Venus De Milo Research Paper

Venus De Milo Research Paper
For my essay, I chose to discuss Alexanders of Antioch's, Aphrodite, or Venus De Milo. Although
not the most elaborate sculpture, Venus De Milo tells a story in itself. It is believed to depict
Aphrodite, the Greek Goddess of love, beauty and pleasure and in some instances, honored as the
Goddess of War. Its association with graceful beauty, as well as eroticism for the age, helps depict a
multi–dimensional sense for the period and its common depictions. Venus De Milo is an ancient
Greek sculpture, created sometime between 100 and 130 BCE, with heavy reference to the
Hellenistic period. It was discovered on April 8, 1820 within the ancient ruins of the Greek Island
Melos. The discovery was made by a man named Yorgos Kentrotas and was later
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How Do Artists Limit Their Freedom Of Expression?
To "censor" is to evaluate something (in this case a piece of artwork) then choose to remove or hide
parts of it that is considered to be unacceptable or inappropriate for the members of the audience.
Censorship is the process of blocking something from being seen, heard, or even read! Personally, I
believe, if the government is putting their time and money into things like funding museums,
donating public spaces, and supporting individual artists, then, in a sense, they should have the
power to censor those artworks. Although, in that same breath, censoring artworks limits their
freedom of expression. Limiting an artwork's freedom of expression takes away the very thing that
makes those artworks so significant. It begs the

Venus De Milo Creating The Past
THE VENUS DE MILO READING RESPONSE In reading Rachel Kousser's Creating the Past:
The Venus de Milo it is interesting to see the varying opinions and theories surrounding the Venus
de Milo. Kousser begins by discussing the history surrounding this work and the various theories
that have been used to discuss the Venus de Milo. It is in part due to its rich history that there is
contention over what is considered accurate to the work and what isn't. Kousser divulges these
perspectives clearly in her writing to give a strong sense of context for the Venus de Milo and where
her work falls into the timeline of perspectives. Kousser also looks heavily into the archaeological
record and the value of the gymnasium in context to Aphrodite. It is ... Show more content on
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In this article the gymnasium is civic center for young males to come and practice a variety of
extracurricular physical and intellectual activities to better themselves (Kousser 2005). The role of
Aphrodite in Kousser's theory fits in this understanding. Kousser says that "...the goddess' role as a
protector of young men...as their guide during the transition to adulthood...helps to explain her
presence here" (Kousser 2005, 241). Kousser mentioned that the focus in understanding Aphrodite
has seen the goddess as a mostly sensual goddess that would by result not seem to be associated
with a space such as a gymnasium. But, by looking at the cultural practices surrounding the goddess
there is also the fact that Aphrodite was a figure used in religious context and therefore can be
understood in a broader context of a god that served in guiding youth and young adults through
pivotal parts of their lives. Although Kousser mentions that "It is true that preserved ancient
references to Aphrodite's involvement with gymnasia and athletics are rare", the placement of a
figure such as this in the gymnasium context does not seem too far of a stretch when looking at the
evidences provided (Kousser 2005,

Venus Of Willendorf Essay
Comparing and Contrasting the Venus of Willendorf and the Venus de Milo Venus, most people
think of that big hot volcanic planet up in space, but the word has a different meaning to artists. In
Greek mythology, Aphrodite was the Goddess of Love, Beauty, Sex and Fertility, the Romans,
however, referred to her as Venus, also believed to be portrayed in the Venus de Milo sculpture.
Therefore, the Venus of Willendorf was originally referred to in jest as a "Venus", however, the term
has stuck. The Venus of Willendorf is small a statue, of a rather large female body, statue estimated
to be dated between 28,000–25,000 BCE, placing this piece in the Paleolithic period. The Paleolithic
period, is also known in the art world as "Old Stone Age". Consequently, ... Show more content on
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The Venus of Willendorf is sculpted from a material called Oolitic Limestone. This limestone
contains traces of Ochre which is a type of red clay, responsible for the light tan base color with
slight reddish hue the statue. The Venus of Willendorf is currently displayed in Vienna at the
Naturhistorsches Museum. At first glance The Venus of Willendorf does not engage traditional
beauty visually. An eleven–centimeter tall figure of a woman sculpted with decidedly
disproportionate features, these features which are larger include the stomach and the breasts. The
figure's hands are gently rested upon her breast and stomach. Her stomach is much larger than the
rest of her body, presenting like the rounded abdomen of a pregnant woman. The Pubic region
continues to demonstrate the creativity of the artist. The red Ochre found on this ritual doll is, even
thought by some to have symbolized menstrual blood, however, this is argued due to the fact that
many artifacts from this time had traces of the red clay. The use of the statue is uncertain; but a
majority of people believe that it was used as a ritualistic fertility doll, either as an aid for women
become pregnant or keep the child healthy while in the

Summary: The Hellenistic Period
The Hellenistic period occurred from 323–31 BC and brought forth a new idea of passion in art.
This historical time period succeeded the Classical Era of Ancient Greece, where sculptures were
made for an idealistic perfection. However, during the Hellenistic art period, sculptures endured a
stylistic change. Artists no longer felt required to portray people as ideals of beauty or physical
perfection. Sculptors took inspiration from pathos and drama to display exaggerated, dramatic,
emotion–filled, more realistic pieces of art. They used common and holy people as subjects for
sculpture, and used marble, sometimes stone, to create and depict their expressive character. Some
of the most well know art sculptures that came from the Hellenistic period were: Laocoön and His
Sons, The ... Show more content on Helpwriting.net ...
As Rodin's fame grew, he crafted and designed more statues like The Thinker (1902), The Kiss
(1889), and The Three Shades, all of which were part of The Gates of Hell. Similar to The Three
Graces, Rodin amplified the idea and feeling of strength, in The Three Shades, by multiplying the
existing figures and forms. Both sculptures embraced distinctive character and personal physicality
by focusing on key details of the model's disposition. The artists also excelled in sculpting realistic
and raw features by having their subject be undressed or nude. Hellenistic sculpture expanded the
range of subjects artists could represent, and had a great impact on modern art. Artists became more
technically skilled in illustrating facial expressions to convey a myriad of emotions, and accomplish
a loose effect. It was the freedom and creativity with which Rodin used these practices that not only
made him the acclaimed artist he was, but relate similarly to sculptures from the Hellenistic

