Blog Task 2
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The document discusses Richard Dyer's theory of the "star image" and how it can be applied to construct an image for a fictional band called Chaos Theory. It outlines the key elements of a star image, including youthfulness, rebellion, anti-authoritarian attitudes. It then describes how the video, magazine advert, and album cover were designed to portray these elements of Chaos Theory's star image, making them seem ordinary yet extraordinary, and both present and absent for the audience. The creative works aim to position Chaos Theory as succeeding against the odds while still appealing to audiences and fitting with conventions of the alternative rock genre.
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Recommended
A level Dyer
Richard Dyer was an English academic who studied stardom and developed the idea that a star's image and persona heavily influences how audiences experience and perceive them. He analyzed how stars are constructed through various media like publicity materials, reviews, and the films/music themselves. True pop stars have a lasting significance and "brand awareness" over time through a combination of sociological and cultural impacts, rather than being artificially manufactured based on short-term appeals. While the music industry aims to construct profitable star personas, audiences may prefer stars who feel more authentic and representative of their own tastes and values.
Stars And Stardom
Richard Dyer argues that stars are constructed images meant to be consumed and marketed to target audiences. The star image is intentionally incoherent, containing paradoxes, in order to keep audiences striving to complete the image through continued consumption of the star's products and performances. Depending on the artist, the star image may position audiences in opposition to or in support of mainstream social values.
Richard dyer’s theory
Richard Dyer's star theory proposes that celebrities and icons are constructed by media institutions for financial gain. Stars are modeled to represent real people and emotions so that audiences can relate to them and buy into their brand. This allows the music industry to make money by appealing to audiences who identify with aspects of the star's carefully manufactured personality and purchase their records and merchandise. Stars become household names, boosting sales across all platforms featuring them. Institutions mold stars around target demographics to increase their relatability and memorability.
Star Image - Richard Dyer
Richard Dyer's theory distinguishes between a pop performer and pop star. A pop performer becomes a pop star when their persona is delivered to the public through means other than just their music. Dyer believes this allows for a stronger connection between the artist and audience. Stars are constructed by institutions to appeal to audiences in ways that will maximize financial benefits. Constructions include star images, ideology promotion, and crafted personalities. Katy Perry exemplifies these constructions through her transformed fashion sense, charity work, and evolving persona.
Richard dyer star theory
Richard Dyer's star theory argues that celebrities are constructed by media institutions for financial gain by representing 'real people' to appeal to target audiences. Stars are modeled around audiences to increase sales. Beyoncé is discussed as both supporting this theory through her transformation over time and trends, while also challenging it by leaving a cultural legacy through her charity work, which Dyer argues makes her a 'true pop star'. However, there is debate around whether Beyoncé is a positive role model or promotes negative behaviors.
Task 2
The document discusses how to construct a star image through creative choices in a music video, digipak cover, and poster. It emphasizes using direct eye contact and close-ups to portray the star as powerful, dominant, and sexually appealing. Specific shots and poses are suggested to enhance the star's strength, freedom, and rebellious attitude. The target demographic is identified as teenagers and young adults due to the youthful, creative image of the band. Distribution strategies aim to appeal to this demographic through music videos on MTV and magazine interviews.
A2 Media Studies - Star Theory(Richard Dyer)
Richard Dyer's star theory proposes that a pop star's image is a constructed fiction formed through various media like advertising, magazines, and films. A star becomes a commodity and brand that fans can identify with, and stars can influence fans' views, acting as ideologists. One Direction is discussed as an example that fits the model of a pop star. Their image was carefully constructed through TV performances and social media campaigns. They became hugely popular and influential through merchandise, charity work, and social media interactions with fans. However, the departure of Zayn Malik damaged their image, showing how fragile a constructed pop star persona can be.
Dyer's Star Theory
The document discusses Richard Dyer's star theory, which identifies three main features of stars:
1) Stars are constructed by record labels through advertising and promotion to create a unique selling point.
2) Stars are commodities that are "sold" to audiences by tailoring them to meet audience demands.
3) Stars represent certain ideologies that audiences can relate to.
The theory holds that stars are modified from real people into constructs to be idolized by fans, and that they influence audiences through the ideologies they portray. Certain elements like youth, rebellion, and disregard for social norms are seen as necessary for stars to succeed according to Dyer's theory.
Recommended
A level Dyer
Richard Dyer was an English academic who studied stardom and developed the idea that a star's image and persona heavily influences how audiences experience and perceive them. He analyzed how stars are constructed through various media like publicity materials, reviews, and the films/music themselves. True pop stars have a lasting significance and "brand awareness" over time through a combination of sociological and cultural impacts, rather than being artificially manufactured based on short-term appeals. While the music industry aims to construct profitable star personas, audiences may prefer stars who feel more authentic and representative of their own tastes and values.
Stars And Stardom
Richard Dyer argues that stars are constructed images meant to be consumed and marketed to target audiences. The star image is intentionally incoherent, containing paradoxes, in order to keep audiences striving to complete the image through continued consumption of the star's products and performances. Depending on the artist, the star image may position audiences in opposition to or in support of mainstream social values.
Richard dyer’s theory
Richard Dyer's star theory proposes that celebrities and icons are constructed by media institutions for financial gain. Stars are modeled to represent real people and emotions so that audiences can relate to them and buy into their brand. This allows the music industry to make money by appealing to audiences who identify with aspects of the star's carefully manufactured personality and purchase their records and merchandise. Stars become household names, boosting sales across all platforms featuring them. Institutions mold stars around target demographics to increase their relatability and memorability.
