple users.
32. 32
Gestural interface for a cooking hob
Script / Scenes
Rapid iteration
through alternative
options youāre unsure
about
Non-screen based
interfaces
36. 36
A connected ļ¬shing rod?!
ā¢ Itās a way to ļ¬gure out whether something is a good idea
before investing much time & money.
37. 37
Itās more about the process than the outcome
80% (The process)
ā¢ Rapid iteration and decision
making.
ā¢ Exploration across physical
context, multiple devices, time and
space.
ā¢ Forces you to think in a time-based
sequence of events - a user journey.
ā¢ Acting out: Empathy with the user.
How it might āfeelā like using this.
20% (The video)
ā¢ Itās self-explanatory and shareable.
ā¢ Film is a widely understood
medium that is easily digestible.
ā¢ Less āloss in translationā, relies less
on imagination of others.
ā¢ It lets viewers judge plausibility
(they get a degree of empathy).
40. 40
Forces you to focus on speciļ¬c interactions & simplify.
1. Select herb type
2. Start paring
3. Conļ¬rm on sensor
4. Install sensor
5. See notiļ¬cation
41. Substitution
41
The āStop Trickā (or āSubstitution spliceā)
Recording
STOP START
ā¢ Donāt move the camera.
ā¢ Keep the same shot.
ā¢ Only move the parts
that change.
48. 48
Sketch-A-Move: Slightly more elaborate. Both a demonstration and an exploration.
http://www.superļ¬ux.in/work/sketch-move
49. 49
Inspiring a team
through conveying
the vision behind an
idea.
Matthias Kranz, et. al http://www.eislab.ļ¬m.uni-passau.de/ļ¬les/
publications/2006/SketchAMove_preprint.pdf
56. 56
A storyboard or video prototype can guide the tech requirements
More info: http://www.cooper.com/journal/2008/12/economizer
Design requirements Design requirements Design requirements Design requirements
63. 63
Keynote prototyping
Look & feel: Pinching timeline to group
photos by afļ¬nity
Explainer: Group photos by afļ¬nity
when pinching timeline & create album
from stack..
Explainer: Tap stack to āuncompressā
timeline and go to selected photos.
65. 65
Builds on low-ļ¬ methods
ā¢ Storyboarding
ā¢ Enactment
ā¢ Paper prototyping / physical prototyping
ā¢ Wizard-of-Oz
66. 66
Works at a range of levels of ļ¬delity
Animated storyboard
Instagram sketch
High-ļ¬delity ļ¬lm with low-ļ¬ prototypes
67. 67
Has a range of uses
ā¢ Iterate and reļ¬ne your design
ā¢ Articulate a joint vision
ā¢ Document design requirements
ā¢ Test user desirability
ā¢ Convince investors or backers