Black has had varied symbolic meanings throughout history. In ancient times, it represented death for Egyptians but humility for monks. In the Middle Ages, it symbolized darkness and evil. In the 18th-19th centuries, black dominated literature and fashion as a color of the industrial revolution and later fascism. Black conveys sophistication in fashion but also psychological associations with depression, authority, and the end of life. It remains a popular color in luxury branding for its powerful imagery.
Black is defined as the absence of visible light and is described as a hueless color. It has strong symbolic meanings across cultures representing power, mystery, and mourning. Black is formed by combining multiple pigments that collectively absorb all wavelengths of light. It is commonly used for clothing in religious traditions, fashion to appear slimmer, and in politics and sports as a symbol of authority or unity.
This document discusses how color affects communication, business, and psychology. It covers how different colors have different meanings in various cultures and religions. It explains how colors can influence consumer preferences, marketing, and branding. Certain colors like red, blue, green, black, and purple are discussed in the context of how they are used by different industries and what meanings or reactions they may elicit. The document also touches on how the human brain and perception is impacted by color.
This document provides an overview of the psychological meanings associated with different colors. It describes red as the color of life, love, passion, anger and desire. Orange is associated with youth, activity, health and vitality. Yellow is described as stimulating and leading to effective communication. Green represents harmony, balance and nature. Blue symbolizes tranquility, serenity and relaxation. Indigo is the color of mystery and intuition. Violet relates to spiritual unity, royalty, prosperity and meditation. The document encourages writing affirmations in colors corresponding to one's needs to boost energy, thinking, communication and find guidance.
The document discusses the psychology and cultural associations of different colors. It explains that colors can have different meanings and symbolism across world cultures. Marketing materials using color should take these cultural differences into account to avoid unintentionally offending audiences from other regions.
This document discusses properties of color including hue, value, and intensity. It describes additive and subtractive color mixing. Key terms like harmonious, complementary, and achromatic colors are defined. The color wheel is explained showing primary, secondary, tertiary, warm and cool colors. Different color schemes are outlined such as monochromatic, complementary, analogous, and triadic. Color perception topics like color constancy, simultaneous contrast, and optical mixture are covered. Finally, the psychological effects of different colors like red, blue, green, and black are summarized.
This document discusses color theory and the color wheel. It explains that hue is the name of a color, such as red, green, or blue. Sir Isaac Newton discovered the visible light spectrum, which led to the first color wheel. The color wheel arranges colors in a circular fashion and shows how primary, secondary, and tertiary colors relate. Primary colors cannot be made by combining other colors, secondary colors are made by combining two primary colors, and tertiary colors mix a primary and secondary. The document also discusses color values using tints, shades, and neutrals made by mixing colors with white or black. Different color schemes like monochromatic, complementary, analogous, warm, and cool are also summarized.
This document discusses color psychology and the effects of different colors. It begins by defining color psychology as the science explaining the connection between colors and human psychology. Various colors are then examined, including how they can impact mood, stress levels, and behavior. For example, the document notes that the color red can increase appetite and heart rate, while blue is generally calming. It also explores how brands use color symbolism in their logos. The document concludes by mentioning scientific research showing that colors can have physiological impacts through their energetic vibrations.
The document discusses color theory and the color wheel. It explains that the color wheel shows the relationships between primary colors (red, yellow, blue), secondary colors (orange, purple, green) which are made by combining primary colors, and tertiary colors which are made by combining primary and secondary colors. The document also discusses color schemes including warm colors, cool colors, complementary colors, analogous colors and monochromatic colors. Finally, it explains the meanings and psychological impacts of different colors.
Black is defined as the absence of visible light and is described as a hueless color. It has strong symbolic meanings across cultures representing power, mystery, and mourning. Black is formed by combining multiple pigments that collectively absorb all wavelengths of light. It is commonly used for clothing in religious traditions, fashion to appear slimmer, and in politics and sports as a symbol of authority or unity.
This document discusses how color affects communication, business, and psychology. It covers how different colors have different meanings in various cultures and religions. It explains how colors can influence consumer preferences, marketing, and branding. Certain colors like red, blue, green, black, and purple are discussed in the context of how they are used by different industries and what meanings or reactions they may elicit. The document also touches on how the human brain and perception is impacted by color.
