The document discusses two pieces of music and their historical and political contexts. It first discusses Beethoven's Symphony No. 3 (Eroica), explaining that Beethoven initially dedicated it to Napoleon Bonaparte due to admiring the French Revolution, but later tore up the dedication and renamed it after Bonaparte declared himself Emperor. It then discusses the French national anthem "La Marseillaise", explaining that it was written during the French Revolution to inspire revolutionary spirit and urge citizens to fight against tyranny.

1. The Meaning Of Despacito In The Age Of Trump
The prosperity of In Paris railway station, two strangers sat down on the same piano bench and
performed a remixed masterpiece, which attracted a bunch of people and brought a great joy for
them. Such various positive role that music plays exists everywhere and everytime in human beings'
life. Meanwhile, music emits its perfume as an incredible intermingling, as such, it does not only
give people miscellaneous emotions but also endows us both microcosmic and macroscopic insight
to observe the diverse world we live in. It is worth noting that Moises Velasquez Manoff currently
states his own perspective, "The Meaning of Despacito in the Age of Trump", of the New York
Times. Mr Manoff published his opinion based on how the song "Despacito" approaches the most
streamed song in history when issues of nativism and panic from both residences and non–
residences are skyrocketed. More significantly, Mr Manoff notably highlights the virtue of the song,
such as the song itself "binds us as a global community", considered "Despacito" contains different
races, classes even national cultures. In a nutshell, music is able to make the world better and better,
insteading of barely making America white again through its capability to strengthen cohesion, ease
tension, encourage spirit and build foundation of education for living creature. Music is remarkable
for its special nature, which it is heritability. Music itselfs does not only give all music notes but
innovation and inspiration from
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3. What Is The Impact Of Beethoven Symphony 3
Ludwig Van Beethoven was a German composer and pianist born in 1770. He is one of the most
well–known composers in western–music history, and is regarded as a crucial figure in the transition
between the Classical and Romantic eras of music. In 1792, Beethoven migrated to Vienna, a
thriving cultural hub of Europe, and lived there for the rest of his life. During this time, which is
characterised as the late Classical Period, society underwent many socio–political changes, such as
the French Revolution. In this essay I will examine how the political climate of Europe influenced
and inspired the composition of music, through the example of Beethoven's Symphony No. 3:
Eroica.
The years 1789–1799 make up the ten–year period of social upheaval ... Show more content on
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It is most well–known for its connection with the historical figure Napoleon Bonaparte, who was a
primary leader of the French Revolution and First Consul of the state at the time. Being a
revolutionary himself, Beethoven held Bonaparte in high regard, and dedicated Symphony No. 3 to
him, with the initial title "Sinfonia Bonaparte". However, later in 1804, Bonaparte declared himself
Emperor of France, and upon hearing this, Beethoven "flew into a rage,"[...] "took hold of the title
page at the top, ripped it all the way through, and flung it on the floor" (Sipe, 31 ). Only then did he
rename the work "Sinfonia Eroica", or "Heroic Symphony". Thus, it is apparent through the initial
title of 'Sinfonia Bonaparte", that the composition of this piece was primarily influenced by
Beethoven's political convictions of the revolution, and his great admiration for the man who
appeared to be its leader. We can also see that the sudden destruction of the cover page of the
symphony and the abrupt title change was due to the sudden 'betrayal' by Bonaparte, and this shows
us the intensity of Beethoven's feelings of rage as his homage was turned into disillusionment when
Bonaparte crowned himself Emperor and altered politics in France
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5. La Marseillaise: The French Revolution
The French Revolution of 1789 was a bloody revolution which resulted in the end of the ancient
regime. One night, Claude–Joseph Rouget de Lisle, composed a marching song. He wrote the song
"Chant de guerre de l'armée du Rhin," but it was eventually changed to "La Marseillaise." It later
because the French national anthem. "La Marseillaise" was written based on the ideals of the French
Revolution and the events of the Franco–Prussian War because this would raise the people's spirits
and urge them on to fight. "La Marseillaise" isn't an aristocratic song. Instead, it's about the people
and being a citizen. The people are able to sing it from the heart, especially in times of war. In the
song there are a lot of lyrics about rebelling against tyranny and fighting to defend themselves.
They're rebelling against the ancient regime and against outside invaders. They are saying that
everyone is a soldier fighting against the 'vile despots,' the aristocracy and ancient regime. Even if a
lot of them would die, there would always be more soldiers to fight against the tyrants. ... Show
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It was written by Claude–Joseph Rogue de Lisle, captain of the engineers, when he was asked to
write a marching song. He wrote the song "Chant de guerre pour l'armée du Rhin" (War song for the
Army of the Rhine) which was named in honor of the garrison he belonged to (The Great French
Revolution, 49). This song is a brutal song because he was trying to get the soldiers riled up to fight
the Prussian invasion that followed the revolution (French National Anthem). The song was
published under the name of "Chant de guerre aux armées des frontières" (Border Armies' War
Song) by Francois Mireur. He was in Marseilles to organize a revolutionary march on King Louis
XVI's Tuileries palace. Even though "La Marseillaise" wasn't written for the French Revolution, it
was still supposed to have the same effect –– to make the soldiers riled
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