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Behaviorism in philosophy of education
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2. Autor.
3. Época.
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5. Materiales.
6. Género
6.1. Figurativo
6.1.1. Retrato
6.1.1.1. Individual
6.1.1.2. Colectivo
6.1.2. Paisaje
6.1.2.1. Natural
6.1.2.2. Urbano
6.1.3. Marina
6.1.4. Bodegón
6.2. Abstracto
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7.2. Predominio de líneas verticales, horizontales o diagonales
7.3. Simetria (radial/axial) o asimetría
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Script final
Three women are connected through a mysterious book of shadows. Viola draws a symbol on a studio floor while Diana finds the same book in a park. Both women explore the book's occult pages, with Viola stopping to examine photos and coughing blood onto a page depicting The Horned God. The film cuts between the two women and Viola's completion of a pentagram symbol, ending with the book's page turning by itself as candles around the pentagram are blown out.
Script
1) An old woman named Viola draws a symbol on a concrete floor at sunset while a young woman named Diana walks alone down a dark street.
2) In a dark room, Viola lights candles and searches through an old book, finding illustrations and photographs.
3) Diana continues walking as night falls, becoming frightened, while Viola completes drawing a pentagram symbol outside and stands back to observe it.
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The document provides a shot list for a film scene depicting an old woman drawing a pentagram on a door with chalk while searching through an old book for a spell. As she reads the book, she begins coughing up blood before angrily throwing the book off the table. She then opens a box on the table containing trinkets and a family photo, which she takes out and strokes the daughter's face in the photo while smiling. The shot list ends with her completing the pentagram and the scene cutting to black before showing the title.
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Los seres vivos 1
El documento define a los seres vivos como aquellos que tienen vida, incluyendo todas las variedades de plantas, animales e incluso los seres humanos que habitan la Tierra. Propone una actividad en la que se les contará a los estudiantes sobre los seres vivos, se les explicará qué seres vivos existen y luego deberán tomar fotografías y anotar las características de los seres vivos que encuentren durante un recorrido por la escuela.
Plan de clase i.e lorenzo yalí lenguaje 2017 grado 5°
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Diabetes gestacional (1)
La diabetes gestacional es una intolerancia a los hidratos de carbono que se presenta durante el embarazo, causada por la resistencia a la insulina que experimentan las mujeres embarazadas. Si la secreción de insulina no aumenta lo suficiente para compensar esta resistencia, se desarrolla la diabetes gestacional. Aunque los niveles de glucosa suelen volver a la normalidad después del parto, la diabetes gestacional aumenta el riesgo de complicaciones para la madre y el feto como macrosomía, parto por cesárea e hipoglucemia neonatal. El control estr
Media institution
A film distribution company is responsible for marketing and releasing a film to audiences. It agrees to terms with studios and determines how many copies to release. It also obtains rights to distribute films through various formats like DVD and streaming. StudioCanal UK would be a suitable distributor for the film because it has experience distributing similar horror films. As an independent horror film, it would likely be released in theaters on Halloween and shown in independent cinema chains and festivals. The marketing strategy would include ads in cinemas, on streets, and promoting through social media and YouTube trailers.
Evaluation q5
The document summarizes how the title sequence for a supernatural horror film addressed its intended audience. It used female protagonists, mysterious shots without full views of faces, lack of dialogue, and isolation to intrigue viewers and encourage speculation. Shots were cut together quickly and included close-ups to build an unsettling atmosphere. Dark choir music, whispered incantations, and diegetic sounds heightened tension without loud startling noises. Settings appeared isolated in dark rooms or alone in nature to invoke fear. Props related to witchcraft completed the mise-en-scene.
Evaluationq6
We learned how to use video camera hardware and Final Cut Pro software through creating this product. With video camera tutorials, we learned how to operate features like zoom, focus, and aperture control. Using a tripod provided steadier shots than handholding. Final Cut Pro allowed us to arrange shots, edit brightness/color, and adjust audio levels to craft our title sequence. The software provided valuable editing tools to incorporate various elements and achieve our desired result.
