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ON THE IMPORTANCE OF EMOTIONAL DESIGN
JON DODD
CEO and Co-Founder
2
WHERE I CAME FROM...
Escaped from academic neuroscience
 Face perception
 Attractiveness
 Shampoo bottles
 Car shapes
 Trust...
 Decisions
3
4
ESCAPED...
Started user (customer) experience
consultancy Bunnyfoot in 1999
In fact this is a lie...
 We were a usability and accessibility consultancy
 Then a user centred design consultancy
 Then a UX consultancy
 Now a joined up customer experience consultancy
Hopefully throwing some light on
how we get it to do what we want
Your customer
Today we are going to be looking
inside this a bit
Most of us humans arrogantly
suppose decisions are rational
and conscious
The cortex (and some
other parts) is where
conscious thought is
thought to occur
But most of our behaviour
including ‘complex’ behaviour is
non-conscious (sub-conscious)
The ‘older’ parts of
the brain – the brain
stem and mid-brain
work ceaselessly to
regulate us and
control us
8
WHO IS REALLY IN CONTROL HERE?
Conscious
Non-conscious
In design we need to understand
and design for both
9
THE BUNNYFOOT HIERARCHY OF CUSTOMER ACTION (HCA)
IT’S A USEFUL WAY OF FRAMING SOME OF WHAT WE WILL COVER
10
CREATING PROFITABLE CUSTOMER EXPERIENCE WITH HCA
Emotional affect principles (e.g. Norman, Kano)
Intrinsic motivation, avoiding visceral -ves, causing arousal, fun, surprise...
Research/test
behavioural responses
Apply
the rules
e.g. MVT, analytics, User test
(usability, eyetracking, emotion...)
Design principles (e.g. Norman)
Usability principles (e.g. Schiederman, Nielsen, Molich )
Principles of perception (visual, auditory…)
Attractive product/price/service
Attractive tools and services
Market research
Improve
(& repeat)
BUILD IN PERSUASION & EMOTION WITH THE SAME UCD METHODS & ETHOS THAT
ARE USED TO DELIVER USABLE DESIGN OF DESIRABLE PRODUCTS & SERVICES
Persuasion and Trust principles from the fields of
behavioural economics and sociology (e.g. Cialdini, Fogg)
11
LOVES TO DO
EMOTION, AROUSAL, ATTENTION
12
IT’S A BIT MORE THAN THIS
13
EMOTION IS IMPORTANT
People forget what you say,
but they remember how you made
them feel”“
14
EMOTION IS IMPORTANT
“Emotional campaigns are
more than twice as effective
Les Binet
15
EMOTION IS UNIVERSAL
The best and most beautiful things in the
world cannot be seen or even touched.
They must be felt with the heart.
Helen Keller
“
16
17
EMOTION IS UNIVERSAL
18
THE AESTHETIC-USABILITY EFFECT, AND SO MUCH MORE
“Attractive things make people feel good,
which in turn makes them think more
creatively…
…making it easier for people to find solutions
to the problems they encounter.
Don Norman
20
EXERCISE
Think back to the first time you saw and used an iPhone
Think about
 where you were
 who showed you
 what you did
 what you thought
 what you felt
21
NORMAN’S 3 CHARACTERISTICS OF DESIGN TO OBSERVE
Visceral Behavioural Reflective
Emotional Design: Why We Love (or Hate) Everyday Things,
Donald Norman, Basic Books, 2005
Initial impact or
appearance
How it feels to use What it make you think
about
+ others think - of you
22
THERE ARE LOTS OF OTHER SOURCES AND THEORIES
Kano
Maslow Fogg
23
BUT HOW CAN YOU ASSESS IT? OR MEASURE IT?
