In the advertising and marketing industries, the debate has raged for decades. Do high levels of creativity make advertising more effective? Or is creativity just irresponsible folly practiced by creative people looking to win their next award? The arguments of both advocates and cynics have until now been based on conjecture and anecdotal evidence. The Case for Creativity brings the debate to a conclusion, telling the story of two decades of international research into the link between creativity and business results.
Tom Roach, BBH’s effectiveness head, was asked by Thinkbox to present the business case for creativity at their spring event. Inspired by Thinkbox’s own nickable slides, here’s the nickable presentation he gave, bringing together the best evidence for the value of creativity in marketing communications.
THE BRAND GAP is the first book to present a unified theory of brand-building. Whereas most books on branding are weighted toward either a strategic or creative approach, this book shows how both ways of thinking can unite to produce a “charismatic brand”—a brand that customers feel is essential to their lives. In an entertaining two-hour read you’ll learn:
• the new definition of brand
• the five essential disciplines of brand-building
• how branding is changing the dynamics of competition
• the three most powerful questions to ask about any brand
• why collaboration is the key to brand-building
• how design determines a customer’s experience
• how to test brand concepts quickly and cheaply
• the importance of managing brands from the inside
A Planner's Playbook - Everything I learned about planning at Miami Ad School...Sytse Kooistra
After being in advertising for 4 years, I needed some new guidance and inspiration as a strategist. And that is exactly what I found: I spent the summer of 2013 with 17 other (soon to be) planners from all over the world attending the Account Planning Bootcamp at Miami Ad School New York.
Thanks to the 38 industry heroes and instructors that shared their knowledge and coached us in those 3 months, I learned more than I ever could imagine about planning.
'A Planner's Playbook' is my attempt to summarize all that wisdom in 30 short nuggets (or plays, to stick with the metaphor of a playbook) and share it with you. I left out all the difficult frameworks and models and kept in simple by just stating, in my opinion (and in that of my instructors), what a planner should be and do.
Enjoy reading.
Effectiveness is at the heart of everything we do. David Ogilvy himself wrote a series of full-page ads in the New York Times in the 1960s with headlines such as "How To Create Advertising That Sells." His most famous book, Ogilvy on Advertising, is packed with guidance on the success factors of effective campaigns.
However, the marketing landscape has changed beyond recognition in the past fifty years. We are delighted to share our latest publication, The Ogilvy & Mather guide to effectiveness. In it, Worldwide Effectiveness Director, Tim Broadbent, deals with one of the most central questions in marketing: how to increase the effectiveness of our campaigns.
As marketing budgets come under increasing pressure in response to economic uncertainty in Europe and elsewhere, effectiveness is rising higher on clients' agendas. The message is timely.
60 Minute Brand Strategist: Extended and updated hard cover NOW available.Idris Mootee
This book includes the very latest thinking on branding and brand strategy. It has been published in different many languages and use by top global brands to train their brand managers. New updated hard cover version is not available from Amazon May 2013
Pls view in full screen mode. Published in more than 5 languages.
Tom Roach, BBH’s effectiveness head, was asked by Thinkbox to present the business case for creativity at their spring event. Inspired by Thinkbox’s own nickable slides, here’s the nickable presentation he gave, bringing together the best evidence for the value of creativity in marketing communications.
THE BRAND GAP is the first book to present a unified theory of brand-building. Whereas most books on branding are weighted toward either a strategic or creative approach, this book shows how both ways of thinking can unite to produce a “charismatic brand”—a brand that customers feel is essential to their lives. In an entertaining two-hour read you’ll learn:
• the new definition of brand
• the five essential disciplines of brand-building
• how branding is changing the dynamics of competition
• the three most powerful questions to ask about any brand
• why collaboration is the key to brand-building
• how design determines a customer’s experience
• how to test brand concepts quickly and cheaply
• the importance of managing brands from the inside
A Planner's Playbook - Everything I learned about planning at Miami Ad School...Sytse Kooistra
After being in advertising for 4 years, I needed some new guidance and inspiration as a strategist. And that is exactly what I found: I spent the summer of 2013 with 17 other (soon to be) planners from all over the world attending the Account Planning Bootcamp at Miami Ad School New York.
