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The Dead Zone
  By Rebecca and Hajra
This wide shot of the house showing the full scale of the
house shows that there is no people around which links
to the thriller genre of the unknown. The lighting in this
shot is very dull and has a blue tint to it creating a
saddening mood to the atmosphere. The house looks
sombre and chilling in the blue tint.
In this shot there is very little light, and the background is misty; you can’t actually see much in the
scene, the enigmatic effect is established as not all is given away and the black shapes from the title text
look random and unrelated, this entices the audience as they are forced to continue to watch to understand
what they mean. The credits which are in white font stand out against the dark shot, creating a contrast
gradient and further plunging the background into a murky mysterious darkness. As the title sequence
continues and the shots cross dissolve into each other the slightly cryptic shapes remain exactly where they
are they are, prompting further confusion as to what they mean.
This low level wide shot shows one setting in which the
film is set in, the lighting is natural but the use of the sun
on one side and a shadow on the other creates
suspense. No genre is associated with the images but
the sound track is minor key which often used in thriller
films to create tension.
In this wide shot the colours and lighting contrasts to
others as it is sunny and bright. This challenges the
stereotypes of thrillers conventions as usually dark
colours are used.
The gradual build up of the black shapes appear more
as the opening continues.
In this scene there is a bit more light, showing a park
ground cast in shadow, which is a typical recurring thriller
convention however there is sun light and you can see
trees and sky. What is eerie about all of these shots is not
only the fact that they are dark, there is also an absence of
people or any movement at all, all the shots are static and
completely motionless.
The road looks mysterious which makes it look inviting. It is dark and the
fact that it is a road makes it more alluring. The black shapes are still
there, confusing the audience and building up suspense for the climax
when the actual title is revealed.
This high angle shot of the road again shows the town to
be deserted leaving the audience questioning the
opening. Again in this opening the lighting is low key
creating a tense atmosphere.
This is the point where the audience begins to
understand what the black shapes mean and
the climax of the opening sequence is
established, the audience can just read the
title. The lighting is still minimal and the dark
colours generally dominate the light colours.
This last shot of the title shows the build up of the jigsaw piece
which creates ‘ the dead zone’. The mood created by this shot
is dim and mysterious which is a thriller convention.
The font used is strong and edgy which warns us about the
danger within the film. The film opening doesn't reveal itself till
the end of the slow paced suspenseful opening, which also isn't
associated with thrillers as they are usually fast paced. This
part, where it is zooming out on the text is the only moving part
in the whole film which further emphasises its impression; and
adds effect to the opening title.
2:13, here it is finally revealed what the
                  0:44                      1:29, the road looks
                                            alluring, mysterious
                                                                            shapes mean, they build up the lettering
                 Setting looks
                 dark , bleak               as, there is an                 of the film title, there is a gloomy blue tint
                 and black                  absence of cars or              used here, with a shot of another
                                            people, there is a              road, the scene is completely
                 triangles look
                                            dark setting
                 odd and                                                    lifeless, hence corresponding to the film
                 confusing                                                  title ‘The Dead Zone




0:00                                                                                                  2:58.

   00:22
  Here, the mis-en-scene is       1:06
  strangely pleasant with         This is also a                   1:51, more
  natural lighting, no odd        pleasant scene,                  black shapes
  black shapes, it is a           however, the                     are dominating
  comfortable frame of a          background is                    this scene, and
  large, old fashioned house                                       another road
                                  blurry and the
  with a white picket                                              which looks
                                  black triangles
  fence, surrounded by
                                  somewhat                         eerie and dark
  trees in full bloom and
                                  disorientate the                 and
  green grass, this shot
  seems to defy typical           viewer, the                      intriguing, dark
  thriller conventions            lighting here is                 lighting mixed
  however the lack of             perhaps slightly                 with the sombre
  motion in the scene is          blue tinted                      greyish tint, or
  eerily questionable             however it is npt                perhaps
                                  as shadowy as                    desaturation
                                  the other frames

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The dead-zone-9-shot-analysis-2

  • 1. The Dead Zone By Rebecca and Hajra
  • 2. This wide shot of the house showing the full scale of the house shows that there is no people around which links to the thriller genre of the unknown. The lighting in this shot is very dull and has a blue tint to it creating a saddening mood to the atmosphere. The house looks sombre and chilling in the blue tint.
  • 3. In this shot there is very little light, and the background is misty; you can’t actually see much in the scene, the enigmatic effect is established as not all is given away and the black shapes from the title text look random and unrelated, this entices the audience as they are forced to continue to watch to understand what they mean. The credits which are in white font stand out against the dark shot, creating a contrast gradient and further plunging the background into a murky mysterious darkness. As the title sequence continues and the shots cross dissolve into each other the slightly cryptic shapes remain exactly where they are they are, prompting further confusion as to what they mean.
  • 4. This low level wide shot shows one setting in which the film is set in, the lighting is natural but the use of the sun on one side and a shadow on the other creates suspense. No genre is associated with the images but the sound track is minor key which often used in thriller films to create tension.
  • 5. In this wide shot the colours and lighting contrasts to others as it is sunny and bright. This challenges the stereotypes of thrillers conventions as usually dark colours are used. The gradual build up of the black shapes appear more as the opening continues.
  • 6. In this scene there is a bit more light, showing a park ground cast in shadow, which is a typical recurring thriller convention however there is sun light and you can see trees and sky. What is eerie about all of these shots is not only the fact that they are dark, there is also an absence of people or any movement at all, all the shots are static and completely motionless.
  • 7. The road looks mysterious which makes it look inviting. It is dark and the fact that it is a road makes it more alluring. The black shapes are still there, confusing the audience and building up suspense for the climax when the actual title is revealed.
  • 8. This high angle shot of the road again shows the town to be deserted leaving the audience questioning the opening. Again in this opening the lighting is low key creating a tense atmosphere.
  • 9. This is the point where the audience begins to understand what the black shapes mean and the climax of the opening sequence is established, the audience can just read the title. The lighting is still minimal and the dark colours generally dominate the light colours.
  • 10. This last shot of the title shows the build up of the jigsaw piece which creates ‘ the dead zone’. The mood created by this shot is dim and mysterious which is a thriller convention. The font used is strong and edgy which warns us about the danger within the film. The film opening doesn't reveal itself till the end of the slow paced suspenseful opening, which also isn't associated with thrillers as they are usually fast paced. This part, where it is zooming out on the text is the only moving part in the whole film which further emphasises its impression; and adds effect to the opening title.
  • 11. 2:13, here it is finally revealed what the 0:44 1:29, the road looks alluring, mysterious shapes mean, they build up the lettering Setting looks dark , bleak as, there is an of the film title, there is a gloomy blue tint and black absence of cars or used here, with a shot of another people, there is a road, the scene is completely triangles look dark setting odd and lifeless, hence corresponding to the film confusing title ‘The Dead Zone 0:00 2:58. 00:22 Here, the mis-en-scene is 1:06 strangely pleasant with This is also a 1:51, more natural lighting, no odd pleasant scene, black shapes black shapes, it is a however, the are dominating comfortable frame of a background is this scene, and large, old fashioned house another road blurry and the with a white picket which looks black triangles fence, surrounded by somewhat eerie and dark trees in full bloom and disorientate the and green grass, this shot seems to defy typical viewer, the intriguing, dark thriller conventions lighting here is lighting mixed however the lack of perhaps slightly with the sombre motion in the scene is blue tinted greyish tint, or eerily questionable however it is npt perhaps as shadowy as desaturation the other frames