The archives recorded in the field and widely the sounds of scientific research are quite rare online. They raise multiple issues: ethical and legal issues, contextualization, links between archives and datas, various formats… Even their legitimacy is not always clear to everyone. Through the Europena Sounds project, four research teams from the French National Center for Scientific Research (CNRS) have worked together around sound archives to build a new network of resources and skills for a better workflow : the Research Center for Ethnomusicology(CREM) ; the “Phonothèque” of the Mediterranean Social Science Center (MMSH), Aix-en-Provence ; the Phonobase of the HistoricalResearches Laboratory of Rhône-Alpes Region (LARHRA) ; the Center for Researches on Sound Spaces and Urban Environments (CRESSON).
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
Singing planting wheat, a song recorded in the field in 1964 by Marceau Gast ...Phonothèque MMSH
Listen the song on SoundCloud : https://soundcloud.com/europeana/chant-de-travail-agricole-a-repondre-en-tamahaq-puis-en-arabe-a-ideles-en-1964-mmsh-n4192
Read more about this song : https://phonotheque.hypotheses.org/20040
Conference for the workshop "Clinica para el análisis documental de grabaciones sonores y audiovisuales" organized in Mexico, UNAM the 8th of september 2016, included in Jornada académica sobre preservación de colecciones sonoras y audiovisuales de origen digitales.
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
The Europeana Music Collections presented at EVA/MINERVA 2015 http://www.digital-heritage.org.il/program2015.html on 2015-11-09
These slides supported a presentation of the Europeana Music Collections, built on the Europeana platform, as part of a session on making audio-visual collections from libraries, archives and museums more available online.
Open, Smart and Connected access to Audiovisual CollectionsJohan Oomen
Talk given at COPEAM 2018.
“Heritage and Media – Preserving the future through our past: an opportunity for growth and democracy?”
Calviá - Mallorca, 10-12 May 2018
Hotel Meliá Calviá Beach
Calle Violeta, 1 Calviá Beach - 07181 Mallorca, Spain
Cultural heritage embraces resources inherited from the past and offers a great variety of opportunities to the present: monuments, sites and traditions, but also visual arts, cinema, TV and radio archives.
In this framework, the Media of the Euro-Mediterranean region – both traditional and new ones – have to play their role, particularly given the challenges that such issue implies in terms of content production, audiovisual documents preservation and impact of the digital transition as a tool for the safeguard and enhancement of our common heritage.
Singing planting wheat, a song recorded in the field in 1964 by Marceau Gast ...Phonothèque MMSH
Listen the song on SoundCloud : https://soundcloud.com/europeana/chant-de-travail-agricole-a-repondre-en-tamahaq-puis-en-arabe-a-ideles-en-1964-mmsh-n4192
Read more about this song : https://phonotheque.hypotheses.org/20040
Conference for the workshop "Clinica para el análisis documental de grabaciones sonores y audiovisuales" organized in Mexico, UNAM the 8th of september 2016, included in Jornada académica sobre preservación de colecciones sonoras y audiovisuales de origen digitales.
Crowdsourcing and Semantic Enrichments for European Cultural HeritageEuropeana_Sounds
Crowdsourcing and Semantic Enrichments for European Cultural Heritage, by Sergiu Gordea, Michela Vignoli and Roman Graf (Austrian Institute of Technology) - 27 September 2016
The Europeana Music Collections presented at EVA/MINERVA 2015 http://www.digital-heritage.org.il/program2015.html on 2015-11-09
These slides supported a presentation of the Europeana Music Collections, built on the Europeana platform, as part of a session on making audio-visual collections from libraries, archives and museums more available online.
IASA 2014 Conference - Cape Town, South Africa #iasa2014Karen Du Toit
Report back about attending the most recent International Association of Sound and Audiovisual Association Conference in Cape Town from 5 - 9 October 2014
Only possible to mention but a few of the papers that were read.