Thanks to the 38 industry heroes and instructors that shared their knowledge and coached us in those 3 months, I learned more than I ever could imagine about planning.
'A Planner's Playbook' is my attempt to summarize all that wisdom in 30 short nuggets (or plays, to stick with the metaphor of a playbook) and share it with you. I left out all the difficult frameworks and models and kept in simple by just stating, in my opinion (and in that of my instructors), what a planner should be and do.
Enjoy reading.
Effectiveness is at the heart of everything we do. David Ogilvy himself wrote a series of full-page ads in the New York Times in the 1960s with headlines such as "How To Create Advertising That Sells." His most famous book, Ogilvy on Advertising, is packed with guidance on the success factors of effective campaigns.
However, the marketing landscape has changed beyond recognition in the past fifty years. We are delighted to share our latest publication, The Ogilvy & Mather guide to effectiveness. In it, Worldwide Effectiveness Director, Tim Broadbent, deals with one of the most central questions in marketing: how to increase the effectiveness of our campaigns.
As marketing budgets come under increasing pressure in response to economic uncertainty in Europe and elsewhere, effectiveness is rising higher on clients' agendas. The message is timely.
60 Minute Brand Strategist: Extended and updated hard cover NOW available.Idris Mootee
This book includes the very latest thinking on branding and brand strategy. It has been published in different many languages and use by top global brands to train their brand managers. New updated hard cover version is not available from Amazon May 2013
Pls view in full screen mode. Published in more than 5 languages.
How to Create a Killer Creative Brief with Wild AlchemyUnited Adworkers
United Adworkers had the honor of hosting Lynette Xanders with Wild Alchemy to share her incredible knowledge and insights on "How to Create a Killer Creative Brief". For more information about Wild Alchemy and Lynette Xanders, visit WildAlchemy.com.
Tom Roach, BBH London’s Head of Effectiveness, discusses the importance of difference in business, marketing and creativity, and shares some key data to help you avoid drowning in the ‘sea of sameness’.
This is the presentation that I gave to the Young Planners at Cannes 2014. The data herein is taken from survey distributed through @cheiluk, @yellif and @cr
This presentation was nominated at the Brilliant Presentation Awards 2013. In this slideshow, I brought together key approaches towards insight in advertising creation process. You may learn: why do we need to find and understand consumer insights; what is a consumer insight; why it's so important for brands; how to find real consumer insights; know the pathway towards insight; insight verification; how to be insightful; case studies on insight building.
Strategic Planning & the Importance of Consumer insightsKaren Saba
A high level presentation shedding light on what Strategic Planners really do at creative agencies and the importance of consumer insights in the world of planning. It is an interactive presentation with a 'Guess the insight' section at the end.
Please feel free to download, improve, and share the credits.
Lovemarks Presentation - Brand Pioneers April 9 2013Panelteam
Lovemarks
Arjan Kapteijns – CEO Saatchi & Saatchi
Saatchi & Saatchi is the Lovemarks company. Arjan looked closely at the question: What makes some brands inspirational, while others struggle? With inspiring case studies he will explain what Lovemarks are and how they deliver beyond their expectations of great performance.
We’ve been drawing on Byron Sharp’s work at the Ehrenberg-Bass Institute to help explain how brands can grow to become market leaders. Let's break down the difference between differentiation and distinctiveness, and which of the two unlocks the potential for true brand innovation.
In this Heavybit Speaker Series, Brian Balfour, VP of Growth at HubSpot, covers the key documents to building a growth process, tactics for generating growth ideas, and what you need to generate a minimum viable test.
Back to basics: Creative brief workshop
Becky McOwen-Banks
Before great creative work can be done it's key to create the environment in which creative work can be produced.
In this pres we look at the processes and provide a few tips for those with a hankering for effective creative work. Skewed for the in-house relationships but applicable for anyone involved in the creative process.