This document provides an overview of the psychological meanings associated with different colors. It describes red as the color of life, love, passion, anger and desire. Orange is associated with youth, activity, health and vitality. Yellow is described as stimulating and leading to effective communication. Green represents harmony, balance and nature. Blue symbolizes tranquility, serenity and relaxation. Indigo is the color of mystery and intuition. Violet relates to spiritual unity, royalty, prosperity and meditation. The document encourages writing affirmations in colors corresponding to one's needs to boost energy, thinking, communication and find guidance.
The document discusses the psychology and cultural associations of different colors. It explains that colors can have different meanings and symbolism across world cultures. Marketing materials using color should take these cultural differences into account to avoid unintentionally offending audiences from other regions.
This document discusses properties of color including hue, value, and intensity. It describes additive and subtractive color mixing. Key terms like harmonious, complementary, and achromatic colors are defined. The color wheel is explained showing primary, secondary, tertiary, warm and cool colors. Different color schemes are outlined such as monochromatic, complementary, analogous, and triadic. Color perception topics like color constancy, simultaneous contrast, and optical mixture are covered. Finally, the psychological effects of different colors like red, blue, green, and black are summarized.
This document discusses color theory and the color wheel. It explains that hue is the name of a color, such as red, green, or blue. Sir Isaac Newton discovered the visible light spectrum, which led to the first color wheel. The color wheel arranges colors in a circular fashion and shows how primary, secondary, and tertiary colors relate. Primary colors cannot be made by combining other colors, secondary colors are made by combining two primary colors, and tertiary colors mix a primary and secondary. The document also discusses color values using tints, shades, and neutrals made by mixing colors with white or black. Different color schemes like monochromatic, complementary, analogous, warm, and cool are also summarized.
This document discusses color psychology and the effects of different colors. It begins by defining color psychology as the science explaining the connection between colors and human psychology. Various colors are then examined, including how they can impact mood, stress levels, and behavior. For example, the document notes that the color red can increase appetite and heart rate, while blue is generally calming. It also explores how brands use color symbolism in their logos. The document concludes by mentioning scientific research showing that colors can have physiological impacts through their energetic vibrations.
The document discusses color theory and the color wheel. It explains that the color wheel shows the relationships between primary colors (red, yellow, blue), secondary colors (orange, purple, green) which are made by combining primary colors, and tertiary colors which are made by combining primary and secondary colors. The document also discusses color schemes including warm colors, cool colors, complementary colors, analogous colors and monochromatic colors. Finally, it explains the meanings and psychological impacts of different colors.
Colour theory explains how colours relate and how they can be used to evoke different moods. There are three primary colours - red, yellow and blue - which can be mixed to create secondary colours like orange and green. Tertiary colours are made by mixing a primary and secondary colour. The colour wheel visually shows how all colours are connected. Designers use colour combinations and their symbolic meanings to communicate ideas and create certain atmospheres.
The document discusses the psychological effects and cultural meanings associated with different colors. It provides tips on how various colors can influence moods, emotions, and behaviors. For example, it notes that red enhances metabolism and arousal, yellow may increase frustration, and green promotes relaxation. The document also explores how colors have different symbolic meanings across cultures and histories.
Ancient Egyptians, Greeks, Romans, and Mesopotamians had distinct styles of clothing and personal adornment. Egyptians made linen clothing from harvested flax along the Nile. Greeks typically wore tunics and cloaks, while women styled their hair in braids or ponytails and sometimes lightened it with bleaching. Romans primarily wore tunics and togas, and men kept their hair short. Makeup was commonly worn by various ancient cultures, made from materials like kohl, berries, minerals and dyes.
The document discusses the psychology and symbolism of different colors and their effects on our emotions and behaviors. It analyzes the colors red, blue, green, white, black, and purple; describing their physical and psychological impacts. It also outlines how different businesses have strategically used each color in their logos and marketing to communicate specific messages like safety, energy, wealth, and creativity.
Color is the visual perceptual property corresponding in humans to the categories called red, green, blue, and others.
Psychology is the science of the mind. The human mind is the most complex machine on earth. It is the source of all thought and behavior.
Color psychology is the study of the effect that colors have on human behavior particularly the natural instinctive feelings that each color evokes.
colors can have both positive and negative effects on our moods and feelings..
This PPT by Hotel Management Tutorials explains the role of color interior designing along with different color schemes based on the prang color wheel.
