Tom jenkins
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This document analyzes and summarizes 5 different photos. For photo 1, it notes the saturated colors and artificial lighting, giving connotations of a religious figure. Photo 2 focuses on the goalie's arms around the scorer, with soft ambient lighting. Photo 3 highlights the runner's legs against a blurred background, with artificial lighting from above. Photo 4 uses ghosting light effects to add movement, with saturated colors and narrow depth of field. Photo 5 focuses on the man's expression, with artificial lighting and low contrast for a natural feel.
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Annie leibovitz Photograph Analysis
The document contains summaries of multiple photographs. Some key points:
- The photographs use techniques like rule of thirds, direct address, close-ups, and simple backgrounds to draw the viewer's eye to the central subject.
- Facial expressions, eyes, and poses are emphasized through lighting, focus, cropping and other photographic choices.
- Black and white is used in some images to add contrast and tones.
- Broad depths of field and soft lighting create warm, focused images centered on the subject.
Image analysis
This document contains summaries of multiple photographs by different photographers. The first is a portrait of Patrick Peterson by Ian Allen, showing him relieved with arms outstretched against a black background to draw focus. The second is a landscape photo from Pluckley, Kent by Ed Thompson, showing the haunted village's church to stand out with unusual colors. The third is Kobe Bryant's retirement announcement portrait by Neil Leifer in black and white with the basketball touching his head to represent his career.
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This image is a portrait of a band promoting their music. It was taken with a digital camera on a tripod. The photographer composed the shot so that the band members filled the frame symmetrically. One band member is in the foreground with bright lighting on his face. There is little background visible besides trees and part of a building. The lighting appears to come from an artificial source above, striking the band directly and making the image quite bright, flat, and balanced according to symmetry rules.
Photograph by tom barnes
In this photograph by Tom Barnes, a single figure stands in front of a background of speakers of varying sizes and shapes, drawing the eye. The man's face is overexposed from front lighting, making him the clear focus. Taken from an eye-level central angle, the photo shows details of the speakers and utilizes repetition of the speaker elements to create a dynamic composition in which everything is in focus with no depth of field.
Ansell adams
An American photographer named Ansell Adams is known for his black and white nature photography from the early 20th century. He used large format cameras to capture dramatic landscapes and close-ups of natural forms. His photos were appreciated for their aesthetic value and sometimes used commercially, with the goal of displaying natural beauty on a grand scale.
Marianne harris
This image is a portrait of a 5-member band, taken with a digital camera on a tripod. The photo was deliberately overexposed with bright lighting to promote the band commercially. The photographer composed the shot symmetrically with one band member in the foreground and cropped the sides, focusing on the faces of the band against a blurred background. Hard, top-down lighting was used to draw the eye to the member in the middle.
Image analysis
This document contains summaries of multiple photographs by different photographers:
- The first summary describes an Ian Allen portrait of Patrick Peterson that uses lighting to portray him as powerful and important, with a black background making him the central focus.
- The second summarizes an Ed Thompson landscape photo from Pluckley, Kent, known as one of the most haunted places in England, where unusual colors are used to portray it as not normal.
- The third discusses a Neil Leifer black and white portrait of Kobe Bryant announcing his retirement, using lighting and positioning to convey mixed emotions of sadness and motivation.
5 photographs Tom Jenkins
The most striking part of the image is the lead runner who is most in focus in the center of the image and making direct address with the audience. The image shows four runners with varying depths of focus, signifying the importance of their placements, from the lead runner in the foreground who is amazed at having won, to the runner in the background who is out of focus, as if in fourth place. A narrow depth of field and low contrast lighting are used to focus attention on the lead runner in her moment of victory.
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Annie leibovitz Photograph Analysis
The document contains summaries of multiple photographs. Some key points:
- The photographs use techniques like rule of thirds, direct address, close-ups, and simple backgrounds to draw the viewer's eye to the central subject.
- Facial expressions, eyes, and poses are emphasized through lighting, focus, cropping and other photographic choices.
- Black and white is used in some images to add contrast and tones.
- Broad depths of field and soft lighting create warm, focused images centered on the subject.
Image analysis
This document contains summaries of multiple photographs by different photographers. The first is a portrait of Patrick Peterson by Ian Allen, showing him relieved with arms outstretched against a black background to draw focus. The second is a landscape photo from Pluckley, Kent by Ed Thompson, showing the haunted village's church to stand out with unusual colors. The third is Kobe Bryant's retirement announcement portrait by Neil Leifer in black and white with the basketball touching his head to represent his career.
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This image is a portrait of a band promoting their music. It was taken with a digital camera on a tripod. The photographer composed the shot so that the band members filled the frame symmetrically. One band member is in the foreground with bright lighting on his face. There is little background visible besides trees and part of a building. The lighting appears to come from an artificial source above, striking the band directly and making the image quite bright, flat, and balanced according to symmetry rules.