Covers: structure, department relationships, Briefs, idea generation, evaluating creative work and feedback
How to Create a Killer Creative Brief with Wild AlchemyUnited Adworkers
United Adworkers had the honor of hosting Lynette Xanders with Wild Alchemy to share her incredible knowledge and insights on "How to Create a Killer Creative Brief". For more information about Wild Alchemy and Lynette Xanders, visit WildAlchemy.com.
Tom Roach, BBH London’s Head of Effectiveness, discusses the importance of difference in business, marketing and creativity, and shares some key data to help you avoid drowning in the ‘sea of sameness’.
This is the presentation that I gave to the Young Planners at Cannes 2014. The data herein is taken from survey distributed through @cheiluk, @yellif and @cr
This presentation was nominated at the Brilliant Presentation Awards 2013. In this slideshow, I brought together key approaches towards insight in advertising creation process. You may learn: why do we need to find and understand consumer insights; what is a consumer insight; why it's so important for brands; how to find real consumer insights; know the pathway towards insight; insight verification; how to be insightful; case studies on insight building.
Strategic Planning & the Importance of Consumer insightsKaren Saba
A high level presentation shedding light on what Strategic Planners really do at creative agencies and the importance of consumer insights in the world of planning. It is an interactive presentation with a 'Guess the insight' section at the end.
Please feel free to download, improve, and share the credits.
Lovemarks Presentation - Brand Pioneers April 9 2013Panelteam
Lovemarks
Arjan Kapteijns – CEO Saatchi & Saatchi
Saatchi & Saatchi is the Lovemarks company. Arjan looked closely at the question: What makes some brands inspirational, while others struggle? With inspiring case studies he will explain what Lovemarks are and how they deliver beyond their expectations of great performance.
We’ve been drawing on Byron Sharp’s work at the Ehrenberg-Bass Institute to help explain how brands can grow to become market leaders. Let's break down the difference between differentiation and distinctiveness, and which of the two unlocks the potential for true brand innovation.
In this Heavybit Speaker Series, Brian Balfour, VP of Growth at HubSpot, covers the key documents to building a growth process, tactics for generating growth ideas, and what you need to generate a minimum viable test.
Back to basics: Creative brief workshop
Becky McOwen-Banks
Before great creative work can be done it's key to create the environment in which creative work can be produced.
In this pres we look at the processes and provide a few tips for those with a hankering for effective creative work. Skewed for the in-house relationships but applicable for anyone involved in the creative process.
Covers: structure, department relationships, Briefs, idea generation, evaluating creative work and feedback
Psychology Of Creativity - London IA 30.03.10Claire Rowland
A basic and pragmatic introduction to the psychology of creativity, from empirical research. PDF with notes: full academic references included in the notes.
Creativity isn't just for artists, musicians, writers, and designers. We all have the ability to be excellent creative thinkers. - https://www.milestechnologies.com
Advertising agencies are obsessed with innovation. They also have one of the most unique sets of creative talent of any industry. Yet the creative department is the most suspicious of "innovation" of any group at the agency. Could it be that actually Creative Directors hold the keys to converting ad agencies into what so many desire: innovation partners to clients?
(special thanks to @seelydiaplay for presentation design help)
Most people are born creative. As children, we revel in imaginary play, ask outlandish questions, draw blobs and call them dinosaurs. But over time, because of socialization and formal education, a lot of us start to stifle those impulses. We learn to be warier of judgment, more cautious, more analytical. The world seems to divide into “creatives” and “noncreatives,” and too many people consciously or unconsciously resign themselves to the latter category.
And yet we know that creativity is essential to success in any discipline or industry. According to a recent IBM survey of chief executives around the world, it’s the most sought-after trait in leaders today. No one can deny that creative thinking has enabled the rise and continued success of countless companies, from start-ups like Facebook and Google to stalwarts like Procter & Gamble and General Electric.
In this presentation you will discover why you lost your creative confidence—the natural ability to come up with new ideas and the courage to try them out, and how to restore it back.