Application of Color Theory in Marketingkushal walia
This document discusses how color theory can be applied in marketing. It provides information on the meanings and emotional impacts commonly associated with different colors like red, yellow, green, and blue. It also discusses how color preferences can differ by gender. Color is an important part of branding, as brands become associated with their distinctive colors over time. Research suggests that simply changing the color of a call-to-action button, like from green to red, can increase conversion rates by attracting more attention with a contrasting color. In summary, the document outlines the psychological impacts of different colors and how understanding color theory can help with marketing, branding, and design decisions.
The document discusses color theory and different color schemes. It explains that primary colors are yellow, red, and blue, and secondary colors are orange, violet, and green which are made by mixing two primary colors. Tertiary colors mix a primary and secondary color. It describes three color schemes - complementary uses opposite colors on the wheel, analogous uses adjacent colors, and monochromatic uses tints and shades of one color.
The primary colors are red, yellow, and blue. Secondary colors are green, purple and orange, created by mixing two primary colors. Tertiary colors mix a primary and secondary, examples being red-orange. Compound colors mix all primaries, like brown. Analogous colors sit beside each other on the color wheel. Complementary colors sit opposite. Warm colors like red and yellow create a warm feeling, while cool colors like blue seem to recede. The CMYK model uses pigments for print and RGB uses light for screens.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
The document discusses the power of colors and their meanings. It explains that colors can dominate other factors in things like products. Colors have meaning because humans are sensitive to their environments and colors affect people in particular ways. For example, red increases enthusiasm and energy while blue has a calming effect and green is relaxing. The document lists various colors and their associated meanings such as white aiding clarity and yellow representing happiness.
Baroque art originated in Rome in the late 16th century as a style that glorified Catholicism and absolute monarchs in response to the Protestant Reformation. Baroque art is characterized by grandeur, drama, movement, and vibrant colors in large-scale works. Key artists included Bernini, whose sculptures exemplified drama and movement, and Rubens, whose paintings depicted religious scenes with theatrical flourishes. Caravaggio introduced greater realism through life-like figures and tenebrism techniques. In Protestant Holland, Baroque art focused on realistic genre paintings, portraits, landscapes and still lifes for the bourgeois class rather than public religious works.
El morado es el color secundario que se obtiene mezclando el rojo y el azul. Históricamente, el morado era un color reservado para la realeza y la nobleza debido a lo difícil y costoso que era de obtener, y en el cristianismo se asoció con la fe y la humildad. El morado simboliza serenidad, realeza, poder, sabiduría y espiritualidad, aunque también se relaciona con aspectos negativos como la inmoralidad y la vanidad.
This document discusses third culture kids (TCKs), who are people who spend a significant part of their developmental years outside their parents' home culture. It provides examples of different types of TCKs and explores some of the pros and cons of having a TCK identity. It also discusses cultural identity development and offers suggestions for what schools, parents, and TCK children themselves can do to help support cultural identity formation and ease cultural transitions.
This document discusses how different colors can affect moods and emotions. It explores the warm colors of red, orange, and yellow which can elicit feelings of warmth, anger, and passion. The cool colors of blue, purple and green are described as calm but can also induce sadness. Specific colors are then examined in more detail, with red associated with vitality and danger, pink with calmness, blue with peace, yellow with happiness, orange with energy, green with relaxation, gray with independence, black with mystery, and brown being the least popular color. Blue is identified as the most popular color worldwide.
This document discusses the perception of color in printed textiles and how different colors can influence mood and promote health. It covers how each color has a different wavelength and vibration. It provides guidelines for choosing colors for different contexts like work, leisure activities, and ages. It suggests natural fabrics and dyes are generally healthier than synthetic options. Colors are recommended for different occupations, situations, and times of day to enhance energy, communication and mood. Uniform colors should consider neutral bases with accents to suit a variety of people.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
This document discusses the psychological effects of different colors. It describes white as representing innocence, cleanliness and purity; red as love, passion and emotion; and orange as health, youth and overcoming fatigue. It also outlines that yellow can trigger frustration but also enhance concentration, while green relates to harmony and relaxing stress and anxiety. Blue is said to promote calmness and relaxation, and violet is linked to royalty, prosperity and balancing the mind. Grey is tied to independence and self-control but can lead to loneliness, and black prevents growth while brown alleviates insecurities but can also relate to depressing emotions.
El documento proporciona una extensa información sobre el color negro. Define el negro como el color más oscuro sin luz. Explica las teorías del color, los pigmentos negros a través de la historia, los significados asociados al negro en diferentes culturas y épocas, y su uso en la moda, arte, y psicología del color.
