Overview, Trends & Analysis of the Indian Media & Entertainment industry as of Jan 2020.
P.S. The impact of the lockdown has not been built into the 2020 & beyond numbers...
The presentation is on the topic- Indian Film Industry, and is mainly concentrated on Bollywood.
It deals with the functioning, structure, history, business, problems, market scenario, future etc. of the Indian Film Industry.
The presentation is on the topic- Indian Film Industry, and is mainly concentrated on Bollywood.
It deals with the functioning, structure, history, business, problems, market scenario, future etc. of the Indian Film Industry.
An overview including trends & analysis thereof, of the Indian Media & Entertainment industry in 2022, and its key segments, namely Film, TV, OTT/Digital, Gaming, Animation, VFX, Sports, Events, Music, Radio, etc.
The media and entertainment industry is growing really fast. From the industry, analysis over the marketing strategies of Disney+ Hotstar.
*For more such presentations, mail me on jindalmuskan341@gmail.com*
Globalizations of Entertainment industry in India.Tarun Agrawal
Globalization is the communication and collaboration between people, companies, and governments. This ideology contributes to the distribution of international exchange, from ideas to trade.
This presentation includes an in-depth study of an OTT service in the Indian market. The study further explains how demand surged in the country and how key player is bullish to deliver its content and service to the consumer.
How ott revolutionising the television experience in indiaAlvin Thomas
TV on the Internet’ is not coming but it has already arrived and set its roots. But television is not dying, it’s just going to evolve- a new makeup and a novel experience. And, how OTT is bringing that change to traditional TV experience.
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
India , 2015
Growth in Smartphone penetration and improvement in Internet speed in India provide opportunities for Over-the-Top (OTT) providers but the market is still in an emerging state
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of July 2018.
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of June 2018.
An overview including trends & analysis thereof, of the Indian Media & Entertainment industry in 2022, and its key segments, namely Film, TV, OTT/Digital, Gaming, Animation, VFX, Sports, Events, Music, Radio, etc.
The media and entertainment industry is growing really fast. From the industry, analysis over the marketing strategies of Disney+ Hotstar.
*For more such presentations, mail me on jindalmuskan341@gmail.com*
Globalizations of Entertainment industry in India.Tarun Agrawal
Globalization is the communication and collaboration between people, companies, and governments. This ideology contributes to the distribution of international exchange, from ideas to trade.
This presentation includes an in-depth study of an OTT service in the Indian market. The study further explains how demand surged in the country and how key player is bullish to deliver its content and service to the consumer.
How ott revolutionising the television experience in indiaAlvin Thomas
TV on the Internet’ is not coming but it has already arrived and set its roots. But television is not dying, it’s just going to evolve- a new makeup and a novel experience. And, how OTT is bringing that change to traditional TV experience.
An overview of the Indian Media & Entertainment industry and its key segments of TV, OTT/Digital, Film, Gaming, Animation, VFX, Radio, Music, Events and other aspects...
India , 2015
Growth in Smartphone penetration and improvement in Internet speed in India provide opportunities for Over-the-Top (OTT) providers but the market is still in an emerging state
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of July 2018.
Trends & Analysis of the Past, Present & Future of the Indian Film, TV, Digital, Animation, Music, Radio, Media & Entertainment Industry as of June 2018.
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming & Sports...
Trends & Analysis of the Past, Present & Future of the Indian Media & Entertainment industry as of 2019, covering areas of Film, TV, OTT, Animation, VFX, Music, Radio, Gaming, Sports & E-Sports...
Media and Entertainment Industry - 2016 By Roshni TrivediRoshni Trivedi
Learning Objective:
How M&E Industry is changing its strategy and grabbing the opportunities to exist their presence
Mobility and digitization has changed and become dominance access over M&E industry
The Indian film industry is the largest in the world in terms of number of films produced with between 1.500 to 2.000 films produced every year in more than 20 languages. In terms of revenue, the industry has gross box office realizations of $2.1 billion which is expected to grow at 11% CAGR reaching $3.7 billion by 2020.
The Indian Media and Entertainment (M&E) sector reached INR1.67 trillion (US$23.9 billion) in 2018, a growth of ~13.4% over 2017 states the EY FICCI Frames report 2019 ‘A billion screens of opportunity,’ launched today at the FICCI Frames in Mumbai.
