Ttitle Sequence
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The document discusses Phoebe Symington's plans for the title sequence of her horror film "The Wanted Babysitter". She wants to create a mysterious and edgy atmosphere by having the titles fade in and out quickly. She was inspired by the title sequences of "The Conjuring" and "Ouija" which helped her understand what she wants to do. As the babysitter's car drives up to the house, Phoebe plans to have the title "The Wanted Babysitter" fade in and out. Throughout the scene, additional titles will appear listing the production companies, director, producers, cast and crew.
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Research conclusions
All four films establish a sense of danger or threat within the first two minutes. They do this through their settings, which often involve isolated or run-down buildings, and ominous non-diegetic sounds. Tension is built through long shots that portray vast or isolated settings, jump cuts between shots, and panning cameras. The films Halloween 4, House on Haunted Hill, Saw 5, and Bereavement are analyzed and found to use similar technical techniques like sounds, shots, and camera work to quickly set an unsettling or threatening tone at the start.
Script
Jimmy rides his moped to Trevor's trailer, singing loudly. Hearing Jimmy, Trevor scrambles around his messy trailer, standing on needles and legos as he tries to hide. In his haste, Trevor punches and breaks a light bulb. Trevor then trips and slumps by the front door. Jimmy finds Trevor crying on the ground and tries to cheer him up by taking him to the Vanilla Unicorn club. Trevor reluctantly agrees.
Title sequences and soundtrack presentation
The document discusses including title sequences in a horror film. It plans to add the titles subtly and slowly to create an eerie atmosphere, taking inspiration from the trailers for The Conjuring and The Girl with the Dragon Tattoo. Specifically, it likes elements from seconds 0.56 and 1.36 of The Conjuring trailer, and how the titles are incorporated with background images in The Girl with the Dragon Tattoo trailer from 0.07 seconds in. The title sequence will involve slow-tempo music with high and low pitches to build suspense and a sense of danger and the unknown.
Film trailers
The document summarizes and analyzes several film trailers. For the trailer of Apartment 1303, the author likes how non-diegetic sound builds tension and how the ghost girl makes the film spooky. In the trailer for The Apparition, loud screams and cracks in the ceiling make it dramatic and eerie. For Paranormal Activity 4, non-diegetic music builds tension and a dropping chandelier makes viewers jump. The trailer for The Purge uses changes in music and a doorbell to signal danger for a family. Finally, the trailer for Would You Rather uses sounds of footsteps and a ticking clock to build tension through unknown threats.
Ecliptic ( how tension is created )
The document analyzes how tension is created in an opening film sequence where a man wakes up trapped in a smoking car. It builds tension through confusion about why the car is smoking, continuous shots that don't show the character as scared, and a close-up shot where the audience sees the character's emotions and vulnerability as he tries to escape. The sequence aims to make the audience feel sympathy for the victim and hope he can escape his dangerous situation.
The set up storyboard
The document outlines key scenes and shots in the horror film "The Set Up". It begins with an establishing shot at night to set the eerie tone. The protagonist hears strange noises in his house after returning home from work, including a ringing phone with no caller. Tension mounts as he searches the home, hearing whispers. The film builds to a climax as he confronts the unknown in the dark conservatory. However, the ending subverts expectations, revealing his friends and family threw him a surprise party, shocking the audience.
Analysis of Four Film Openings
The document analyzes and summarizes the openings of several films. It discusses how Oceans Eleven starts in a dimly lit room with footsteps and an empty chair to draw the audience in. For 21 Jump Street, it notes the title and production studios before following the main character, setting up the high school comedy genre. Lord of War uses a crane shot over a bullet factory set to music to introduce the film's focus on the bullet's journey, hinting at its crime/thriller genre. Step Brothers effectively establishes the story of two lazy adult sons and their parents' new connection in its short opening sequence through a range of shots.
Smack that
The song "Smack That" features Akon and Eminem rapping about attracting a woman at a club. Akon notices a woman creeping on him from his shadow and invites her to get in his Lamborghini and go back to his place to kick it like Tae Bo. Emineg joins in, describing the woman dancing provocatively on stage and creeping up behind him at the club. Both artists rap about taking the woman back to Akon's place after leaving the club.