Subjective Objective
Verbal report
Questionnaires
Pic from emotional
pictures (faces)
ECG? fMRI etc…
Big white coat effect + not
practical
Pupil dilation
(via eyetracking)
Doesn’t work well –
methodological issues
Facial behavioural response
There could be something
in this…
Fundamental
problems because of
self report
but can be useful
In the end it’s a mix of methods that works
24
FACIAL BEHAVIORAL RESPONSE
Base emotions Cognition ‘Emognition’
 Fear
 Happiness
 Sadness
 Anger
 Disgust
 Confusion
 Concentration
 Doubt
 Intrigue
 Consideration
 Amusement
 Surprise
 Guilt
 Empathy
 Anxiety
 Frustration
 Embarrassment
CODES FOR 17 STATES
25
Eyes and eyelids (such as
blinking or tightening)
Facial muscle contractions
HOW WE CODE FOR FBR
Wrinkles that appear or
disappear
Location and shape of
eyebrows
White exposed in eyes and
pupil placement /dilation
Changes in the chin
Nostrils (such as flaring)
Cheeks twitching
Lip movements
26
27
28
29
30
31
32
33
34
35
36
37
38
39
@jonbunnyfoot
jon@bunnyfoot.com
0845 644 0650
THANKS

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The importance of emotional design - Digital Shoreditch 2013

  • 1. ON THE IMPORTANCE OF EMOTIONAL DESIGN JON DODD CEO and Co-Founder
  • 2. 2 WHERE I CAME FROM... Escaped from academic neuroscience  Face perception  Attractiveness  Shampoo bottles  Car shapes  Trust...  Decisions
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  • 4. 4 ESCAPED... Started user (customer) experience consultancy Bunnyfoot in 1999 In fact this is a lie...  We were a usability and accessibility consultancy  Then a user centred design consultancy  Then a UX consultancy  Now a joined up customer experience consultancy
  • 5. Hopefully throwing some light on how we get it to do what we want Your customer Today we are going to be looking inside this a bit
  • 6. Most of us humans arrogantly suppose decisions are rational and conscious The cortex (and some other parts) is where conscious thought is thought to occur
  • 7. But most of our behaviour including ‘complex’ behaviour is non-conscious (sub-conscious) The ‘older’ parts of the brain – the brain stem and mid-brain work ceaselessly to regulate us and control us
  • 8. 8 WHO IS REALLY IN CONTROL HERE? Conscious Non-conscious In design we need to understand and design for both
  • 9. 9 THE BUNNYFOOT HIERARCHY OF CUSTOMER ACTION (HCA) IT’S A USEFUL WAY OF FRAMING SOME OF WHAT WE WILL COVER
  • 10. 10 CREATING PROFITABLE CUSTOMER EXPERIENCE WITH HCA Emotional affect principles (e.g. Norman, Kano) Intrinsic motivation, avoiding visceral -ves, causing arousal, fun, surprise... Research/test behavioural responses Apply the rules e.g. MVT, analytics, User test (usability, eyetracking, emotion...) Design principles (e.g. Norman) Usability principles (e.g. Schiederman, Nielsen, Molich ) Principles of perception (visual, auditory…) Attractive product/price/service Attractive tools and services Market research Improve (& repeat) BUILD IN PERSUASION & EMOTION WITH THE SAME UCD METHODS & ETHOS THAT ARE USED TO DELIVER USABLE DESIGN OF DESIRABLE PRODUCTS & SERVICES Persuasion and Trust principles from the fields of behavioural economics and sociology (e.g. Cialdini, Fogg)
  • 11. 11 LOVES TO DO EMOTION, AROUSAL, ATTENTION
  • 12. 12 IT’S A BIT MORE THAN THIS
  • 13. 13 EMOTION IS IMPORTANT People forget what you say, but they remember how you made them feel”“
  • 14. 14 EMOTION IS IMPORTANT “Emotional campaigns are more than twice as effective Les Binet
  • 15. 15 EMOTION IS UNIVERSAL The best and most beautiful things in the world cannot be seen or even touched. They must be felt with the heart. Helen Keller “
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  • 18. 18 THE AESTHETIC-USABILITY EFFECT, AND SO MUCH MORE “Attractive things make people feel good, which in turn makes them think more creatively… …making it easier for people to find solutions to the problems they encounter. Don Norman
  • 19. 20 EXERCISE Think back to the first time you saw and used an iPhone Think about  where you were  who showed you  what you did  what you thought  what you felt
  • 20. 21 NORMAN’S 3 CHARACTERISTICS OF DESIGN TO OBSERVE Visceral Behavioural Reflective Emotional Design: Why We Love (or Hate) Everyday Things, Donald Norman, Basic Books, 2005 Initial impact or appearance How it feels to use What it make you think about + others think - of you
  • 21. 22 THERE ARE LOTS OF OTHER SOURCES AND THEORIES Kano Maslow Fogg
  • 22. 23 BUT HOW CAN YOU ASSESS IT? OR MEASURE IT? Subjective Objective Verbal report Questionnaires Pic from emotional pictures (faces) ECG? fMRI etc… Big white coat effect + not practical Pupil dilation (via eyetracking) Doesn’t work well – methodological issues Facial behavioural response There could be something in this… Fundamental problems because of self report but can be useful In the end it’s a mix of methods that works
  • 23. 24 FACIAL BEHAVIORAL RESPONSE Base emotions Cognition ‘Emognition’  Fear  Happiness  Sadness  Anger  Disgust  Confusion  Concentration  Doubt  Intrigue  Consideration  Amusement  Surprise  Guilt  Empathy  Anxiety  Frustration  Embarrassment CODES FOR 17 STATES
  • 24. 25 Eyes and eyelids (such as blinking or tightening) Facial muscle contractions HOW WE CODE FOR FBR Wrinkles that appear or disappear Location and shape of eyebrows White exposed in eyes and pupil placement /dilation Changes in the chin Nostrils (such as flaring) Cheeks twitching Lip movements
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