That thing...Lara Croft analysis
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The documentary examines themes of female representation in video games and media stereotypes through interviews and footage of the game Lara Croft. Low key lighting and a projector shining on interviewees' faces creates an eerie feel. A green screen is used behind interviewees and non-diegetic electro music plays throughout, with diegetic interview audio and Madonna music also included. Camera work includes conventional medium close ups of interviews along with establishing shots and handheld camera work to feel like being inside the game. Editing uses cross cuts between the game and interviews with a fast pace and archive footage is drawn from an Angelina Jolie interview, game footage, magazines and ads.
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Lara Croft - reworked.
The documentary analyzes the video game Lara Croft and its upcoming film adaptation starring Angelina Jolie. It uses interviews, gameplay footage, and movie clips to examine themes of female representation in video games and the impact of media on gender stereotypes. Through techniques like cross-cutting between the game and interviews, handheld camera work, and a fast-paced electronic soundtrack, the documentary aims to keep viewers engaged in its exploration of the Lara Croft franchise as both a video game and major pop culture phenomenon.
That thing lara croft
This documentary uses a non-linear narrative structure to examine the power of media and issues of feminism and representation of women through the lens of the popular video game and film character Lara Croft. Interviews are conducted with those involved in creating Lara Croft and footage is shown from the games and films. The documentary employs various camera techniques like close-ups during interviews and tracking shots when visiting an internet cafe. It also uses chromakey effects and edits footage together with music and sound effects from the games.
That thing –
The document analyzes the mise-en-scene, narrative structure, editing, camerawork, sound, and themes of a documentary about the video game character Lara Croft. It notes the use of chromakey to project game footage behind interviewees. It also discusses the fast pace of cuts between interviews and game footage to link them smoothly. Camerawork includes medium close-ups of interviews, close-ups of critics, handheld shots to feel like being in the game, and point-of-view shots. Themes examined include females in gaming, stereotypes, and media representation of games.
Lara Croft, That Thing analysis
The documentary about Lara Croft uses several cinematic techniques. A male voiceover provides narration in standard English. Various camera angles including close-ups are used to film interviews. Chromakey and green screen effects insert the subjects into the video game world. Editing employs cuts, fast motion, and mise-en-scene to advance the narrative and signal the ending. Archival material such as the game, films, ads, and websites provide historical context. Graphics display names and roles of interviewees against the title in a simple white text.
That thing
This documentary examines the representation of women in gaming through interviews and footage focused on the character Lara Croft. It uses a mix of narration, interviews, and game footage to explore themes of how women are portrayed and discusses the impact of Lara Croft as a pioneering female character. Chroma key, close-ups, and tilted framing are among the filming techniques employed.
Lara croft
This documentary examines the character of Lara Croft from the Tomb Raider video game and film franchises. It uses a variety of techniques including interviews, voiceovers, and narration. Various camera techniques like zoom, panning, and close-ups are employed to analyze differences in Lara Croft's body across formats and immerse the audience in the game world. Sound and music are also manipulated to match changing subjects and excite viewers. Editing techniques like cuts, fades, and fast-forwarding integrate archive footage of the games and films with interviews to tell a single continuous story about Lara Croft's evolution.
"That Thing... - Lara Croft" Documentary Analysis
This documentary analyzes the video game character Lara Croft and focuses on her popularity around the time she was featured in a major Hollywood movie. It uses a non-linear narrative format and explores themes of gender representation, media power, and rapid cultural changes in the UK. Notable production elements include superimposing interviewees onto game footage to maintain visual interest, incorporating fast-paced electronic music to fit the game/computer theme, and utilizing archive materials like game clips and magazine covers featuring Lara Croft.
Documentary analysis tomb raider - lara croft
The documentary follows the evolution of the Lara Croft character and the Tomb Raider franchise from its creation to its transition to film. It uses interviews, game footage, and film clips to tell the linear story of Lara Croft's development and impact on audiences. The documentary features a fast pace to match the subject matter, and incorporates graphics and footage of the games during interviews to immerse the viewer in the technology behind the franchise.
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Lara Croft - reworked.
The documentary analyzes the video game Lara Croft and its upcoming film adaptation starring Angelina Jolie. It uses interviews, gameplay footage, and movie clips to examine themes of female representation in video games and the impact of media on gender stereotypes. Through techniques like cross-cutting between the game and interviews, handheld camera work, and a fast-paced electronic soundtrack, the documentary aims to keep viewers engaged in its exploration of the Lara Croft franchise as both a video game and major pop culture phenomenon.