Brief set of slides meant to be used mainly as aids in order to help with visual representation of teaching certain film study techniques and brief explanations.
The document discusses the growth of anti-black racism in Europe from around 1870. It explores how racist stereotypes developed as Europeans expanded overseas through slavery and colonialism. Contact with Africans led Europeans to view them as primitive and uncivilized. The colonization and brutal exploitation of Africans in their colonies, especially the Belgian Congo, reinforced racist beliefs of white superiority. By the late 19th century, the presence of some black people in Europe also faced hostility as racist attitudes became deeply entrenched during the imperial era.
Colour theory explains how colours relate and how they can be used to evoke different moods. There are three primary colours - red, yellow and blue - which can be mixed to create secondary colours like orange and green. Tertiary colours are made by mixing a primary and secondary colour. The colour wheel visually shows how all colours are connected. Designers use colour combinations and their symbolic meanings to communicate ideas and create certain atmospheres.
The document discusses the psychological effects and cultural meanings associated with different colors. It provides tips on how various colors can influence moods, emotions, and behaviors. For example, it notes that red enhances metabolism and arousal, yellow may increase frustration, and green promotes relaxation. The document also explores how colors have different symbolic meanings across cultures and histories.
Ancient Egyptians, Greeks, Romans, and Mesopotamians had distinct styles of clothing and personal adornment. Egyptians made linen clothing from harvested flax along the Nile. Greeks typically wore tunics and cloaks, while women styled their hair in braids or ponytails and sometimes lightened it with bleaching. Romans primarily wore tunics and togas, and men kept their hair short. Makeup was commonly worn by various ancient cultures, made from materials like kohl, berries, minerals and dyes.
The document discusses the psychology and symbolism of different colors and their effects on our emotions and behaviors. It analyzes the colors red, blue, green, white, black, and purple; describing their physical and psychological impacts. It also outlines how different businesses have strategically used each color in their logos and marketing to communicate specific messages like safety, energy, wealth, and creativity.
Color is the visual perceptual property corresponding in humans to the categories called red, green, blue, and others.
Psychology is the science of the mind. The human mind is the most complex machine on earth. It is the source of all thought and behavior.
Color psychology is the study of the effect that colors have on human behavior particularly the natural instinctive feelings that each color evokes.
colors can have both positive and negative effects on our moods and feelings..
This PPT by Hotel Management Tutorials explains the role of color interior designing along with different color schemes based on the prang color wheel.
Application of Color Theory in Marketingkushal walia
This document discusses how color theory can be applied in marketing. It provides information on the meanings and emotional impacts commonly associated with different colors like red, yellow, green, and blue. It also discusses how color preferences can differ by gender. Color is an important part of branding, as brands become associated with their distinctive colors over time. Research suggests that simply changing the color of a call-to-action button, like from green to red, can increase conversion rates by attracting more attention with a contrasting color. In summary, the document outlines the psychological impacts of different colors and how understanding color theory can help with marketing, branding, and design decisions.
The document discusses color theory and different color schemes. It explains that primary colors are yellow, red, and blue, and secondary colors are orange, violet, and green which are made by mixing two primary colors. Tertiary colors mix a primary and secondary color. It describes three color schemes - complementary uses opposite colors on the wheel, analogous uses adjacent colors, and monochromatic uses tints and shades of one color.
The primary colors are red, yellow, and blue. Secondary colors are green, purple and orange, created by mixing two primary colors. Tertiary colors mix a primary and secondary, examples being red-orange. Compound colors mix all primaries, like brown. Analogous colors sit beside each other on the color wheel. Complementary colors sit opposite. Warm colors like red and yellow create a warm feeling, while cool colors like blue seem to recede. The CMYK model uses pigments for print and RGB uses light for screens.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
The document discusses the power of colors and their meanings. It explains that colors can dominate other factors in things like products. Colors have meaning because humans are sensitive to their environments and colors affect people in particular ways. For example, red increases enthusiasm and energy while blue has a calming effect and green is relaxing. The document lists various colors and their associated meanings such as white aiding clarity and yellow representing happiness.