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Research conclusions
All four films establish a sense of danger or threat within the first two minutes. They do this through their settings, which often involve isolated or run-down buildings, and ominous non-diegetic sounds. Tension is built through long shots that portray vast or isolated settings, jump cuts between shots, and panning cameras. The films Halloween 4, House on Haunted Hill, Saw 5, and Bereavement are analyzed and found to use similar technical techniques like sounds, shots, and camera work to quickly set an unsettling or threatening tone at the start.
Script
Jimmy rides his moped to Trevor's trailer, singing loudly. Hearing Jimmy, Trevor scrambles around his messy trailer, standing on needles and legos as he tries to hide. In his haste, Trevor punches and breaks a light bulb. Trevor then trips and slumps by the front door. Jimmy finds Trevor crying on the ground and tries to cheer him up by taking him to the Vanilla Unicorn club. Trevor reluctantly agrees.
Title sequences and soundtrack presentation
The document discusses including title sequences in a horror film. It plans to add the titles subtly and slowly to create an eerie atmosphere, taking inspiration from the trailers for The Conjuring and The Girl with the Dragon Tattoo. Specifically, it likes elements from seconds 0.56 and 1.36 of The Conjuring trailer, and how the titles are incorporated with background images in The Girl with the Dragon Tattoo trailer from 0.07 seconds in. The title sequence will involve slow-tempo music with high and low pitches to build suspense and a sense of danger and the unknown.
Film trailers
The document summarizes and analyzes several film trailers. For the trailer of Apartment 1303, the author likes how non-diegetic sound builds tension and how the ghost girl makes the film spooky. In the trailer for The Apparition, loud screams and cracks in the ceiling make it dramatic and eerie. For Paranormal Activity 4, non-diegetic music builds tension and a dropping chandelier makes viewers jump. The trailer for The Purge uses changes in music and a doorbell to signal danger for a family. Finally, the trailer for Would You Rather uses sounds of footsteps and a ticking clock to build tension through unknown threats.
Ecliptic ( how tension is created )
The document analyzes how tension is created in an opening film sequence where a man wakes up trapped in a smoking car. It builds tension through confusion about why the car is smoking, continuous shots that don't show the character as scared, and a close-up shot where the audience sees the character's emotions and vulnerability as he tries to escape. The sequence aims to make the audience feel sympathy for the victim and hope he can escape his dangerous situation.
The set up storyboard
The document outlines key scenes and shots in the horror film "The Set Up". It begins with an establishing shot at night to set the eerie tone. The protagonist hears strange noises in his house after returning home from work, including a ringing phone with no caller. Tension mounts as he searches the home, hearing whispers. The film builds to a climax as he confronts the unknown in the dark conservatory. However, the ending subverts expectations, revealing his friends and family threw him a surprise party, shocking the audience.
Analysis of Four Film Openings
The document analyzes and summarizes the openings of several films. It discusses how Oceans Eleven starts in a dimly lit room with footsteps and an empty chair to draw the audience in. For 21 Jump Street, it notes the title and production studios before following the main character, setting up the high school comedy genre. Lord of War uses a crane shot over a bullet factory set to music to introduce the film's focus on the bullet's journey, hinting at its crime/thriller genre. Step Brothers effectively establishes the story of two lazy adult sons and their parents' new connection in its short opening sequence through a range of shots.
Smack that
The song "Smack That" features Akon and Eminem rapping about attracting a woman at a club. Akon notices a woman creeping on him from his shadow and invites her to get in his Lamborghini and go back to his place to kick it like Tae Bo. Emineg joins in, describing the woman dancing provocatively on stage and creeping up behind him at the club. Both artists rap about taking the woman back to Akon's place after leaving the club.
Brief
This document discusses thriller films and trailers. It begins by providing examples of some of the author's favorite thriller films and what makes them appealing, such as good camera shots that increase tension. It then analyzes the trailer for the film "Let the Right One In", noting how the music, camerawork like panning shots, cuts between scenes, and dull atmosphere come together to build suspense and frighten the audience. The document concludes by describing a school assignment where the author's group had to take photos to create their own thriller trailer, titled "Who?", keeping the story simple and mysterious.