That thing lara croft
This documentary uses a non-linear narrative structure to examine the power of media and issues of feminism and representation of women through the lens of the popular video game and film character Lara Croft. Interviews are conducted with those involved in creating Lara Croft and footage is shown from the games and films. The documentary employs various camera techniques like close-ups during interviews and tracking shots when visiting an internet cafe. It also uses chromakey effects and edits footage together with music and sound effects from the games.
That thing –
The document analyzes the mise-en-scene, narrative structure, editing, camerawork, sound, and themes of a documentary about the video game character Lara Croft. It notes the use of chromakey to project game footage behind interviewees. It also discusses the fast pace of cuts between interviews and game footage to link them smoothly. Camerawork includes medium close-ups of interviews, close-ups of critics, handheld shots to feel like being in the game, and point-of-view shots. Themes examined include females in gaming, stereotypes, and media representation of games.
Lara Croft, That Thing analysis
The documentary about Lara Croft uses several cinematic techniques. A male voiceover provides narration in standard English. Various camera angles including close-ups are used to film interviews. Chromakey and green screen effects insert the subjects into the video game world. Editing employs cuts, fast motion, and mise-en-scene to advance the narrative and signal the ending. Archival material such as the game, films, ads, and websites provide historical context. Graphics display names and roles of interviewees against the title in a simple white text.
That thing
This documentary examines the representation of women in gaming through interviews and footage focused on the character Lara Croft. It uses a mix of narration, interviews, and game footage to explore themes of how women are portrayed and discusses the impact of Lara Croft as a pioneering female character. Chroma key, close-ups, and tilted framing are among the filming techniques employed.
Lara croft
This documentary examines the character of Lara Croft from the Tomb Raider video game and film franchises. It uses a variety of techniques including interviews, voiceovers, and narration. Various camera techniques like zoom, panning, and close-ups are employed to analyze differences in Lara Croft's body across formats and immerse the audience in the game world. Sound and music are also manipulated to match changing subjects and excite viewers. Editing techniques like cuts, fades, and fast-forwarding integrate archive footage of the games and films with interviews to tell a single continuous story about Lara Croft's evolution.
"That Thing... - Lara Croft" Documentary Analysis
This documentary analyzes the video game character Lara Croft and focuses on her popularity around the time she was featured in a major Hollywood movie. It uses a non-linear narrative format and explores themes of gender representation, media power, and rapid cultural changes in the UK. Notable production elements include superimposing interviewees onto game footage to maintain visual interest, incorporating fast-paced electronic music to fit the game/computer theme, and utilizing archive materials like game clips and magazine covers featuring Lara Croft.
Documentary analysis tomb raider - lara croft
The documentary follows the evolution of the Lara Croft character and the Tomb Raider franchise from its creation to its transition to film. It uses interviews, game footage, and film clips to tell the linear story of Lara Croft's development and impact on audiences. The documentary features a fast pace to match the subject matter, and incorporates graphics and footage of the games during interviews to immerse the viewer in the technology behind the franchise.
Laura croft
The documentary follows the evolution of the character Lara Croft from her creation in the Tomb Raider video game series to her portrayal in films. It uses interviews, game footage, and film clips to tell the linear story of how Lara Croft developed over time and became a well-known character that had a large cultural impact. Through elements like music, camera work, and graphics, the documentary aims to capture both the narrative of Lara Croft and the technological themes of the Tomb Raider franchise.
That thing... lara croft
The documentary analyzes Lara Croft and focuses on themes of girls in gaming and her portrayal. It uses interviews that follow conventional close-up and medium close-up camerawork, with one canted angle interview. Green screen is used to show game footage behind the interviewee. Sound includes interview audio, music from Tomb Raider, electronic music, and Madonna songs comparing her to Lara Croft. Archive footage features Tomb Raider gameplay, an Angelina Jolie interview, Lara Croft films, magazines, and webpages.
A2 Media - Documentary Analysis 2 - "That Thing"
This documentary analyzes the Lara Croft franchise, including the games and films, through a non-linear narrative structure. It uses a variety of techniques common in documentaries such as interviews, archived footage, graphics and narration to discuss themes of gender, popular culture, and representation. The documentary edits together these elements at a fast pace with electronic music to engage viewers and allow them to form their own opinions on the topics presented.