Star Image - Richard Dyer
Richard Dyer's theory distinguishes between a pop performer and pop star. A pop performer becomes a pop star when their persona is delivered to the public through means other than just their music. Dyer believes this allows for a stronger connection between the artist and audience. Stars are constructed by institutions to appeal to audiences in ways that will maximize financial benefits. Constructions include star images, ideology promotion, and crafted personalities. Katy Perry exemplifies these constructions through her transformed fashion sense, charity work, and evolving persona.
Richard dyer star theory
Richard Dyer's star theory argues that celebrities are constructed by media institutions for financial gain by representing 'real people' to appeal to target audiences. Stars are modeled around audiences to increase sales. Beyoncé is discussed as both supporting this theory through her transformation over time and trends, while also challenging it by leaving a cultural legacy through her charity work, which Dyer argues makes her a 'true pop star'. However, there is debate around whether Beyoncé is a positive role model or promotes negative behaviors.
Task 2
The document discusses how to construct a star image through creative choices in a music video, digipak cover, and poster. It emphasizes using direct eye contact and close-ups to portray the star as powerful, dominant, and sexually appealing. Specific shots and poses are suggested to enhance the star's strength, freedom, and rebellious attitude. The target demographic is identified as teenagers and young adults due to the youthful, creative image of the band. Distribution strategies aim to appeal to this demographic through music videos on MTV and magazine interviews.
A2 Media Studies - Star Theory(Richard Dyer)
Richard Dyer's star theory proposes that a pop star's image is a constructed fiction formed through various media like advertising, magazines, and films. A star becomes a commodity and brand that fans can identify with, and stars can influence fans' views, acting as ideologists. One Direction is discussed as an example that fits the model of a pop star. Their image was carefully constructed through TV performances and social media campaigns. They became hugely popular and influential through merchandise, charity work, and social media interactions with fans. However, the departure of Zayn Malik damaged their image, showing how fragile a constructed pop star persona can be.
Dyer's Star Theory
The document discusses Richard Dyer's star theory, which identifies three main features of stars:
1) Stars are constructed by record labels through advertising and promotion to create a unique selling point.
2) Stars are commodities that are "sold" to audiences by tailoring them to meet audience demands.
3) Stars represent certain ideologies that audiences can relate to.
The theory holds that stars are modified from real people into constructs to be idolized by fans, and that they influence audiences through the ideologies they portray. Certain elements like youth, rebellion, and disregard for social norms are seen as necessary for stars to succeed according to Dyer's theory.
[Done] star theory..
Richard Dyer developed the star persona theory which argues that audiences are influenced by their perceptions of stars based on constructed images rather than the actual person. A key difference between pop performers and pop stars is that pop stars develop broader cultural impacts and identities beyond their music over time. Stars are constructed images made of various media rather than real people, as evidenced by reality shows like The X Factor that style contestants to match audience and record label expectations. K-pop group Twice is given a cute, girlish persona through their performances and videos, though their choreographer altered a dance to be more mature but it did not fit their constructed image.
Richard Dyer's Star Theory
- Stars are constructed by institutions like record companies to appeal to target audiences and make money, rather than being real people. They are crafted to fit audience expectations of an "ideal" star.
- Dyer's theory breaks this down into how stars are constructed for audiences and institutions, how they take on defined personas, and how they reinforce the dominant ideology and influence culture and audiences.
- In the end, stars are not truly human but constructed images and products meant to appeal to audiences and make money for their backing institutions.
Richard Dyer Media Theory
Richard Dyer's star theory states that stars are constructed images meant to represent real people for financial gain. Institutions model stars around target audiences to increase sales and the star's brand identity. Miley Cyrus shifted her image from Disney to appeal to an adult audience, and Lady Gaga is constructed around a fashion-forward image for her fans to emulate. However, the band Patent Pending presents themselves authentically without corporate construction. Stars also represent cultural values their audiences relate to or admire, promoting certain ideologies through their behavior and fashion trends fans copy. Social media now allows stars more control over their brand's values. Dyer also notes stars must seem both ordinary enough to relate to but extraordinary enough to admire from a distance
Star theory
The document discusses Richard Dyer's Star theory, which proposes that celebrities are commodities created by corporations to make money from specific target audiences. The theory also argues that celebrities can influence societal beliefs and values if they have a significant cultural impact. The document then provides examples of the cultural impact of artists like the Beatles, Madonna, and the Spice Girls through their music and fashion styles that challenged norms and empowered women. It also discusses how modern music videos are consumed via media convergence and how they reflect contemporary society.
Richard dyer’s star theory
Richard Dyer's star theory proposes that stars are constructions, not real people, created through marketing to generate profit. Stars represent certain ideologies that fans emulate. Dyer also describes the "paradox of the star" - stars must seem both ordinary enough for fans to relate to but also possess extraordinary talents, and be simultaneously present in fans' lives through media but absent and unattainable.
Richard Dyer Star Theory
Richard Dyer's star theory argues that celebrities, or "stars," are constructed images meant to make money for institutions. Stars are built up through various media to appeal to and target specific audiences. A star's persona is designed to stand out from others and embody certain ideals. Audiences then form expectations of stars based on these constructed images, which stars may struggle to meet as the images do not represent the actual person.
Star theory
Richard Dyer's star theory argues that pop stars develop identities and brands beyond their music through constructed star images. Stars appeal to audiences by representing shared cultural values and attitudes to sell ideologies. Their personas are crafted by the music industry and need periodic revamping to sustain popularity over time as tastes change. Madonna and Katy Perry are examples of stars whose images have been strategically constructed through branding.
Richard dyer's star theory
Richard Dyer's star theory proposes that celebrities and icons are constructed by media institutions like the music industry for financial gain. Stars are manufactured to represent "real people" experiencing real emotions in order to appeal to audiences and drive record sales. Dyer's theory has three parts: 1) how audiences and institutions interact in constructing stars, 2) how stars are artificial media constructions presented as real people, and 3) the concept of cultural "hegemony" where audiences relate to and sometimes emulate stars they share features with or admire.