Information about the conference can be found here: http://2014.iasa-web.org/
Towards new digital cultural spaces (archive 2004)Jpsd consultant
Exposé présenté au 4ème Sommet mondial pour l'Internet et le Multimédia de la FIAM qui s'est déroulé du 18 au 20 Octobre 2004 à Pékin (Beijing) dans le nouveau Centre des Congrès du "Media Boulevard".
Challenges and opportunities of aggregating multiple databases in EuropeanaDavid Haskiya
Presentation about Europeana made at the SHIPWHER (http://www.muinas.ee/shipwher-1 ) project's final seminar. It's a pretty general introduction to Europeana but with some focus on how Europeana could become a more useful service for maritime archaeologists and historians.
Archeowiki, When Open-Source Strategies Attract Visitors' Presence In Museums...Cristian Consonni
This is a presentation for the EAGLE 2014 CONFERENCE (www.eagle-network.eu/about/events/eagle2014/).
«Archeowiki, When Open-Source Strategies Attract Visitors' Presence In Museums. A Project For The Enhancement Of Archaeological Heritage In Lombardy (ITALY).» presents the project Archeowiki by Wikimedia Italia, Gruppo Archeologico Ambrosiano, Associazione MiMondo, Fondazione Passaré and Civiche Raccolte Artistiche Extraeuropee del Castello Sforzesco di Milano.
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience?
This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning.
This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAM’s collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences.
A presentation about the Music in Movement project (www.musicinmovement.eu) by Lizzy Komen (Sound and Vision) and Maria Drabczyk (FINA) at the annual conference of IASA in Berlin (2017).
Linking Europe to the Nile: connecting sites, monuments, museums and historic...CARARE
In this presentation Tamborrino and Wendrich suggest that Europeana can enable cultural links and intersections across boundaries and cultures, and provide information for lost archaeological sites outside Europe. Set in the context of digital technologies for the humanities, the authors describe the links between the Nile and Europe, and the series of campaigns which have 'discovered' Egyptian monuments dating back to Napolean. A case study looks at the Nubian temples south of the Aswan dam, remains of which can today can be found in various museums around Europe, the US, Egypt and the Sudan. As well as the tangible heritage there is intangible heritage - with associations between Nubia and famous photographers and conservationists. An international campaign lead by UNESCO in from the 1960s when the Aswan dam was constructed lead to the involvement of large numbers of archaeologists from Europe and worldwide in recording monuments such as the temples at Philae, Gerf Hussein, Dendur and Abu Simbel. Various physical and digital archives are available. The authors proposed that Europeana could be instrumental in creating links and re-contextualising the digital content/ digital heritage of the Nile.
V. Ginouvès (MMSH), JC Peyssard (Ifpo): Archiving, Preserving and Disseminati...Phonothèque MMSH
The project is a cooperation of the Institut Francais de Jordanie (IFJ), the French Institute for the Near East (Ifpo) and the Goethe-Institut in partnership with the Department of the National Library of Jordan as well as four Jordanian universities - Mutah University, Yarmouk University, the University of Jordan and Al Hussein Bin Talal University. It is supported by the Franco-German Cultural Fund. A first training session was organized on Oral History by Lucine Taminian and Falestin Naili, at the Institut Français du Proche-Orient (Ifpo) in Amman for 8 teachers and 16 students. The participants were in charge to collect stories, pictures, songs and other materials related to the period of the First World War in their communities. The files recorded in the field have to be preserved and catalogued by the Department of the National Library of Jordan.
The workshop covered the central concepts necessary to understand, conceptualise, and implement a sound digitization campaign according to current standards used by professionals, in relation to oral history methodology.
IASA 2014 Conference - Cape Town, South Africa #iasa2014Karen Du Toit
Report back about attending the most recent International Association of Sound and Audiovisual Association Conference in Cape Town from 5 - 9 October 2014
Only possible to mention but a few of the papers that were read.
Information about the conference can be found here: http://2014.iasa-web.org/
Towards new digital cultural spaces (archive 2004)Jpsd consultant
Exposé présenté au 4ème Sommet mondial pour l'Internet et le Multimédia de la FIAM qui s'est déroulé du 18 au 20 Octobre 2004 à Pékin (Beijing) dans le nouveau Centre des Congrès du "Media Boulevard".