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6. production reflection (interactive)
The document describes the process of designing a space ship shooting game. It includes background details showing the player inside a space ship shooting at an enemy ship. The main character was designed after a clone trooper from early Star Wars films. Screenshots show the background, main character, proton torpedoes, and a closing scene where it seems logical and appropriate for the game. The full game animation includes sound effects and a sci-fi soundtrack. The app logo starts black but then shows the two sides of the war in a small box.
example 3
The document summarizes a student's media studies production portfolio. It discusses:
- The student worked on a thriller film opening called "Dead Capacity" with two classmates.
- Feedback on YouTube was largely positive, praising the technical aspects and atmosphere.
- As a film opening, the feedback suggests it effectively sets up intrigue, captures attention, and builds suspense to hook the audience, as is appropriate for the thriller genre.
Lara Croft
The documentary analyzes the video game Lara Croft and its upcoming film adaptation starring Angelina Jolie. It uses interviews, gameplay footage, and movie clips to examine themes of female representation in video games and the impact of media on gender stereotypes. Through techniques like cross-cutting between the game and interviews, handheld camera work, and a fast-paced electronic soundtrack, the documentary aims to immerse viewers in the world of the game and the cultural discussion surrounding it.
That thing
This documentary analyzed the representation of women in media through the lens of the Tomb Raider video game and character Lara Croft. It used a variety of techniques including interviews, game clips, and archival footage. The documentary had a non-linear narrative structure and used various camera shots and editing techniques like chroma key, fast motion, and conventional cuts. It explored themes of feminism and how women are portrayed.
Lara croft - That Thing
This 10-minute documentary examines the advertisement and portrayal of the Lara Croft video game character and how she is viewed as a female icon. It uses a variety of filming techniques like interviews, gameplay footage, and advertisements to explore the themes of gender stereotypes in gaming and how Lara Croft represents women gamers. The documentary has a non-linear narrative structure and fast-paced editing to match the intensity of video games.
That Thing Lara Croft- Analysis
1) The documentary follows a single narrative structure about the popularity and success of the Tomb Raider video game franchise and Lara Croft character across games, films, and themes.
2) Unusual camera angles like over the shoulder shots, extreme closeups, and tilted shots are used to make the documentary seem more like a video game through atypical cinematography.
3) The mise-en-scene is designed to match the technical themes of the documentary, with interviews filmed on computers or against chromakey backdrops of computers to emphasize the subject matter. Game clips and music from the games are also incorporated into the documentary.
fixed Presentation
1) The documentary follows a single narrative structure about the popularity and success of the Tomb Raider video game franchise and Lara Croft character across games, films, and themes.
2) Unusual camera angles like over the shoulder shots, extreme closeups, and tilted shots are used to make the documentary seem more like a video game through atypical cinematography.
3) The mise-en-scene is designed to match the technical themes of the documentary, with interviews filmed against chromakey backdrops or computers, and clips from the game integrated throughout.
That thing
The document discusses the mise en scene, sound, and editing techniques used in a video. For mise en scene, it uses green screen and front projection to show game images and footage behind interviews. The sound uses game music and effects as well as a variety of music for different parts. The editing cuts between game footage, movie clips, and interviews, using techniques like zooming and fast motion to transition between scenes.
Doc analysis 5
The documentary uses a mixture of conventions including archive footage, interviews, and voiceovers. It focuses on the themes of PlayStation gaming and how Lara Croft became a virtual sex icon. The narrative has a single storyline that is non-linear and closed. Camera work includes rule of thirds framing in interviews and handheld shots to engage viewers. Chroma key is used to edit footage into interviews. Sound includes a voiceover and gaming music. Frequent cutting is used in editing along with fast motion. Archive material such as gaming footage and advertisements is featured. Graphics are simple and fit for purpose.
That Thing
The documentary examines the video game character Lara Croft and the Tomb Raider franchise. It explores media portrayals of Lara Croft and issues like the representation of women in games and gender stereotypes. The documentary features interviews with industry experts and footage from the games and the upcoming Angelina Jolie film about Lara Croft. It uses a nonlinear narrative structure to discuss these topics.
Lara croft documentary
The documentary about Lara Croft uses a mixed format with interviews and narration. It examines the representation of females in video games and the power of media. The narrative structure is non-linear with no timeline and non-chronological interviews. Camera work includes close-ups of interviewees looking off-center at the opposite direction of the camera. Mise-en-scene features green screens and lighting to focus on interviewees against unrelated backgrounds. Sound incorporates gaming music and effects to relate to the video game theme while editing uses normal and fast cuts to convey different pacing. Archive footage and images from games and magazines supplement the interviews.