Richard dyer star theory 1979
Richard Dyer's star theory proposes that celebrities are constructed by media institutions for financial gain. The document discusses several key points of Dyer's theory:
1) Stars are manufactured through various media to appeal to target audiences and generate revenue.
2) Institutions shape stars' images to represent certain ideologies and cultural values in order to promote consumption.
3) Over time, stars transition from real people to constructed personas tailored to audiences' expectations through various media representations.
The document then analyzes how Dyer's theory applies to Taylor Swift and her image transformation over her career from country star to pop icon through manufactured representations in music videos, merchandise, and other media.
Stars presentation
The document discusses the creation of a star image for a fictional pop band called Double Dream through various promotional materials, including a music video, digipak, and magazine advertisement. It analyzes this star image using several theories, including that stars must seem both ordinary and extraordinary, and present yet absent, to paradoxically appeal to audiences. The Double Dream image portrayed them as ethereal teenage twins to represent youthfulness while also invoking sexual magnetism.
1. star image
Richard Dyer's star theory proposes that pop stars are constructed images rather than real people. They are manufactured by the music industry to appeal to audiences and make money. Pop stars represent cultural values and ideologies that enhance their appeal. Their persona is based on characteristics like gender, race, and generation as well as the meanings expressed through their music, image, and cultural discourse. To maintain their status, pop stars must continually develop and nurture their constructed character and personality over time through new music and engagement with fans.
Richard Dyer's Star Theory
This is a powerpoint I created for my media studies work for A2 Level. It explains how a 'Star' is portrayed and the theory behind it.
Richard Dyer's Star Theory
Richard Dyer's 'star image' theory distinguishes between pop performers and pop stars. A pop performer is simply an artist who performs pop music, while a pop star has established an identity and persona based on factors beyond just their musicianship. A true pop star has lasting significance and brand awareness over a long period of time. According to Dyer, a 'star image' is a recognizable representation of an artist or band used across various media to market and promote the artist. Central to a star image is a recurring motif that becomes closely associated with the artist and helps establish their brand identity.
Star Theory
- Richard Dyer's star theory argues that stars represent and shape societal conceptions of different groups through the images and meanings constructed around them.
- Stars are commodities whose images are produced through various media to appeal to target audiences based on common values like youth, rebellion, talent, etc.
- Central to star images are the paradoxes that stars must seem both ordinary and extraordinary, and be both present and absent, to satisfy audiences and drive continued consumption.
- The incoherence of star images means audiences strive to complete them through ongoing consumption, ensuring commercial success. While Ella Henderson's image emphasizes her "girl next door" ordinariness, Lady Gaga's constructed persona exemplifies how stars shape
Star image
The document discusses Richard Dyer's theory of star image and how pop stars construct their public persona. It explains that pop stars have an identity beyond just their musical talents. Their image becomes a recognizable "brand" used across different media. Record companies help shape stars' images to appeal to audiences and generate revenue. A star's persona represents cultural values and helps promote certain ideologies. Successful pop stars adapt their image over time to remain engaging to fans. Star image motifs like recurring logos or styles help establish an artist as a brand. The document provides examples of image motifs used by the Red Hot Chili Peppers, Eminem, and Lily Allen and how their images have evolved. Learners are tasked to
Representation in music videos
This document discusses representation in music videos and provides terminology and concepts for analyzing representations, including voyeurism, male gaze, exhibitionism, and stereotypes of different groups. It notes that music video creators must consider how their artist will be represented and what ideologies and choices may need to be explained. Examples of stereotypical representations in music videos include the sexualization of women. The document also provides a task for choosing a music video and analyzing its representations in depth using relevant media terminology and theories.
Stars (new lesson)
This document discusses the construction of star images through various media and publicity materials. It uses Marlon Brando's career to show how his public persona was crafted through different film roles and publicity stills that promoted a particular image rather than reflecting the "real" person. Stars are defined as real people, performers of roles, personas, images, and commodities that are marketed. Modern examples are given for each definition. The power of stars to influence culture and reflect dominant ideologies is also examined. The document provides discussion questions and tasks related to analyzing and planning star personas and careers.
Star theory
Stars represent shared cultural values and attitudes that promote a certain ideology. They initiate cultural discourse and commentary outside of their music to establish their persona. Stardom itself is a cultural value that ideologies around materialism and sexuality are drawn upon. Record companies manufacture stars to serve the purpose of making money by nurturing what they think audiences want. However, there are audiences not convinced by industry hype that want "real" artists perceived as unpolished. Stars are quite clearly products that record companies must sell based on their meanings.
Richard dyer Representation theory
Richard Dyer's star theory argues that there is a difference between pop performers and pop stars. Pop stars are commodities constructed by management teams to have particular personas, though they may not be real people. Dyer believes the terms "pop performer" and "pop star" have become interchangeable. Pop stars influence their audiences through fashion, music, and lifestyle. Miley Cyrus and Kanye West are examples of pop stars who have significantly impacted their fans and popularized new styles. Overall, pop stars are presented as real people to elicit an emotional response from audiences and create devoted fandoms.
Richard Dyer's Star Theory Revised
According to Richard Dyer's "star image" theory, a pop star is distinguished from a pop performer by having established an identity and persona based on factors beyond just their musicianship. A true pop star has lasting brand awareness and cultural impact over many years. Miley Cyrus initially portrayed the constructed star image of her character Hannah Montana, with motifs like her blonde wig easily recognized by fans. As she developed a more mature image in her late teens, Cyrus experienced a period of "second album syndrome" where she struggled to maintain her persona. She has since reinvented herself with a controversial, boundary-pushing star image that strongly promotes individualism and alternative lifestyles. Cyrus' star persona has grown to encomp
Star Image - Maria
The document discusses the constructed image of the band "Picasso's Enemies" created for a media course project. Key elements of the band's image presented in the music video, CD cover, and poster include portraying the band as youthful and fun-loving through facial expressions, original in their pop art theme, and having overcome obstacles through their success being signed to a record label. The target audience is described as late-teen music fans interested in indie music and art.