Summary Of The Secret Life Of Salvador Dali
One of Dali's most recognizable works is with the melting clocks in his, The Persistence of Memory,
which represents a vision of his view from his home and studio in Port Lligat Bay on the Costa
Brava in Catalonia Spain. This painting relates to Albert Einstein's theory of relativity which states
that time is relative or not fixed. The watches were symbolism of this theory and the passing of time.
Dalis idea for this painting came to him in a dream he had about cheese that formed into limp flimsy
watches. However, in Dali's History of Surrealist Painting, he says the watches symbolize impotence
and the hands on the watches are the medical–scientific signs for male. Dali frequently used male
symbols of impotence. In the painting Secret Life of Salvador Dali, he presents his nervousness
about impotence. The painting depicts phallic symbols of tall erect trees but his small barren dead
trees show are symbols of impotence. The soft tongue in the middle of the painting is flaccid like the
watches and is a Freudian symbol of the penis. Freud believed menstrual periodicity transforms time
into a feminine symbol. Therefore, the fourth watch in Dali's painting, which is closed, is a feminine
symbol. The watch in the foreground is red, the middle–ground watch is orange, and the background
watch is gray representing the past, present and future in accordance with Einstein's theory of
everything, changing time and space. All three watches point to the top center of the painting which

Research Paper On The City Of Lights
Paris is known worldwide for its art museums. There are dozens of museums in The City of Lights,
each with its own special treasures and unique pieces of art. The Louvre is the most famous of them
all. The story of its creation coupled with its architecture, art work, and beautiful outdoor grounds –
including the recently added Great Pyramid the sits in front of the grand museum – sets the Louvre
apart from other museums across the world.
The Louvre was not always a museum. With its construction beginning in the 12th century, the
Louvre started was a fortress and grand palace with architecture in the French Renaissance style.
(Nave 35–39, Pradel) More than 25 different kings lived in the palace. It was a royal residence from
Philip II to Louis XIV. (Nave 35–39) Each of the 25 monarchs who made the Louvre his home –
from Philip II to Louis XIV, ( Nave 35–39) the last king who sought protection behind the walls of
the palace – was a major contributor to the Louvre becoming one of the world's great destinations;
more than 9.3 million visitors visit the Louvre every year. ... Show more content on Helpwriting.net
...
The Mona Lisa. Venus de Milo. Little Dancer of Fourteen Years. Those are just three of hundreds
individual masterpieces that will leave a visitor speechless. A full appreciation of the wonders of the
Louvre is impossible just seeing an on–line photo. They must be seen in person to be fully and
completely absorbed. A prime example is the Mona Lisa. Although the internet can document the
value of this masterpiece painted by Leonardo da Vinci– today it is reportedly valued at nearly 800
million dollars – standing face to face with the Mona Lisa as she stares at you with her soft, yet
creepy, eyes gives you a satisfaction that cannot be achieved by visiting a

Characteristics Of Ancient Greece
In this paper, I will explain the Greeks, the Peloponnesian War, Socrates' horse training analogy in
the Apology, and the Venus de Milo. Ancient Greece refers to the times before the classical age,
between 800 B.C. and 500 B.C. Greece saw many advances in art, poetry and even some
technology, but most importantly it was the age in which the polis, or know the city–state, was
created. The city–state is compared with the modern nation–state as being sovereign, also know as
answering to no one. The Classical and Hellenistic eras of Greece having left behind a host of ideas,
concepts, and art to lay the foundation of what we now call the"western civilization". This is where
the Greeks first started their lives.
Some more background information about the Greeks is that they were well known for their
contribution and efforts in all sorts of subject fields, such as math, social studies (geography),
science (physics), medicine, history, theater, and much more. Some of the general characteristics of
the Greek democracy is that only male citizens could vote and hold office while the woman could
not vote, and could not finally vote until the 1920s. Also, the Greeks had a democratic system of
government and they liked this because they could have a say over who governs them. Sexuality
was a big talker in Greece because of the fact that it was common for the upper–class man to be
married to a woman, have kids with her, while also having a young, male lover on the side.
The Greeks created

Famous Greek Statues: The Venus de Milo
The Venus de Milo is one of the most famous Greek statues from the Hellenistic age. Created
between 130 and 100 BC, it is believed to depict Aphrodite (or Venus to Romans), the Greek
goddess of love and beauty. It stands at 6 feet 8 inches tall and is made entirely of marble, the most
abundant sculpting material of the Aegean islands. The inscription on its original base credits
"Alexandros, son of Menides, citizen of Antioch" as the statue's creator. It is currently on permanent
display at the Louvre Museum in Paris. (Lethaby, 1919) The myth of The Judgment of Paris is
thought to be one of the main inspirations behind the creation of the statue. The myth states that a
goddess named Eris was turned away from the wedding of Peleus and Thetis to which all of the
gods were invited. When she was turned away she angrily threw a golden apple amongst the
assembled goddesses addressed "To the Fairest." Three goddesses tried to claim the apple––Hera,
the goddess of marriage and fidelity, Athena, the goddess of war, and Aphrodite, the goddess of
beauty and love. Zeus was asked to mediate and he commanded Paris of Troy to decide which
goddess deserved the apple. The three goddesses then attempted to bride the prince to choose them.
Hera offered to make him the king of Europe and Asia, Athena offered him knowledge and military
skills while Aphrodite offered him the most beautiful woman in the world to be his wife, Helene.
Paris chose Aphrodite and rewarded her the golden apple. He

Rick Steves
English February Assessment
English Comparison between 'On Paris' pg. 103–105 and 'Rick Steves' Walking Tour of the Louvre
Museum' pg. 55–57.
The opening of Rick Steve's tour is quite different in the sense that while both start in a dramatic
style and exaggeration in the opening sentence. 'the Louvre Museum (2)' "Rick Steves" P55 L1 is
dramatic as the reciting the name and a pause to build tension and excitement is similar to the
opening of On Paris in the sense that it starts off with a one word sentence, which in this case was
'Paris'. Another similarity is that the audiences are most likely the same in the sense that it is written
towards a certain audience which in this case would be Tourists. The purpose of both texts though is
different ... Show more content on Helpwriting.net ...
Emphasis and alliteration reinforces this in the quote "... from scrawny stone–age fertility goddesses
to curvaceous Venus de Milo" The italics represent the emphasis and could suggest that the
exaggeration on this word shows a more sexist side and attitude to the actual transcript.
A further example would be in "... cases the Greek Barbie dolls" You could also suggest that it
implies a possible condescending tone on the art of the Venus de Milos. However you could suggest
that it is only used to help the listener understand the modern equivalent of the statue and so Rick
Steve is likening it to a Barbie doll to help aid the