That Thing
The documentary examines the video game character Lara Croft and the Tomb Raider franchise. It explores topics like the media's portrayal of female characters, gender representation, and stereotypes surrounding women gamers. Through interviews and footage from the games and upcoming Angelina Jolie film, the documentary presents a non-linear narrative that analyzes Lara Croft's cultural impact and the themes she represents.
That Thing
The documentary examines Lara Croft and the Tomb Raider video game franchise through interviews and footage. It discusses the representation of women in games and how Lara Croft became a popular icon, as well as topics like gender stereotypes, feminism, and the influence of media. The documentary has a nonlinear narrative structure and uses techniques like green screen, music from the games, and title graphics without capital letters to explore different perspectives on Lara Croft and her cultural impact.
That thing – lara croft
This document summarizes the production techniques used in the mixed documentary "That Thing" about the representation of women in media. It focuses on the camerawork, mise-en-scene, sound, editing, archive material, and graphics. The documentary uses interviews, gameplay footage, front projection, music, cut edits, fast motion, and graphics to examine the character Lara Croft and how women are portrayed.
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Laura croft
The documentary follows the evolution of the character Lara Croft from her creation in the Tomb Raider video game series to her portrayal in films. It uses interviews, game footage, and film clips to tell the linear story of how Lara Croft developed over time and became a well-known character that had a large cultural impact. Through elements like music, camera work, and graphics, the documentary aims to capture both the narrative of Lara Croft and the technological themes of the Tomb Raider franchise.
That thing... lara croft
The documentary analyzes Lara Croft and focuses on themes of girls in gaming and her portrayal. It uses interviews that follow conventional close-up and medium close-up camerawork, with one canted angle interview. Green screen is used to show game footage behind the interviewee. Sound includes interview audio, music from Tomb Raider, electronic music, and Madonna songs comparing her to Lara Croft. Archive footage features Tomb Raider gameplay, an Angelina Jolie interview, Lara Croft films, magazines, and webpages.
A2 Media - Documentary Analysis 2 - "That Thing"
This documentary analyzes the Lara Croft franchise, including the games and films, through a non-linear narrative structure. It uses a variety of techniques common in documentaries such as interviews, archived footage, graphics and narration to discuss themes of gender, popular culture, and representation. The documentary edits together these elements at a fast pace with electronic music to engage viewers and allow them to form their own opinions on the topics presented.
5. fmp pre production
The document outlines the pre-production planning for a gaming vlog, including style guidelines, layouts, storyboards, props, locations, contingency planning, health and safety considerations, and a production schedule. It details the shots, sequences, equipment, and resources needed to film cosplay and comic convention footage for the vlog over 8 days of production and post-production work in video editing software. Safety measures are discussed to prevent issues like equipment damage or theft during filming.
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Description: The whole (ELT) world has been forced onto Zoom and other online platforms since March to survive. So now that we've mastered the basics of online teaching, it's time to keep pushing on and level up! In this session I'll share several Phase Two techniques and activities to make the most of the camera and breakout rooms.
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6. production reflection (interactive)
The document describes the process of designing a space ship shooting game. It includes background details showing the player inside a space ship shooting at an enemy ship. The main character was designed after a clone trooper from early Star Wars films. Screenshots show the background, main character, proton torpedoes, and a closing scene where it seems logical and appropriate for the game. The full game animation includes sound effects and a sci-fi soundtrack. The app logo starts black but then shows the two sides of the war in a small box.
example 3
The document summarizes a student's media studies production portfolio. It discusses:
- The student worked on a thriller film opening called "Dead Capacity" with two classmates.
- Feedback on YouTube was largely positive, praising the technical aspects and atmosphere.
- As a film opening, the feedback suggests it effectively sets up intrigue, captures attention, and builds suspense to hook the audience, as is appropriate for the thriller genre.
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Lara Croft
The documentary analyzes the video game Lara Croft and its upcoming film adaptation starring Angelina Jolie. It uses interviews, gameplay footage, and movie clips to examine themes of female representation in video games and the impact of media on gender stereotypes. Through techniques like cross-cutting between the game and interviews, handheld camera work, and a fast-paced electronic soundtrack, the documentary aims to immerse viewers in the world of the game and the cultural discussion surrounding it.