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The document discusses how the media piece conforms to and develops conventions of real media products. It attempted to develop the idea of villains with dark humor, conforming to conventions seen in films by Robert Rodriguez and Quentin Tarantino. It decided to conform with the convention of an attractive young female victim and developed a narrative structure with chronological events. Violence was incorporated to shock audiences, conforming to on-screen brutality conventions using household items as weapons. Some shots were filmed without tripods to add realism, as seen in films like The Blair Witch Project. An Eastern European villain was included, relating to social contexts. Titles were red on black to create a sinister atmosphere. Abduction was featured to
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[Done] star theory..
Richard Dyer developed the star persona theory which argues that audiences are influenced by their perceptions of stars based on constructed images rather than the actual person. A key difference between pop performers and pop stars is that pop stars develop broader cultural impacts and identities beyond their music over time. Stars are constructed images made of various media rather than real people, as evidenced by reality shows like The X Factor that style contestants to match audience and record label expectations. K-pop group Twice is given a cute, girlish persona through their performances and videos, though their choreographer altered a dance to be more mature but it did not fit their constructed image.
Richard Dyer's Star Theory
- Stars are constructed by institutions like record companies to appeal to target audiences and make money, rather than being real people. They are crafted to fit audience expectations of an "ideal" star.
- Dyer's theory breaks this down into how stars are constructed for audiences and institutions, how they take on defined personas, and how they reinforce the dominant ideology and influence culture and audiences.
- In the end, stars are not truly human but constructed images and products meant to appeal to audiences and make money for their backing institutions.
Richard Dyer Media Theory
Richard Dyer's star theory states that stars are constructed images meant to represent real people for financial gain. Institutions model stars around target audiences to increase sales and the star's brand identity. Miley Cyrus shifted her image from Disney to appeal to an adult audience, and Lady Gaga is constructed around a fashion-forward image for her fans to emulate. However, the band Patent Pending presents themselves authentically without corporate construction. Stars also represent cultural values their audiences relate to or admire, promoting certain ideologies through their behavior and fashion trends fans copy. Social media now allows stars more control over their brand's values. Dyer also notes stars must seem both ordinary enough to relate to but extraordinary enough to admire from a distance
Star theory
The document discusses Richard Dyer's Star theory, which proposes that celebrities are commodities created by corporations to make money from specific target audiences. The theory also argues that celebrities can influence societal beliefs and values if they have a significant cultural impact. The document then provides examples of the cultural impact of artists like the Beatles, Madonna, and the Spice Girls through their music and fashion styles that challenged norms and empowered women. It also discusses how modern music videos are consumed via media convergence and how they reflect contemporary society.
Richard dyer’s star theory
Richard Dyer's star theory proposes that stars are constructions, not real people, created through marketing to generate profit. Stars represent certain ideologies that fans emulate. Dyer also describes the "paradox of the star" - stars must seem both ordinary enough for fans to relate to but also possess extraordinary talents, and be simultaneously present in fans' lives through media but absent and unattainable.
Richard Dyer Star Theory
Richard Dyer's star theory argues that celebrities, or "stars," are constructed images meant to make money for institutions. Stars are built up through various media to appeal to and target specific audiences. A star's persona is designed to stand out from others and embody certain ideals. Audiences then form expectations of stars based on these constructed images, which stars may struggle to meet as the images do not represent the actual person.
Star theory
Richard Dyer's star theory argues that pop stars develop identities and brands beyond their music through constructed star images. Stars appeal to audiences by representing shared cultural values and attitudes to sell ideologies. Their personas are crafted by the music industry and need periodic revamping to sustain popularity over time as tastes change. Madonna and Katy Perry are examples of stars whose images have been strategically constructed through branding.
Richard dyer's star theory
Richard Dyer's star theory proposes that celebrities and icons are constructed by media institutions like the music industry for financial gain. Stars are manufactured to represent "real people" experiencing real emotions in order to appeal to audiences and drive record sales. Dyer's theory has three parts: 1) how audiences and institutions interact in constructing stars, 2) how stars are artificial media constructions presented as real people, and 3) the concept of cultural "hegemony" where audiences relate to and sometimes emulate stars they share features with or admire.
Richard dyer star theory 1979
Richard Dyer's star theory proposes that celebrities are constructed by media institutions for financial gain. The document discusses several key points of Dyer's theory:
1) Stars are manufactured through various media to appeal to target audiences and generate revenue.
2) Institutions shape stars' images to represent certain ideologies and cultural values in order to promote consumption.
3) Over time, stars transition from real people to constructed personas tailored to audiences' expectations through various media representations.
The document then analyzes how Dyer's theory applies to Taylor Swift and her image transformation over her career from country star to pop icon through manufactured representations in music videos, merchandise, and other media.
Stars presentation
The document discusses the creation of a star image for a fictional pop band called Double Dream through various promotional materials, including a music video, digipak, and magazine advertisement. It analyzes this star image using several theories, including that stars must seem both ordinary and extraordinary, and present yet absent, to paradoxically appeal to audiences. The Double Dream image portrayed them as ethereal teenage twins to represent youthfulness while also invoking sexual magnetism.
1. star image
Richard Dyer's star theory proposes that pop stars are constructed images rather than real people. They are manufactured by the music industry to appeal to audiences and make money. Pop stars represent cultural values and ideologies that enhance their appeal. Their persona is based on characteristics like gender, race, and generation as well as the meanings expressed through their music, image, and cultural discourse. To maintain their status, pop stars must continually develop and nurture their constructed character and personality over time through new music and engagement with fans.