Baroque art originated in Rome in the late 16th century as a style that glorified Catholicism and absolute monarchs in response to the Protestant Reformation. Baroque art is characterized by grandeur, drama, movement, and vibrant colors in large-scale works. Key artists included Bernini, whose sculptures exemplified drama and movement, and Rubens, whose paintings depicted religious scenes with theatrical flourishes. Caravaggio introduced greater realism through life-like figures and tenebrism techniques. In Protestant Holland, Baroque art focused on realistic genre paintings, portraits, landscapes and still lifes for the bourgeois class rather than public religious works.
El morado es el color secundario que se obtiene mezclando el rojo y el azul. Históricamente, el morado era un color reservado para la realeza y la nobleza debido a lo difícil y costoso que era de obtener, y en el cristianismo se asoció con la fe y la humildad. El morado simboliza serenidad, realeza, poder, sabiduría y espiritualidad, aunque también se relaciona con aspectos negativos como la inmoralidad y la vanidad.
This document discusses third culture kids (TCKs), who are people who spend a significant part of their developmental years outside their parents' home culture. It provides examples of different types of TCKs and explores some of the pros and cons of having a TCK identity. It also discusses cultural identity development and offers suggestions for what schools, parents, and TCK children themselves can do to help support cultural identity formation and ease cultural transitions.
This document discusses how different colors can affect moods and emotions. It explores the warm colors of red, orange, and yellow which can elicit feelings of warmth, anger, and passion. The cool colors of blue, purple and green are described as calm but can also induce sadness. Specific colors are then examined in more detail, with red associated with vitality and danger, pink with calmness, blue with peace, yellow with happiness, orange with energy, green with relaxation, gray with independence, black with mystery, and brown being the least popular color. Blue is identified as the most popular color worldwide.
This document discusses the perception of color in printed textiles and how different colors can influence mood and promote health. It covers how each color has a different wavelength and vibration. It provides guidelines for choosing colors for different contexts like work, leisure activities, and ages. It suggests natural fabrics and dyes are generally healthier than synthetic options. Colors are recommended for different occupations, situations, and times of day to enhance energy, communication and mood. Uniform colors should consider neutral bases with accents to suit a variety of people.
Colors have psychological effects on human behavior and mood. Red stimulates faster heart rate and is associated with passion, while blue is calming and the most popular color. Green symbolizes nature, peace, and growth. Marketers effectively use color to attract consumers and influence their perceptions and choices. Understanding color psychology can help achieve success in business, career, and personal life.
This document discusses the psychological effects of different colors. It describes white as representing innocence, cleanliness and purity; red as love, passion and emotion; and orange as health, youth and overcoming fatigue. It also outlines that yellow can trigger frustration but also enhance concentration, while green relates to harmony and relaxing stress and anxiety. Blue is said to promote calmness and relaxation, and violet is linked to royalty, prosperity and balancing the mind. Grey is tied to independence and self-control but can lead to loneliness, and black prevents growth while brown alleviates insecurities but can also relate to depressing emotions.
El documento proporciona una extensa información sobre el color negro. Define el negro como el color más oscuro sin luz. Explica las teorías del color, los pigmentos negros a través de la historia, los significados asociados al negro en diferentes culturas y épocas, y su uso en la moda, arte, y psicología del color.
Brief set of slides meant to be used mainly as aids in order to help with visual representation of teaching certain film study techniques and brief explanations.
The document discusses the growth of anti-black racism in Europe from around 1870. It explores how racist stereotypes developed as Europeans expanded overseas through slavery and colonialism. Contact with Africans led Europeans to view them as primitive and uncivilized. The colonization and brutal exploitation of Africans in their colonies, especially the Belgian Congo, reinforced racist beliefs of white superiority. By the late 19th century, the presence of some black people in Europe also faced hostility as racist attitudes became deeply entrenched during the imperial era.
This document provides information about color design and color systems. It discusses the symbolic meanings and cultural associations of different colors like red and black. For red, it describes positive associations with life, warmth and love in ancient Egypt and Greece, while also representing bloodshed and aggression. Black represents both authority and humility, as well as rebellion, wealth, poverty and mystery. The document also outlines expectations for color projects, emphasizing concept, professionalism, originality and performing critiques.
This document provides an overview of color design and color systems. It discusses different color meanings and associations for red and black. Red is associated with both positive meanings like love and warmth, as well as negative meanings like bloodshed. In ancient Egypt, red represented life and victory. Black represents both authority and humility, as well as rebellion, conformity, wealth, poverty, and sorrow. The document also discusses color in 2D and 3D practice and emphasizes demonstrating concepts, professionalism, originality, and providing feedback during critiques.
