The document discusses how technology has affected the music industry in several ways:
1) Improved technology has enabled individuals to produce and distribute their own music without relying on major record labels, which has resulted in lost revenues for labels like Sony and Warner Brothers.
2) The rise of file sharing and streaming sites like YouTube, Pirate Bay, and Isohunt has created a new market for sharing music online but has also led to a decline in physical music sales.
3) Technology has made it easier to create and distribute music, meaning musical talent is no longer as important as it once was to becoming a renowned musician.
A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
How The Love of Music has changed our Business WorldThorsten Faltings
Over the last decade, there was a Giant Refresh in the Business World:
- Many destroyed value chains,
- Business Innovation everywhere,
- Various new markets with new leaders,
- Empowered & emancipated Consumers.
This is the story about how the love of music laid the Foundation for many Innovations in the past 12 years, turning the Business World upside down.
The Record Business is Dead, Long Live the Music BusinessJim Ayson
Full title: The Record Business is Dead, Long Live the Music Business: Music Consumption & Distribution in the Digital Age. My presentation at the Electronic Music Conference & Audio Expo (EMEX 2013) on July 5, 2013. In which we look at Digital Music distribution from a Philippine perspective.
Deck prepared for lecture on "The Future of Music" with Paddy Spinks and Rupert Perry for Seth Shapiro's USC course on "The Future of Entertainment" with special thanks to UK Wired
A presentation by SUI GENERIS GROUP
ATTY. ALDER K. DELLORO
MR. LUDOVICO K. DELLORO
ATTY. ANTON CARLO E. ESPINO
MS. AUREN GALANG
MR. CARLO MARTIN
MS. MARIA THERESA MIJARES
MR. ALBERT ONG
REP. WILLIAM IRWIN TIENG
How The Love of Music has changed our Business WorldThorsten Faltings
Over the last decade, there was a Giant Refresh in the Business World:
- Many destroyed value chains,
- Business Innovation everywhere,
- Various new markets with new leaders,
- Empowered & emancipated Consumers.
This is the story about how the love of music laid the Foundation for many Innovations in the past 12 years, turning the Business World upside down.
The Record Business is Dead, Long Live the Music BusinessJim Ayson
Full title: The Record Business is Dead, Long Live the Music Business: Music Consumption & Distribution in the Digital Age. My presentation at the Electronic Music Conference & Audio Expo (EMEX 2013) on July 5, 2013. In which we look at Digital Music distribution from a Philippine perspective.
Deck prepared for lecture on "The Future of Music" with Paddy Spinks and Rupert Perry for Seth Shapiro's USC course on "The Future of Entertainment" with special thanks to UK Wired
Sony husic Entertainment and theEvolution of the Music Indu.docxwhitneyleman54422
Sony h/usic Entertainment and the
Evolution of the Music Industry
A. J. Strickland
The Ilniversitg of Alabama
Andrew Pharaoh
2015 Undergraduate,
The Universitg of Alabama
d d A t such a pivotal time for music, it's more
ffi imRortant than ever to develop a fertile,d \ creative environment that generates the
highest quality of artists and music, while seeking to
fully exploit the many opportunities that new digital
services and products provide in reaching audiences
around the world."r
The remarks of Sony Music Entertainment CEO
Doug Morris in 2011 illustrated an accurate under-
standing of the environment of music sales. Morris,
a globally influential executive and music innovator,
agreed to join Sony Music Entertainment as chief
executive officer effective July 1, 201l. In a time of
great change in the music marketplace, it was abso-
lutely necessary that Sony take active steps to remain
competitive. Morris took the job graciously, but he
placed himself into a business whose margins were
becoming thinner and thinner. With a declining
industry that had been made less lucrative by the
wide availability of substitutes, Morris was forced to
develop a strategy to contend with industry change
and unfavorable competitive forces in 2014.
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American Record Company, the company that would
laterbecome Sony Music Entertainment, was founded
in 1929 and then acquired by Columbia Broadcasting
Company in 1938. In March 1968, Sony, at that rime
Seth Kennedg
2014 Llndergraduate,
The Universitg of Alabama
a Japanese company, began a joint venture with the
American company CBS to form CBS/Sony Records
Inc. In September 1976, Sony introduced the optical
digital audio disc, now known as the compact disc
(CD). In 1983, CBS Inc., as an American company,
allowed introduction of the CD to American markets.
In January 1988, CBS Records Inc. was absorbed,
and in January 1991, the new company was renamed
Sony Music Entertainment Inc.