Richard Dyer's Star Theory
This is a powerpoint I created for my media studies work for A2 Level. It explains how a 'Star' is portrayed and the theory behind it.
Richard Dyer's Star Theory
Richard Dyer's 'star image' theory distinguishes between pop performers and pop stars. A pop performer is simply an artist who performs pop music, while a pop star has established an identity and persona based on factors beyond just their musicianship. A true pop star has lasting significance and brand awareness over a long period of time. According to Dyer, a 'star image' is a recognizable representation of an artist or band used across various media to market and promote the artist. Central to a star image is a recurring motif that becomes closely associated with the artist and helps establish their brand identity.
Star Theory
- Richard Dyer's star theory argues that stars represent and shape societal conceptions of different groups through the images and meanings constructed around them.
- Stars are commodities whose images are produced through various media to appeal to target audiences based on common values like youth, rebellion, talent, etc.
- Central to star images are the paradoxes that stars must seem both ordinary and extraordinary, and be both present and absent, to satisfy audiences and drive continued consumption.
- The incoherence of star images means audiences strive to complete them through ongoing consumption, ensuring commercial success. While Ella Henderson's image emphasizes her "girl next door" ordinariness, Lady Gaga's constructed persona exemplifies how stars shape
Star image
The document discusses Richard Dyer's theory of star image and how pop stars construct their public persona. It explains that pop stars have an identity beyond just their musical talents. Their image becomes a recognizable "brand" used across different media. Record companies help shape stars' images to appeal to audiences and generate revenue. A star's persona represents cultural values and helps promote certain ideologies. Successful pop stars adapt their image over time to remain engaging to fans. Star image motifs like recurring logos or styles help establish an artist as a brand. The document provides examples of image motifs used by the Red Hot Chili Peppers, Eminem, and Lily Allen and how their images have evolved. Learners are tasked to
Representation in music videos
This document discusses representation in music videos and provides terminology and concepts for analyzing representations, including voyeurism, male gaze, exhibitionism, and stereotypes of different groups. It notes that music video creators must consider how their artist will be represented and what ideologies and choices may need to be explained. Examples of stereotypical representations in music videos include the sexualization of women. The document also provides a task for choosing a music video and analyzing its representations in depth using relevant media terminology and theories.
Stars (new lesson)
This document discusses the construction of star images through various media and publicity materials. It uses Marlon Brando's career to show how his public persona was crafted through different film roles and publicity stills that promoted a particular image rather than reflecting the "real" person. Stars are defined as real people, performers of roles, personas, images, and commodities that are marketed. Modern examples are given for each definition. The power of stars to influence culture and reflect dominant ideologies is also examined. The document provides discussion questions and tasks related to analyzing and planning star personas and careers.
Star theory
Stars represent shared cultural values and attitudes that promote a certain ideology. They initiate cultural discourse and commentary outside of their music to establish their persona. Stardom itself is a cultural value that ideologies around materialism and sexuality are drawn upon. Record companies manufacture stars to serve the purpose of making money by nurturing what they think audiences want. However, there are audiences not convinced by industry hype that want "real" artists perceived as unpolished. Stars are quite clearly products that record companies must sell based on their meanings.
Richard dyer Representation theory
Richard Dyer's star theory argues that there is a difference between pop performers and pop stars. Pop stars are commodities constructed by management teams to have particular personas, though they may not be real people. Dyer believes the terms "pop performer" and "pop star" have become interchangeable. Pop stars influence their audiences through fashion, music, and lifestyle. Miley Cyrus and Kanye West are examples of pop stars who have significantly impacted their fans and popularized new styles. Overall, pop stars are presented as real people to elicit an emotional response from audiences and create devoted fandoms.
Richard Dyer's Star Theory Revised
According to Richard Dyer's "star image" theory, a pop star is distinguished from a pop performer by having established an identity and persona based on factors beyond just their musicianship. A true pop star has lasting brand awareness and cultural impact over many years. Miley Cyrus initially portrayed the constructed star image of her character Hannah Montana, with motifs like her blonde wig easily recognized by fans. As she developed a more mature image in her late teens, Cyrus experienced a period of "second album syndrome" where she struggled to maintain her persona. She has since reinvented herself with a controversial, boundary-pushing star image that strongly promotes individualism and alternative lifestyles. Cyrus' star persona has grown to encomp
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The document discusses how the media piece conforms to and develops conventions of real media products. It attempted to develop the idea of villains with dark humor, conforming to conventions seen in films by Robert Rodriguez and Quentin Tarantino. It decided to conform with the convention of an attractive young female victim and developed a narrative structure with chronological events. Violence was incorporated to shock audiences, conforming to on-screen brutality conventions using household items as weapons. Some shots were filmed without tripods to add realism, as seen in films like The Blair Witch Project. An Eastern European villain was included, relating to social contexts. Titles were red on black to create a sinister atmosphere. Abduction was featured to
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The document discusses Richard Dyer's theory of star image and how it can be applied to construct an image for a band. It explains that a star image involves portraying a band as both ordinary and extraordinary, and present and absent, to attract audiences. The document analyzes how the band's video, digipak cover, and magazine advert represent elements of youthfulness, rebellion, sexual magnetism, and talent/creativity to target a relevant demographic based on Dyer's theory of constructing a coherent yet incomplete star image.
Media power point task 2 first draft.[2
The document discusses Richard Dyer's theory of star image construction and applies it to the fictional band "THE FACTORY". According to Dyer's theory, a star must balance being ordinary yet extraordinary to consumers. The document also discusses how THE FACTORY aims to appeal to their target audience of 15-25 year olds by embodying traits like youthfulness, creativity/talent, success against the odds, and a slight anti-authoritarian attitude as portrayed through their messy home/studio and rebellious style. Examples of similar bands are provided.
