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http://www.youtube.com/watch?v=HklegXU5S58&feature=related
“A new departure & uncommercial” Number 1 record in UK and USA in 1965 The Beatles first ‘rock’ record Cynical lyric typical of Lennon’s mindset in 1965:  “Think I’m gonna be sad…..She said that living with me was bringing her down….”  The Beatles spent a year playing nightclubs in Hamburg. Lennon later claimed that prostitutes in Hamburg had to be given a ‘ticket’ proving they were healthy in order to ‘ride’.......
Intro McCartney plays the ringing suspended guitar ostinato on a fender Stratocaster  http://www.youtube.com/watch?v=LRN4D0IudRI Bass and rhythm guitar play a heavy drone on open A strings This heavy drone dominates the opening 10 bars. This is unusual for L & Mc who favoured moving harmonic patterns. The band were perhaps influenced by the power chords and dynamic drums of The Who (who supported The Beatles as The High Numbers on some live shows)
The rhythm A distinctive drum rhythm. Deceptively suggesting a slow tempo. It appears to speed up in the bridge (it doesn’t) No hi-hat 1/8ths in the verse rhythm.                 Double stick flams on snare & tom. 	1	a	2	a	3	a	4	a      K		S	K	K	S		T http://www.youtube.com/watch?v=Ym_0grHi6hM&feature=related
The verse Sung by Lennon (harmony by McC) A ‘vertical melody’ falling from the sus4 “gonna” to low E “sad” then up to high E “today....” A blue 7th note gives the melody a bitterness “the girl...” /A /A /A /A / /A /A /Bm/E7/
The Chorus A modulation to relative minor chord A classic triple repetition lyrical structure: 1st“ride”  	blue 7th(bitter tone + vocal gliss) 2nd“ri-i-ide”  	major 7th(sweet + rhythmic pause) 3rd“ride“     	dominant 7th(sets up the resolution/cadence) 	/F#m /D7 /F#m /Gmaj7/ 	/F#m /E7 /A    /A      /
The Bridge Ringo plays straight 1/8th  hi-hat & 1/16ths  tambourine: gives illusion of faster tempo. McC sings harmony in parallel 3rds to Lennon. 7th chords on guitar add extra bluesy harmony Pause on “me....” and E7 build up adds extra tension to bluesy guitar fill: http://www.youtube.com/watch?v=LRN4D0IudRI
The End Note the subtle change in drums:  A more conventional backbeat gives extra punch to last verse A single snare fill after “Ri-i-ide” instead of tom 1/16th A high falsetto vocal coda “My baby...”  Double time feel in fade (not drums though)

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‘Ticket to Ride’ The Beatles

  • 2. “A new departure & uncommercial” Number 1 record in UK and USA in 1965 The Beatles first ‘rock’ record Cynical lyric typical of Lennon’s mindset in 1965: “Think I’m gonna be sad…..She said that living with me was bringing her down….” The Beatles spent a year playing nightclubs in Hamburg. Lennon later claimed that prostitutes in Hamburg had to be given a ‘ticket’ proving they were healthy in order to ‘ride’.......
  • 3. Intro McCartney plays the ringing suspended guitar ostinato on a fender Stratocaster http://www.youtube.com/watch?v=LRN4D0IudRI Bass and rhythm guitar play a heavy drone on open A strings This heavy drone dominates the opening 10 bars. This is unusual for L & Mc who favoured moving harmonic patterns. The band were perhaps influenced by the power chords and dynamic drums of The Who (who supported The Beatles as The High Numbers on some live shows)
  • 4. The rhythm A distinctive drum rhythm. Deceptively suggesting a slow tempo. It appears to speed up in the bridge (it doesn’t) No hi-hat 1/8ths in the verse rhythm. Double stick flams on snare & tom. 1 a 2 a 3 a 4 a K S K K S T http://www.youtube.com/watch?v=Ym_0grHi6hM&feature=related
  • 5. The verse Sung by Lennon (harmony by McC) A ‘vertical melody’ falling from the sus4 “gonna” to low E “sad” then up to high E “today....” A blue 7th note gives the melody a bitterness “the girl...” /A /A /A /A / /A /A /Bm/E7/
  • 6. The Chorus A modulation to relative minor chord A classic triple repetition lyrical structure: 1st“ride” blue 7th(bitter tone + vocal gliss) 2nd“ri-i-ide” major 7th(sweet + rhythmic pause) 3rd“ride“ dominant 7th(sets up the resolution/cadence) /F#m /D7 /F#m /Gmaj7/ /F#m /E7 /A /A /
  • 7. The Bridge Ringo plays straight 1/8th hi-hat & 1/16ths tambourine: gives illusion of faster tempo. McC sings harmony in parallel 3rds to Lennon. 7th chords on guitar add extra bluesy harmony Pause on “me....” and E7 build up adds extra tension to bluesy guitar fill: http://www.youtube.com/watch?v=LRN4D0IudRI
  • 8. The End Note the subtle change in drums: A more conventional backbeat gives extra punch to last verse A single snare fill after “Ri-i-ide” instead of tom 1/16th A high falsetto vocal coda “My baby...” Double time feel in fade (not drums though)