This document provides an overview of color design and color theory. It discusses buying required textbooks and materials, defines what color is, and describes different color systems. It then discusses color in 2D and 3D practice. Examples of specific artist's work are given. The document also explores the cultural and symbolic meanings associated with different colors such as red and black. Guidelines for color projects focus on demonstrating concept, professionalism, originality, and participating in class critiques.
The document provides biographical information about Nigerian author Chinua Achebe and summarizes his famous novel Things Fall Apart. It discusses how Achebe challenged colonial narratives by depicting pre-colonial Igbo society as complex with advanced traditions and institutions. It also summarizes Achebe's criticism of Joseph Conrad's Heart of Darkness for portraying Africa as uninhabited and Africans as without language. The document analyzes key characters like Okonkwo and themes like colonial disruption of traditional African life in the novel.
Okonkwo is a respected warrior and village leader in the Igbo tribe of Umuofia in 1890s Nigeria. When he accidentally kills a clansman, he is exiled for 7 years. Upon returning, he finds the British establishing colonial rule and Christian missionaries undermining traditional beliefs. Okonkwo opposes this fiercely. However, after he takes part in an anti-colonial rebellion, the new administration sentences him to hanging. The novel explores the clash between Igbo and European cultures and the collapse of traditional African ways of life under colonialism.
The document discusses denotation and connotation of words. Denotation refers to the literal meaning of a word, while connotation refers to the emotional associations that a word evokes. For example, while "woman" and "chick" both denote an adult female, "chick" has somewhat negative connotations compared to the neutral connotation of "woman." Pragmatics is then defined as the study of how context, communication principles, and speaker goals influence how something is expressed and interpreted.
The document is about a plaster study for a sculpture by Jean-Baptiste Carpeaux titled Pourquoi Naître Esclave?, or Why Be Born a Slave?, from 1868. It depicts the figure of Africa and is 25 3/4 inches high.
This document provides information about Negritude and Post Negritude. It defines Negritude as a literary and intellectual movement started in the 1930s by French-speaking African and Caribbean writers that celebrated black culture and critiqued European colonialism. Key figures mentioned are Leopold Sedar Senghor, Aime Cesaire, and Leon Damas. Post Negritude emerged later and opposed Negritude by critiquing faults within African cultures, such as unfair treatment of twins, killers, and those with diseases or suicide in Chinua Achebe's Things Fall Apart. The document concludes that while Negritude portrayed an idealized view of Africa, Post Negritude explored more negative themes of despair and disillusion
2020 things fall apart introductory lecture slidesKhadeejah Khan
Chinua Achebe was a Nigerian novelist known for his first and most influential novel, Things Fall Apart, published in 1958. The novel depicts Nigerian tribal life in the late 19th century and the arrival of British colonialism. Achebe criticized Joseph Conrad's Heart of Darkness for portraying Africa as dark, primitive, and cultureless. In his essay "An Image of Africa," Achebe argued that Conrad was a racist and that his work helped foster the dehumanization of Africa and Africans. Achebe wrote Things Fall Apart partly in response, aiming to represent African society from an African perspective and challenge stereotypical views of the continent.
2020 things fall apart introductory lecture slidesLionel Mpisi
This document provides biographical information about Nigerian author Chinua Achebe and summarizes his most famous novel, Things Fall Apart. It discusses how Achebe wrote Things Fall Apart in 1958 in response to novels like Heart of Darkness that portrayed Africa and Africans in a distorted and negative light. The summary critiques Joseph Conrad for presenting Africa as empty of humanity and Africans as without language. It outlines Achebe's arguments that Conrad was a racist and that his work dehumanized Africans.
2020 things fall apart introductory lecture slidesBusisiwe Madlala
Chinua Achebe was a Nigerian novelist best known for his first novel Things Fall Apart, published in 1958. The novel depicts Nigerian tribal life in the late 19th century and the arrival of British colonialism. Achebe criticized Joseph Conrad's Heart of Darkness for portraying Africa as dark and primitive without human qualities, which helped justify colonialism. In his landmark essay "An Image of Africa," Achebe argued Conrad was a racist and his work dehumanized Africans. Things Fall Apart countered this by portraying a complex African society with its own traditions from an African perspective. Achebe aimed to give voice to colonial subjects and challenge stereotypes about Africa perpetuated in earlier Western works
Aboriginal art originated around 40,000-50,000 years ago when Aboriginal people first settled in Australia. They told stories through paintings using natural pigments, often on bark canvases. Common symbols in Aboriginal art represent animals, plants, people and Dreamtime stories. Dot painting involves applying colored dots in patterns using fingers, sticks or brushes. The dots make designs that reflect Aboriginal culture, rituals, and connection to the land. Aboriginal art is deeply meaningful and an important part of Australia's cultural heritage.