TASK TWO: HOW EFFECTIVE IS THE COMBINATION OF YOUR MAIN PRODUCT AND ANCILLARY...
The document discusses Richard Dyer's theories of star image construction and applies them to the marketing strategy for an indie band called "The Factory." According to Dyer, a star image must present the artist as both ordinary and extraordinary. "The Factory's" image emphasizes traits like youthfulness, rebellion, sexual magnetism, originality, and creativity to appeal to their target 16-25 year old alternative music audience. Visuals, music videos, and album packaging are used to portray the band as relatable yet talented musicians focused on their craft.
Blog Essay 2
The document discusses Richard Dyer's theory of "star image" and how it can be applied to construct an image for a music group. It describes how the band Chaos Theory's image was constructed to appeal to 16-25 year old males by emphasizing youthfulness, anti-authoritarian attitude, rebellion, and aggression through their clothing, album artwork, music video, and magazine advertisements. Maintaining this image through their public behavior and press coverage is also discussed as important to promote the band effectively.
Vampire Weekend Star Image Please Task 3
The band Picasso's Enemies was signed by independent record label XL Recordings. Their music video portrays them as fun-loving and unique to appeal to their target 16-24 year old audience. Elements like painted band members and an attractive female artist are used to engage the audience. The band presents as ordinary but also extraordinary to form an emotional connection with viewers and encourage them to consume the band's products.
O:\Task 2
1. The document discusses how bands construct star images through a variety of media like music videos, CD covers, and posters to appeal to target audiences.
2. It analyzes the band Faulkes' star image that conveys qualities like youthfulness, sexual magnetism, originality, creativity/talent, and success against the odds through the style and themes portrayed in their promotional materials.
3. The author argues that maintaining an incoherent star image that leaves audiences wanting more is key to continued consumer engagement and consumption of the band's products. Faulkes strives to achieve this balance in their promotional materials and performances.
Task 2
The document discusses the construction of a band's "star image" through their promotional materials. It analyzes how the band Faulkes portrayed qualities like youthfulness, originality, creativity/talent, and success against the odds in their pop promo video, CD covers, and posters. These materials aim to position the band as simultaneously ordinary and extraordinary for audiences while also keeping them present and absent to drive continued consumption of the band's image and products.
Blog Task 2
The document discusses the marketing strategy for a pop band and their single "Bird Song". It describes the production of a digipak album cover featuring a birdcage, which represents the singer feeling trapped. A magazine ad was also created using the same birdcage image along with tour dates. The products work together through synergy to sell the song, establish the band, and build the artist's image. The artist's image incorporates elements of rebellion, creativity, and success against the odds to appeal to fans. The video for "Bird Song" tells a story through lyrics and visuals of the singer killing a bird to keep its secret, challenging conventions of nurturing female roles.
Task Two
The document discusses Richard Dyer's theory of star images and how manufactured stars balance two paradoxes to achieve success. The first paradox is that stars must seem both ordinary and relatable as well as extraordinary and idolized. The second is that stars must feel both present through their promotional materials and absent to leave audiences wanting more. The document then examines how a band portrayed in a case study balances these paradoxes to appeal to their target audience and achieve stardom.
A2 how effective is the combination of your main
- Chaos Theory aims to influence audiences on social and political issues through their music. They use various promotional materials like videos and album artwork to construct an image that enhances the seriousness of their message.
- Their promotional video and materials portray the band as creative and talented musically, rebelling against the status quo with an anti-authoritarian attitude while still succeeding against the odds.
- The band's image aims to position their audience against mainstream values by critiquing dominant social norms through their music and metaphors, while still appealing to fans as ordinary people.
Grade booster stars and stardom
The document discusses the concept of stardom in the music industry. It explains that stars are constructed images meant to sell performers to large, loyal audiences. Stars embody common values like youth, rebellion, talent, and disregard for social norms. The star image is incoherent and incomplete by design, according to Richard Dyer, in order to keep audiences continuously consuming the star's products to try to complete the image. Dyer identifies two key paradoxes - stars must seem both ordinary and extraordinary, and be both present and absent. The incomplete star image positions audiences in relation to social values and keeps them engaged in further consumption.
Media- evaluation question 2
The document discusses how different groups are represented in media based on age, gender, and social groups. It finds that those aged 18-late 20s are often portrayed as wanting to have fun now and deal with consequences later. Females are generally shown as independent and strong while males appear confident and business savvy. In terms of social groups, chavs are usually depicted negatively while geeks and indies are now presented in a more positive light. The author considers how they have chosen to represent these groups in their own magazine, aiming to present youth as outgoing but not extreme, females as self-made but also silly, and focusing on indies as music lovers.
Blog task 2
The document discusses the creation of a music video for the song "This Little Kitty" by the band The Toy Hearts. It describes how the video uses techniques like a constant 360 pan to match the fast tempo of the song. It also discusses the design of promotional materials like the album digipack and a magazine advert that were created to promote the band and establish their image. The document analyzes the band and song in relation to various theories about music stardom and the use of universal myths in lyrics.
Red hot chili peppers
The Red Hot Chili Peppers use a music campaign including a website, album, and CD to promote their music and enhance their success. Their target audience is people aged 15-30 who enjoy American rock music, as the band produces heavy rock music with unusual lyrics. They have a unique selling point in their distinctive musical style and edgy appearance. Their three campaign products - the website, album, and music videos - have different concepts but relate through color schemes. The band's unconventional ideology and creativity attract audiences who appreciate their self-expression. Overall, their creative campaign works well to connect with fans.
Stardom
1. Pop stars have more control over constructing their persona through their own music and performance compared to film stars. A pop star's persona is developed chronologically over time through their albums.
