This document provides a detailed textual analysis of scenes from the trailer for the film SPLIT in 3 paragraphs:
1) The opening scene shows a group of girls in a shopping center. While seeming normal at first, details like the shaky camera work add an unsettling tone and sense that something is wrong or someone is following the girls.
2) A long shot down a dark tunnel features disorienting camera movements and unnerving piano music, building tension about what may lie ahead for one of the girls who was pulled away.
3) Shots of the girls in an underground, stone room with unsteady facial expressions and postures reflect the disturbing situation they find themselves in.
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters investigating strange occurrences in their new home, playing outside before problems arise, and increasingly disturbing situations as darkness takes over, suggesting the story involves paranormal events terrorizing the characters.
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters recording themselves, friends laughing, a house, ominous writing, interference on a camera, toys in a trunk, the house facade, a seance, a boy coming up the stairs, and a figure looming over a reading woman. Through techniques like lighting, camera angles, and implied context, the stills aim to set a mood of unease, paranormal activity, and a home life turned upside down.
The trailer effectively builds tension and atmosphere for a horror film using sound, cinematography, and mise-en-scene. It follows a family that moves into a new home in the 1970s. Strange events begin to occur, with unexplained noises and things moving on their own, terrifying the mother. The trailer leaves the viewer wondering what supernatural force is haunting the family through the use of silence, ambient sounds, and mysterious visuals without revealing too much of the plot.
The woman hears a noise from the baby's room cupboard and investigates, finding another woman gagged inside. It is revealed that the woman in the cupboard is actually the mother, and the other woman who has been pretending throughout the film is attempting to steal her identity and take her place in the family. She wrestles the ring off the mother's finger as proof of her intent to replace her. The film ends abruptly at this climax, leaving the audience wanting more of the unfolding psychological thriller.
The document provides a summary of the plot of "The Conjuring" and analyzes the opening scene of the film. The opening scene introduces the main characters, establishes the horror genre through tense music and dark imagery, reveals that the family is being haunted by a possessed doll, and hints at a dark backstory involving witchcraft. It uses camera techniques and music to build tension and suspense for the viewer. The investigators then explain to the family that the doll is attempting to possess them.
The opening title sequence of Fight Club begins inside the microscopic view of a body, immersed the viewer in the psychological inner workings. Shots progress through the body before emerging in a close up of a character's sweaty forehead with a gun in their mouth. This establishes the psychological thriller genre and sinister tone. The first line of dialogue references the mysterious Tyler Durden, hooking the audience's interest in this significant character.
The opening sequence of 'The Conjuring' sets an ominous tone through its dark color palette and unsettling string music. It introduces the main characters, paranormal investigators Ed and Lorraine Warren, through a flashback story told by other characters. Ed and Lorraine are depicted as respected experts in a university lecture scene. The sequence establishes that the film is based on real events involving the Warrens and their investigations. It hints that the film will be a scary supernatural thriller in the vein of 'The Exorcist' through visual cues and an increasing sense of tension and unease created by the music.
Textual analysis of 2 soap opera trailersNick Crafts
This document provides an analysis of two soap opera trailers:
1) The EastEnders trailer uses tension-building music and ambient sounds. Lucy Beale's singing is an anti-stereotype. Shots establish isolated locations and build suspense.
2) The Hollyoaks trailer uses fast-paced music to depict relationship issues. Arguments are left unresolved to encourage viewing. Lighting depicts mood changes and settings segregate characters. Facial expressions show a range of emotions.
The analysis evaluates strengths of each trailer, including techniques that would be repeated or exploited in a new trailer, such as tracking shots, cliffhangers, and depicting confusion through editing. Faster clips in the Hollyoaks trailer
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters investigating strange occurrences in their new home, playing outside before problems arise, and increasingly disturbing situations as darkness takes over, suggesting the story involves paranormal events terrorizing the characters.
This document provides descriptions and analyses of still images from a film. It summarizes the purpose, camera techniques, lighting, costumes, and implications of 12 still shots from the movie. The stills depict characters recording themselves, friends laughing, a house, ominous writing, interference on a camera, toys in a trunk, the house facade, a seance, a boy coming up the stairs, and a figure looming over a reading woman. Through techniques like lighting, camera angles, and implied context, the stills aim to set a mood of unease, paranormal activity, and a home life turned upside down.
The trailer effectively builds tension and atmosphere for a horror film using sound, cinematography, and mise-en-scene. It follows a family that moves into a new home in the 1970s. Strange events begin to occur, with unexplained noises and things moving on their own, terrifying the mother. The trailer leaves the viewer wondering what supernatural force is haunting the family through the use of silence, ambient sounds, and mysterious visuals without revealing too much of the plot.