Cinematic VR, VR Concerts, Sports in VR, Metaverse, Virtual Production, Photogrammetry, Volumetric Capture... These are all terms that we hear of and are spoken about a lot nowadays. They are looked upon as disparate separate from each other. That is however not the case. In reality, they are all a part of the Immersive industry - the 4th content industry after Cinema, TV & Digital/OTT.
In this presentation, we talk about a comprehensive approach to the Immersive industry.
What’s up with the Metaverse!? A film school’s approach to immersive engageme...Chaitanya Chinchlikar
The metaverse may seem like something that has appeared all of a sudden but it's actually not. Over the past 50 years almost all the technological advances in content consumption & creation have lead us to this point. Over the past decades our goal has been to draw the viewer closer & closer to the content and make the content experience more & more immersive. And the metaverse is the current answer to the question “What Next?”
Fiction / Narrative Storytelling in 360 VR.
The approach, methodology and process undertaken by the Whistling Woods Jio VR Lab, of creating india's first generation of Cinematic VR filmmakers in India...
Whistling Woods International - Institutional presentation 2019Chaitanya Chinchlikar
Institutional presentation of Whistling Woods International - Institute for Film, Communication & Creative Arts...
The presentation outlines the Management Team, Faculty, Programs, Achievements, Technology Partnerships, Academic Affiliations, Research & Development Activities and all round information about Whistling Woods International as of December 2019.
A detailed presentation on Cinematic VR (Fiction/Narrative Storytelling in 360VR) and what India's only lab is doing to ensure that we train & educate both students and the industry in Cinematic VR!
India under Narendra Modi - 2014-2018 - 48 months of Development!!!Chaitanya Chinchlikar
A compilation of the excellent work undertaken by the Narendra Modi Government in the past 4 years from 2014-2018!!!
In 2019, let's all gear up for a second term to the indefatigable NaMo!!!
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
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In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
1. The Indian Media & Entertainment Industry
2020
Chaitanya Chinchlikar
chaitanya.c@whistlingwoods.net
Vice President & Chief Technology Officer – Whistling Woods International
Overview – Trends & Analysis
(Data & Charts from the FICCI-E&Y Report 2020 & other industry reports)
2. The Indian M&E Industry
•Key Characteristic Armed
with volume, looking for
value.
•Grew 9% in 2019 to reach
INR 1.82tn / US$ 25.7bn
•Digital media overtook
film to become the 3rd
largest segment of the
M&E sector; expected to
overtake print by 2021
Segments: Television, Print, OTT/Digital, Film,
Animation, VFX, Gaming, Radio, Music, Events,
Sports, Out-of-home, Theme Parks & others
1476
1674
1823
1965
2416
0
500
1000
1500
2000
2500
2017 2018 2019 2020 2022
INRBillions
Indian M&E Industry
13%
9%
10%
4. Made in India, enjoyed globally
• Mighty Little Bheem – Since its April 2019 release, Mighty
Little Bheem is the No 1 pre-school series globally on Netflix.
• Sacred Games Season 1 – Two of three viewers of Sacred
Games Season 1 were from outside India.
• Inside Edge Season 1 – Inside Edge Season 1 was nominated
for a “Best Drama Series” International Emmy in 2018.
• Breathe – Amazon Original Breathe Season 1 saw over a third
of its viewership from international geographies.
5. Key Numbers
• Highest in the world
– 1,800+ films (3500+ hrs of content)
– 1,600+ hours of original OTT content
– 2L+ hours of television content
– 723mn internet subscribers and 400mn+ smartphone users
• 31% growth in online gaming. One out of 4 Indians now is a gamer.
• Print readership fell for the first time.
6. Customer Segmentation
• Digital only – consume content only on
digital platforms, do not access television
• Tactical digital – Consume Pay TV and at
least one paid OTT service
• Bundled digital – Consume Pay TV and
generally only telco-bundled content
• Mass consumers – Consume Pay TV and
occasionally some OTT content
• Free consumers – Do not pay for content
Just India’s Mass Consumers are more than the entire
content consumption population of the US
8. The Indian Film Industry
• Largest in the world by:
– Films produced: 1,800+
– Tickets sold: 4bn+
• Grew 9.5% in 2019 to reach INR 191bn / US$ 2.6bn
• Record domestic theatrical numbers in 2019. Box
Office Collections cross 10,000Cr for the first time.