Tzvetan toderov
Tzvetan Todorov proposed a 5-component narrative theory: 1) an initial equilibrium, 2) a disruption to the equilibrium, 3) realization of the disruption, 4) an attempt to repair the disruption, and 5) a new equilibrium, changed by the events of the story. The document discusses how the music videos for Taylor Swift's "Blank Space" and Katy Perry's "Part of Me" follow this narrative structure. It also explains how the author could use and slightly modify Todorov's theory by ending a video with a cliffhanger rather than fully restoring equilibrium, continuing excitement and leaving the audience wondering.
Film trailer analysis 1
The trailer introduces the plot of the film "Insidious" through a series of shots and scenes. It follows a family that moves into a new home where supernatural events begin to occur after their son falls into a coma. Various film techniques like lighting, editing, and sound are used to build tension and mystery around the cause of the son's condition. The trailer then reveals that a paranormal investigator will help the family investigate what is haunting their home and son. It ends by hinting that the son himself may be the source of the supernatural presence.
N:\6form\media\planning
1) The document outlines Sam Arblaster's plans for the opening 2 minutes of their action film coursework project. It includes planning for flashbacks of key scenes and 4 main scenes to introduce characters, set up a deal between them, and show the deal going wrong when one character shoots the other.
2) Scene details include shots of 2 cars pulling up to a container yard where the deal takes place, but it escalates when one character shoots the other after money is exchanged.
3) The following scene shows police officers at a station reviewing CCTV of the shooting and identifying a license plate number before the camera blacks out, ending the opening sequence.
Our thriller film opening
The document outlines a group's proposal for a thriller film opening called "Bloody Tears". The opening takes place in a mental asylum and focuses on a young girl who wakes up alone with only her teddy bear for comfort. As she explores, she discovers other patients and has a frightening experience that makes her cry tears of blood. The group provides details on filming locations, props, costumes, sounds, and production schedule. They also discuss skills learned and target audience for the 15-rated thriller/horror film.
Editing (the descent)
The document discusses the editing and CGI used in a video depicting a car crash. It notes that at the start of the video, when the family is talking in the car, the editing pace is normal to establish a calm feeling. However, once the collision occurs, the editing pace speeds up to make the shots with poor CGI look more realistic. One scene shows a pole entering the back of a chair but not the front, revealing an error in editing. The document analyzes various shots that show the collision, injuries, and wreckage from different angles and perspectives.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Trailers also include "straps" or text snippets to entice audiences and provide context about the narrative. Finally, the title of the film is revealed at the end to leave a lasting impression and encourage viewers to see the movie.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Straps are inserted to provide intrigue about the narrative and promote the film. The title of the film is usually revealed at the end to leave a lasting impression on audiences and encourage them to see the movie.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Trailers also include "straps" or text snippets to entice audiences and provide context about the narrative. Finally, the title of the film is revealed at the end to leave a lasting impression and encourage viewers to see the movie.
Media evaluation analysis part 4
1) The document discusses audience feedback on a horror film trailer the author created. Classmates provided positive feedback on scenes involving hair being pulled and a changing mirror reflection, and enjoyed the sinister lullaby music and a jump scare.
2) Some felt the narrative was unclear, so the author added a text close-up for clarification. Most then understood the story better.
3) Overall feedback was very positive, with most giving scores between 7-10 out of 10. This showed the trailer successfully fit the psychological horror genre and appealed to its target audience.
Media evaluation analysis part 4 (finished)JKBJ
1) The document discusses audience feedback on a horror film trailer the author created. Classmates provided positive feedback on scenes involving hair being pulled and a changing mirror reflection, and enjoyed the sinister lullaby music and a jump scare.
2) Some felt the narrative was unclear, so the author added a text close-up for clarification. Most then understood the story better.
3) Overall feedback was very positive, with most giving scores between 7-10 out of 10. This showed the trailer successfully fit the psychological horror genre and appealed to its target audience.
Donels z teaser_storyboard_v1
Molly is playing alone in the playground when aliens suddenly crash land in her town. Her father must help the injured while others are told to hide. That night, Molly cries in her bed until her teddy bear Charlie comes to life. The aliens arrive at Molly's house, bust through the front door, and see claw marks leading to her bedroom door.