With the explosion of the maker movement, schools are beginning to embrace creativity. However, what does this mean for assessment? Should we assess the creative process? Should we assess the finished product? Does assessing creativity actually make kids more risk-averse? In this workshop we explore what it means to assess both the creative process and the creative product without leading to risk aversion.
White Space Creativity - Frontend Conference CH 2014Denise Jacobs
In visual arts and graphic design, white space is fundamental to allowing a creation to exist, by creating delineation and focus. Similarly, in our lives, creativity often sprouts from the "white space" of time: the moments in our increasingly busy schedules between activities and thoughts that allow the subconscious to better absorb and connect information. Clearly, in order to be more creative, we need to open up this "in-between" space in our lives, but once we've done so, how can we best capitalize upon the brain's natural creative capacities? In this talk, we'll explore several counter-intuitive and potentially subversive methods for leveraging this "white space" to foment innovative thinking creative productivity.
What does it take to win a PR Lion at Cannes? The awards seem to have a habit of going home with advertising agencies and not with more traditional PR shops. What won this year and what did the winners have in common? and the most important question of all, how do we take one home next year?
I created the Choice Financial Advertising Campaign along with four other teammates in my Principles of Advertising class. My position on the team was the Account Executive. My duties included communication with the client, client and target audience research, strategic planning, leading my team and organizing meetings, objectives and tasks to be completed.
PR Advertising Value Equivalent (AVE) in the Age of GoogleCoverageBook
For decades PRs used the simple metric of Advertising Value Equivalent (AVE). Finance people understood us and we got our budgets signed off.
Then we met in Barcelona and condemned ave as misleading and unethical.
4 years later and there is still an ave shaped hole in our defences, and we can’t hold our budget lines against the oncoming armies of Digital Marketing with their laser sighted roi......
The power-point presentation is a summary of a HBR article on creativity in advertising. It also demonstrates its relation to theory from the book "Introduction to marketing management " by Philip Kotler and advertisements supporting the theory. Be sure to view this with good internet facility. It is 130 MB in size and contains few video commercials.
"Content Marketing is one of 2014's hottest marketing phrases. Learn what it is and what its role is in travel and tourism. Learn how to produce viral content that deeply engages consumers in step-by-step, from planning through execution.
Elevate your business above the competition by creating an unforgettable personal brand. Learn how to stand out in a crowded marketplace as the go-to expert and build a bigger audience, generate more leads, and close more sales. You will walk away from this presentation with innovative marketing strategies that you can implement immediately for increased influence and income generating opportunities.
Learn How To:
• Stand out and make an impact by positioning yourself as the go-to expert in your niche market.
• Accelerate your income-generating opportunities by up-leveling your marketing with expert positioning.
• Race past your competition with a proven and strategic action plan to grow and expand income streams.
• Develop innovative marketing funnels that generate more followers, more income streams, more sales and more profits!
Looking forward to next steps!
Get Advertising Smart - Creativity and your business' bottom lineemmersons1
The relationship between creativity and business success is well-established; this week, we look at the Cannes Lions Creative Effectiveness winners, who provide fresh evidence of this powerful relationship.
'Anatomy of Effectiveness’ is a white paper for brand marketers and advertising agencies alike, highlighting five key priorities for brands seeking greater impact. It will change the way brands and agencies market and will drive better consumer engagement.
Copyright, ASHRAE 2011. Presented by Greg Martin, ASHRAE manager of advertising sales, to the Air Movement and Control Assocation International. Comments and questions should go to gmartin@ashrae.org
Accpac to QuickBooks Conversion Navigating the Transition with Online Account...PaulBryant58
This article provides a comprehensive guide on how to
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Unveiling the Secrets How Does Generative AI Work.pdfSam H
At its core, generative artificial intelligence relies on the concept of generative models, which serve as engines that churn out entirely new data resembling their training data. It is like a sculptor who has studied so many forms found in nature and then uses this knowledge to create sculptures from his imagination that have never been seen before anywhere else. If taken to cyberspace, gans work almost the same way.
