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 An extended essay in theatre provides
students with an opportunity:
◦ to undertake independent research into a topic of
their choice
◦ to apply a range of skills in order to develop and
explore a focused research question appropriate to
theatre in an imaginative and critical way
◦ to test and validate their research by considering its
effect on the practice of the investigated theatre
form.
 The use of appropriate theatrical sources that
encourages the application of relevant
theatrical concepts, theories or ideas.
 Absolute reliance on textbooks and web sites
is discouraged.
 Sources should be consulted in conjunction
with other relevant research material as
support material for the student's own
original research.
 not be too broad as such essays are rarely
successful
 have a research question that is well focused,
thus encouraging analysis in depth rather
than breadth.
 The emphasis of the extended essay should
always be on written analysis, interpretation,
evaluation, and the construction and
development of a sound argument.
 An investigation into the functions of mask in
two of Zeami Motokiyo’s Noh
 Female stereotypes and their performance in
a selection of Brecht’s plays.
 An examination of Soyinka’s use of rhythm in
acting, based on an in-depth exploration of
one Soyinka’s plays.
 A study of the effects of the use of fabrics
and lighting in The Tempest.
 A study on the use of fans in Restoration
comedy.
Topic
◦ A study of the effects of the use of fabrics and lighting in The
Tempest
Research Question
◦ How can fabrics and lighting contribute to the creation of
magical effects in a production of Shakespeare's last play?
Approach
◦ In-depth research is carried out into the use of fabrics (in
furnishing and costuming) and lighting in previous
productions of The Tempest. There is a discussion, based on
these examples, of how fabrics and lighting work with other
production elements, how they can contribute to the creation
of magical effects and how these affect the readings of the
play. The way that appropriate/inappropriate use of both can
affect how a production is examined.
 Primary and secondary data:
◦ Books, newspapers and magazines, interviews, and
Internet web sites
 The use of other materials:
◦ Sketches, drawings, pictures, plans, photographs,
CDs and DVDs
 Sources should support ideas, opinions and
assertions
 Evidence that supports your topic, research
question, and analysis

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Tguidelines

  • 1.
  • 2.  An extended essay in theatre provides students with an opportunity: ◦ to undertake independent research into a topic of their choice ◦ to apply a range of skills in order to develop and explore a focused research question appropriate to theatre in an imaginative and critical way ◦ to test and validate their research by considering its effect on the practice of the investigated theatre form.
  • 3.  The use of appropriate theatrical sources that encourages the application of relevant theatrical concepts, theories or ideas.  Absolute reliance on textbooks and web sites is discouraged.  Sources should be consulted in conjunction with other relevant research material as support material for the student's own original research.
  • 4.  not be too broad as such essays are rarely successful  have a research question that is well focused, thus encouraging analysis in depth rather than breadth.  The emphasis of the extended essay should always be on written analysis, interpretation, evaluation, and the construction and development of a sound argument.
  • 5.  An investigation into the functions of mask in two of Zeami Motokiyo’s Noh  Female stereotypes and their performance in a selection of Brecht’s plays.  An examination of Soyinka’s use of rhythm in acting, based on an in-depth exploration of one Soyinka’s plays.  A study of the effects of the use of fabrics and lighting in The Tempest.  A study on the use of fans in Restoration comedy.
  • 6. Topic ◦ A study of the effects of the use of fabrics and lighting in The Tempest Research Question ◦ How can fabrics and lighting contribute to the creation of magical effects in a production of Shakespeare's last play? Approach ◦ In-depth research is carried out into the use of fabrics (in furnishing and costuming) and lighting in previous productions of The Tempest. There is a discussion, based on these examples, of how fabrics and lighting work with other production elements, how they can contribute to the creation of magical effects and how these affect the readings of the play. The way that appropriate/inappropriate use of both can affect how a production is examined.
  • 7.  Primary and secondary data: ◦ Books, newspapers and magazines, interviews, and Internet web sites  The use of other materials: ◦ Sketches, drawings, pictures, plans, photographs, CDs and DVDs  Sources should support ideas, opinions and assertions  Evidence that supports your topic, research question, and analysis