• Is afflicted with a double whammy of:
– Being one of the world’s most underscreened markets
– Having a very low Average Ticket Price (less than Rs 106/-
/ US$2)
62% 59% 60% 61% 60%
16%
17% 14% 12% 12%
12%
12% 12% 11% 10%
5% 8% 10% 12% 13%
4% 4% 4% 4% 4%
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
2017 2018 2019 2020 2022
DomesticTheatrical Overseas Theatrical Cable & Satellite Rights
Digital / OTT In-Cinema Advertising Home Video
10. The ‘Indian’ Film Industry
Hindi
15%
Telugu
14%
Kannada
12%Tamil
12%Malayalam
11%Marathi
6%
English
6%
Bengali
6%
Bhojpuri
4%
Guajrati
3% Punjabi
3%
Odiya
2%
Others
(Incl
dubbed)
6%
44% 45% 46%
9% 11% 13%
37% 35%
35%
10% 9% 6%
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
100%
2017 2018 2019
Language-wise collections
Hindi English SouthIndian Others
While ‘Bollywood’ is a commonly used term to define the Indian Film industry, Hindi films (which the word refers to),
accounted for only 15% of films produced in 2019. That said, Hindi did account for 46% of the revenues.
Inside Secret: Most people in the film industry dislike the word ‘Bollywood’. Use it very reluctantly.
11. Regional
•Kannada showed the most growth in Box office at 36%. Followed by Malayalam (17%), Tamil (14%),
Punjabi (13%) and Hindi (10%).
•Punjabi’s steady growth & the crashing of Marathi & Bengali industries by 45% and 33% respec_vely
has moved Punjabi above Marathi & Bengali in share of box office. It now has a 2% share in India’s
GBOC. it also has a higher ATP than both these languages. Content creators from Marathi & Bengali
need to introspect.
•The meteoric rise of Gujara_ cinema of the past few years has plateaued, with only 3% growth in 2019.
12. 3 Idiots made 450 Cr at the global box office.
What do you think its real impact was for India?
13. Tourism Impact of Films – 3 Idiots
Value Added by film-induced tourism
- 4x revenue of the film
- 500x employment generation
15. Revenues & Films
5 6 5 6 7
10 11
3 2
1 0
1
1
5
0 1
1 2
2
2
1
0
2
4
6
8
10
12
14
16
18
2013 2014 2015 2016 2017 2018 2019
Hindi Films 100Cr+
300Cr
200Cr
100Cr
• The number of films crossing 100Cr
crossed 30 for the first time in history
with Hindi accounting for 17 of them.
• Footfalls for Hindi films in 2019, at 34Cr,
were the highest ever in history.
• The top 20 Hindi films contributed only
78% to its box office, the lowest in history.
Giving indications that films that aren’t
necessarily ‘superhits’ are also making
money, albeit less.
17. Ticket Rate Split
When you pay Rs 100 for a movie ticket, where does the money go?
• Gross – Rs 100
• GST – Rs 15 (18% of Rs 85)
• Net – Rs 85
• Exhibitor & Distributor each get 50% each – Rs 42.5
• Producer(s) – depends on the distribution deal (Outright / Min Guarantee / Commission / Distrib Fee)
• Co-producer(s) – depends on the agreement with each other
• Publicity & Advertising funding – deal specific, but usually is Last-In-First-Out
• Talent (Actor/Director) – (s)he may be the producer OR may have sweat equity / some rights
19. Key Numbers
The first weekend collections stood at 39% (Hindi Cinema at 37%), which is
the lowest in the past decade, showing that people aren’t succumbing to
marketing & stars alone and actually want good content.
24. Indian Films go global?
331 332 350
439
491
332
0
100
200
300
400
500
600
320
325
330
335
340
345
350
355
2017 2018 2019
Overseas - Releases vs Collections
Films Collections
• Less than 15% of India’s film
revenue comes from overseas
• 70% of Hollywood’s revenue comes
from outside US
• Less than 1% of India’s revenue
comes from non-diaspora viewers
26. Oh Hollywood…
Hollywood marketshare in 2017 was 10%.