The document provides background information on African literature and orature. It discusses the etymology of the word "Africa" and defines orature as oral traditions such as stories, dramas, riddles, histories, myths, and songs used to educate and entertain communities. Orature relies on techniques like call-and-response and is often accompanied by music. The document then summarizes the poem "Africa" by David Diop, which expresses nostalgia for Africa and optimism about its future despite the oppression and exploitation of colonialism.
Chapter One, two and three from "Black Skin white mask"rvinod9
Frantz Fanon's book Black Skin, White Masks examines the psychology of racism and colonial domination through a post-colonial lens. Born in 1925 in Martinique, Fanon analyzes the complex relationships between black and white identities under colonial rule. The book is divided into eight parts exploring how language, gender relations, and recognition shape the colonial experience. Fanon argues that colonialism psychologically dehumanizes black people by making whiteness the superior standard that black people strive to attain.
This document discusses the concept and global impact of colorism. It begins by defining colorism as discrimination that favors those with lighter skin over darker skin. It then explores the origins of colorism through the miscegenation of slaves and colonial ideology of white superiority. The effects in the Black community are examined, such as the brown paper bag test and comb test that privileged lighter features. The document outlines how colorism exists globally in cultures like Asia, Latin America, Africa, and the Caribbean by privileging lighter skin and European features. The psychological impacts of colorism are also addressed, such as depression, low self-esteem, and feeling unattractive based on skin color.
This document discusses the concept and global impact of colorism. It begins by defining colorism as discrimination that favors those with lighter skin over darker skin. It then explores the origins of colorism through the miscegenation of slaves and colonial ideology of white superiority. The effects in the Black community are examined, such as the brown paper bag test and comb test that privileged lighter features. The document outlines how colorism exists globally in cultures like Asia, Latin America, Africa, and the Caribbean by privileging lighter skin and European features. The psychological impacts of colorism are also addressed, such as depression, low self-esteem, and feeling unattractive based on skin color.
Frantz Fanon's seminal work "Black Skin, White Masks" is summarized. The book examines the psychology of racism and its effects on both black and white people. It explores how black people struggle with identity issues from being subjected to white rule. Fanon analyzes the inferiority and superiority complexes that develop in black and white communities respectively due to the societal racial hierarchies. The work also discusses language acquisition and how it relates to adopting or rejecting aspects of white culture. Several examples from contemporary society are provided that continue demonstrating how racism operates subtly in people's minds.
2. Black In History
Ancient World The Middle Ages
The Middle Ages
• One of the first colours used in art ••Blackwas commonly associated with darkness
Black was commonly associated with darkness
• For Ancient Egyptians black had very and evil.
and evil.
positive associations •Black was worn by Benedictine monks as aa
•Black was worn by Benedictine monks as
• For the ancient Greeks, black was also the sign of humility and penitence
sign of humility and penitence
•In old novels about knights the colour black is
•In old novels about knights the colour black is
colour of the underworld
used to symbolize something mysterious and
used to symbolize something mysterious and
• Ancient Rome: black- colour of death secret
secret
3. Black in History
The 18th and 19th centuries
•Black dominated in literature and fashion
•Black dominated in literature and fashion
•Important part of the romantic movement in literature. Black was
•Important part of the romantic movement in literature. Black was
the colour of melancholy, the dominant theme of romanticism.
the colour of melancholy, the dominant theme of romanticism.
•Black was a colour of the industrial revolution
•Black was a colour of the industrial revolution
4. Black in History
20th and 21st centuries
•Black was the colour of Italian and German fascism.
•Black was the colour of Italian and German fascism.
•In the 1950s, black is the colour of those who didn't
•In the 1950s, black is the colour of those who didn't
accept established norms and values.
accept established norms and values.
