Transeuropa Weekend London
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This document announces a weekend event to plan the Transeuropa Weekend festival across multiple European cities. The event will include discussions on developing economic alternatives and engaging young people in discussions on European citizenship. Participants will work on common activities, workshops, and an artistic program for the festival. They will also discuss communication strategies and design for promoting the transnational event. The document provides an agenda for the weekend with topics such as festival planning, a transnational walk, and next steps for the project.
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The migrating museum
The document announces a conference titled "The Migrating Museum" to be held on March 9-10, 2007 at the Jan van Eyck Academie in Maastricht, Netherlands. The conference will explore the concept of the "migrating museum" to represent institutional change and reconsider the term "migration" in light of race, class, and gender constructions. It will feature presentations and discussions on precarious colonial exchanges, participatory artistic experiences, documentary feminist visions, contemporary colonialisms, feminisms, and education. Admission is free and registration is required in advance by contacting the provided email and phone number.
20081012 programm graz heimat in the public space
The document outlines the schedule and program for an intercultural dialogue workshop taking place from October 11-19, 2008 in Graz, Austria. The workshop, called H.E.I.M.A.T., brings together partners and artists to discuss and promote the communication of cultural identity in public spaces through concrete art projects. Activities during the 8-day workshop include city tours, lectures, workshops, and art performances. The overall aims are to create networks, share knowledge, and test art projects exploring cultural identity in the city of Graz.
Arts in Rural Areas
In times of the obsession with profit and growth, natural and social
resources are exploited in all corners of the world. Yet, the urge
to radically rethink the system sneaked into various levels. Many
creative and forward-looking professionals are actively searching
for new spaces of opportunity, to shape and test new modes of
economic production and responsible social fabric. Rural areas
have become relevant places for experimentation - smaller in size,
providing more time and space, with less hierarchical governance
structures.
Contemporary performing arts in a rural context are an integral
part of that exercise of imagining a different future. Moreover,
contemporary art in rural areas have been nurturing and shaping
local narratives for ages. However, contemporary artistic practices
have gone almost unnoticed in many funding schemes - both
cultural programmes and rural development funds, which tend to
focus on economic assets of only a few sectors.
In the past few years, IETM has organised a sequence of sessions
and one entire meeting on the subject of art in rural areas. Some of
the brightest art professionals engaging with rurality have created
an AREA (art in rural areas) focus group within our network
and continued their exchange during IETM events and beyond.
Through the dialogue within that group and with other members
experienced and interested in the topic, we have discovered a
fascinating, vibrant and powerful world of contemporary arts in
rural areas.
Today, more than ever, we want to turn the global attention to that
hugely important world.
When creating this publication, we realised it is urgent to find
unconventional approaches to the arts in rural areas. We need
to identify innovative solutions to support the rural arts in their
endeavour of working transversally with other sectors. We have
to seize the momentum and potential of rural arts to help reinvent
the system. Today, when our planet needs it the most.
We hope the present publication sets a strong and fertile ground
for reflecting on those ambitions. Please get in touch with us
(ietm@ietm.org) or write us on our forum (www.ietm.org/forums)
if you wish to further the debate.
We are very grateful to the three authors for their insightful and
sincere contributions. We also heartily thank our members and
other art professionals who shared their practices, stories, views
and experiences with us - through the ongoing exchange during
IETM meetings and via the open call we announced in July - August
2019. Some of the cases collected through the call are presented
in the annexes.
The publication “Arts in Rural Areas” is part of a collaborative
trajectory, which embraces three other European cultural
networks - Culture Action Europe, European Network of Cultural
Centres, and Trans Europe Halles. The policy paper “Beyond the
urban”, which you can read below, is the product of our joint work.
It is still in progress and subject to comments and suggestions
for improvement. We will pre
Sharing the Museum: Social Media and Curatorial Practice
The paper explores how the introduction of social media in the exhibition Talk to Me at the Museum of Modern Art broadened visitor interaction to a new level. Before, during, and after the exhibition, people were invited to add content to the real exhibition in an open collaboration with museum professionals. This challenged the traditional one-way communication scheme of museums and engaged visitors as active participants. The use of social media questioned how content is conveyed and produced, shifting cultural consumption to cultural production and amplifying reality. Apparently, social media have started to modify curatorial practice from curating objects to curating information by influencing visitor expectations.
Re-imagining inter-cultural collaborations: perspectives from India, Canada a...