In 2019 at 15%.
With growing access to global content, cultural
alienation between India & the world is reducing.
• No 1 film at Indian Box Office in 2019 – Avengers Endgame.
• Footfalls for Hollywood at ~ 10Cr – highest in history.
• Hollywood is the 2nd largest contributor to box office.
Hindi is at 44%. Hollywood (15%) above Tamil & Telugu
(13% each).
• Hollywood Avg Ticket Price at Rs 163/-.
Hindi at Rs 142/-. Others < Rs 97/-.
28. Film Education
• A majority of the people involved in the crea`ve process of Filmmaking are not formally trained /
educated.
• Despite having 18% of the world’s popula`on and 12% of the economy, the Indian M&E industry is less
than 2% of the world’s M&E industry.
• We do not make films that appeal to the rest of the world
and hence end up leaving out a massive market for our content.
• We need 5-`mes as many graduates each year
• We have no globally merchandisable IP
• Affects all areas of M&E Film, TV, Journalism, Events, etc.
India USA
Population
130Cr
1.35 bilion
33Cr
330million
No of Films being made 1800+ 450+
No of world-class film
schools
4-5 150-160
No of graduates from
these schools each year
300-500 15,000+
34. Viewership by Language The 2 highest
watched
languages both
dropped in 2019
over 2018 in
minutes watched,
as did English by a
whopping 23%.
44.0%
12.0%
12.0%
7.0%
7.0%
4.0%
4.0%
3.0%
2.0%
2.0% 1.0%
1.0% 0.5% 0.3% 0.1%
Hindi Telugu Tamil Kannada Others
Marathi Bangla Malayalam Bhojpuri Odia
Punjabi English Assamese Gujarati Urdu
38. GEC – TRP v/s Profitability
Why do we see what we see on
General Entertainment Channels?
How does programming get divided
between building a viewer base and
profitability, thorough the application of
the concept of ‘stick-ability’!
Low Viewership High Viewership
Low
Profitability
High
Profitability
Long running soaps
Low-cost game /
performance-based
reality shows
Mythological series
Recently released movies
Celebrity-based shows
Finite
Fiction Series
42. OTT/Digital
• Valued at US$ 2.95bn in 2019. To double by 2022.
• World’s 2nd largest internet using country –
725mn internet users as of 2019.
Added (215mn users = a Brazil) in 1 yr.
• English content is not the first choice for 93 out of 100 consumers.
• India has 400mn+ smartphones in 2019, which is ~40% of all phones.
• 9 out of 10 OTT consumers watch content on their cellphones.
• Mobile data cost crashed – Rs 16/GB (22c) in 2016 to Rs 3.5/GB (4.6c) in 2019.
• Per capita data consumption more than tripled – 4GBpm in 2017 to 13.6GBpm in 2019.
119
169
221
279
414
0
50
100
150
200
250
300
350
400
450
2017 2018 2019 2020 2022
INRBillions
42%
23%
CAGR
31%
48. Social Media & Online News
Contrary to popular opinion, Twitter is the least used
Social Media platform in India.
It has significantly more influence given that it is
used significantly as a news-dissemination service.
India is the 2nd largest online news market in the world
Unique visitors to
news sites / apps
(mn)
50. India is a mobile video country!
325
378
430
488
0
100
200
300
400
500
600
2018 2019 2020 2022
Mobile Video Viewers (mn)
56%
37%
7%
60%
32%
8%
0% 10% 20% 30% 40% 50% 60% 70%
Hindi
Regional
English
Language-wise Viewership
2018
2019
1200
1600
0
500
1000
1500
2000
2018 2019
Original OTT Content created (Hours)
Per-capita per week video watching hours
33%
52. Opportunities in Digital
• Digital is the present & the future. Industry should look at it beyond JUST a 3rd screen with no censorship.
• Content consumption modes are changing – a large number of sub-18-yr-olds find their ‘stars’ online.
• The number of internet connected smartphones will double to 800 million by 2025, bringing the
small:mini screen ratio to 1:4. Will result in a massive demand for short format content.