•Black become a colour of the punk subculture & Goth
•Black become a colour of the punk subculture & Goth
subculture
subculture
•Black leather jacket were worn by subcultures and
•Black leather jacket were worn by subcultures and
motorcycle gangs
motorcycle gangs
5. Black and culture
Chinese Culture Aztec Era
Aztec Era
Represents the primary elements of the 4 seasons
Represents the primary elements of the 4 seasons Represents war because black glass was
Represents war because black glass was
and directions, such as water, north direction and
and directions, such as water, north direction and used to make their swords. Also religion
used to make their swords. Also religion
the winter. Boys also traditionally wore black.
the winter. Boys also traditionally wore black. as all priests wore black.
as all priests wore black.
6. Black and culture
In the rural areas of Mexico, Portugal,
In the rural areas of Mexico, Portugal, England: Black taxi cabs. .
England: Black taxi cabs
Italy, Spain and Greece widows wear
Italy, Spain and Greece widows wear
black for the rest of their lives to mourn.
black for the rest of their lives to mourn.
In the West black is
In the West black is
the colour for mourning.
the colour for mourning.
7. Black and psychological
effects
•
• Black is protection from external emotional stress and
Black is protection from external emotional stress and Wearing black is seen as
acts as a barrier hiding vulnerabilities. So when feeling
acts as a barrier hiding vulnerabilities. So when feeling sophistication, like “the little
depressed and insecure, people generally chose to black dress” and “black tie”
wear black.
wear black. events.
•
• Has a psychological effect of intimidation and being
unapproachable. it radiates authority but creates fear
unapproachable. it radiates authority but creates fear
at the same time.
at the same time.
8. Black and psychological
effects
•
• Idea of death, black represents the end like the concept of
Idea of death, black represents the end like the concept of
the grim reaper dressed in a black robe.
the grim reaper dressed in a black robe.
• Teens often have psychological needs to wear black
• Teens often have psychological needs to wear black
during the stage of transition to adulthood, signifying the
during the stage of transition to adulthood, signifying the
end of childhood.
• Black is also associated with black magic and superstition,
• Black is also associated with black magic and superstition,
for example when a black cat crosses your path.
• Also linked with depression, mood swings.
• Also linked with depression, mood swings.
• Overall causes psychological effects of sophistication,
• Overall causes psychological effects of sophistication,
negativity, and power and control.
negativity, and power and control.
9. Black in fashion
Middle Ages
•In the 14th century, the status of black began to change. First,
high-quality black dyes began to arrive on the market, allowing
garments of a deep, rich black. Magistrates and government
officials began to wear black robes, is a sign of the importance
and seriousness of their positions.
•The third reason: law in some parts of Europe which prohibited
the wearing of costly clothes and certain colors by anyone except
members of the nobility. The wealthy bankers and merchants of
northern Italy responded by changing to black robes and gowns,
made with the most expensive fabrics.
10. Black in fashion
The 18th and 19th centuries
•The invention of new, inexpensive synthetic black dyes and
•The invention of new, inexpensive synthetic black dyes and
the industrialization of the textile industry meant that good-
the industrialization of the textile industry meant that good-
quality black clothes were available for the first time to the
quality black clothes were available for the first time to the
general population.
•In the 19th century gradually black became the most
•In the 19th century gradually black became the most
popular color of business dress of the upper and middle
popular color of business dress of the upper and middle
classes in England, the Continent, and America.
classes in England, the Continent, and America.
11. Black in fashion
“A woman needs just three things; a black dress, a
black sweater, and, on her arm, a man she loves.”
Coco Chanel
•1926 - she developed the “little black dress”
•1926 - she developed the “little black dress”
"Black is the quintessence of simplicity and
elegance.”-Gianni Versace
One of the most famous black dresses of the century
One of the most famous black dresses of the century
was designed by
was designed by
Hubert de Givenchy and was worn by Audrey
Hubert de Givenchy and was worn by Audrey
Hepburn in the 1961 film “Breakfast at Tiffany’s”.
Hepburn in the 1961 film “Breakfast at Tiffany’s”.
12. Black in fashion
Luxury
•The color of products for which we expect to pay a bit more
•The color of products for which we expect to pay a bit more
•Black packaging shows power, sexuality, sophistication,
•Black packaging shows power, sexuality, sophistication,
especially if mixed with such colors as silver, gold or red.
especially if mixed with such colors as silver, gold or red.
•Traditionally when black is used for a logo as the only color it is
•Traditionally when black is used for a logo as the only color it is
combined with a particular font that solidifies the brand power.