Affordable Stationery Printing Services in Jaipur | Navpack n PrintNavpack & Print
Looking for professional printing services in Jaipur? Navpack n Print offers high-quality and affordable stationery printing for all your business needs. Stand out with custom stationery designs and fast turnaround times. Contact us today for a quote!
India Orthopedic Devices Market: Unlocking Growth Secrets, Trends and Develop...Kumar Satyam
According to TechSci Research report, “India Orthopedic Devices Market -Industry Size, Share, Trends, Competition Forecast & Opportunities, 2030”, the India Orthopedic Devices Market stood at USD 1,280.54 Million in 2024 and is anticipated to grow with a CAGR of 7.84% in the forecast period, 2026-2030F. The India Orthopedic Devices Market is being driven by several factors. The most prominent ones include an increase in the elderly population, who are more prone to orthopedic conditions such as osteoporosis and arthritis. Moreover, the rise in sports injuries and road accidents are also contributing to the demand for orthopedic devices. Advances in technology and the introduction of innovative implants and prosthetics have further propelled the market growth. Additionally, government initiatives aimed at improving healthcare infrastructure and the increasing prevalence of lifestyle diseases have led to an upward trend in orthopedic surgeries, thereby fueling the market demand for these devices.
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What is Enterprise Excellence?
Enterprise Excellence is a holistic approach that's aimed at achieving world-class performance across all aspects of the organization.
What might I learn?
A way to engage all in creating Inclusive Excellence. Lessons from the US military and their parallels to the story of Harry Potter. How belt systems and CI teams can destroy inclusive practices. How leadership language invites people to the party. There are three things leaders can do to engage everyone every day: maximizing psychological safety to create environments where folks learn, contribute, and challenge the status quo.
Who might benefit? Anyone and everyone leading folks from the shop floor to top floor.
Dr. William Harvey is a seasoned Operations Leader with extensive experience in chemical processing, manufacturing, and operations management. At Michelman, he currently oversees multiple sites, leading teams in strategic planning and coaching/practicing continuous improvement. William is set to start his eighth year of teaching at the University of Cincinnati where he teaches marketing, finance, and management. William holds various certifications in change management, quality, leadership, operational excellence, team building, and DiSC, among others.
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Improving profitability for small businessBen Wann
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The world of search engine optimization (SEO) is buzzing with discussions after Google confirmed that around 2,500 leaked internal documents related to its Search feature are indeed authentic. The revelation has sparked significant concerns within the SEO community. The leaked documents were initially reported by SEO experts Rand Fishkin and Mike King, igniting widespread analysis and discourse. For More Info:- https://news.arihantwebtech.com/search-disrupted-googles-leaked-documents-rock-the-seo-world/
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The Case for Creativity
1. Two decades’ evidence of the link between
imaginative marketing and commercial success
December 2012
2. Is more creative advertising more e!ective advertising?
This presentation is a summary of the "ndings of "fteen studies comparing the
e!ectiveness of more creative and less creative advertising, agencies and companies
The studies were conducted in North America, UK, Europe, Asia & Australasia,
and span two decades from 1990 to 2010
They were conducted by university academics, industry researchers, the IPA and
McKinsey & Company
They all reach the same conclusion, and there are no known studies that con#ict
with that conclusion
The studies are discussed in more detail in the book ‘The Case for Creativity’
by James Hurman
3. More creative advertising is more e!ective advertising
In 1996 and 2002, while at Leo Burnett, Donald Gunn
twice produced his ‘Do Award Winning Commercials Percentage of advertising campaigns shown to
Sell?’ study. produce a business result
In both cases he collected the case histories of the 400 most
awarded recent campaigns in the world, along with
quanti"ed evidence of their business results.
He found that 86.5% and 82% of those awarded campaigns,
respectively, had met or exceeded their clients objectives.
This is an improvement on advertising in general, which is
84%! 70%!
shown to generate a sales result around 70% of the time.