• Content consumers will become creators on platforms like YouTube, TikTok and Firework
– Around 2,000 such creators today have 1million+ followers
– Expected to cross 10,000 by 2025
60. Cinematic VR’s expected journey from 2019-2022
• Widespread fiction / narrative immersive & interactive experiences in all content / business models.
• First generation of Cinematic VR content creators to emerge, by 2020-21
• Increased Festival inclusion, dedicated VR film festivals.
• Tech pipeline to get better:
– High quality, film-grade sensors, cinematic lenses, 6 DoF, VolCap, Point Cloud Capture & Photogrammetry
– Stabilisation of VR workflow using the OMAF / HEVC / MPEG-H codecs
– HMDs to get better – 4k / wireless / nearly-weightless
– Native spatial audio in all headsets & mobiles
– Adequate computing & graphic computing power
– 5G for High Quality Streaming
62. What is Virtual Filmmaking?
Virtual Filmmaking is doing in the Virtual world what has been done in live action for 100+ years, using
a combination of Previsualisation, 3D Assets, Virtual Camera(s), Object-tracking & a Game engine
Virtual Filmmaking allows you to make:
• The Matrix Trilogy
• Ready Player One / Blade Runner 2049 / Gravity
• Avengers Infinity War & Endgame / Planet of the Apes
• The Lion King
• High quality blended content for TV – where anchors / hosts interact with animated content / graphics.
64. Content Platforms
Film / Theatrical TV Digital/OTT VR/AR
Nature of
Viewing
Captive Community viewing Non-captive Family viewing Non-captive Individual viewing Captive Individual viewing
Platform
Viewing
Details
Fixed frame, large screen,
2D & 3D
Fixed frame, small screen,
2D
Fixed frame, mini screen,
2D
FRAMELESS, 2D & 3D,
Duration &
Structure
110-180 mins
60-100 scenes
1-8 shots / scene
22–44 mins
8-10 scenes
1-20 shots / scene
3–60 mins
2-20 scenes
1-4 shots / scene
60secs - 60mins
Fiction
Content
Structure
Primarily stand-alone,
marginally serial
Primarily serial, marginally
stand-alone
Equal amount of stand-alone &
serial content
Equal amount of stand-
alone & serial content
USP
Larger Than Life,
Audio-visual narrative
spectacle
Appointment Viewing,
Story & Character
development
Individuality,
High concept, less formulaic,
writing-focused, pace is critical
???
Immersive & interactive is
all we know currently
65. Platforms
Low Volume High Volume
Low
Value
High
Value
Premium OTT
Theatrical
Immersive
Content
Free(mium) OTT
C&S / DTH
Note:
This is India-specific
There are 4 viewing
platforms & multiple types
of content presently.
On a Viewership / Value
matrix, this is where are
they now & where are they
likely to be 5 yrs from now. Free OTT
67. Animation, VFX & Post-Production
• Strong growth on the back of VFX.
• India is the world’s VFX factory.
• India’s diminishing cost arbitrage in Animation & lack of
original IP are the major reason of low growth in
Animation, though that is changing now with studios
starting to move from jobwork to IP creation.
• Domestic broadcasters commissioned more original
animation content.
• There is a large education imbalance in the Animation,
VFX & Post-prodn verticals
67
79
95
112
156
0
20
40
60
80
100
120
140
160
180
2017 2018 2019 2020 2022
INRBillions
18%
18%
20%
31.3 39.6 49.5 60.3
89.318.3
20.5
23.1
25.9
32.5
17.0
18.8
22.3
25.6
33.8
-
40.0
80.0
120.0
160.0
2017 2018 2019 2020 2022
INRBillions
VFX Post-Prodn Animation Services
69. Indian IPs on Indian Screens
• Hindi Film IP spinoffs gained steam with Little Singham,
Fukrey Boyzzz & Golmaal Jr to add on to the original
successful IPs like Chhota Bheem & Motu Patlu
• Broadcasters are willing to pay 2x for good quality Indian
Animated content as compared to general entertainment
content, even though this segment gets only 6% of the
viewership, as compared to 50% for GECs.
• Despite being under-indexed for advertising, It offers repeat
viewing value, multi-language dubbing value and
merchandising value & has long-tail revenue.
71. Gaming
• Gamers grew 100% between 2017
& 2019 from 183 mn to 365mn.
• 1 in 4 Indians is a gamer.