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This document is a draft script for a soap opera that follows multiple characters involved in crime. It introduces the Experienced One finding at a crime scene and angrily calling someone about a slip up. It also introduces the Newbie having career goals that did not pan out and packing a bag. Additionally, it introduces Tommy as sometimes a family guy but sometimes not, and The Freak who questions his own sanity. The script cuts between the characters and a crime scene, building mystery around what occurred.
analysis of an opening sequence 3
The opening sequence of The Devil Wears Prada begins with credits against a black background with no music. It then shows a hand wiping steam off a mirror, revealing the protagonist Anne Hathaway brushing her teeth. As the song "Suddenly I See" plays, the sequence cuts between shots of New York City and elegant women getting dressed and applying makeup, contrasting with Anne who puts less effort into her routine. The opening ends with Anne entering an office building and taking an elevator, leaving the audience wondering what will happen next.
Nightmare on elm street
Freddy Krueger builds his signature knife glove in a creepy opening credits sequence with ominous music. The scene then introduces Tina, who is seen running terrified down a school corridor. Through cutaways and long shots, Tina is seen navigating the unknown place while ambient sounds heighten the fear. Freddy is then shown dragging his knife glove along a steel pipe. Tina is ultimately backed into a corner alone where Freddy appears behind her, grabbing her as she screams. The opening scene ends with Tina waking in a sweat, showing her fear and confusion.
Nightmare on Elm Street
The opening scene shows Freddy Krueger building his signature knife glove while ominous music plays. The movie title is then revealed with a loud sound intended to scare viewers. The next scene introduces Tina, who is shown running down a corridor in fear, looking behind her though nothing is chasing her. As she navigates the unknown place, ambient scary sounds are heard. Freddy is then seen dragging his knife glove along a pipe to create an unsettling noise. Finally, a terrified Tina is cornered by Freddy, who grabs her as she screams, before she wakes up in bed, frightened and confused.
Ideasfornon diegeticsound
The document provides ideas for non-diegetic sound to be used in a horror movie trailer. Slow, tensional music would play at the beginning to set a calm mood before contrasting events. Quick cuts at the end would show important film parts without revealing too much, accompanied by a creepy laughter to generate tension and unease for the audience. Conventional trailer structure involves a normal setting disrupted by later chaos.
Storyboard
This document outlines 18 scenes from a storyboard for a horror movie trailer. The scenes progress from establishing shots to build tension, without revealing details. Key events shown include Riley getting ready, a message left for her in red lipstick, her discovery of the villains in the bathroom mirror, a chase scene in the dark forest, and a cliffhanger of Riley screaming while being attacked. The storyboard aims to intrigue audiences and leave them wanting more without giving away the entire plot.
Panic Room
Recently divorced Meg and her daughter Sarah have moved into a new home in New York. During a tour of the house, they discover a high-security panic room. That night, three burglars break into the home, and Meg locks herself and Sarah inside the panic room for safety. However, the thieves seem to know the house's layout and want whatever is inside the panic room. The trailer establishes the new home setting and mother-daughter relationship before tensions escalate with the home invasion, showing that the panic room will not keep Meg and Sarah entirely safe from the intruders.
Sound powerpoint
This document defines and provides examples of different types of sound that can be used in films, including diegetic sound that comes from within the scene, non-diegetic sound added in post-production, crescendos that build suspense, diminuendos that signal a threat has passed, and sforzandos used to emphasize a shock or scare. Examples are given from films like Psycho, Jaws, The Godfather, and CSI to illustrate each type of sound technique.
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Brief
This document discusses thriller films and trailers. It begins by providing examples of some of the author's favorite thriller films and what makes them appealing, such as good camera shots that increase tension. It then analyzes the trailer for the film "Let the Right One In", noting how the music, camerawork like panning shots, cuts between scenes, and dull atmosphere come together to build suspense and frighten the audience. The document concludes by describing a school assignment where the author's group had to take photos to create their own thriller trailer, titled "Who?", keeping the story simple and mysterious.
Tzvetan toderov
Tzvetan Todorov proposed a 5-component narrative theory: 1) an initial equilibrium, 2) a disruption to the equilibrium, 3) realization of the disruption, 4) an attempt to repair the disruption, and 5) a new equilibrium, changed by the events of the story. The document discusses how the music videos for Taylor Swift's "Blank Space" and Katy Perry's "Part of Me" follow this narrative structure. It also explains how the author could use and slightly modify Todorov's theory by ending a video with a cliffhanger rather than fully restoring equilibrium, continuing excitement and leaving the audience wondering.