That thing
This documentary analyzed the representation of women in media through the lens of the Tomb Raider video game and character Lara Croft. It used a variety of techniques including interviews, game clips, and archival footage. The documentary had a non-linear narrative structure and used various camera shots and editing techniques like chroma key, fast motion, and conventional cuts. It explored themes of feminism and how women are portrayed.
Lara croft - That Thing
This 10-minute documentary examines the advertisement and portrayal of the Lara Croft video game character and how she is viewed as a female icon. It uses a variety of filming techniques like interviews, gameplay footage, and advertisements to explore the themes of gender stereotypes in gaming and how Lara Croft represents women gamers. The documentary has a non-linear narrative structure and fast-paced editing to match the intensity of video games.
That Thing Lara Croft- Analysis
1) The documentary follows a single narrative structure about the popularity and success of the Tomb Raider video game franchise and Lara Croft character across games, films, and themes.
2) Unusual camera angles like over the shoulder shots, extreme closeups, and tilted shots are used to make the documentary seem more like a video game through atypical cinematography.
3) The mise-en-scene is designed to match the technical themes of the documentary, with interviews filmed on computers or against chromakey backdrops of computers to emphasize the subject matter. Game clips and music from the games are also incorporated into the documentary.
fixed Presentation
1) The documentary follows a single narrative structure about the popularity and success of the Tomb Raider video game franchise and Lara Croft character across games, films, and themes.
2) Unusual camera angles like over the shoulder shots, extreme closeups, and tilted shots are used to make the documentary seem more like a video game through atypical cinematography.
3) The mise-en-scene is designed to match the technical themes of the documentary, with interviews filmed against chromakey backdrops or computers, and clips from the game integrated throughout.
That thing
The document discusses the mise en scene, sound, and editing techniques used in a video. For mise en scene, it uses green screen and front projection to show game images and footage behind interviews. The sound uses game music and effects as well as a variety of music for different parts. The editing cuts between game footage, movie clips, and interviews, using techniques like zooming and fast motion to transition between scenes.
Doc analysis 5
The documentary uses a mixture of conventions including archive footage, interviews, and voiceovers. It focuses on the themes of PlayStation gaming and how Lara Croft became a virtual sex icon. The narrative has a single storyline that is non-linear and closed. Camera work includes rule of thirds framing in interviews and handheld shots to engage viewers. Chroma key is used to edit footage into interviews. Sound includes a voiceover and gaming music. Frequent cutting is used in editing along with fast motion. Archive material such as gaming footage and advertisements is featured. Graphics are simple and fit for purpose.
That Thing
The documentary examines the video game character Lara Croft and the Tomb Raider franchise. It explores media portrayals of Lara Croft and issues like the representation of women in games and gender stereotypes. The documentary features interviews with industry experts and footage from the games and the upcoming Angelina Jolie film about Lara Croft. It uses a nonlinear narrative structure to discuss these topics.
Lara croft documentary
The documentary about Lara Croft uses a mixed format with interviews and narration. It examines the representation of females in video games and the power of media. The narrative structure is non-linear with no timeline and non-chronological interviews. Camera work includes close-ups of interviewees looking off-center at the opposite direction of the camera. Mise-en-scene features green screens and lighting to focus on interviewees against unrelated backgrounds. Sound incorporates gaming music and effects to relate to the video game theme while editing uses normal and fast cuts to convey different pacing. Archive footage and images from games and magazines supplement the interviews.
That Thing
The documentary examines the video game character Lara Croft and the Tomb Raider franchise. It explores topics like the media's portrayal of female characters, gender representation, and stereotypes surrounding women gamers. Through interviews and footage from the games and upcoming Angelina Jolie film, the documentary presents a non-linear narrative that analyzes Lara Croft's cultural impact and the themes she represents.
That Thing
The documentary examines Lara Croft and the Tomb Raider video game franchise through interviews and footage. It discusses the representation of women in games and how Lara Croft became a popular icon, as well as topics like gender stereotypes, feminism, and the influence of media. The documentary has a nonlinear narrative structure and uses techniques like green screen, music from the games, and title graphics without capital letters to explore different perspectives on Lara Croft and her cultural impact.