Challenges and opportunities of aggregating multiple databases in EuropeanaDavid Haskiya
Presentation about Europeana made at the SHIPWHER (http://www.muinas.ee/shipwher-1 ) project's final seminar. It's a pretty general introduction to Europeana but with some focus on how Europeana could become a more useful service for maritime archaeologists and historians.
Archeowiki, When Open-Source Strategies Attract Visitors' Presence In Museums...Cristian Consonni
This is a presentation for the EAGLE 2014 CONFERENCE (www.eagle-network.eu/about/events/eagle2014/).
«Archeowiki, When Open-Source Strategies Attract Visitors' Presence In Museums. A Project For The Enhancement Of Archaeological Heritage In Lombardy (ITALY).» presents the project Archeowiki by Wikimedia Italia, Gruppo Archeologico Ambrosiano, Associazione MiMondo, Fondazione Passaré and Civiche Raccolte Artistiche Extraeuropee del Castello Sforzesco di Milano.
What is the public value of an online collection? Why should museums and archives invite digital artists to deconstruct and rebuild their online collections experience?
This paper argues that the traditional online collection- a database of object records- is fundamentally designed for research audiences, and presents very few opportunities for serendipitously engaging the casual browser. It will propose that in order to reach new audiences online, museums and archives should be less concerned with technical innovation and more interested in enabling and publishing creative reuse of collections; they should promote their collection as a resource bank to creative practitioners who design compelling digital experiences; and that designing digital heritage experiences to inspire curiosity and wonder is more important than facilitating learning.
This paper will refer to the innovative Half Memory project as a case study. The project, developed by TWAM with Tusk Music and Pixel Palace, invited musicians, sound artists and film makers to use TWAM’s collections as a resource for creating engaging (digital) heritage outputs; outputs that recontextualised historical material in order to inspire new audiences.
A presentation about the Music in Movement project (www.musicinmovement.eu) by Lizzy Komen (Sound and Vision) and Maria Drabczyk (FINA) at the annual conference of IASA in Berlin (2017).
Linking Europe to the Nile: connecting sites, monuments, museums and historic...CARARE
In this presentation Tamborrino and Wendrich suggest that Europeana can enable cultural links and intersections across boundaries and cultures, and provide information for lost archaeological sites outside Europe. Set in the context of digital technologies for the humanities, the authors describe the links between the Nile and Europe, and the series of campaigns which have 'discovered' Egyptian monuments dating back to Napolean. A case study looks at the Nubian temples south of the Aswan dam, remains of which can today can be found in various museums around Europe, the US, Egypt and the Sudan. As well as the tangible heritage there is intangible heritage - with associations between Nubia and famous photographers and conservationists. An international campaign lead by UNESCO in from the 1960s when the Aswan dam was constructed lead to the involvement of large numbers of archaeologists from Europe and worldwide in recording monuments such as the temples at Philae, Gerf Hussein, Dendur and Abu Simbel. Various physical and digital archives are available. The authors proposed that Europeana could be instrumental in creating links and re-contextualising the digital content/ digital heritage of the Nile.
Similar to The CNRS Sound Archives provided to the European library through Europeana Sounds (20)
V. Ginouvès (MMSH), JC Peyssard (Ifpo): Archiving, Preserving and Disseminati...Phonothèque MMSH
The project is a cooperation of the Institut Francais de Jordanie (IFJ), the French Institute for the Near East (Ifpo) and the Goethe-Institut in partnership with the Department of the National Library of Jordan as well as four Jordanian universities - Mutah University, Yarmouk University, the University of Jordan and Al Hussein Bin Talal University. It is supported by the Franco-German Cultural Fund. A first training session was organized on Oral History by Lucine Taminian and Falestin Naili, at the Institut Français du Proche-Orient (Ifpo) in Amman for 8 teachers and 16 students. The participants were in charge to collect stories, pictures, songs and other materials related to the period of the First World War in their communities. The files recorded in the field have to be preserved and catalogued by the Department of the National Library of Jordan.