Film trailer analysis 1
The trailer introduces the plot of the film "Insidious" through a series of shots and scenes. It follows a family that moves into a new home where supernatural events begin to occur after their son falls into a coma. Various film techniques like lighting, editing, and sound are used to build tension and mystery around the cause of the son's condition. The trailer then reveals that a paranormal investigator will help the family investigate what is haunting their home and son. It ends by hinting that the son himself may be the source of the supernatural presence.
N:\6form\media\planning
1) The document outlines Sam Arblaster's plans for the opening 2 minutes of their action film coursework project. It includes planning for flashbacks of key scenes and 4 main scenes to introduce characters, set up a deal between them, and show the deal going wrong when one character shoots the other.
2) Scene details include shots of 2 cars pulling up to a container yard where the deal takes place, but it escalates when one character shoots the other after money is exchanged.
3) The following scene shows police officers at a station reviewing CCTV of the shooting and identifying a license plate number before the camera blacks out, ending the opening sequence.
Our thriller film opening
The document outlines a group's proposal for a thriller film opening called "Bloody Tears". The opening takes place in a mental asylum and focuses on a young girl who wakes up alone with only her teddy bear for comfort. As she explores, she discovers other patients and has a frightening experience that makes her cry tears of blood. The group provides details on filming locations, props, costumes, sounds, and production schedule. They also discuss skills learned and target audience for the 15-rated thriller/horror film.
Editing (the descent)
The document discusses the editing and CGI used in a video depicting a car crash. It notes that at the start of the video, when the family is talking in the car, the editing pace is normal to establish a calm feeling. However, once the collision occurs, the editing pace speeds up to make the shots with poor CGI look more realistic. One scene shows a pole entering the back of a chair but not the front, revealing an error in editing. The document analyzes various shots that show the collision, injuries, and wreckage from different angles and perspectives.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Trailers also include "straps" or text snippets to entice audiences and provide context about the narrative. Finally, the title of the film is revealed at the end to leave a lasting impression and encourage viewers to see the movie.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Straps are inserted to provide intrigue about the narrative and promote the film. The title of the film is usually revealed at the end to leave a lasting impression on audiences and encourage them to see the movie.
Film trailer conventions
The document discusses conventions commonly found in film trailers for horror movies. It explains that logos are shown at the beginning to identify the film company and genre. Non-diegetic sounds like music and voiceovers are used to build tension and atmosphere. Trailers also include "straps" or text snippets to entice audiences and provide context about the narrative. Finally, the title of the film is revealed at the end to leave a lasting impression and encourage viewers to see the movie.
Media evaluation analysis part 4
1) The document discusses audience feedback on a horror film trailer the author created. Classmates provided positive feedback on scenes involving hair being pulled and a changing mirror reflection, and enjoyed the sinister lullaby music and a jump scare.
2) Some felt the narrative was unclear, so the author added a text close-up for clarification. Most then understood the story better.
3) Overall feedback was very positive, with most giving scores between 7-10 out of 10. This showed the trailer successfully fit the psychological horror genre and appealed to its target audience.
Media evaluation analysis part 4 (finished)JKBJ
1) The document discusses audience feedback on a horror film trailer the author created. Classmates provided positive feedback on scenes involving hair being pulled and a changing mirror reflection, and enjoyed the sinister lullaby music and a jump scare.
2) Some felt the narrative was unclear, so the author added a text close-up for clarification. Most then understood the story better.
3) Overall feedback was very positive, with most giving scores between 7-10 out of 10. This showed the trailer successfully fit the psychological horror genre and appealed to its target audience.
Donels z teaser_storyboard_v1
Molly is playing alone in the playground when aliens suddenly crash land in her town. Her father must help the injured while others are told to hide. That night, Molly cries in her bed until her teddy bear Charlie comes to life. The aliens arrive at Molly's house, bust through the front door, and see claw marks leading to her bedroom door.