That thing – lara croft
This document summarizes the production techniques used in the mixed documentary "That Thing" about the representation of women in media. It focuses on the camerawork, mise-en-scene, sound, editing, archive material, and graphics. The documentary uses interviews, gameplay footage, front projection, music, cut edits, fast motion, and graphics to examine the character Lara Croft and how women are portrayed.
That Thing
This 10-minute BBC documentary examines the video game character Lara Croft and the Tomb Raider franchise. It discusses the media's portrayal of Lara Croft and issues like the sexualization of women in games and stereotypes of female gamers. The documentary has a nonlinear narrative structure, using interviews, game footage, and footage from the upcoming Angelina Jolie film about Lara Croft. It explores topics like representations of gender and the influence of popular culture.
Elliot tickle that thing
This documentary focuses on gaming and animation. It uses interviews and archive footage rather than a narrative structure to discuss its themes of gaming, feminism, and idealization. The interviews are shot from eye level using rules of thirds and close-ups. Setting depicts modern offices filled with computers representing the discussed games. Fast-paced ambient music plays throughout, and voice over is used without showing the narrator. Editing is fast-paced to hold interest, cutting between topics and superimposing interviews onto computer screens. Archive footage emphasizes the game's popularity.
That thing,, Lara Croft
This documentary examines the popular video game character Lara Croft and her impact. It uses interviews and footage from the games and films to tell the story in three parts - introducing Lara Croft, exploring the Tomb Raider films, and how Lara Croft became a global icon. The documentary employs techniques like a male voiceover, fast-paced editing to match the energy of games, and graphics/text to enhance the narrative and keep the target gaming audience engaged.
That Thing Lara Croft
This documentary analyzes the popular video game character Lara Croft and examines themes of how virtual reality influences society's views of women. It uses interviews, game footage, and other archival material. Shots include close-ups of interview subjects, POV gameplay footage, and graphics of magazines and websites. Editing employs cuts, green screen, and fast motion. Sound includes voiceover, music from the games and films, and SFX.
That Thing
This documentary analyzes the video game Tomb Raider and its protagonist Lara Croft. It uses interviews, archive footage, and a voiceover to explore the game's popularity and the representation of women. The documentary has a single narrative thread, focuses on Lara Croft, and uses non-linear and close-ended storytelling techniques to answer its questions.
That Thing Lara Croft Documentary
This documentary analyzes the popular video game character Lara Croft and examines themes of how virtual reality influences society's views of women. It uses interviews, game footage, and other archival material. Shots include close-ups of interview subjects, POV gameplay footage, and graphics of magazines and websites. Editing employs cuts, green screen, and fast motion. Sound includes voiceover, music from the game and films, and SFX.
That Thing Lara Croft
The document analyzes the techniques used in a documentary about the video game character Lara Croft. It discusses the documentary's theme of computer games and single narrative structure. It also examines the camera work including tracking shots, handheld footage, and establishing shots. Technical elements like mise-en-scene, lighting, voiceovers, sound design, editing styles, interviews, graphics, and archive footage are evaluated.
That Thing Lara Croft
The document analyzes the techniques used in a documentary about the video game character Lara Croft. It discusses the documentary's theme of computer games and single narrative structure. It also examines the camera work including tracking shots, handheld footage, and establishing shots. Technical elements like mise-en-scene, lighting, voiceovers, sound design, editing styles, interviews, graphics, and archive footage are evaluated.
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Summary of what audience feedback has taught me
The audience feedback confirmed that the documentary was appropriate for its target audience as they enjoyed it. It also showed that the print advert followed conventions well and attracted the intended audience. However, comments on the documentary itself differed from the positive questionnaire responses and suggested adding sound effects to ensure audience enjoyment and encourage viewers.
Audience feedback
The document summarizes audience feedback from a survey about a documentary. Question 1 found the average rating for mise-en-scene was 7.44 out of 10, indicating it was appropriate. Question 2 found 90% felt cutaways were relevant. Question 3 found quality and music were liked most, while voiceover scored lowest. Question 4 found most felt it was moderately or very similar to a Channel 4 documentary. Question 5 found the average rating for whether the target audience would watch was a high 4.2. Question 6 found 66% felt elements/footage could be improved.
Question 1 - powerpoint; documentary
The document discusses how the media product conforms to conventions of real documentaries. It challenges some conventions by having a longer title sequence than typical. However, it aims to follow many other conventions such as using the rule of thirds for interviews, medium close-up shots of subjects looking off camera, omitting questions, relevant background details, on-screen graphics, and actuality footage. It also conforms to conventions through its use of a single-stranded narrative, non-diegetic soundtrack, and inclusion of vox pops and natural sounds. Overall, the document aims to mimic professional documentaries through adhering to standard documentary conventions in its formatting, visuals, and storytelling techniques.
