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Question 1
This document discusses how a media product uses and develops conventions of real horror media. It analyzes the shots in the opening of a film to establish characters, atmosphere, and hint at the narrative. Specific techniques like lighting, music, and framing are used to create mystery around the characters and set an unsettling tone. Common horror conventions around supernatural elements, vulnerable characters, and the use of blood and religious symbols are employed to situate the genre. The analysis of other horror films informed the creative choices to develop familiar horror forms in a way that effectively sets up the intended ominous atmosphere and engages the audience.
Question 4
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A film distribution company is responsible for marketing and releasing a film to audiences. It agrees to terms with studios and determines how many copies to release. It also obtains rights to distribute films through various formats like DVD and streaming. StudioCanal UK would be a suitable distributor for the film because it has experience distributing similar horror films. As an independent horror film, it would likely be released in theaters on Halloween and shown in independent cinema chains and festivals. The marketing strategy would include ads in cinemas, on streets, and promoting through social media and YouTube trailers.
Evaluation q5
The document summarizes how the title sequence for a supernatural horror film addressed its intended audience. It used female protagonists, mysterious shots without full views of faces, lack of dialogue, and isolation to intrigue viewers and encourage speculation. Shots were cut together quickly and included close-ups to build an unsettling atmosphere. Dark choir music, whispered incantations, and diegetic sounds heightened tension without loud startling noises. Settings appeared isolated in dark rooms or alone in nature to invoke fear. Props related to witchcraft completed the mise-en-scene.
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Question 1
This document discusses how a media product uses and develops conventions of real horror media. It analyzes the shots in the opening of a film to establish characters, atmosphere, and hint at the narrative. Specific techniques like lighting, music, and framing are used to create mystery around the characters and set an unsettling tone. Common horror conventions around supernatural elements, vulnerable characters, and the use of blood and religious symbols are employed to situate the genre. The analysis of other horror films informed the creative choices to develop familiar horror forms in a way that effectively sets up the intended ominous atmosphere and engages the audience.
Question 4
The primary target audience for the media product is British teenage girls aged 15 and above who are interested in horror and supernatural films. They would identify with the female protagonist. The secondary target audience includes both American and British men and women aged 25 and older from middle-class backgrounds who enjoy horror films, thrillers, and going to the cinema.
Representational issues
The document discusses how different social groups are commonly presented in horror films. It notes that women are often subjected to gender-specific violence, their roles are reduced to tropes, and their sexuality is portrayed as something that needs punishment. It also mentions that teenagers are typically depicted as inexperienced and rebellious while elders are wise and conservative. Regarding witches in horror movies, they are generally presented as ugly and evil, trying to corrupt women or get revenge on men, though some films like Harry Potter show good witches.
Horror directors
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Script final
Three women are connected through a mysterious book of shadows. Viola draws a symbol on a studio floor while Diana finds the same book in a park. Both women explore the book's occult pages, with Viola stopping to examine photos and coughing blood onto a page depicting The Horned God. The film cuts between the two women and Viola's completion of a pentagram symbol, ending with the book's page turning by itself as candles around the pentagram are blown out.
Script
1) An old woman named Viola draws a symbol on a concrete floor at sunset while a young woman named Diana walks alone down a dark street.
2) In a dark room, Viola lights candles and searches through an old book, finding illustrations and photographs.
3) Diana continues walking as night falls, becoming frightened, while Viola completes drawing a pentagram symbol outside and stands back to observe it.
Shotlist
The document provides a shot list for a film scene depicting an old woman drawing a pentagram on a door with chalk while searching through an old book for a spell. As she reads the book, she begins coughing up blood before angrily throwing the book off the table. She then opens a box on the table containing trinkets and a family photo, which she takes out and strokes the daughter's face in the photo while smiling. The shot list ends with her completing the pentagram and the scene cutting to black before showing the title.
Horror themes:narratives
The document discusses common themes in supernatural horror films, including the exploration of religion and spiritual elements, as many faiths recognize the existence of supernatural worlds. It also discusses how isolation is frequently portrayed through abandoned locations like haunted houses to inflict a sense of fear in viewers. Religions are seen as providing protection or guidance, while supernatural beings are often viewed negatively.
Interviews
The document summarizes interviews with two people about their views on horror movies. Person 1 said they sometimes enjoy horror movies for the tense atmosphere but find many too typical. Their favorite subgenre is paranormal horror involving ghosts. They disliked their last movie, Ouija, for being cliche. They are scared of clowns and dogs and their favorite movie is The Exorcist, which had scenes too gruesome to watch. Person 2 said they definitely enjoy horror movies for providing an escape from reality. Their favorite subgenre is slashers for the gore. They liked their last movie, The Purge, for its surreal concept. Their favorite movie is The Conjuring for its creepy music and
Questionnaire
The document contains responses from three 16-17 year old students to a questionnaire about their horror film preferences. Person 1 is a 16 year old female who watches films once a month and enjoys supernatural horror. Person 2 is a 17 year old female who also watches once a month and prefers psychological horror. Person 3 is a 16 year old male who watches films twice a year and likes blood and gore horror. Their recent film viewings were Sinister, The Cabin in the Woods, and The Woman in Black respectively. In conclusion, the analysis states these respondents represent the target audience of 16 year old students who enjoy psychological and supernatural horror genres.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
Types of film openings
There are several types of film openings including discrete title sequences, credit-over-blank-screen title sequences, narrative title sequences, and stylized title sequences. Discrete title sequences use separately edited clips to set the mood through discrete messages without revealing too much of the film. Credit-over-blank-screen title sequences display credits over a blank screen, often with accompanying soundtracks, to establish mystery and gain audience attention. Narrative title sequences introduce the film's storyline to create a natural transition into the plot. Stylized title sequences focus on editing to immediately engage audiences through mood-setting details and style.
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Kyle Cooper is considered the pioneer of modern title sequences, having created over 100 title designs. According to Cooper, an effective title sequence should set expectations, engage audiences from the beginning, and create excitement. His design for Se7en is hailed for using a handwritten font that enhanced the serial killer tone. Title sequences like The Dead Zone and To Kill a Mockingbird are effective because they use simple designs that relate metaphorically to the film's story or characters. A "story based" title directly incorporates elements of the film's backstory. Well-designed titles can benefit films by providing crucial context for audiences.
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