1st draft for script
This document is a draft script for a soap opera that follows multiple characters involved in crime. It introduces the Experienced One finding at a crime scene and angrily calling someone about a slip up. It also introduces the Newbie having career goals that did not pan out and packing a bag. Additionally, it introduces Tommy as sometimes a family guy but sometimes not, and The Freak who questions his own sanity. The script cuts between the characters and a crime scene, building mystery around what occurred.
analysis of an opening sequence 3
The opening sequence of The Devil Wears Prada begins with credits against a black background with no music. It then shows a hand wiping steam off a mirror, revealing the protagonist Anne Hathaway brushing her teeth. As the song "Suddenly I See" plays, the sequence cuts between shots of New York City and elegant women getting dressed and applying makeup, contrasting with Anne who puts less effort into her routine. The opening ends with Anne entering an office building and taking an elevator, leaving the audience wondering what will happen next.
Nightmare on elm street
Freddy Krueger builds his signature knife glove in a creepy opening credits sequence with ominous music. The scene then introduces Tina, who is seen running terrified down a school corridor. Through cutaways and long shots, Tina is seen navigating the unknown place while ambient sounds heighten the fear. Freddy is then shown dragging his knife glove along a steel pipe. Tina is ultimately backed into a corner alone where Freddy appears behind her, grabbing her as she screams. The opening scene ends with Tina waking in a sweat, showing her fear and confusion.
Nightmare on Elm Street
The opening scene shows Freddy Krueger building his signature knife glove while ominous music plays. The movie title is then revealed with a loud sound intended to scare viewers. The next scene introduces Tina, who is shown running down a corridor in fear, looking behind her though nothing is chasing her. As she navigates the unknown place, ambient scary sounds are heard. Freddy is then seen dragging his knife glove along a pipe to create an unsettling noise. Finally, a terrified Tina is cornered by Freddy, who grabs her as she screams, before she wakes up in bed, frightened and confused.
Ideasfornon diegeticsound
The document provides ideas for non-diegetic sound to be used in a horror movie trailer. Slow, tensional music would play at the beginning to set a calm mood before contrasting events. Quick cuts at the end would show important film parts without revealing too much, accompanied by a creepy laughter to generate tension and unease for the audience. Conventional trailer structure involves a normal setting disrupted by later chaos.
Storyboard
This document outlines 18 scenes from a storyboard for a horror movie trailer. The scenes progress from establishing shots to build tension, without revealing details. Key events shown include Riley getting ready, a message left for her in red lipstick, her discovery of the villains in the bathroom mirror, a chase scene in the dark forest, and a cliffhanger of Riley screaming while being attacked. The storyboard aims to intrigue audiences and leave them wanting more without giving away the entire plot.
Panic Room
Recently divorced Meg and her daughter Sarah have moved into a new home in New York. During a tour of the house, they discover a high-security panic room. That night, three burglars break into the home, and Meg locks herself and Sarah inside the panic room for safety. However, the thieves seem to know the house's layout and want whatever is inside the panic room. The trailer establishes the new home setting and mother-daughter relationship before tensions escalate with the home invasion, showing that the panic room will not keep Meg and Sarah entirely safe from the intruders.
Sound powerpoint
This document defines and provides examples of different types of sound that can be used in films, including diegetic sound that comes from within the scene, non-diegetic sound added in post-production, crescendos that build suspense, diminuendos that signal a threat has passed, and sforzandos used to emphasize a shock or scare. Examples are given from films like Psycho, Jaws, The Godfather, and CSI to illustrate each type of sound technique.
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Similar to Ttitle Sequence
Evaluation question 1
This document provides an evaluation of the opening sequence of a student film titled "An Epic High School Love Story". It summarizes the ways the opening sequence establishes conventions like the film's name and credits while also challenging conventions through stylistic choices. It describes the location/setting, costumes, props, camera work, editing, and title font used. It explains how the opening sequence sets up the romantic comedy story and introduces the main characters without explicitly revealing their identities at first. The sequence suggests the film's genre of romantic comedy through the meet-cute moment between the nerdy boy and popular girl and use of comedic elements.
02). FMP research (Unfinished)
The document summarizes research on various movie trailers and aspects to potentially include in a new trailer. It analyzes trailers for films like The Curse of La Llorona, Get Out, Halloween Kills, and Shaun of the Dead. It notes the tonal shifts in Shaun of the Dead from light to dark and how Get Out uses fast cuts and screeches. It aims to include these elements as well as shots resembling Evil Dead and buildup shots from The Curse of La Llorona trailer. The document concludes by discussing including symbolism from the movie poster for The Descent showing silhouettes forming a skull shape.