Question 4 - powerpoint
Megan Matthews used various new media technologies at different stages of her coursework. She used Blogger to create an online blog, uploading documents like PowerPoint presentations to Slideshare and Word documents to Scribd. When filming, she used a Sony video camera, microphone, tripod, and other equipment. For editing, she used Adobe Premier and Audacity. Photoshop was used to create print ads. A Prezi online presentation and Movie Maker were also utilized.
Print and radio advertising’s codes and conventions
Print advertising conventions include using a striking image to catch the eye, displaying the channel logo in the same location, using a simple font that is easy to read, and including the title, slogan, time and channel in text. Radio advertising conventions are using relevant sound effects to catch attention as radio is auditory-based, including a voiceover often from the TV show, using background music to maintain interest, including a short sound clip to encourage viewership, and stating the channel last to provide context.
Research for documentary
This document provides sources for secondary research, primary research, and other materials to include in a documentary about obsessions. It lists statistics, music tracks, archive footage, and pictures about various obsessions. For primary research, it identifies potential interviewees including therapists and people with specific obsessions. It also includes potential quotes and props to use during interviews. The sources cover a wide range of obsessions from cleaning to gambling to tattoos to provide a variety of perspectives for the documentary.
Formal proposal for documentary, redraft.
The document proposes a documentary about obsessions that will use a mixed format of interviews, observations, and narration. It will target an audience of teenagers and young adults aged 19-35. Primary research will include interviews with people who have obsessions as well as professionals like therapists. The documentary will air on Channel 4 during primetime to attract the target demographic. It will have a singular narrative structure and use informal language to appeal to viewers.
Formal proposal for documentary.
The document proposes a documentary about obsessions that will use a mix of interviews, observations, and narration. It will target teenagers and young adults aged 19-35, especially females. Primary research will include interviews with people who have obsessions as well as therapists. The documentary will air on Channel 4 during primetime to attract its target audience. It will have an informal style using everyday language. The narrative will follow a linear, chronological structure.
Formal proposal for documentary.
The document proposes a documentary about obsessions that will use a mix of interviews, observations, and narration. It will target teenagers and young adults aged 19-35, especially females. Primary research will include interviews with people who have obsessions as well as therapists. The documentary will air on Channel 4 during primetime to attract its target audience. It will have an informal style using everyday language. The narrative will follow a linear, chronological structure.
Formal proposal for documentary - Megan, Matt and Nicole
The document proposes a documentary about obsessions that will use a mix of interviews, observations, and narration. It will target teenagers and young adults aged 19-35, especially females. Primary research will include interviews with people who have obsessions as well as therapists. The documentary will air on Channel 4 during primetime to attract its target audience. It will have an informal style using everyday language. The narrative will follow a linear, singular structure beginning with an introduction and ending with a statistic.
Analysis of audience research
- The document analyzed the results of a questionnaire given to the target audience for a documentary about obsessions.
- The target audience was found to be mostly female, between the ages of 26-29, who watch ITV1 and Channel 4 and prefer darker color schemes and male voiceovers.
- They expressed interest in learning more about severe obsessions like OCD from a professional perspective, and preferred documentaries with statistics.
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- 1. {That thing…Lara Croft Mixed short documentary
- 2. Mise-en-scene Low key lighting implies a dark nature to the interviews. Projector shone on interviewee’s face, creates an eerie feel. Focus on game behind them. Green screen is used behind the interviewees.
- 3. Sound Non-diegetic soundtrack of fast paced electro music throughout documentary. Diegetic soundtrack of interview speaking. Non-diegetic soundtrack of Madonna’s music.
- 5. Themes Female representation in video games/in the media Video games The stereotype surrounding ‘girl gamers’ How the game is advertised
- 6. Camera work Conventional interview structure – medium close ups P.O.V shot in cyber café, with tracking of camera Establishing long shots used to establish context Handheld camera is used at times to create a sense of being inside the game Camera is most often static – on a tripod Some close ups are used
- 7. Editing Cross cuts are used commonly throughout the documentary as it shows the game and then will cut back to the interview. Fast paced Cut is the most commonly used editing technique No questions were asked in interviews, only answers were heard
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