Sculpture In The Archaic Period
In the Archaic period, coincides with Greek, Athenian, dominance of the aegean region. Many artist
started working in number of new methods. Archaic period,"saw a rapid development in the
portrayal of the human figure" (William Biers). Many sculptures started making sculptors of human
figures life sized after being inspired by the monumental stone sculpture of Egypt and Mesopotamia.
This sculpture gave a new inspiration for many new sculptures and the making of human form
sculptures. Many sculptures at the time were in sanctuaries and made for grave monuments. Statues
were mainly stiff upright posters. They were all different males were in nude and women were
clothed wearing draped gowns. Statues that were made had many different colors like ... Show more
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When people think about Greek art they thin about the Classical period comes to mind. "During this
time, the Greeks achieved their highest level of work and pressed exploration of form and
perspective in art to limits well beyond its previous bounds."(Willian Biers) The Classical period
had different posses just like the Chiastic pose in the Kritios Boy statue helps show how they
changed different ways and had new ideas on making sculptures. "Kritios boy statue was small then
life size standing a height of 1.24 m "(William Biers). This sculpture was different in the sense that
it was a change in the way they showed a more realistic sculpture. "The growing in interest in
realism and idealization of the human body can be seen in the sculpture Discobolus by Myron."
(British Museum). The discus thrower is shown mid moment about to let go of the discus and it
shows how sculptures were trying to show much realism they could put in a sculpture. Discobolus is
very well known it is one of the many people think of when talking about greek sculptures. Just the
sculpture speaks for its self in the sense that it show how realistic it looks and because the sculpture
was made with a pose mid motion it makes the viewer anticipating and wanting to see the discus

The Controversy About Ancient Greek Art
Ancient Greek Art by: Silvia Rivera 5/2/17 (source: web khanacademy.org) My topic is about
Ancient Greek art. Ancient Greek art was collected and in Ancient Rome. It is the most influential
art ever made. Almost no Ancient Greeks wall painting survive most of the art work that survives is
there pottery. The late classical style during the 4th century was a time of experimentation and it was
also a transition away from the strict ideals of the high classical moment. The early classical

Venus De Milo Vs. The Laocoon
The Venus de Milo and The Laocoon are both legendary works of art. Both of these works employ
the Hellenistic style, but there is so much contrast in the design of the forms, detailing, expression
and many other characteristics. Hegel's Absolute Idea is a goal for art. This goal is to be as Godly as
possible. It is both the plan and realization throughout the history of art. "Hegel pictures this in an
analogy to the human soul and body; the soul is the concept and the body is the physical form."
(Hatt 25). In recognition to the Absolute Idea of Hegel, Venus de Milo more closely represents the
idea of divinity over The Laocoon.
The Laocoon
The Absolute Idea represents conscious practice or people acting in their own true nature, to strive ...
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. . In the products of art God is operate neither more nor less than in the phenomena of nature; but
the divine element as it makes itself known in the work of art" (35) 2. The Venus de Milo represents
the Absolute Idea more successfully than the Laocoon. This is due in large part to the physical
appearance of the works, The Laocoon being more of a distraction to the divine, while Aphrodite
does not hinder the viewer from the divine. The subject matter also plays a part in this distraction.
The Laocoon with a large backstory about the Trojans and the Greek gods' wrath. The Venus de
Milo does not have that story (at least not commonly known to common era). She really does have
almost no distractions to remove the divine, other than controversy in discovery, the work was
originally thought to be created in the Classical Era, however the pose of the figure led more to the
Hellenistic period. Even with that story there is very little that takes away from the work and the
divinity of the absolute

Venus Of Willendorf Vs Venus De Milo
Art is constantly changing throughout history from cave paintings, to elaborate churches with
beautiful stain glass windows. Another thing that has changed overtime and culture to culture is the
definition of beauty. I feel like the Venus of Willendorf, the Venus de Milo, and Eve is from the
Sarcophagus of Junius Bassus all show three different perspectives of beauty. The Venus of
Willendorf and the Venus de Milo are two ancient day venus sculptures representing two different
views on beauty. The Venus of Willendorf is a small 4.5 inch limestone figure of a Goddess which is
believed to be used as a fertility symbol, while the Venus de Milo is a tall ancient Greek statue of a
Goddess, which is said to represent love and beauty. The Venus ... Show more content on
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They also both may be ashamed to be in the nude hence why Eve is covering up with leaves and the
Venus de Milo is covering up with a sheet. They also both have detailed hair and what appears to be
the same short hair style. They are both made out of marble and have serious looks on their faces.
Both of these women also represent well known people in history. Eve obviously represents Eve,
whereas the Venus de Milo represents Aphrodite, the ancient Greek goddess of love and beauty.
Some differences are the time period in which they were made. The Venus de Milo was made in
130–100 BCE whereas the Eve from the Sarcophagus of Junius Bassus wasn't made until 359 CE.
Eve also has all of her body parts and emphasizes her arms, whereas the Venus de Milo has no arms
to emphasize. Eve also is a part of a bigger artwork whereas the Venus de Milo is an artwork by

Descriptive Essay On Museum Visit
Museum Visit: A Sunday on La Grande Jatte I went to The Art Institute of Chicago on a Thursday
when it was free for Illinois resident and when there were different exhibitions going on. There was
long line at the entrance near the museum at 6pm in the evening. I went alone because I thought I
can have better focus on picking a good art work. I was ready to go through all the magnificent
paintings for my art museum paper. As I walked through the museum, there were colorful Indian
Modern art exhibited for the occasion. They were big and vibrant. The was also a special exhibition
of Tarsila Do Amaral, one of the leading Latin American Modernist artist who paint like Cubism,
Futurism and expressionism. Her artworks were childlike in terms of the painting style of objects
and people. I was most fond of the modernist and contemporary part of the gallery with painters like
Salvador Dali and Francis Bacon. I was fascinated with Salvador Dali's Venus de Milo with
Drawers. The drawers unnaturalistically located on a human body was intriguing. The depth of the
human mind and subconsciousness are creatively represented by these drawers on Venus de Milo.
Francis bacon's work Figure with meat was not bad either. Figure with Meat is a disturbing
depiction of Pope Innocent X sat in front of a cow carcass cut lengthways in half. (Gould) Like his
other painting, the theme is dark and twisted. The carcass is included serve as a direct reminder that
death will be at the end await

Greek Culture: Roman Art Vs. Greek Art
Roman culture originated a lot from Greek culture. Everything including Greek gods, temples, art
and architecture, drama and poetry all provided a start for Roman synthesis, creativity and
innovation. Although they are both called Classical periods together, they still possess many
different similarities and differences. Regarding art, Greek art is considered superior to the imitative
or decorative Roman art. It is often pointed out that the goal of the classical Greek sculptors was to
produce an ideal artistic form, whereas the goal of Roman artists was to produce realistic portraits,
often for decoration. Much Greek art adorned utilitarian objects, just as Roman art adorned the
living spaces. We typically associate sculptures like the Venus