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Thinglink es una herramienta muy popular dentro de los medios digitales y útil para crear imágenes con información interactiva. Dentro de cada imagen se puede colocar una gran cantidad íconos representativos o recursos multimedia como: videos de YouTube y Vimeo, audios de Soundcloud, fotos de Flickr, enlaces de interés y otros más, que al momento de ser activados por el puntero del ratón muestran la información respectiva.
Valley School Inclusion in the Early Years
Folk wisdom tells us young children don't notice differences or have any biases, yet research is telling us otherwise. What are age appropriate ways to develop intentionally inclusive and identity conscious children?
tutorial cad
Este documento presenta una introducción al programa AutoCAD, describiendo sus principales características y herramientas. Explica la interfaz gráfica del usuario incluyendo la barra de título, menús, barras de herramientas, área de dibujo y líneas de comandos. También describe comandos básicos para dibujar, modificar y visualizar objetos, e introduce conceptos como unidades de medida, sistema de coordenadas, y métodos para ingresar puntos y líneas. El objetivo es proporcionar una visión general del software para qu
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La Universidad Católica Luis Amigó ofrece programas de pregrado en administración e ingeniería a través de sus facultades de Administración e Ingeniería. También cuenta con la Facultad de Políticas Públicas.
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Analisis de las obras gráfico-plásticas
Guión Análisis Obra Pictórica
1. Título.
2. Autor.
3. Época.
4. Técnica.
5. Materiales.
6. Género
6.1. Figurativo
6.1.1. Retrato
6.1.1.1. Individual
6.1.1.2. Colectivo
6.1.2. Paisaje
6.1.2.1. Natural
6.1.2.2. Urbano
6.1.3. Marina
6.1.4. Bodegón
6.2. Abstracto
7. Composición
7.1. Reconocimiento de figuras geométricas simples
7.2. Predominio de líneas verticales, horizontales o diagonales
7.3. Simetria (radial/axial) o asimetría
8. Formas abiertas - Formas cerradas
9. La luz
10. El color
11. Descripción
12. Sensación que produce en el espectador
13. Tema
14. Valoración personal
Algebra review yr10
This document is a chapter revision on algebraic techniques. It repeats the heading "Algebraic Techniques 10.2" multiple times, suggesting it is reviewing content from section 10.2 on algebraic techniques. The repetition of the same heading with no other text provides a high-level overview but no details on the specific content or techniques being reviewed.
Webinar: From Sanctuary to Freedom: Cities in Resistance
http://www.nfg.org/sanctuarytofreedom_recap
Immediately after the presidential election, mayors across the country have taken a bold public stance, declaring their cities to be “sanctuary cities,” and vowing to protect their cities' residents against the potential harsh policies that are anticipated to come from the new federal administration and Congress. Throughout the country, we also see a heightened increase of hate violence and racially charged rhetoric in the media against immigrants, including calls for banning Muslims, stronger immigration enforcement, and the dismantling of the key deportation-deferral program, Deferred Action for Childhood Arrivals (DACA).
While the frame of sanctuary cities is designed as protection for undocumented and migrant residents, it also offers an opportunity to engage us all in critical questions about how we shape our democracy and local places: What makes a city a sanctuary? Sanctuary for whom and from what? Many community organizations are using a broader Rebel Cities framework, as well as the newly-launched #FreedomCities, which redefines what safety and freedom truly mean for communities.
Elected officials, government agencies, residents, non-profits, grantmakers, and local businesses all have a role to play in shaping cities that are safe for all residents. For local grantmakers who are deeply embedded in their communities, and regional, state, and national grantmakers of all kinds who support community power-building for the most impacted communities, better alignment with our grantmaking is critical to further strengthen our investments within a region. Philanthropy has a role in leveraging existing organizations working on cross-cutting campaigns like immigration reform, economic development, and affordable housing to build upon emergent work that addresses the threat to undocumented residents. Although large urban centers and more progressive public figures have been leading on sanctuary cities, under-resourced and conservative smaller towns and rural areas are grappling with similar immigration issues that need more exploration.