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In this photograph by Tom Barnes, a single figure stands in front of a background of speakers of varying sizes and shapes, drawing the eye. The man's face is overexposed from front lighting, making him the clear focus. Taken from an eye-level central angle, the photo shows details of the speakers and utilizes repetition of the speaker elements to create a dynamic composition in which everything is in focus with no depth of field.
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An American photographer named Ansell Adams is known for his black and white nature photography from the early 20th century. He used large format cameras to capture dramatic landscapes and close-ups of natural forms. His photos were appreciated for their aesthetic value and sometimes used commercially, with the goal of displaying natural beauty on a grand scale.
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This image is a portrait of a 5-member band, taken with a digital camera on a tripod. The photo was deliberately overexposed with bright lighting to promote the band commercially. The photographer composed the shot symmetrically with one band member in the foreground and cropped the sides, focusing on the faces of the band against a blurred background. Hard, top-down lighting was used to draw the eye to the member in the middle.
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This document contains summaries of multiple photographs by different photographers:
- The first summary describes an Ian Allen portrait of Patrick Peterson that uses lighting to portray him as powerful and important, with a black background making him the central focus.
- The second summarizes an Ed Thompson landscape photo from Pluckley, Kent, known as one of the most haunted places in England, where unusual colors are used to portray it as not normal.
- The third discusses a Neil Leifer black and white portrait of Kobe Bryant announcing his retirement, using lighting and positioning to convey mixed emotions of sadness and motivation.
5 photographs Tom Jenkins
The most striking part of the image is the lead runner who is most in focus in the center of the image and making direct address with the audience. The image shows four runners with varying depths of focus, signifying the importance of their placements, from the lead runner in the foreground who is amazed at having won, to the runner in the background who is out of focus, as if in fourth place. A narrow depth of field and low contrast lighting are used to focus attention on the lead runner in her moment of victory.
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The document analyzes photographs taken by photojournalist Barbaros Kayan during protests in Kiev in 2014. It summarizes that Kayan's photos emphasize the physical destruction and violence of the conflict over individuals. The analysis notes that Kayan used techniques like mid-level shutter speeds and apertures to capture the scenes in late afternoon light without overexposing the images, and composed the shots to focus viewers' attention on the damage while still including civilians and soldiers. The strengths are said to be the clear emphasis on the background without excluding people, though more emotion from individuals could have been shown.
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Media evaluation question 2
The document compares photos from the magazine cover of Kerrang magazine and the author's own magazine cover. Both covers represent similar social groups by featuring models staring directly at the camera in natural poses to appear down to earth. While the expressions differ slightly, with Kerrang appearing more playful and the author's cover more serious, the hairstyles are both natural looks. The camera shot and lighting are also similar between the covers, though Kerrang uses a lower angle to make their model appear popular while the author's is at eye level. Costume choices further represent the different emotions being conveyed, with Kerrang in bright clothes and the author's model in dark clothes.
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This document discusses several photographs by different artists. It analyzes Juan Felipe Rubio's photos of couples showing love and intimacy through bright colors. It also examines David Hilliard's gloomy photo "In Pursuit of Other Things" with dark tones. Additionally, it looks at David Hilliard's mysterious photo "Ponchos" of hooded figures in a forest, and David Hockney's abstract portrait of Henry Moore made of multiple angled shots.
Themed images
This document discusses and analyzes several photographs by different artists. It examines Juan Felipe Rubio's photos depicting couples and their use of bright colors to convey positivity. It also analyzes David Hilliard's photo "In Pursuit of Other Things" and its dark, gloomy tones. Lee Summers' "Portrait Triptych Series" is discussed for its mysterious atmosphere created through repetitive poses.
Themed images
This document discusses several photographs by different artists. It analyzes Juan Felipe Rubio's photos of couples showing love and intimacy through bright colors. It also examines David Hilliard's gloomy photo "In Pursuit of Other Things" with dark tones. Additionally, it looks at David Hilliard's mysterious photo "Ponchos" of hooded figures in a forest, and David Hockney's abstract portrait of Henry Moore made up of 24 sections.
Mario testino
Mario Testino is a Peruvian photographer born in 1954 in Lima. He moved to London in 1976 and began his photography career by apprenticing and taking his first photo for British Vogue. Over 40 years as a photographer, Testino has become known for his portraits of celebrities and models as well as serving as a creative director.
Mix it up! redo
The document provides information about several still life photographers and some of their works. It analyzes photographs by Giuseppe Bognanni, Bill Gekas, Gordana AM, Carlo Pautasso, Michel Feugeas, and Holger Droste. For each photographer, it describes lighting techniques, compositions, moods conveyed, and use of texture, color, and contrast in their photos. It also discusses a photoshoot by the author exploring natural forms with different lighting sources and settings.