Venus Of Milo Figure Analysis
1.Compare and contrast the following large–scale Greek sculptures of men: Anavysos Kouros from
the Archaic Period (Figure 5–9), Doryphorous from the High Classical Period (Figure 5–41), and
Seated Boxer from the Hellenistic Period (Figure 5–86). How is each artwork characteristic of
large–scale sculpture from the time period in which it was created? What changes over time?
Anavysos Kouros from the Archaic Period was very detailed representation of Kroisos body that
was constructed after he died. In the structure we see the curves in his body, the detail lines in his
stomach, muscle on his legs and arms. His broad shoulders make him look like he standing proud
while he clinches his fists. In Doryphorous, the male representation sculpture is ... Show more
In her sculpture we can see her blank gaze stare in her face, short hair and the various curves
through out body. Her arms hang over a piece of clothes that hangs over a jar. The Peplos Kore
Figure 5–10 shows a female whose body is fully covered in a robe covering up the shape of her
body. She has long wavy hair and a blank stare with a smile on her face. Her arms are broken as
well as the bottom part of her legs. The Venus of Milo Figure 5–84 has similar to those of Aphrodite
with the semi nude body and the body with curves. She face has a similar blank stare as she flaunts
her body.
6. Describe the Corinthian Capital (Figure 5–73) and address how it differs from the Doric and Ionic
Capitals (Figure 5–13).
The Corinthian Capital shown on Figure 5–73 is a column with a very detailed carving of flowers
and leaves on the top part of the column. " Although architectural historians often cite this capital as
the distinguishing feature of the Corinthian order, strictly speaking no Corinthian order
exists.")Kleiner, Section Architectural Basis) Unlike the Doric and Iconic capitals which where
different on ever corner and sides, the Corinthian Capitals remind the same on each corner and
nothing had to be changed.
7. How can we characterize art and architecture of the Hellenistic Period? How is this seen in the
Altar of Zeus at Pergamon (Figures 5–79 and

Research Paper On Venus De Milo
The topic of my final paper will be about the famous Venus de Milo and how two contemporary
artists have responded to the artwork's notoriety. Since the Venus de Milo is considered a symbol of
female beauty, I would like to unpack how the sculpture achieved that recognition in the 19th and
early 20th century. The methodologies I will use include giving a historical account of the object's
history (focusing primarily on French nationalism and the Europe's hunger for collecting classical
Greek sculptures in the 19th century) while using the work of Arman and Mary Duffy to discuss the
issues that arise when describing the Venus de Milo as an objectively beautiful piece of artwork. For
the former approach, I would write about Winckelmann's adoration

A Visit To A Museum
I remember visiting the world's largest museum, doesn't sound very exciting, but it was the most
exciting experience for me. In the world there are many beautiful things, but nothing compares to
the Louvre's statues, paintings, and architecture. I am finally here, the City of Love! What am I
thinking? A country girl in a city known for its fashion, food, and culture. I have officially lost my
mind. Oh well, this is my one chance to dress up and feel like I fit in, because nobody here knows
me.
Entering into the Louvre entrance, I can't help but feel in awe of the museum. Walking up to the
counter, I smile politely, because momma always taught me to be to be polite, and I happily received
my museum pass. I quickly catch up to my group, out of breathe only because I've eaten too much
food and not exercised in forever. Man I really should hit the gym when I get home. Stepping off the
escalator I am captured by beauty. This beauty is like the dew in the morning, untouched and
wonderful. I am staring at the most extraordinary statues and figures the naked eye has ever had the
pleasure of seeing. No matter my vision problems, there is without a shadow of a doubt I am seeing
things clearly for the first time. Before me is standing statues of warriors, death, and life. The stark
white of the figures makes any evil become instantly pure. I turn slowly, enjoying this most
immensely, and then I see one of the most famous pieces of art ever, Venus de Milo. She's
extraordinary, more

Comparing Venus Of Willendorf And Venus De Milo
The Venus of Willendorf and Venus De Milo are well–known statutes that portray a goddess that
represents beauty and love. Even though both statues were made in different eras, the Venus of
Willendorf and Venus De Milo share some of the same attributes and differences. Therefore, the
Venus of Willendorf was made in the Paleolithic period which symbolizes fertility and Venus De
Milo was made in the Hellenistic period and represents Aphrodite which is the goddess of beauty. To
begin, the Paleolithic period is known as the earliest use of stone tools. "Based on theory, the
Paleolithic age started to begin with the first appearance of the human form. Even though it was
difficult for humans to perfect the image of the human body. The beginning ... Show more content
on Helpwriting.net ...
Thus, Venus De Milo was made around 150 BC in Milos, Greece. "Alexandro's statue portrays the
goddess known as Aphrodite when she won victory. This is a missing arm that was outstretched and
her hand help an apple. Also, her other hand held up her garment that is about to slip off her hips"
(Bleiberg, Edward I.). Even after the original pieces were found, the mystery of the missing arm had
already developed popularity, so the arms were not attached to the body. Also, Venus De Milo was
mimic to be like Aphrodite because she was known as beautiful goddess. More, Venus De Milo is
topless and the artist depicts seduction because she is only wearing a drape. The twisting stance and
projection of the knee adds erotic tension that is Hellenistic in concept and intent. "The Venus De
Milo still retains mystery. As many people assume that she represents Aphrodite because of her
curves and nudity, some assume that the artist depicts the dea goddess Amphitrite who worshipped
on Milo" (Curtis, Greg). Even though many people are assuming that the artist is trying to depict
Aphrodite or Amphitrite, Venus De Milo is a goddess that shows love and beauty. She resembles a
beautiful women who seduces men such as Aphrodite. Aphrodite seduced Tory as he reward the
most beautiful goddess, and she appears to win the golden apple. However, Venus De Milo was
holding an apple, which many people assume that she is Aphrodite based on the lingering of the
drapery and she is

The Movie ' Hercules '
For decades the corporation, Disney, has made extraordinary films. Although, the history and
cultures involved in the movies aren't always depicted accurately. An example of this would be
comparing the depiction of ancient Greece in Disney's movie, Hercules.
"The Disney version is pretty much a superman story – a person is born with extraordinary talents
that isolate him, and he spends his life trying to fit in, only to find that he has done so incidentally."
(Disneyfied.)
This animated film was produced in 1997 and is now known as a Walt Disney Classic. "The son of
the Greek Gods Zeus and Hera is stripped of his mortality as an infant and must become a true hero
in order to reclaim it." (IMDb). This character is known as Hercules in Disney's film, although in
ancient Greece this historical hero is named Heracles. Heracles parents were actually Zeus and
Alcmene, which is Amphitryon's wife.
"She is therefore doomed to stay with Hades for half the year as punishment, but unsurprisingly
Disney dropped this side story altogether." (Disneyfied.) Zeus betrayed his wife by disguising
himself as Alcmene's husband retuning from war.
The interpretation of Hercules in Greek mythology is just one small inaccuracy of the movie. The
sculptures presented in Walt Disney's Hercules, are a great example of how accurate the film is
compared to ancient Greece by describing the similarities and differences of the art, as well as the
depiction of real art pieces shown in the movie. Although