The workshop covered the central concepts necessary to understand, conceptualise, and implement a sound digitization campaign according to current standards used by professionals, in relation to oral history methodology.
Cette présentation a été faite dans le cadre de la séance inaugurale du programme de recherche « ArchInBib » labellisé par la fondation A°Midex dans le cadre du dispositif « Pépinière d’excellence ».
On oublie souvent que les bibliothèques conservent aussi tout autre chose que des livres, et en particulier de vastes ensembles mêlant notes et carnets de travail, correspondances, manuscrits et pièces imprimées. Ces « fonds particuliers », selon la terminologie actuelle,trouvent leur cohérence dans l’activité de l’individu ou de la famille qui les a rassemblés. Véritables « archives en bibliothèque », ils ouvrent sur une histoire des pratiques de l’écrit et de l’archivage domestique, sur une histoire de la manière dont les bibliothèques absorbent des fonds qui ne sont pas des livres, et sur une histoire des usages historiens suscités par ces matériaux.
En savoir plus : https://phonotheque.hypotheses.org/23502
Programme de la matinée :
A9h30 – Archives en bibliothèques (XVIIIe-XXIe siècle) : présentation d’un chantier de recherches par Emmanuelle Chapron (TELEMMe – AMU, CNRS UMR 7303)
10h30 : Présentation de trois fonds pilotes
– Un érudit et ses papiers : Nicolas-Claude Fabri de Peiresc (1580-1637) par Jean-François Delmas, Bibliothèque Inguimbertine, Carpentras ;
– Parlementaires et érudits : les Fauris de Saint-Vincens (XVIIIe-XIXe siècle), par Aurélie Bosc, Bibliothèque Méjanes,=, Cité du Livre, Aix-en-Provence ;
– Archives d’ethnologues : Marceau Gast (1929-2010) et Annie-Hélène Dufour (1947-2002) par Véronique Ginouvès, Maison méditerranéenne des sciences de l’homme, USR3125 (AMU-CNRS).
Matières sonores : recherche, archive et création : les multiples vies des ar...Phonothèque MMSH
Dans le cadre de la semaine du son qui aura lieu du 20 janvier au 4 février dans toute la France, le son sera dans tous ses états dans un programme qui mettra en en écoute et en lumière de nombreuses initiatives illustrant la résolution 39C/49 qui a été adoptée par l’UNESCO le 31 octobre 2017 « L’importance du son dans le monde actuel : promouvoir les bonnes pratiques ».
Cécile Regnault, architecte EVS-LAURe, de l’Ecole nationale supérieure d’architecture de Lyon (ENSAL) et Olivier Givre anthropologue, EVS-CTT, de l’Université Lumière Lyon 2 organisent un séminaire recherche de l’UMR 5600 Environnement, villes et société, université de Lyon qui aura lieu le jeudi 1er février 2018 à l’ENSAL à Vaulx-en-Velin et qui interrogera les enjeux et les usages scientifiques, culturels, artistiques et éthiques des documents sonores dans différents contextes (archives, phonothèques, travaux scientifiques, projets artistiques, recherche urbaine et conception architecturale, etc.).
En savoir plus : https://phonotheque.hypotheses.org/23521
Annotation collaborative des archives sonores au salon Innovative shs, 17 et ...Phonothèque MMSH
En 2017, l’institut des sciences humaines et sociales du CNRS a choisi d’organiser sa troisième édition du salon Innovatives SHS, salon de la valorisation en sciences humaines et sociales au Parc Chanot, à Marseille les 17 et 18 mai prochain1. Pour la première fois, l’équipe de la phonothèque de la MMSH y sera présente avec la présentation d’un projet de valorisation sur les sciences collaboratives.