Annie Leibovitz // Task 1
The document provides analysis of four celebrity portrait photographs taken by Annie Leibovitz.
The first image depicts Sir Patrick Stewart and Sir Ian McKellen posing with crossed arms. The second shows Johnny Depp relaxed in a chair with a cigarette. The third is of Miley Cyrus as a teenager posed with a satin sheet. The fourth portraits Adele laying down with her face illuminated.
The analysis examines the composition, lighting, framing, and technical details of each image. Strengths highlighted include the warm tones, natural poses, and focus on the subjects' facial expressions. Suggested weaknesses include cropped framing that removes context and unnatural skin tones. The document considers how the photographer used lighting,
Task 1 Portraiture
The document analyzes four black and white portrait photographs by Olga Baczynska. The first photo shows a man with a bug on his lips. The second shows a man biting his thumbnail in a studio shot. The third shows a mysterious man in shadow. The fourth shows an intimidated looking woman illuminated by two colored lights. The analysis discusses the composition, lighting, and depth of field techniques used in each photo. It notes the strengths of the lighting and use of depth of field but sees including more of the subject's body as a weakness.
Jenkins photographs
Tom Jenkins has taken several sports photos using different techniques. In one photo of a football match, he used a landscape orientation to fit the entire scene and shallow focus on three players and the ball to direct the audience's attention to the key action. The lighting is low-key and the main colors are dark, with the players' legs serving as leading lines toward the focal point.
Types of photography -Jordyn Gibb
The document discusses different types of photography including portrait, landscape, nature, and documentary photography. It provides examples of each type and discusses how technology has advanced each genre over the past 100 years. Portrait photography captures expressions and personalities of individuals or groups. Landscape photography focuses on wide outdoor spaces. Nature photography depicts plants, animals, and other natural subjects. Documentary photography documents real-life events and social issues. The document also includes the writer's own attempts at different genres and how technology has improved clarity, detail, and color reproduction in photographs.
Mario Testino
This photograph shows Tom Brady dressed in a black suit resembling a dog's fur, with similar tones in their faces. The photograph uses the rule of thirds to draw attention to their eyes and teeth as they bare them in the same facial expression. Brady engages in direct address to appear more fierce. The broad depth of field and simple background ensure equal focus on Brady and the dog. High contrast lighting emphasizes their faces while avoiding shadows. The connotation is that Brady is as fierce as the dog and highly masculine.
Task 3!
Tim Hetherington was a British-American photojournalist known for documenting war and conflict from the perspective of individual experiences. He photographed conflicts in Liberia and Libya before being killed in Misrata, Libya in 2011. One of his photos shows a young Liberian soldier with an expression of sadness, highlighting the emotional toll of war. Steve McCurry is an American photojournalist famous for his National Geographic photo of an Afghan refugee girl. The photo brought attention to the plight of refugees but also preserved a powerful image of resilience. Both photographers captured impactful images of human experiences in times of upheaval and conflict.
Media surreal photo work
This photo by war photographer Robert Capa documents American soldiers raising a flag at Iwo Jima during World War 2. The rule of thirds is used effectively, with focal points on the top of the flag and a soldier raising it. Lighting lacks contrast to convey a war atmosphere. The narrative captures the documentation of American efforts in the war by raising the flag to boost morale. Depth of field focuses on the soldiers and flag, blurring the background. Framing is not perfect due to the dangerous conditions, but captures the flag in a hot spot. The mise-en-scene includes the struggling soldiers, flag, and rubble from destroyed structures, conveying the hard work of soldiers. The purpose is to document
Media surreal photo work
This document discusses several surreal photographs by photographer Sarolta Ban. It analyzes her use of composition, lighting, focus, cropping, narrative, mise-en-scene, and purpose in her surreal images. It also briefly discusses the work of portrait photographers Steve McCurry and the narratives and techniques used in some of his photographs of individuals in Afghanistan.
Reading Photography
This document summarizes and analyzes several photographs taken by photojournalists Tim Hetherington and Steve McCurry. It discusses Hetherington's photographs documenting war and natural disasters in Libya, Afghanistan, and Indonesia. It describes his use of wide angles to show the scope of damage. It also analyzes McCurry's iconic photograph of the "Afghan Girl" taken in a refugee camp, noting how the green background makes her eyes stand out. The document examines elements like composition, lighting, focus, and storytelling intent across the various images.