02.) FMP Research (Unfinished)
The document provides an analysis of four movie trailers and posters. It summarizes key aspects of each trailer/poster's visual style, music, tone, and how they convey information about the plot or genre. Trailer techniques discussed include tonal shifts, fast-paced editing, use of music, and foreshadowing elements of the plot. Posters are analyzed for their symbolism, color schemes, fonts and how they create ominous atmospheres to intrigue viewers. The analysis considers how these marketing elements effectively communicate information to potential audiences.
Conventions of a horror film
This document summarizes the conventions used in the trailers for three horror films: Cabin in the Woods, Unfriended, and Saw. For Cabin in the Woods, the trailer starts sunny but turns darker and more tense, following horror conventions. It also features typical horror characters like the athlete. Unfriended uses unique camera angles and social media to feel modern while still including blood and the convention of teenagers dying from stupid actions. Saw uses close-ups of victims' faces and features a masked villain, with themes of good vs. evil and a lone trapped person, conforming to common horror codes.
Evaluation question 1
This document discusses the opening sequence of a student film titled "An Epic High School Love Story". It summarizes how the opening sequence establishes the genre as a romantic comedy through the introduction of the nerdy male protagonist and popular female lead. It also discusses conventions used like titles and credits as well as ways the opening departs from conventions to make the film unique, such as including the film title at the beginning rather than end. The location, costumes, props, and camera work/editing are also summarized.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis comments on the effective use of verbal codes like incidental music and dialogue to build tension. Non-verbal codes like costumes, facial expressions, and setting help establish the working class community. Technical codes like fast cuts, close-ups, and camera angles intrigue viewers about possible suspects. Analysis of the second trailer also comments on effective use of codes like dialogue, music, facial expressions, and shot types to portray tension and suspense. The document evaluates strengths of both trailers, noting aspects that could be repeated or exploited in future trailers, like the use of lighting, on-screen text, and portrayals of characters.
Individual Film pitch
The film pitch proposes an opening scene for a drama film called "Dangerous Ground". The opening would show a man walking in a mysterious place after a murder, with flashbacks to the crime. The goal is to hook viewers within the first 3 minutes with a tense, dramatic sequence inspired by films like "Layer Cake" and "Seven" that establish mystery and anxiety. The target audience for this 15-rated drama film would be those aged 15 and older, appealing to fans of the drama genre broadly.
Powerpoint evaluation thriller
The document discusses the development of a thriller opening sequence created by the author and their group. They began with several ideas taken from other thrillers, including one about hallucinations from The Exorcism of Emily Rose. Their final idea involved a group of teenagers on a train that has a power outage. The opening sequence uses conventions from thrillers like The Blair Witch Project and Creep. It targets an audience of 16-25 year olds and would be distributed first to smaller media companies to gather feedback before approaching larger companies.
It
This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action footage to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film project involving the use of a scary clown villain and shots hiding the clown in sheets to create an unnerving sense of uncertainty.
Assignment 1 group research into our subgenre comedy horror
This document discusses research into comedy horror subgenres for an assignment. It analyzes trailers for several films including Shaun of the Dead, Piranha 3DD, Bride of Chucky, Zombeavers, Vamp U, Love Bite, Scary Movie, and Jaws. Conventions and elements that could inspire the group's own zombie comedy film are discussed, such as costumes, locations, characters, music, editing techniques, and more. Inspiration is drawn from the use of humor, suspenseful elements, and unconventional approaches to genre conventions in the trailers.
It
This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film including using a clown as the villain and hiding it in sheets to increase tension and uncertainty.
It
This document provides a summary of the 1990 horror film "IT" directed by Tommy Lee Wallace. It describes the opening sequence which uses still photographs that turn to live action to establish the setting and main characters. Some of the techniques discussed are the basic camerawork, quick editing, ominous music and glimpses of the villain Pennywise the clown to build an unsettling tone. The document also notes the target 18+ audience and mentions ideas transferred to another film including using a clown as the villain and hiding it in sheets to increase tension and uncertainty.