Diaporama qui présente la mise en place de la loi du 20 juin 1992 qui intègre les documents de la télévision et de la radio au dépôt légal obligatoire.
https://imageson.hypotheses.org/
M. Crivello - M.-C. Hélias-Sarre. Recherche et fonds documentaires de l'ina :...Phonothèque MMSH
Diaporama qui présente les 30 ans de collaboration entre la Recherche et l'Ina à travers la propre collaboration de Maryline Crivello et Marie-Christine Hélias-Sarre.
https://imageson.hypotheses.org/
S. Gebeil - Les archives web de l'Ina : une source pour l'histoire du temps p...Phonothèque MMSH
Diaporama qui présente les mémoires de l’immigration maghrébine sur le web français de 1999 à 2014, à travers les sources du dépôt légal de l'Ina.
https://imageson.hypotheses.org/
Récit du stage à la phonothèque de la MMSH de Donatella Mistretta, juin 2016Phonothèque MMSH
Du 18 avril au 17 juin, Donatella Mistretta a fait son stage "Tourisme Langue et Patrimoine - AMU" à la phonothèque de la MMSH. Elle a fait son récit sous forme de "photo journal".
« Ils étaient tous partis, c'était la guerre… » : Enfants ou apprentis luthie...Phonothèque MMSH
Présentation dans le cadre de la journée du 14 janvier 2016 : Collaboration scientifique en Europe et diffusion des données. Comment prendre en compte les questions juridiques et éthiques ? Retours d’expérience dans le domaine de la musique
https://ethiquedroit.hypotheses.org/1225
La publication en libre accès au cœur de la demande européenne. État des lieu...Phonothèque MMSH
La journée soutenue par le LabexMed (https://labexmed.hyptheses.org) ainsi que le Consortium Musica de la TGIR Huma-Num (https://humanum.hypotheses.org/503) s’inscrivait dans le cadre du projet de rédaction d’un recueil de bonnes pratiques sur les questions juridiques et éthiques pour la diffusion des données de la recherche en sciences humaines sociales (https://ethiquedroit.hypotheses.org).
Copyright challenges and policy choices in European heritage projects Tools, ...Phonothèque MMSH
La journée soutenue par le LabexMed (https://labexmed.hyptheses.org) ainsi que le Consortium Musica de la TGIR Huma-Num (https://humanum.hypotheses.org/503) s’inscrivait dans le cadre du projet de rédaction d’un recueil de bonnes pratiques sur les questions juridiques et éthiques pour la diffusion des données de la recherche en sciences humaines sociales (https://ethiquedroit.hypotheses.org).
Le 18 mars 2016 à 14h, l’équipe de la phonothèque sera présente au Forum de la Méditerranée, qui se tiendra à Marseille du 17 au 19 mars à la Villa Méditerranée et au MuCEM.
Ce forum des études méditerranéenne est piloté par le LabexMed, en collaboration avec les labex ArcHiMedE, OT-Med et Resmed, et en partenariat avec le MuCEM. Il a pour but de présenter les projets développés par les laboratoires d’excellence dans le champ des sciences humaines et sociales avec un focus sur la Méditerranée.
Diffuser et valoriser les données de la recherche : exemples issus de l’expé...Phonothèque MMSH
Présentation dans le cadre de la formation annuelle (ANF) de la TGIR Huma-Num, organisée du 21 au 25 septembre à Fréjus (villa Cynthia, France), sous le titre "Gérer les données de la recherche : de la création à l’interopérabilité ".