Reading Photography
This document discusses several photographers and their work documenting war and human suffering. It analyzes photographs by Tim Hetherington, who was killed covering the Libyan civil war in 2011. It examines photos from Afghanistan by Steve McCurry, most notably his 1985 National Geographic cover photo of the "Afghan Girl." The document also analyzes photos from India, Peru, and Indonesia that showcase the impacts of war, poverty, and natural disasters through documentary and candid photography.
Tyrone lebon&irvine penn
Tyrone Lebon is a London-based photographer and filmmaker who has worked on various projects since 2005 that have been shown internationally. His work includes fashion portraits that experiment with perspective, focus, and unusual backgrounds or modifications to clothing to make the images striking. Irving Penn was an influential American fashion and portrait photographer known for his work with Vogue magazine and portraits of celebrities. His portraits used passive, artificial studio backdrops and high-key lighting to draw attention to the centered subjects.
Media surreal photo work
This document discusses and analyzes several photographs taken by renowned photographers such as Sarolta Ban, Steve McCurry, and Robert Capa. It examines each photo in terms of composition using the rule of thirds, lighting and use of shadows, focus and depth of field, cropping, narrative, and mise-en-scene. For each photo, it provides a technical breakdown and interpretation of the visual elements and intended narrative or message conveyed by the photographer.
Task 1 work sheet 3
This document analyzes the photography work of Dmitry Zaytsev. It examines 6 of his images in terms of composition, techniques used, strengths and weaknesses. The images depict people in nature settings in Russia. They utilize various angles, lighting, depth of field, and a fisheye lens. The photographer is assessed to employ rule of thirds and keep consistent shutter speed and aperture. While the images capture interesting focal points, some backgrounds are criticized as boring. Overall the photographer is praised for their creative angles and lens use.
Photo powerpoint
The photographer has focused on the centre column using the rule of thirds to draw attention to the athlete's face. A low camera angle is used to make the athlete seem more powerful and intimidating despite his disabilities. Natural lighting is used to convey a positive message of ability despite challenges. Fast shutter speed reduces motion blur as the athlete is running.
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Fashion shoot 1 best 5
This document contains 5 paragraphs where the author evaluates photos for use on a front cover. In each paragraph, the author analyzes a different photo and provides reasons for choosing it. The author considers factors like framing, positioning of the model, lighting, backgrounds, facial expressions, and angles when deciding which photos best convey the theme of being a young person. Overall, the document evaluates 5 photos and provides justifications for selecting each one based on compositional elements and how well it fits the intended theme.
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Ka-Leel Smith is a photographer who created contact sheet 4, which appears to be a collection of photographs. The contact sheet contains multiple small thumbnail images arranged in rows and columns that provide a preview of photographs taken in a single session or roll of film. At a high level, the contact sheet seems to be documenting Ka-Leel Smith's photographic work through small previews of multiple pictures taken at once.
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This document contains three paragraphs summarizing why different photos from a shoot were chosen. The first photo was chosen because the whole outfit is visible and the play area background fits the theme of teenagers in childish environments. The second photo shows the whole outfit and bag prop, and the model is centered with complimentary backgrounds. The third photo has the best lighting compared to others in the set.
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Tom jenkins
- 2. Photo 1 Most striking part of the image is the person in the middles shirt. The photo has a narrow DOF, and also has repetition. The way that the hands are waving give a sense of capturing a great moment. The lighting is soft and gives the photo broader range of tones. The colours in the image are quite saturated and the lighting appears artificial. The photo has connotations of the man being worshipped like some sort of religious figure.
- 3. Photo 2 The part of the image that is most striking is the way the arms of the goalie shape around the guy who scored the goal. The photo has a fairly narrow DOF, and most of the focus is on the middle ground. The lighting is soft and isnt casting much shadows at all. The colors are also saturated and the lighting is ambient. There is a sense of movement in the photo because of the poses. The photo uses the rule of thirds and was taken at a higher shutterspeed.
- 4. Photo 3 The part of the image that is the most striking is the runners legs. The light blur background compliments the dark blue suit. The photograph has a broad DOF. The lighting is focused more towards the upper right focused on his face, the lighting is artificial. The low angle makes the model seem powerful. They clearly labelled the sportswear for advertising. Model looks like he's focused on what he’s doing.
- 5. Photo 4 The Ghosting effect created by the streaking light really adds some ambience and a sense of movement to the photo which is what I found most striking. The man is framed in the centre of the image. The background has greens and oranges in it which compliment the whites, blues, and reds in his attire. The dof is very narrow in this photo. The photo has a higher contrast with the whites being really white, and the darks being really dark. the colours are very saturated.
- 6. Photo 5 the mans face and the expression are the things I find stunning in this photo. The lighting in this image seems artificial, because there arent much shadows. The colors are nromal levels of saturation. The photo has a narrow dof. The photo also has low contrast lighting which gives it a natural feel, like it wasn’t shot in a studio.