In August 2004, Sony BMG Music Entertain-
ment was established as a new joint venture with Ber-
telsmann AG. Later, in August 2008, Sony acquired
BMG's 50 percent stake in Sony Music Entertain-
ment and began operation once again as Sony Music
Entertainment, a wholly owned subsidiary of Sony
Corporation. In July 2012, Sony/AIV Music Publish-
ing, a joint venture between Sony and the Michael
Jackson Family Trust, along with a consortium of
other investment firms, bought the publishing arm of
the EMI Group, which solidified Sony's position as
the world's largest music publisher.
#VffiRV!HW ffiT THffi ML,}$$T
il N,EM M$TruV
Before the 1900s, music and entertainment media had
a strong emphasis on performance. If theater, magic,
or music was wanted in a certain venue, individuals
Copyright O 2014 by A. J. Strickland. All rights reserved.
who could perform the arl personally were found and
paid to do so. At the beginning of the 20th century,
music began to become ownership-driven. .
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TL;DR. These are the three themes that stood out to us over the course of last month.
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The digital marketing industry is changing faster than ever and those who don’t adapt with the times are losing market share. Where should marketers be focusing their efforts? What strategies are the experts seeing get the best results? Get up-to-speed with the latest industry insights, trends and predictions for the future in this panel discussion with some leading digital marketing experts.
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You'll never draw a blank again on what kind of video to make for your business. Go beyond the basic categories and truly reimagine a brand new advanced way to brainstorm video content creation. During this masterclass you'll be challenged to think creatively and outside of the box and view your videos through lenses you may have never thought of previously. It's guaranteed that you'll leave with more than 10 video ideas, but I like to under-promise and over-deliver. Don't miss this session.
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Key Takeaways:
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Key Takeaways:
1. Real content is king
2. Find ways to show EEAT
3. Repurpose across all platforms
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Key Takeaways:
Email has the best ROI of any digital tactic
It can be used at any stage of the customer journey
It is increasingly important as the cookie-less future gets closer and closer
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Disclaimer: Some of the prompts mentioned here are the examples of Matt Diggity. Please use it as reference and make your own custom prompts.
2. DIY
Improved technology enables people to access
computer programs and file sharing sites at home,
meaning they would be less reliant on record labels to
produce and distribute their own music. Examples
include bands such as Houdouken, Enter Shakari and
Dub FX and record labels like Sony, Universal, Warner
Brothers and BMI (The Big Four) are losing out on
money.
3. CONSUMPTION THROUGH
THE INTERNET
Web 2.0 has created a completely new market for sharing
and distributing music, consisting of programs like Youtube
converter, Iso-Hunt, Pirate Bay e.t.c. The ‘Youth and Music
Survey 2009’ – 70% of people didn’t feel guilty about
downloading even though physical sales of music is
dropping by 7% a year and reasons for this include it being
too expensive. Independent labels like Soul Jazz see music
as more of an art, with their merchandise including vinyls,
however, the mainstream labels view music as more of a
commodity, making the public lose their respect and passion
for it which would lead them to not want to waste their
money.
4. EVOLUTION OF MUSIC
Music is more accessible and you don’t have to be
extremely talented to be a renowned musician like you
would have done 40 or 50 years ago; anyone can
make music now because the internet has evolved.
The way you consume music has also made it easier to
listen to because in the past, file sharing happened
through the boom box and the cassette was beneficial
in contrast to now where music is easily uploaded to
file sharing websites to a larger audience.
5. NEW CONVERGENCE
TECHNOLOGY
Convergence means the coming together of two or
more things or products to do more than one thing.
Platforms such as PlayStation and games such as
JustDance, or film soundtracks/TV adverts have
enabled music to become an everyday thing. Because
it is more of a commodity, it has lost its status and
worth that it would have held 40 or 50 years ago.
6. APPLE
Companies such as Apple are a huge part of the music
industry because of this convergence and have worked
their way into the industry, from specializing in
computers and devices to enabling music to be
accessible on these devices with the introduction of
iTunes. This meant that Apple was made into a
distributor of both electronics and music through
vertical integration, which could compete with The Big
Four.
7. SOUL JAZZ
This independent label has a more niche market
because it appeals to an audience that appreciates the
art and soul of music. They sell physical merchandise
such as vinyl, retro art and t-shirts which would deter
their market from illegally downloading. They however
do offer a legal way to download music on digital
devices such as iPod’s and computers to make their
music more accessible.