Proposal
The document discusses ideas for a student film opening involving four female friends making a home video that is interrupted by a stalker. Some initial ideas like starting with a murder were rejected for giving away too much of the plot. Footage will be shot from the characters' perspective as found footage. Inspiration comes from films like Cloverfield and Paranormal Activity that use similar techniques. The opening will feature tension and suspense built through music before revealing the stalker watching the friends through their home.
Proposal
The document discusses ideas for a student film opening involving four female friends making a home video that is interrupted by a stalker. Some initial ideas like starting with a murder were rejected for giving away too much of the plot. Footage will be shot from the characters' perspective as found footage. Inspiration comes from films like Cloverfield and Paranical Activity that use similar techniques. The opening will feature tension and suspense built through music before revealing the stalker watching the friends through their home.
Presentation1
The document summarizes the process of creating a film trailer. It describes selecting epic hybrid music from YouTube to suit the theme and lack of dialogue. A disclaimer title was created to indicate appropriate age. Shots of the main character walking into school from different angles and distances were added to build intrigue. Quick cuts and changing music pace increased tension as the story unfolded through shots of characters at a desk and learning medical results. The trailer was designed to leave viewers on a cliffhanger by showing characters approaching a hazardous door.
Proposal[1]
The document outlines a group's proposal for a thriller film opening. It discusses ideas that were rejected, such as having a female stalker or starting with a murder. Inspiration was drawn from films like Cloverfield and The Saw that used found footage or cut scenes. The group will star in the opening themselves as four girls making a home video when power cuts out and an unknown man begins watching and knocking on windows. The proposal provides details on casting, music, and how the opening meets thriller conventions.
Media studies – advance portfolio
The document provides details about a student's media studies advance portfolio project on evaluating a movie trailer. The student selected a horror/suspense/thriller genre trailer to create. They conducted research on conventions of the genres and watched trailers of similar movies. The student storyboarded shots for the trailer and got feedback from friends. They created a 30-60 second trailer using Adobe Premiere about murders at a boarding school being investigated 11 years later. Ancillary tasks included a magazine featuring the movie and a movie poster.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, it summarizes the effective use of close-up shots, low lighting, on-screen text, and facial expressions to intrigue viewers. It recommends repeating these techniques. For the second trailer, it notes the impactful dialogue and portrayal of complex female characters, suggesting repeating the use of "wow" dialogue moments. Overall, the analysis evaluates strengths of both trailers and techniques to potentially reuse in creating a new trailer.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
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Assignment 1 group research into our subgenre comedy horror
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Ttitle Sequence
- 1. TITLES FOR MY TWO MINUTE OPENING OF MY FILM. By phoebe Symington
- 2. How I am going to include the title sequence in my film… Because my film is horror I’m going to add the title sequence to be mysterious, creating a edgy atmosphere. Also each of my titles sequence will fade out then quickly disappear leading to the next title. With my title sequence I have got idea’s from the opening scenes of two horror movies, one being the conjuring and the other being Ouija. From watching these two trailers the title sequence’s have given me more of an understanding of what I want to do. The Conjuring http://www.youtube.com/watch?v=k10ETZ41q5o Ouija http://www.youtube.com/watch?v=_T1Jj1inE8M
- 3. The opening Title of my film… The Wanted Babysitter When the car is driving down the drive towards the house and the babysitter is dropped off I want to have the titles fading in and out saying ‘The Wanted Babysitter’. Example: https://www.youtube.com/watch?v=r6rrkYPaG4A This horror title sequence has inspired me and giving me some idea’s which I’d like to include in my Title opening of my film. I believe it would create tension and at the start of the film it will start a scary atmosphere.
- 4. Throughout from when the car drives down the driveway to when the babysitter goes to the front door I’m going to have titles coming up saying… New Line Cinema – A Time Warner Company New Line Cinema Presents Directed by - Phoebe Symington Produced by – Ellie Anderson Executive Producer - Harry Smith Edited by – Sam Jones and Isabella Penrose Director of photography – Tilly Ward Created by – Alice Gowing Actor 1 – Olivia Brooklyn (Babysitter) Actor 2 – Megan Parker (Mother) Actor 3 - ? Actor 4 – Tilly Parma (Demon Child) The Wanted Babysitter