Annotated Bibliography Of Venus De Milo Of Aphrodite
Annotated Bibliography Kousser, Rachel. "Creating the past: The Venus de Milo and the Hellenistic
reception of classical Greece." American journal of archaeology (2005): 227–250. This article writes
at length about the discovery of the statue/sculpture of Venus de Milo of Aphrodite from Melos.
Three perspectives are presented in the article firstly on how the statue was discovered and the
speculations made by the experts and other artists about the sculpture and the other structures
unearthed with or near the sculpture. Another perspective presented by Kousser is how the sculpture
does not necessarily epitomize female beauty, but it represents Hellenistic classical art. The author
highlights how the sculpture was actually setup at the ... Show more content on Helpwriting.net ...
The article also acknowledges how the sculpture is a unique find in art especially in terms of how
well the sculpture has been preserved and how the damage to the sculpture were minimal as
compared to other similar discovered Venus sculptures. Arenas acknowledges how there are also
numerous interpretations and explanations on how the arms of the Venus de Milo actually look like
or what they are actually doing. The article also presents sultrier take on Venus de Milo, seeing her
in all her seductive glory. Through the eyes of Arenas, there is more human, yet otherworldly
perspective of Venus de Milo, one which matches romanticized women in mythology. Arenas also
envisions the sculpture in relation to feminine charm and how it and the sculpture represents a
severed phallus come to life. This represents social and carnal anxiety as well as longing, potency
and also impotence. This article is of use to the contextualization of Ancient Greek Art as it presents
the sultriness of the times, including the possibly more liberal perspective men and women during
those times had about the human body. Through the article, there are images and memories relating
to the myths of those times which have been repressed. This article provides a more playful and
romantic perspective of Ancient Greek Art, one which very much views the human body as a

Greek Gods Research Paper
The gods of Greece have a very interesting history. They had many beliefs for the gods and
goddesses. Citizens of greece for many years have believed that there was many powerful beings
that controlled everything. All of them had a role. Greeks had an entire way of life due to the gods
like: origin, art, legends, proficiencies,and types of gods. The origin of the gods took place in the
beginning of the Earth were there was only a dark void. In this Gaia(earth) and Eros(love) lived.
Gaia soon gave birth to Uranus(heavens) and Okeanos(ocean). Gaia and Uranus soon had three
cyclops, hecatonchires and twelve titans together. Uranus was a cruel god and thought his children
were hideous so he banished the cyclops and the hecatonchires to the ... Show more content on
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One of the most famous statues was the Venus de Milo. the artist of Venus de Milo was Alexandros
of Antioch. Unfortunately, over the years Venus de Milo's arms fell off. But it still stands at The
Louvre. Another famous statue was Discobolus by Myron which is displayed at the British Museum.
Michelangelo, a famous artist and inventor created a sculpture called David which is displayed at
Via Ricasoli in Italy. Other statues were Peplos Kore, Farnese Hercules, Aphrodite of Knidos, and
Kritios Boy. Some not so famous sculptures were Praxiteles, Praxiteles and Phidias. Most of the
artwork made mostly featured gods, heroes, goddesses, and hunters. Of course ocasinaly a sculpture
would make a mortal man or woman, children or evan hunters. But most of them were important
parts of prophises. Many monsters starred in many greek stories. And a lot of them stayed in our
memories and will continue to for years to come. Medusa was a popular one she was a gorgon who
turned people to stone with a glance. The Kraken was a sea monster that could only be released by
Poseidon the god of sea. The Minotaur was a beast that was half bull and half man. Most of these
beasts however were slain by gods or

France Cultural Traits
Some cultural traits that have defined French society and culture since the 16th century are the
French music, and art. Both of these play a huge part of the French culture and is part of the main
reason why France is known for everything that they do. Many people would ask, "How did France
start all of these cultural traits?" A lot of people would also ask "Are there more traits that France
has?" I will be talking about in order of what these cultural traits are, why they are important, the
influence that these cultural traits had on the French natives and even tourists, and what I think of
the French cultural traits. The historical origin of the cultural traits that I chose were based on the
Renaissance. The Renaissance is the French word ... Show more content on Helpwriting.net ...
Without these cultural traits of music, and art, who knows where the Renaissance would have
brought France, seeing as these were some of the biggest aspects of modernizing France. What
brought the cultural trait of art to France was the invasion of Italy, along with influences from the
Burgundy court. This invasion brought different paintings to France. Art can be seen almost
everywhere in France, but mainly French art is scene in the city of Paris. Some of the biggest and
best artists to emerge from France include: Claude Monet, Edgar Degas, and Camille Pissarro. All of
their art were influenced by France itself. These works of art can be found in the Louvre Museum,
which involves both traits of art and architecture. The Louvre Museum is one of the biggest
museums in the world, and in there resides two of the most famous paintings known all across the
globe. These paintings are the Mona Lisa and Venus de Milo. The second cultural trait which
defined French society and culture was the trait of music. The origin of music came from Burgundy,
which is known as the musical center of Europe. Most of famous composers come from Burgundy,
or study with different composers and musicians in Burgundy. One of the composers to originate
from France is Josquin des Prez. He is known

Essay on Winged Victory: The Nike of Samothrace
Winged Victory:
The Nike of Samothrace
The Nike of Samothrace (fig. 1) Charles Champoiseau uncovered pieces of masterfully worked
Parian marble in April of 1863.1 On Samothraki, the island from which Poseidon is said to have
watched the fall of Troy, these segments of stone came together to form four main sections: a torso,
a headless bust, a section of drapery, and a wing.2 The sections were shaped to be assembled though
the use of cantilevering and metal dowels, allowing the sculptor to extend beyond medium's
gravitational limitations (fig. 2). Just one year later, the pieces were assembled (and those missing
were remodeled), and the Greek goddess Nike was revealed at the Louvre. A Hellenistic
masterpiece, she ... Show more content on Helpwriting.net ...
This is just one example of the limitations to our knowledge of the ancient world–forces of nature
made the beautiful and pale Parian marble used to construct the goddess, and they also broke her
apart. Only fragments of a hand have been found–her arms and head are still lost. Until they are
found, we will not know if her lips were pursed for a trumpet blast, or her arms were outstretched
bearing a cup or sash, or she struck any of a number of other poses she was shown in. Another
mystery surrounding the Nike of Samothrace is its very origin. Historians are not sure who the
Greek master is that created her, or for that matter, when she was sculpted. The quest for the answer
to both of these questions provides an interesting