Speakers
- Carl Lipscombe | Black Alliance for Just Immigration (BAJI)
- Kimi Lee | Bay Resistance
- Lizeth Chacon | Colorado People's Alliance
- Rachael DeCruz | Center for Social Inclusion (CSI)
- Greg Casar | Local Progress Board Member and Austin City Council Member
- Opening remarks by Alexandra Desautels, The California Endowment, and member of NFG’s Democratizing Development Program
Ensayo
La informática estudia métodos para almacenar, procesar y transmitir información digitalmente. Se ha desarrollado rápidamente desde la segunda mitad del siglo XX con tecnologías como el circuito integrado e Internet. La informática converge disciplinas como la computación, programación, arquitectura de computadoras y redes, e inteligencia artificial para aplicarse a áreas como gestión, almacenamiento de datos, robótica y más. Los sistemas informáticos captan información de entrada, la procesan a través de programas, y transmiten resultados de salida
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Script final
Three women are connected through a mysterious book of shadows. Viola draws a symbol on a studio floor while Diana finds the same book in a park. Both women explore the book's occult pages, with Viola stopping to examine photos and coughing blood onto a page depicting The Horned God. The film cuts between the two women and Viola's completion of a pentagram symbol, ending with the book's page turning by itself as candles around the pentagram are blown out.
Script
1) An old woman named Viola draws a symbol on a concrete floor at sunset while a young woman named Diana walks alone down a dark street.
2) In a dark room, Viola lights candles and searches through an old book, finding illustrations and photographs.
3) Diana continues walking as night falls, becoming frightened, while Viola completes drawing a pentagram symbol outside and stands back to observe it.
Shotlist
The document provides a shot list for a film scene depicting an old woman drawing a pentagram on a door with chalk while searching through an old book for a spell. As she reads the book, she begins coughing up blood before angrily throwing the book off the table. She then opens a box on the table containing trinkets and a family photo, which she takes out and strokes the daughter's face in the photo while smiling. The shot list ends with her completing the pentagram and the scene cutting to black before showing the title.
Horror themes:narratives
The document discusses common themes in supernatural horror films, including the exploration of religion and spiritual elements, as many faiths recognize the existence of supernatural worlds. It also discusses how isolation is frequently portrayed through abandoned locations like haunted houses to inflict a sense of fear in viewers. Religions are seen as providing protection or guidance, while supernatural beings are often viewed negatively.
Interviews
The document summarizes interviews with two people about their views on horror movies. Person 1 said they sometimes enjoy horror movies for the tense atmosphere but find many too typical. Their favorite subgenre is paranormal horror involving ghosts. They disliked their last movie, Ouija, for being cliche. They are scared of clowns and dogs and their favorite movie is The Exorcist, which had scenes too gruesome to watch. Person 2 said they definitely enjoy horror movies for providing an escape from reality. Their favorite subgenre is slashers for the gore. They liked their last movie, The Purge, for its surreal concept. Their favorite movie is The Conjuring for its creepy music and
Questionnaire
The document contains responses from three 16-17 year old students to a questionnaire about their horror film preferences. Person 1 is a 16 year old female who watches films once a month and enjoys supernatural horror. Person 2 is a 17 year old female who also watches once a month and prefers psychological horror. Person 3 is a 16 year old male who watches films twice a year and likes blood and gore horror. Their recent film viewings were Sinister, The Cabin in the Woods, and The Woman in Black respectively. In conclusion, the analysis states these respondents represent the target audience of 16 year old students who enjoy psychological and supernatural horror genres.
Horror directors
This document profiles three iconic horror directors: Wes Craven, known for pioneering slasher films like A Nightmare on Elm Street and Scream; John Carpenter, associated with 1970s/80s horror and science fiction films like Halloween and The Thing; and George A. Romero, best known for his gruesome zombie films including Dawn of the Dead and Night of the Living Dead that satirized modern society.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
Kyle cooper interview questions
Kyle Cooper is considered the pioneer of modern title sequences, having created over 100 title designs. According to Cooper, an effective title sequence should set expectations, engage audiences from the beginning, and create excitement. His design for Se7en is hailed for using a handwritten font that enhanced the serial killer tone. Title sequences like The Dead Zone and To Kill a Mockingbird are effective because they use simple designs that relate metaphorically to the film's story or characters. A "story based" title directly incorporates elements of the film's backstory. Well-designed titles can benefit films by providing crucial context for audiences.
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