2. However, maintaining a pop star's persona over multiple albums can be challenging as the inspiration for their initial persona may disappear, leading to "second album syndrome."
3. A pop star's persona is a fragile construction that requires constant nurturing through the discourse between the star and their audience. Their character and personality are primarily developed through the sentiments expressed in their songs.
Blog task 2
A Power Point presentation to explore how effective the combination of my main product and ancillary texts is.
Representation of Youth (Deans Lesson)
The document discusses youth subcultures and their relationship to pop music. It defines a subculture as a group united by shared values, tastes, and position outside the mainstream. Subcultures respond to topics like individuality versus fitting in, brands, and styles. The document also discusses how the pop music industry both constructs pop stars to appeal to specific markets, but can never truly predict audience tastes. Stars represent and promote certain ideologies that fans who share those values will support and emulate. Finally, it argues that the pop industry struggles to keep up with shifting youth values and groups, and does not create long-lasting subcultures on its own.
Henley college -_representation_of_youth_-_dean
The document discusses youth subcultures and their relationship to pop music. It defines a subculture as a group united by shared values, tastes, and position outside the mainstream. Subcultures respond to topics like individuality versus fitting in, brands, and styles. The document also discusses how the pop music industry both constructs pop stars to appeal to specific markets, but can never truly predict audience tastes. Stars represent and promote certain ideologies that fans who share those values will support and emulate. Finally, it argues that the pop industry struggles to keep up with shifting youth values and groups, and does not create long-lasting subcultures on its own.
The Representation of Youth
The document discusses youth subcultures and their relationship to pop music. It defines a subculture as a group united by shared values, tastes, and position outside the mainstream. Subcultures respond to topics like individuality versus fitting in, brands, and styles. The document also discusses how the pop music industry both constructs pop stars to appeal to specific markets, but can never truly predict audience tastes. Stars represent and promote certain ideologies that fans who share those values will support and emulate. Finally, it argues that the pop industry struggles to keep up with shifting youth values and groups, and does not create long-lasting subcultures on its own.
Evaluation Task 2
The document discusses the band The Coo Coo Club's target audience and star image as presented through their main product and ancillary texts. It analyzes how the band's image projects qualities of being youthful, happy, positive, lively, natural, laid back, and environmentally friendly. Both the music video and poster/CD cover use bright colors, costumes, lighting powered by bikes, and creative designs to represent these qualities and create a coherent star image that will appeal to their target audience of alternative, festival-going 16+ students.
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TASK TWO: HOW EFFECTIVE IS THE COMBINATION OF YOUR MAIN PRODUCT AND ANCILLARY...
TASK TWO: HOW EFFECTIVE IS THE COMBINATION OF YOUR MAIN PRODUCT AND ANCILLARY...
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The document discusses how a media project used conventions from real media products in its music video, digipack, and website. Specifically, it used:
1) Performance to introduce the artist and create a marketable star image, drawing from examples like Azealia Banks' "1991" video.
2) Symbolic materials like black fabrics to convey the concept of "control" as seen in Nicole Scherzinger's "Whatever You Like".
3) Artistic camerawork like bird's-eye shots to engage the audience and convey dominance/control as in Lady Gaga's "G.U.Y".
4) Close-ups of the artist to create a recognizable star image and illusion of
Examples of Dyer’s Key Paradoxes
Artists must present both ordinary and extraordinary images to consumers. Beyoncé is seen as both a normal mother and as a goddess on stage. Other artists like Britney Spears and Pink are also pictured doing everyday tasks to seem relatable while also being worldwide icons. Katy Perry presents both elaborate fantasy music videos and more realistic interviews and home life. Will.i.am cultivates a futuristic persona through his music and style but also shares his difficult childhood to seem grounded. Showing both mundane and exceptional aspects helps artists connect with audiences.
Task1 evaluation!
The document analyzes how the music video for Peter and the Wolf challenges, develops, and uses conventions of existing media products. It challenges conventions by having an unconventional use of camerawork and shots that don't focus on the artist's face. It develops conventions by featuring a ballerina to add an artistic element rather than usual dancing in music videos. The video also uses some conventions like close-ups of the artist playing their instrument. The album packaging and promotional poster similarly challenge conventions by having a simple, realistic style rather than flashy computer-generated designs, while still using some conventional elements like quotes on the poster.
Task1 evaluation!
The music video challenges conventions in several ways: 1) By showing the artist writing on a camera instead of using it conventionally. 2) Using more filmic shots of the artist walking rather than typical performance elements. 3) Featuring dancers in an unconventional way not tied to the song. 4) Showing a still performance rather than an energetic one. The album design challenges conventions by using the artist's handwriting for the font and reusing backgrounds from the video. The poster challenges conventions by using an authentic photo rather than edited images.
Task1 evaluation!
The music video challenges conventions by showing the artist writing on a camera and including filmic shots of him walking with no performance or effects. It develops conventions through its use of dancers in a non-commercial way and by showing the artist performing still against a wall without interacting with the camera. The video also uses conventions like showing the artist playing his instrument and through its use of special effects. The album design challenges conventions with a handwritten font and realistic theme while the poster develops conventions by featuring a known photo from the video to promote the artist's style and genre.
Task1 evaluation
The music video challenges conventions by showing the artist writing on a camera and including filmic shots of him walking with no performance or effects. It develops conventions through its use of dancers in a non-commercial way and by showing the artist performing still against a wall without looking at the camera. The video also uses conventions like showing the artist playing his instrument and through its use of special effects. The album design challenges conventions with a handwritten font and realistic design elements, while the poster uses a known photo from the video to promote the artist's genre.
Evaluation Task1
The music video challenges conventions of existing media in several ways:
1) It shows the artist writing on a camera rather than using it conventionally.
2) The shots are more filmic than a typical music video, with no performance or effects.