La Source: Hippolyte Petitjean
La Source is an oil painting created by French painter Hippolyte Petitjean. Petitjean painted in the
late 19th to the early 20th century and is characterized as belonging to the Post–Impressionist
movement. This movement was known by its division of colors that relied on the viewer to optically
blend and put together a full image. Artistically, Pietjean is most well–known for his mastery of the
pointillism technique of painting. La Source is just one of the many pieces made the pointillist
technique. The painting depicts a single female figure as the centerpiece of the composition. The
female figure is nude and holds a vase with water pouring out to the right side of it. The water
around the figure is symbolic of the birth of the goddess Aphrodite ... Show more content on
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The colors in the figure consist of warm creams, yellows and oranges with purple, blue, and green as
contrasting colors. With the technique of pointillism, which can be seen in detail in Figure 1,
Pietjean composed the complete piece with dots of single color and utilized varied hues and gradient
colors to create an optical illusion of the colors blending together. While the female nudes of
Classical Greece were in a different medium, the idea of perfection is shared by the two. The skin of
the female figure in La Source is smooth and flawless when looked at from a distance. The skin
color is comprised of varied chroma of mostly warm colors and the gradients give off the impression
of a marble–like smoothness. This type of smoothness is seen in Praxiteles Aphrodite of Cyrene in
the polishing of the marble in a way that gives it a skin like property. The softness of the colors in
the figure supplement the visual gentleness of form. Petitjean take the delicacy of the ancient Greek
sculpture, as seen within Praxiteles polished skin like marbles, and reformulated it through the use
of soft–hued colors and the gradient of his pointillism

Topics in Cultural Studies
RUNNING HEAD: INTRODUCTION TO THE HUMANITIES
AIU HUMA215–1204A–19 TOPICS IN CULTURAL STUDIES INTRODUCTION TO THE
HUMANITIES UNIT 1 IP JEFFREY HANCOCK
IINTRODUCTION TO THE HUMANITIES
Abstract
When comparing and contrasting the cultures of Greek and Roman civilization, there are many
noted similarities and differences. This paper will focus on a few of the prominent features and
attempt to define the differences, while noting the similarities.
INTRODUCTION TO THE ... Show more content on Helpwriting.net ...
Due to bad agricultural practices, many farmers just simply couldn't produce enough food to feed
themselves and their families and were forced to turn over their farms to large estates, which put
into practice the art of crop rotation, planting grape and olive plants to replenish the soils with much
needed nutrients. The wine and olive oils produced from this practice created more exports for the
country, leading to monetary gains, and expanded trade.
Rome, on the other hand, imported most of the needed products. Wheat was a largely imported
product, but the government showed little restraint when annexing a province that had the potential
for supplying large amount of this valuable commodity. * Both had mining industries * Both relied
on slave labor to extract valuable resources from the earth * Both had a monetary system in place *
Both had trade systems in place that created economic prosperity for the citizens, but the majority of
the gained wealth went to the government and/or the rulers of the countries
INTRODUCTION TO THE HUMANITIES
Geographical Terrain Both are Mediterranean countries, but have noticeably different terrain
features.
Ancient Greece and its cities/states were

Research Paper On Leonardo Da Aphrodite
The Louvre, located in the famous Paris, France, is home to the world's most historic and famous
pieces of art. It is a destination that I hope to experience before my life is over and I'm sure a large
majority of people feel the same way. For this assignment, I choose the most famous and
remembered pieces of art known to mankind. Those would be the Mona Lisa, painted by the one and
only Leonardo di ser Piero da Vinci a.k.a Leonardo Da Vinci, and the sculpture of Aphrodite,
sculpted by Praxiteles. The Mona Lisa started in Florence roughly around 1503 and is thought to be
a portrait of Lisa Gherardini, the wife of a Florentine cloth merchant named Francesco del
Giocondo, hence the alternative and less known title, La Gioconda. However, Da ... Show more
The statue reflects the sculptural research of the late Hellenistic Period: classical in essence, with
innovatory features such as the spiral composition, the positioning in space, and the fall of the
drapery over the hips. Aphrodite, or also known as The Venus de Milo was discovered not too long
ago in 1820 on the island of Melos, Milo in modern Greek, located in the south–western Cyclades.
The Marquis de Rivière presented it to Louis XVIII, who donated it to the Louvre the following year
and the statue won instant and lasting fame. "Essentially two blocks of marble, it is comprised of
several parts which were sculpted separately, bust, legs, left arm and foot, then fixed with vertical
pegs, a technique which was fairly common in the Greek world, especially in the Cyclades, where
this work was produced around 100 BC (Louvre)." The goddess originally wore metal jewelry, a
bracelet, a pair of earrings, and a headband, of which only the fixation holes remain and the marble
may have been embellished with, obviously now faded, polychromy. Sadly, the arms were never
found, leaving her in her iconic fashion, a figure with broken

Beauty As A Piece Of Art
Over time, our concept of beauty seems to fluctuate, similarly our concept of what a good piece of
artwork is does so too. What is it about perceiving a piece of art that makes it so fascinating to the
onlooker? What is it about art that makes one enjoy some pieces but disfavour others? Does art need
to be beautiful in order for one to classify it as art? Whether something aesthetically satisfying
should always be considered as a piece of art is often a big debate that arises between art
enthusiasts. Societies opinions on art and its artistic value have varied throughout time as culture
and attitudes towards certain themes shift. The 18th Century's classical sculpture seems to have been
a popular and commonly praised explanation in the art of people, such art was known as
Neoclassicism which was a result of the Renaissance period. The idealisation of the body in the
Renaissance which stretched from the 14th to the 17th Century was very common and greatly
influential in the development of Neoclassicism. Artists idealised there work for example the body
by making it have all the desired qualities no matter how unobtainable in reality. Traits specifically
for woman, such as pale smooth skin, perfect proportions, a curved body and a sense of seduction
remained the standard until 1850 where artists such as Courbet, Francis Bacon and Yi Chen changed
the narrow definition and acceptance for what one considers, through the Realist movement.
At any time between the 14th to 18th