Le portail du patrimoine oral Un outil de recherche et de valorisation du pa...Phonothèque MMSH
Diaporama présenté lors de deux journées d'étude qui ont lieu à la Maison du Patrimoine oral de Bourgogne dans le Morvan à Anost autour des projets participatifs en Europe (Italie, Flandre, France, Pays-Basque) et en Guyane en lien avec le PCI. Pour plus d'information voir : http://phonotheque.hypotheses.org/15766
Atelier numérique en Méditerranée : 0 bonnes raisons de tenir un carnet de r...Phonothèque MMSH
10 bonnes raisons de tenir
un carnet de recherche pendant sa thèse
par
Delphine Cavallo, responsable du pôle information scientifique, OpenEdition
Véronique Ginouvès, phonothèque MMSH
Sidi-Bous-Saïd, juin 2015
Atelier numérique en Méditerranée
Voir : http://imageson.hypotheses.org/2054
ATED 2015 - Données numériques et Mémoire par Nicolas Larrousse (Huma-Num)Phonothèque MMSH
Cette conférence de Nicolas Larrousse (Huma-Num) s'inscrit dans le cadre de l'atelier doctoral (ATED) soutenu par le LabexMed qui se positionne comme acteur de la recherche internationale, des pratiques interdisciplinaires et de la promotion des Digital Humanities dans le champ des études méditerranéennes. il est organisé en collaboration avec les laboratoires TELEMME , IREMAM, LAMES,IRMC et le Pôle Images/Sons, pratiques du numérique de la MMSH. L’atelier a l’ambition de constituer un réseau d’études doctorales et de créer les conditions d’une communauté collaborative dynamique autour des Digital Humanities sur l’aire méditerranéenne.
Voir http://imageson.hypotheses.org/2054
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
The CNRS Sound Archives provided to the European library through Europeana Sounds
1.
The
Sound
Archives
provided
to
the
European
library
through
By
:
IASA
2017
-‐
BERLIN
2. IASA
2017
-‐
BERLIN
Traditional music, field and
commercial recordings
Oral Tradition, field
recordings related to the
mediterranean region
Architectural and urban
sonic environment
Modern and contemporary
history : arts, education,
cultures, images, sounds
3.
Europeana
Sounds
project
(2014-‐2017)
Project
granted
by
the
European
Commission
and
lead
by
the
Bri$sh
Library
24
partners:
-‐
12
European
countries
-‐
2
French
partners
:
CNRS
and
BnF
Achievements
:
520
000
recordings
available
online
in
September
2017
among
which
38
000
items
from
the
CNRS
4. CNRS
Musée
de
l’Homme
Sound
Archives
(CREM)
An
intangible
historic
heritage
gathering
the
collects
of
explorers
and
researchers
during
the
XXth
Century
Musée
d’ethnographie,
ExposiVon
Universelle,
Paris,
1900
A.
Schaeffner,
Mission
Dakar
DjibouV,
1932
Mission
Ogooué-‐Congo,
1946
G.Rouget,
Griots
Maures
tape,
1952
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
5. CNRS
Musée
de
l’Homme
Sound
Archives
(CREM)
New
contents
from
early
collecVons:
Cylinder,
lacquer
disc
Africa
Vox,
1946-‐1951
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
Mission Le Coeur, Tchad, 1946
Aures, 1936, Th. Rivière/ G. Tillon
6. CNRS
Musée
de
l’Homme
Sound
Archives
(CREM)
New
contents
from
early
collecVons
Europeana
page
with
CREM
item:
hcp://www.europeana.eu/portal/en/record/2059208/archives_items_51473_.html
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
7. Virtual
exhibiVon
on
Europeana
(July
2017)
:
Mission
Ogooué-‐Congo,
1946
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
8. Virtual
exhibiVon:
Mission
Ogooué-‐Congo,
1946
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
9. Virtual
exhibiVon:
Mission
Ogooué-‐Congo,
1946
Gilbert
Rouget,
101
years
old,
70
years
later
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
10. The
Sound
Archives
of
the
MMSH
Phonothèque
• A
research
and
teaching
campus
in
human
and
social
sciences,
specialized
with
the
mediterranean
region
• Unpublished
recordings
dated
from
the
end
of
the
1950’s
to
nowadays
:
life
narraVves,
oral
history,
spoken
collecVve
accounts…
hcp://phonotheque.mmsh.huma-‐num.fr
hcp://phonotheque.hypotheses.org
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
Photo: Marceau Gast, Hhaggar, 1952,
MMSH, Europeana, CC-BY ND
11. The
Sound
Archives
of
the
MMSH
Phonothèque
• More
than
7
000
hours
among
which
a
big
half
online
on
the
database
• 4
500
sound
recordings
aggregated
to
Europeana
in
accordance
with
ethical
and
juridical
quesVons
hcp://phonotheque.mmsh.huma-‐num.fr
hcp://phonotheque.hypotheses.org
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
12. The
Cresson
/
Sound
Archives
Ambiances
Architectures
Urbanités
:
Cressound
Photo
prise
par
l’équipe
Esquis’sons
à
la
Caserne
de
Bonne,
Grenoble,
2014
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
13. The
Center
for
Research
on
Sound
Spaces
and
Urban
Environments
CRESSON
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
Picture
from
the
research
campain
“Esquis’Sons”,
Caserne
de
Bonne,
Grenoble
(France),
2014
Cresson’
researchers
recorded
and
analysed
everyday
sounds
:
from
the
scale
of
architectural
device,
housing,
district,
to
the
scale
of
city
sound
idenCty.