Proving not only that creatively awarded advertising tends
to be e!ective, but also that it tends to be more e!ective Creatively awarded Advertising in
than advertising in general. advertising general
SOURCE: Gunn, ‘Do Award Winning Commercials Sell?’ 1996, 2002; Jones, ‘When Ads Work’, 1995; McDonald, 'How frequently should you advertise?', 1996; Brandes, 'How advertising works in Germany', 1996!
4. More creative advertising is more e!ective advertising
In 2010, Peter Field, an independent contractor to the
UK’s IPA, studied the 257 IPA E!ectiveness Award Average points of market share growth per 10 points
winning campaigns since 2000. of excess share of voice
He contrasted the campaigns that had won a major
creative award against those that hadn’t, and measured
their relative e!ectiveness.
His "rst "nding was that the creatively awarded
campaigns were eleven times more e$cient at
generating a market share increase.
5.7! 0.5!
Creatively awarded Non-creatively awarded
advertising advertising
SOURCE: Field, ‘The Link Between Creativity and Effectiveness’, 2010
5. More creative advertising is more e!ective advertising
Peter’s second "nding was
that the creatively awarded E$ciency of creatively awarded campaigns vs non-awarded campaigns
campaigns were much more
certain to achieve that result.
The less creative campaigns
were not only less e$cient,
but also less predictable than
the creatively awarded ones.
This suggests a departure
from the conventional
wisdom that a more creative
approach is a ‘riskier’ one.
SOURCE: Field, ‘The Link Between Creativity and Effectiveness’, 2010
6. More creative advertising is more e!ective advertising
Peter’s third "nding was that
Advertising E!ectiveness Success Rate: creatively- vs non-creatively awarded
the creatively awarded
campaigns achieved a higher
‘E!ectiveness Success Rate’
than the non-awarded
campaigns.
This is a measure of achieving
‘very large business e!ects’, ie,
signi"cant improvements in
market share, penetration,
pro"tability, etc.
75%! 59%! 88%! 80%!
The creatively awarded
campaigns were shown to be
10% more e!ective on a high
spend, and 27% more e!ective Awarded Non-awarded Awarded Non-awarded
on a low spend.
LOW ESOV SPEND <6% HIGH ESOV SPEND >6%
SOURCE: Field, ‘The Link Between Creativity and Effectiveness’, 2010
7. More creative advertising is more effective advertising
Peter’s fourth finding was that as the campaigns got
more creatively awarded (i.e. achieved a higher Gunn The most creatively-awarded campaigns are also
Report score for achieving greater quality and the most e!ective
quantity of awards) they got more effective.
Campaigns that produced a higher number of very
large business effects (i.e., significant improvements in
market share, penetration, profitability, etc) also had a
higher Gunn Report score.
AVERAGE AVERAGE
GUNN GUNN
REPORT REPORT
SCORE! SCORE!
2.0! 3.1!
Low ( 0-1) High (2+)
Number of Very Large Business E!ects
SOURCE: Field, ‘The Link Between Creativity and Effectiveness’, 2010
8. More creative agencies are more e!ective agencies
In 2011, the 16 UK and US agencies that had featured in the
Gunn Report top 50 more than twice between 2006 and 2010 E!ectiveness awards won per $US1B billed
were compared with the 16 largest and most successful, but
less creatively awarded agencies, from the same markets.
The ‘most creative’ group included the likes of BBDO, DDB,
TBWA, Crispin Porter + Bogusky, Goodby Silverstein &
Partners and Wieden+Kennedy.
The ‘less creative’ group included JWT, Ogilvy, Grey, Y&R
and Publicis.
The study found that the ‘most creative’ agencies won, on 13.7! 5.4!
average, many more e!ectiveness awards, despite being
smaller than the ‘less creative’ agencies.
Most Creative Less Creative
The ‘most creative’ agencies were shown to be over two and a Agencies Agencies
half times more e!ective than the ‘less creative’ agencies.