Aphrodite
APHRODITE (a–fro–DYE–tee; Roman name Venus) was the goddess of love, beauty and fertility.
She was also a protectress of sailors.
The poet Hesiod said that Aphrodite was born from sea–foam. Homer, on the other hand, said that
she was the daughter of Zeus and Dione.
When the Trojan prince Paris was asked to judge which of three Olympian goddesses was the most
beautiful, he chose Aphrodite over Hera and Athena. The latter two had hoped to bribe him with
power and victory in battle, but Aphrodite offered the love of the most beautiful woman in the
world.
This was Helen of Sparta, who became infamous as Helen of Troy when Paris subsequently eloped
with her. In the ensuing Trojan War, Hera and Athena were implacable enemies of Troy while ...
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She was unfaithful to him with Ares, and Homer relates in the Odyssey how Hephaestus had his
revenge.
IN ART
Elsewhere in classical art she has no distinctive attributes other than her beauty. Flowers and
vegetation motifs suggest her connection to fertility.
Aphrodite was associated with the dove. Another of her sacred birds was the goose, on which she is
seen to ride in a vase painting from antiquity.
Hesiod's reference to Aphrodite's having been born from the sea inspired the Renaissance artist
Botticelli's famous painting of the goddess on a giant scallop shell. Equally if not better known is
the Venus de Milo, a statue which lost its arms in ancient times.
WAR GODDESS?
The ancient travel writer Pausanias describes a number of statues of Aphrodite dressed for battle,
many of them in Sparta. Given the manner in which the militaristic Spartans raised their girls, it is
not surprising that they conceived of a female goddess in military attire. She also would have
donned armaments to defend cities, such as Corinth, who adopted her as their patroness. This is not
to say that she was a war goddess, although some have seen her as such and find significance in her
pairing with the war god Ares in mythology and worship.
The two most recent editions of "The Oxford Classical Dictionary" are at variance over this aspect
of the goddess. The 1970 edition sees her as a goddess of war and traces this to her Oriental roots. It
is true that she has resemblances to

Reflection Of Arts
Many new materials were thought so far throughout the course. We learned about many types of arts
and their purpose. We watched many videos in class that talked about the different types of arts. Art
stimulates our mind. And gives us the opportunity to explore our creative side. Art of any type
pleases, notifies, teaches and informs us in every way possible. Some of the different works of art
that really interest me are The Last Supper by Leonardo Da Vinci, Aphrodite of Milos, and the
David Statue by Michelangelo.
"The Last Supper" is significant because the disciples are all presenting every human, identifiable
emotions. The biblical scene had surely been painted before. Leonardo's version, though, was the
first to depict real people acting like real people. What I really enjoy about this art is You can see
that every single element of the painting directs one's attention straight to the midpoint of the
composition, Christ's head. It's possibly one of the most excellent point perspective ever made. "The
Last Supper" is Leonardo's visible explanation of an event cataloged in four of the Gospels. The
structure is The twelve apostles fall rather naturally in groups of three on his left and right,
connected to one another by body movements. It is a pleasant interaction of actions, a breathtaking
accomplishment in a painting which is by its nature format. The scene is brightened by a coldness of
clear light that comes about in analytic particular every object. The

The Bronze Statuette
The Bronze Statuette of a Veiled and Masked Dancer is a small bronze statuette, measuring just over
eight inches, that dates from the 3rd to 2nd century B.C., Hellenistic Greece. The Dancer is
displayed in a glass box, just below eye level, which makes her accessible to be viewed all the way
around. She is completely covered save for her eyes, hands, and one foot. Wearing a dress and a veil
pulled taught by a corner in each hand, the woman is said to be dancer from Alexandria, Egypt. Both
the undergarment and veil fall in deep pleats across her body; in some areas, the fabric is thin
enough to reveal the movement of her muscles under the fabric. One arm cuts across her body,
holding the veil up by her opposite ear. Her eyes, not covered by ... Show more content on
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Her clothing, which falls in many layers, both obscures and reveals her figure. The only areas of her
person which are visible are her eyes, both hands, and one extended foot. Even though only a
minimal amount of skin is exposed, her heavy clothing does not necessarily entail a virginal or
innocent demeanor. The express intent of her dancing is unclear. The heavy fabric which clings to
her hips and sides could convey seduction. Or rather, a bashful disposition which hides under many
layers and is only embolden to entice through motion. The face of the Dancer does not provide any
further clarification. Her entire face is masked, leaving only two half–closed eyes visible. Perhaps,
the Dancer is not performing for a specific audience or person, but rather for the joy and pleasure of
creative expression. Whatever the case, the Dancer is available to adopt many personas because her
figure is

Ancient Greek Art And Art
Ancient Greek art has been around the world since the beginning of the history of vases, temples,
and human sculptures. More specifically, Greek art is renowned for its precision to detail and the
meaning of every aspect in the fine arts. The Muse Terpsichore's sculpture will be described,
compared to the statue of Venus de Milo and analyzed in the eyes of ancient Greek's mythological
knowledge.
In the Muse Terpsichore, known as the Muse of dance or Stesichore (Cartwright))'s statue, the
sculpture's standing figure on its plinth and dress code define the artist's intent to create the sculpture
of a graceful woman in order to convey the beauty of ancient and fine arts when describing the
human figure's aesthetics. This sculpture is made of Parian marble and it is of Greek origin from the
late 4th century BC to the mid–2nd century BC. The Muse's hair seems to be entwined with small
braids. It is unclear to see from the image whether or not the hair is tied in the back or if it is short as
only the frontal portion of the sculpture is shown. Her face is oval shaped, mostly rounded around
the cheeks and narrowed down to the chin due to the positioning of the neck. The sculpture shows
no specific emotion and concerning her upper facial features, her eyebrows seem to be missing. Her
eyes are slightly open, her nose is straight, and her mouth is shut. Her neck is slightly tilted to the
left, further affecting the tilt of her head. Her shoulders are uneven, due to her chiastic pose

Pelops And Oinomaos
Since the Early and High Classical period (480–400 BCE), Greek sculpture and architecture were
quietly separate from the Egyptian influence to an independent artistic identity. From the
foundation, art culture in the Hellenistic period (323–30 BCE) quickly developed to become
masterpieces and high aesthetics. It seems sculpture in Early and High Classical period was a big
jump in developing and making a different style. Sculptures during this time follow the contrapposto
post and many another pose which made a dramatic story. When combining all them together, we
can see the story that belongs to the sculpture such as Chariot race of Pelops and Oinomaos (ca 470–
456 BCE). In contrast, in the Hellenistic period, the whole story can be understood