3) The dancer develops the convention by using a dancer in an unconventional way that doesn't match the genre of music.
The video also uses some conventions by showing the artist performing while standing still and playing his instrument, and incorporates some special effects.
The album packaging challenges conventions by using the artist's handwriting for the font and reusing the background from the video rather than a new design. The poster also challenges conventions by using
My digipak idea
The document discusses ideas for designing a digipak album cover based on a Victorian era royal theme. The front cover concept shows royalty on thrones in luxurious outfits, representing the old being replaced by the new era. An example cover by Rusko is referenced for its urban twist on the throne idea. The back cover example from Keane uses easily readable text in a font that suits the overall theme, demonstrating how plain color schemes can be effective. The proposed font style for the digipak takes inspiration from Victorian era ink and quill markings used in literature of the time.
Cast and Costume
Affie will be the main character in the music video and will wear his typical style of ray ban sunglasses without lenses, skinny corduroys, a baggy t-shirt, clean trainers and white socks. Georgina Morton was chosen for the video because of her striking look and suitable style. She will portray a filthy and rude image while wearing silver hoop earrings, Nike Air Max trainers, a parka coat with a fur hood, a bright high-waisted skirt, a crop top, and lots of gold and silver jewelry including bracelets, necklaces and rings.
Prop research- throne.
The document discusses renting thrones from a prop rental company called Theme-traders for a production. An email was sent to Theme-traders to get a quote for renting golden thrones. The quote came back as £140 to rent the thrones, which was cheaper than making them by hand for over £300. An alternative idea mentioned was recycling an old wooden chair from a previous production and customizing it to serve as a throne.
Props and costumes lists
The document provides lists of props and costumes needed for an upcoming production. It details that a throne or chaise lounge will represent the main character Affie's power as a heroic king. Other props mentioned include an oil drum, matchstick, bicycle, and an arched bridge backdrop. The costume description for Affie includes ray bans, skinny corduroys, a baggy t-shirt, and pristine trainers. The girl Georgina will have a filthy image conveyed through her blonde bob haircut, silver hoop earrings, Nike trainers, parker coat, bright skirt, crop top and layered jewelry.
Pitch[1]
The document proposes a narrative and visual concept for a music video. It involves a one-man band indie artist painting images on a sheet of glass throughout the video to represent exploring and expressing his identity. Later parts of the video would show the artist using body paint and costumes to blur gender identities and question social norms, eventually destroying a wallet to represent losing his sense of self and purpose.
The pitch
The document discusses the creation of a star image for a grime artist named AFFI. It describes AFFI's image as mysterious, dark, and rebellious. The target audience is identified as people aged 18-28 interested in niche genres like grime. Shots and scenes discussed for a potential music video emphasize a dark, minimalist style focused on AFFI's performance to match the personal lyrics.
Shot ideas, design elements
The document discusses ideas for shot compositions and design elements for a music video. It proposes using an oil canister that lights up throughout the video to provide natural lighting. It also suggests using cardboard cutouts of unrealistic but creative human body parts against a black background. Additionally, it mentions using colored bottles with fluorescent liquids as natural lighting to add color and uplift the mood.
Research into real and similar artists
The document summarizes information about several electronic artists - Crystal Castles, Foals, Ghostpoet, and Mikill Pane. It provides background on Crystal Castles' musical style and band members Alice Glass and Ethan Kath. It also gives brief overviews of Foals' genre and album nomination, Ghostpoet's first single and Mercury Prize nomination, and Mikill Pane's genres and producer Jake Gosling.
Britney spears presentation
Britney Spears had a successful career from 1997 to 2011 beginning as a child performer and signing with Jive Records in 1997. Her first two albums established her as a pop icon, breaking sales records with hits like "...Baby One More Time" and "Oops!...I Did It Again." While her sexy persona and provocative music videos were controversial, they heightened her popularity among both female and male fans. After a highly publicized personal life and marriage in the 2000s, Spears had a mental breakdown in 2007, shaving her head. She later adopted a more modest image and sang about empowerment over men rather than love and sex. Though her career faced challenges, Spears remained a prominent figure in popular music and
Evaluation task 1
This document discusses how a media product conforms to conventions and stereotypes. It describes how the magician and assistant uphold the stereotype of male magicians with attractive female partners. It also conforms to stereotypes by dressing the assistant in white to represent innocence, and dressing the magician in a top hat, waistcoat and bow tie so he is easily recognizable. It aims to conform to expectations of thrillers and horrors by placing the innocent girl in a situation where the audience assumes something bad will happen.
Evaluation task 4 presentation
The primary target audience for the thriller media product would be 18-30 year olds who would enjoy the unique and exciting plot and bankable stars. The secondary audience would be older, educated people as the thriller is set in the 1940s-1950s around the time period they or their relatives grew up. The niche audience would be those who like complex, psychological thrillers, and the product would likely interest males more than females due to the portrayal of women in the plot.
Evaluation task 5 k a
This document summarizes how the film addressed and attracted its target audience. It aimed to attract both younger and older audiences by being set in the past in black and white like older films but also incorporating only segments of color like Sin City to appeal to younger viewers. It also aimed to attract male viewers through attractive females and mysteries and female viewers through themes of romance and relationships. The film's dark nightclub setting and themes of magic and magicians further broadened its potential appeal.
Task 2
The document discusses how effectively a band's main product, digipak, and poster combine to create a star image for appealing to their target audience. It analyzes the band's youthfulness, sexual magnetism, creativity, and talent as values that attract a large audience according to Richard Dyer's theory of stars and stardom. The band's young, naive look and simple clothing, as well as lead singer's attractiveness and love song, fit the values needed to market successfully to their target demographic of young women.
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2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Sara Saffari: Turning Underweight into Fitness Success at 23
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原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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