• 2019 saw 5.6bn mobile game apps
downloaded, highest worldwide.
• Fantasy gamers doubled in 2019.
• Fortnite global championship
winner prize money was 3mn$.
That is more than Wimbledon.
Grand Theft Auto 5 is the single most
profitable piece of media of ALL TIME
Produced at a cost of US$265mn, it has
revenues of over US$8bn as of 2019.
Online Gamers (millions)
75. Sports
• Sports, with 17% growth in 2019, is one of
the largest content providers to the M&E
industry.
• In 2019, viewership of Cricket grew by 15%
& that of Wrestling crashed by 50%.
• Highlights/Repeats viewership is 3x of live.
• Cricketers get the brand moolah
– 329 endorsement deals, 228 cricketers
– 70 new brand deals signed by sports stars, 50 involved
cricketers
– 85% of total brand endorsements came from cricketers
– 63% of total brand endorsements were from only 2
platers – Virat Kohli and MS Dhoni
15% 16% 17%
51%
34% 32%
34%
49% 51%
0%
20%
40%
60%
80%
100%
2017 2018 2019
Sports Viewership Details
Highlights
/ Repeats
Related
Live
79. Live Events
• Still largely unorganised.
• Licensing & Taxation issues
• Ticket sales account for less than 15% of industry revenues.
• Corporates account for 80% of the organised industry’s
revenues
• Weddings continue to be high value generators for the
industry.
• India has seen a steady increase in large-format stage
musicals - starting from Mughal-e-Azam to Beauty & The
Beast & Alladin and most-recently – Cirque du Soleil.
65
75
83
94
122
0
20
40
60
80
100
120
140
2017 2018 2019 2020 2022
INRBillions
15%
14%
11%
81. Radio
• The industry shrunk 9% in 2019, primarily
as political & governmental spends
dropped in the last half of 2019 in addition
to economic slowdown which hit Radio
harder than other verticals.
• Only 5 states generated over 60% of the ad-
revenue.
• In addition to the 33 FM broadcasters
running 367 private radio stations in 104
cities, AIR has 470 stations in 23 languages
reaching 99% of India’s population.
29
34
31
33
36
0
5
10
15
20
25
30
35
40
45
50
2017 2018 2019 2020 2022
INRBillions
17% 5%-9%
83. Music
• 8%+ growth, on the back of music
streaming & performance rights.
• YouTube contributed 45% of the
industry’s revenues.
• T-Series became the world’s most
subscribed channel on YouTube.
• Performance rights grew at over
35% with better implementation
of collection mechanisms.
13
14
15
17
20
0
5
10
15
20
25
2017 2018 2019 2020 2022
INRBillions
9%
10%
8%
85. Technology in the Industry
Where we are at:
• 8k content acquisition & workflows for Film.
• 8k/6k stereo content acquisition in 360VR.
• 4k content acquisition & workflows for TV/OTT.
• Mobile filmmaking & ‘Script-to-Screen in a room’ workflow.
• Indigenization of the entire VFX pipeline.
• Usage of Motion Capture in advertising, some films.
• Emergence of Virtual Filmmaking for Previz.
• Emergence of ‘Digital Labour’ for RPA.
• Immersive content in Gaming, Tourism, Sports.
What Next?:
• Ubiquitous 4k/8k workflows for
Film, TV & High-end OTT.
• Virtual Filmmaking beyond Previz.
• Mainstream Cinematic VR.
• 6DoF Volumetric capture.
• 5G (It’s the next ‘panacea’).
• Mainstreaming of ‘Digital Labour’.
87. The big opportunities in Indian M&E
• Education in M&E
• IP creation – Globally merchandisable IPs across Film, TV, OTT, Gaming – both live action & animated
• Content that travels well globally (to non-diaspora viewers)
• Multiplex Screens
• Non-English / Non-Hindi OTT content
• Immersive Content – VR & AR
• Virtual Filmmaking Technology pipelines
• E-Sports & Online Gaming
88. In any industry, building volume is hard. India already
has the volume and is the largest free-access digital
market in the world.
We now need to build value to each unit of volume. Only
way to do it is quality.
89. References
Most of the Data & Many of the Charts taken from the FICCI-E&Y Report 2020
Other data & charts from various other domestic & global industry reports