How Did Rome And Greece Influence Western Civilization
Ancient Greece and Rome are considered pillars of Western Civilization due to their impact on our
law, language, and art. First of all, Ancient Greece and Rome have both influenced us by their ways
of government. The Greeks had a democracy, which is instilled in us today. It is the fundamental
belief that everyone has the right to control what goes on in their government. Without the Greek
administration, many modern nations would not be run the same way and history would not be the
same. The Greeks had democracy because it was able to be easily maintained. They had such small
communities, or city–states, that they were always able to have direct votes with the people. Some
countries, like the US, are too large to have a direct vote, so there are variations of the method. The
Romans had a Senate which controlled the Romans and chose what happened to the people for
them. This is most common example in western ... Show more content on Helpwriting.net ...
Latin can be found in most modern day languages. Latin can be found in the prefix of most English
words, tricycle. Tri, meaning three, is the prefix of cycle, meaning wheel. So by simply knowing
these prefixes, bigger words become more manageable. There may be people that do not know what
triumvirate means, but by knowing tri means three, and by knowing the context around which the
word is used, they can conclude that it is a council of three. Without the Romans, the basis for
modern day languages would change greatly. The Greeks had many letters in their language that
have input now. β, is the Greek letter b, also referred to as Beta. It is used in English to refer to
something still in process. There are many other Greek symbols that are involved with in education.
Π, or pi, is used in math to determine the circumference of a circle and in the formulaAlpha, Omega,
Delta are all used in military forces to describe squads. They were each used as a Greek

Greek Mythology: Venus De Milo
Greek mythology is a collection of folk–tales created by Greeks for entertainment, tradition, and
religion. Greek mythology takes most of its place in Olympus, which is the home of all Olympians.
In Greek mythology, there are about 12 Olympians, which are the most important gods and
goddesses of Greek mythology. One of those Olympians is the Greek goddess, Aphrodite.
Aphrodite is the Olympian goddess of love, marriage, intercourse, and beauty. Her Roman name is
"Venus de Milo". Aphrodite was created for a fun story to talk about but later became a Greek and
Roman myth. Aphrodite is most famous for being able to control or bribe gods and mortals into
doing her bidding due to her prodigious amount of beauty. She is said to be the most beautiful

Aphrodite Goddess Of Love
Aphrodite: The Goddess of Love The word aphrodisiac comes from the Greek goddess Aphrodite,
who symbolizes love, beauty, fertility, and sometimes marriage. She is known as one of the 12
Olympians of Greek mythology who live on Mount Olympus (Daly 11). In Roman mythology, her
name is Venus, which is where the planet got its name ("Aphrodite"). From her creation in Greek
and Roman mythology, Aphrodite continues to influence present culture as a symbol of beauty and
the inspiration of artwork. The birth of Aphrodite was strange to say the least. The Greek word,
aphros, means "foam" which is where her name comes from (Riordan 194). According to the myth,
Cronus diced up his father, Uranus for revenge, and threw his genitals into the sea (Patrick ... Show
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Some include, Ishtar of Babylonia, Inanna of Sumer, and Asharte of Phoenicia. Each of these
goddesses symbolizes love and beauty in their culture, just like Aphrodite (Mark). On the other
hand, Aphrodite is claimed to be held responsible for the start of the Trojan War (Cartwright). The
legendary Trojan War took place in the Bronze Age between the people of Troy and Greece
(History.com Staff). When Paris came to Mount Olympus, he was to choose one of the fairest
goddesses; Athena, Hera, or Aphrodite. Each of them offered a bribe, trying to beat out the other
(Daly 12). In the end, Aphrodite won because she offered him the most beautiful mortal woman
named Helen (Cartwright). The conflict that arose was that Helen was already married to the King
of Sparta, Menelaus (History.com Staff). Helen was kidnapped from her husband by the Greeks and
sent to be with Paris (Daly 12). Menelaus was outraged and sent men to find her but to no avail
(History.com Staff). The outcome of the war was a victory for the Greeks (History.com Staff).
"Similarly, in Homer's description of the Trojan War in The Iliad, she is described as 'golden' and
'smiling' and supports the Trojans in the war, in notable episodes, protecting Aeneas from Diomedes
and saving the hapless Paris from the wrath of Menelaos"

Those Horrible Middle Ages !
As indicated by the sarcastic title of her book "Those Terrible Middle Ages!" French historian
Régine Pernoud addresses this commonly held misconception. She argues this time in history
spanning approximately a thousand years as well as the image of the Church, have been
irresponsibly represented. Her examination of this time period reveals that it is not the Church, but
modernism that generates a return to the classical ideology of antiquity. These ancient pagan beliefs
of the distant past are not as distant as we may think. They have resurfaced and are present in our
own age. Pernoud begins by pointing out the failing of primary education in accurately teaching on
the historical period culturally referred to as the "Middle Ages". By classifying an entire millennium
with the umbrella term "Middle Ages", history is minimized and various important events are
effectively overlooked. She argues that much of this oversight is perpetuated by the largely
accepted, though historically inaccurate, phraseology surrounding the medieval period such as: "We
aren't in the dark ages anymore" or "That's a medieval mentality" that is present throughout various
expressions of culture. She gives the example of a broadcast that reported as historical the famous
words: "Kill them all, God will recognize his own" at the time of the massacre at Béziers in 1209.
However, nearly 100 years before this broadcast a historian proved, with much ease, that these
words could not have been uttered because

What Is Les Demoiselles D Avignon
ime to produce a work that is a preeminent example of an established movement at its zenith, or that
heralds the beginning of a new and significant art movement. Pablo Picasso was very much an artist
who was always on the leading edge of art and whose influence was so significant that he helped
establish four movements: Cubism, Neoclassicism, Surrealism, and Expressionism (Voorhies, 2004.
para. 1). His unique vision and artistic foresight came together early in his career in 1907 with his
first masterpiece, "Les Demoiselles D'Avignon". Combining traditional elements with abstracted
forms and unexpected primitive motifs, the painting was initially rejected by patrons and fellow
artists but is now recognized as "one of the most important works in the genesis of modern art"
("Les Demoiselles", 2016, para. 3).
Upon first viewing, the enormous size of the painting (8' x 7' 8" ... Show more content on
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James Voorhies from The Metropolitan Museum of Art writes that "The influence of African and
Oceanic art is explicit" in this work and that it "signals the nascent stages of Cubism" ("Pablo
Picasso", 2004, para. 3). These elements of Cubism extend from the figures across the entire right
third of the canvas juxtaposing multiple perspectives of the nudes who seem to peak out from
behind a curtain formed by the distorted blue and white folds. The two central nudes are posed in an
almost brazen gesture of repose softened by graceful lines and the translucent folds of classically
arranged cloth suggestive of the Venus de Milo. From the left, a shadowed figure places a detailed
and

Venus De Milo Research Paper

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