Ruhi Jhunjhunwala, MA Goldsmiths, University of London and Amy Walker, Executive Director of Highlight Arts, shared their perspectives on collaborating in international arts and cultural projects at Intercultural Relations in Arts and Cultural Management Practice, the fourth seminar of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management. The network is based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze) www.managingculture.net
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The document describes a support programme to help participants further develop solutions. It offers various types of specialist support over three months or three days, including web development, user testing, digital making, startup development, communications, research, business planning, service design, and coaching. Participants can choose what support they need and will also take part in collaborative activities and monthly meetings to showcase progress.
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This document provides guidance for planning a community event in 5 steps: 1) Define the purpose and themes of the event; 2) Build a team to organize the event; 3) Plan the logistics of the event such as location and schedule; 4) Use the event as a platform to engage the community; 5) Promote the event through flyers, videos, media coverage, and social media to encourage participation. The event aims to gather community input through workshops and research on important themes.
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#outcomefest
This document outlines an agenda and instructions for an event called Outcomefest. The event aims to bring people together to share insights, brainstorm solutions to issues, get to know each other, and take ideas forward after the event. Participants pledged to help develop projects and continue conversations after the event. The agenda includes sessions on developing social impact, theories of change, showcasing ideas, and an unconference format for participant-led sessions. Participants are encouraged to be generous with ideas, follow their passions, divide into groups, go with the flow, ask for help, and share thoughts online respecting others' views.
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This document outlines the key elements needed to plan a project, including describing the project name and objectives, listing potential outputs and activities, and identifying the organizer, partners, and skills required. The project organizer should provide their contact information and describe the project, its goals to understand a topic, and the outputs such as guides or films that will be created through planned activities like workshops or games involving partners with the necessary skills.
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Principles
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Pic Your Game
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With over 25,000 people taking part in our Festival across Europe last year, we’re really looking forward to this year’s Festival will be in many cities across Europe. It will take place in London from 16-20 October 2013.
To make this happen, we’re looking for the following voluntary positions to join our Festival Team!
http://www.euroalter.com/making-a-living
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2) Getting feedback on the scenarios through discussion questions on post-its.
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Transeuropa Weekend London
- 1. Transeuropa Weekend London 10-11 December 2011
- 2. COME AND JOIN US! Do you want to To find out how To get involved meet activists you could work in exclusive from our with them to new projects different develop the we’re citygroups? festival? launching?
- 3. Saturday 10 December @ Hanbury Hall, Hanbury Street (off Spitalfields) 12.00 – 12.30 – Arrival and Lunch (Bring your own) 12.45-1.00pm – Introduction to the weekend
- 4. 1 – 1.30 pm Co-creating Social and Economic Europe – TN London (Noel) Exploring how creative techniques can be used to tackle economic issues with young people through economic alternatives in the different cities 1.30 – 2 pm New voices for a diverse Europe – TN Bologna (Sara & Diletta) Involving young people in a transnational discussion and action on the meaning of European citizenship to develop a transnational “living library” 2 – 2.30 pm Rethink Democracy – TN Cluj (Angela) Facilitating dialogue between young people and politicians at all levels to experiment the concepts of representative democracy and active citizenship
- 5. 2.30 – 3.30 pm: Festival Planning: Common activities linked to the projects presented at the beginning (living library/activities/workshops on economic alternatives) 3.30 – 3.45 pm: Coffee Break 3.45 – 5.00 pm: Planning out the Transnational walk: Connecting the stories from the different cities 5.00 – 5.45 pm: Artistic programme: Open call & Film programme (progress on the contacts with Cinematheque + contacts by cities with institutions) 5.45 – 6.30 pm: Action planning & brainstorming on keynote lecture
- 6. Sunday 11 December @ Toynbee Hall, London (near to Aldgate East Station) 9 – 10: Communication Plan for Transeuropa Festival (Sara) 10 – 11: Social Communications Training (Olga): Introducing how online techniques can help make the festival really transnational and experiment with different tools 11 – 12: Graphic design and visual identity (Emanuele): Developing the visual language for the festival
- 7. 1 – 2 pm Introduction of the work programme and campaigns 2 – 3 pm: Final Forum of the Festival and Themes of the Festival 3 – 4 pm : Next steps for the Festival Planning + Q&A Sign up at http://on.fb.me/rIJjc5
- 8. Sign up now at http://on.fb.me/rIJjc5 Bring along your friends Contact london@euroalter.com for any queries