SOURCE: Hurman, ‘The Case for Creativity’, 2011
9. More creative companies are more successful companies
An analysis of the Cannes Advertisers of the Year of
the 2000’s reveals that each had experienced a record Annual stock value growth of Cannes Advertisers of
period of stock market growth at the time of receiving the Year 2000-2009 vs S&P500 annual average
that award.
While the Cannes Advertisers of the Year experienced,
on average, 41% stock value growth in the year they
won the award, the S&P500 experienced a fraction of
that growth at 0.5%.
Further analysis reveals that in each case, the
companies had been going through a period of greater
focus on creativity and innovation throughout their
business, of which award winning advertising and 41%! 0.5%!
stock market success were symptomatic.
Cannes Advertisers S&P500
of the Year
SOURCE: Hurman, ‘The Case for Creativity’, 2011
10. How does creativity work?
The many academic and industry studies of creativity in advertising not only prove a
more creative approach to be a more e!ective one.
They also give us insight into how creativity works – how creativity increases the
e!ectiveness of advertising…
11. How does creativity work?
Creativity’s "rst e!ect is that it makes advertising more
likely to stand out and be noticed.
Five academic studies between 1991 and 2005 show that
increased levels of creativity promote increased and
more intense attention to advertising.
SOURCE: Pick, Sweeney & Clay, 1991; McQuarrie & Mick, 1992; Stewart & Furse, 2000; Pieters, Warlop & Wedel, 2002; Till & Baack, 2005.
12. How does creativity work?
Creativity’s second e!ect is that it makes advertising
more likely to be remembered and recalled.
In 2005, researchers at the University of South Carolina
showed that creative advertising was signi"cantly (2 to
9 times) more likely to be recalled unprompted than
advertising in general.
SOURCE: Till & Baack, ‘Recall & Persuasion: Does Creative Advertising Matter?’, 2005
13. How does creativity work?
Creativity’s third e!ect is that it makes advertising
more likely to generate ‘fame’ and conversation.
In 2010, researchers at the Institute of Practitioners in
Advertising showed that creatively awarded advertising
was twice as likely to generate strong ‘fame’ e!ects, i.e.
online and o%ine conversation.
In 2007 the same researchers had shown campaigns
generating strong ‘fame’ e!ects to be the most e!ective
of all campaigns.
SOURCE: Field, ‘The link between creativity and effectiveness’, 2010
14. How does creativity work?
Creativity’s fourth e!ect is that it makes advertising
more persuasive.
In 2009, researchers at the Universities of Indiana and
Wisconsin-Milwaukee showed that creatively-awarded
advertising triggers greater purchase intent, and that
this was because it measurably increases open-
mindedness and curiosity. Consumers let their
defences down more for creative advertising, allowing
themselves to be sold to more readily.
SOURCE: Yang & Smith, ‘Beyond Attention Effects: Modeling the Persuasive and Emotional Effects of Advertising Creativity’, 2009
15. Advertising creativity makes people think better of companies
In 2008, researchers at the
E!ects of advertising creativity on broad company perceptions
Stockholm School of
Economics discovered that
more creative advertising had a
far greater impact than less
creative advertising on
consumers’ positive
perceptions of the company
being advertised.
Respondents shown creative
advertising felt better about a
company and its product than 57%! 34%! 78%! 57%! 68%! 39%!
those shown less creative
advertising for the same
company.
More Less More Less More Less
creative creative creative creative creative creative
“Smart Company” “High Quality” “Worth Purchasing”
SOURCE: Dahlén, Rosengren and Törn, ‘Advertising Creativity Matters’, 2008
16. Summary: “Creativity is an advertiser’s best bet.” - McKinsey & Company, 2006
Two decades of international research measurably demonstrate that:
More creative advertising is more e!ective advertising
More creative agencies are more e!ective agencies
More creative companies are more successful companies
Creativity works by making advertising more likely to stand out, more likely to be recalled,
more likely to be talked about and more likely to persuade consumers
Consumers think better of companies and the products they produce when those
companies use more creative advertising
For more, visit www.caseforcreativity.com