14. The
Center
for
Research
on
Sound
Spaces
and
Urban
Environments
CRESSON
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
VisualizaVon
of
a
recording
in
Cartophonies.fr
In
Cartophonies
recordings
are
enriched
with
metadatas
such
as
illustraCons,
photos,
cross
secCons.
15. The
Center
for
Research
on
Sound
Spaces
and
Urban
Environments
CRESSON
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
VisualizaVon
of
a
recordings
in
Europeana
Sounds
Reusable
data
under
CreaCve
Commons
Cresson
sound
archives
represents
20%
of
“Environment
sound
recordings”
on
Europeana
Sounds
16.
Cresson
data
on
Europeana
hcp://www.europeana.eu/portal/fr/search?f%5BDATA_PROVIDER%5D%5B%5D=CNRS-‐CRESSON&q=what%3A%22Enregistrements+sonores+de+l%27environnement
%22&view=grid
17. Phonobase
:
Early
Gramophone
Records
and
Phonograph
Cylinders
On-‐line
Database
WWW.PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
18. WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
50 million cylinders produced for
the French market between 1893
and 1914.
Specific cylinders were still in use
much later during the XXth century
in many countries.
The Archeophone
phonograph in 2002
19. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
20. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
21. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
22. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
23. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
24. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
25. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
26. Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
WWW.
PHONOBASE.ORG
-‐
LARHRA
-‐
CNRS
UMR
5190
The Phonobase in Europeana Radio
27. hIp://www.europeanasounds.eu
Europeana
Sounds
:
new
skills
● A
network
of
expert
partners
specialized
in
audio
archive
● European
project
management
● Legal
and
ethical
issues
● MulVlingualism
● Interoperability
and
aggregaVon
○ A
shared
metadata
model
:
EDMS
(Europeana
Data
Model
Profile
for
Sound)
:
hcp://pro.europeana.eu/files/Europeana_Professional/EuropeanaTech/EuropeanaTech_taskforces/
EDMSound//TF_Report_EDM_Profile_Sound_301214.pdf
○ A
shared
vocabulary
(MIMO)
● InnovaVve
and
collaboraVve
tools
○
new
tools
to
share
:
MINT,
Pundit,
CulturLink,
WITH
28.
Crowdsourcing
Enrichment
&
par$cipa$on
WITH: a collaborative platform for IndexaVon
in
Europeana
Sounds
Space
with
an
alignment
tool
Pundit to
be
linked
to
a
mulVlingual
thesaurus
of
musical
instruments
MIMO
Treasures
emerged
from
the
CNRS
collecVons
thanks
to
Europeana
Sounds
30.
Organizing
collaboraVve
events
October
2015
Ø Wikipedia
enrichment
:
edit-‐a-‐thon
with
Wikimedia
France
about
Migrants
storytelling
June-‐july
2016
:
#CrowdsourcingMonth
Crowdsourcing
campaign
using
WITH,
a
collaboraVve
tool
Ø Musical
instruments
indexaVon
with
MIMO
Ø 2.581
indexaVon
during
1
month
October
2016
:
tagathon
avec
HistoryPin
Enrichment
and
geo-‐tagging
of
historical
archives
on
Google
Maps
31. Music
Channel
:
CuraVon
by
the
CNRS
December 2016 to January 2017