The woman hears a noise from the baby's room cupboard and investigates, finding another woman gagged inside. It is revealed that the woman in the cupboard is actually the mother, and the other woman who has been pretending throughout the film is attempting to steal her identity and take her place in the family. She wrestles the ring off the mother's finger as proof of her intent to replace her. The film ends abruptly at this climax, leaving the audience wanting more of the unfolding psychological thriller.
The document provides a summary of the plot of "The Conjuring" and analyzes the opening scene of the film. The opening scene introduces the main characters, establishes the horror genre through tense music and dark imagery, reveals that the family is being haunted by a possessed doll, and hints at a dark backstory involving witchcraft. It uses camera techniques and music to build tension and suspense for the viewer. The investigators then explain to the family that the doll is attempting to possess them.
The opening title sequence of Fight Club begins inside the microscopic view of a body, immersed the viewer in the psychological inner workings. Shots progress through the body before emerging in a close up of a character's sweaty forehead with a gun in their mouth. This establishes the psychological thriller genre and sinister tone. The first line of dialogue references the mysterious Tyler Durden, hooking the audience's interest in this significant character.
The opening sequence of 'The Conjuring' sets an ominous tone through its dark color palette and unsettling string music. It introduces the main characters, paranormal investigators Ed and Lorraine Warren, through a flashback story told by other characters. Ed and Lorraine are depicted as respected experts in a university lecture scene. The sequence establishes that the film is based on real events involving the Warrens and their investigations. It hints that the film will be a scary supernatural thriller in the vein of 'The Exorcist' through visual cues and an increasing sense of tension and unease created by the music.
Textual analysis of 2 soap opera trailersNick Crafts
This document provides an analysis of two soap opera trailers:
1) The EastEnders trailer uses tension-building music and ambient sounds. Lucy Beale's singing is an anti-stereotype. Shots establish isolated locations and build suspense.
2) The Hollyoaks trailer uses fast-paced music to depict relationship issues. Arguments are left unresolved to encourage viewing. Lighting depicts mood changes and settings segregate characters. Facial expressions show a range of emotions.
The analysis evaluates strengths of each trailer, including techniques that would be repeated or exploited in a new trailer, such as tracking shots, cliffhangers, and depicting confusion through editing. Faster clips in the Hollyoaks trailer
The teaser trailer is for the psychological thriller film "Gone Girl". It uses various camera shots and lighting techniques to create a sense of mystery and suspense surrounding the disappearance of Amy. Through Nick's expressions and interactions with Amy, the audience starts to question his innocence. Intercut with shots of evidence and Amy in dangerous situations, the trailer leaves the audience on a cliffhanger by showing Amy sinking underwater at the end, without revealing the full story.
The opening sequence establishes the amateur, documentary style of the film through shaky camerawork, lack of lighting and sound equipment, and casual clothing of the characters. It shows the characters preparing to investigate a local myth in the woods on Halloween, with dark lighting and dialogue hinting at something sinister. The sequence ends with a disturbing description of a graveyard in black and white, building an atmosphere of unease, death, and horror.
The document provides an analysis of different film opening techniques that connote the thriller genre. It summarizes several scenes from example film openings.
At the beginning of one clip, non-diegetic music creates suspense as the audience wonders what will happen. Two men are introduced, and their futuristic clothing implies the film is set in the future. In another scene, a girl is distressed but her sister's comforting relates to the "hero character" concept.
One opening uses music to introduce an illusionist character, then shows him correctly guessing a card's location in a surprising way. Another uses close-ups and interrogation to introduce a hypnotist character. Dramatic music and a performance introduce a magician character.
The opening scene of The Ninth Gate sets up tension and mystery. It begins with the man calmly writing a note as diegetic sound plays. The camera then reveals a noose tied around a chandelier. Despite looking relaxed, the man proceeds to hang himself. Slow pacing and lack of sound creates an unsettling atmosphere. A note is shown on the desk, leaving the audience to wonder why he committed suicide. Conventions of low lighting, pacing, and an initially calm character hiding a dark secret are employed to engage the audience.
The film The Woman in Black was directed by James Watkins and stars Daniel Radcliffe. Radcliffe is a highly professional actor and his star power helped promote the low-budget film, which cost around £9 million to make. The trailer uses camera angles, editing, lighting, color, and sound to create an unsettling and suspenseful atmosphere for viewers. Dark cinematography, a creepy voiceover, and unnerving music build tension as unseen threats lurk in the shadows.
This document discusses the filmmaker's choices in developing the codes and conventions for their psychological thriller media product. An online survey was conducted to determine the appealing subgenre, with results showing a preference for psychological thrillers. The filmmaker explores conventions of location, sound, props, costumes, characters, and cinematography/editing to both incorporate typical genre elements and subvert expectations through plot twists. Key decisions are analyzed in relation to existing thriller films and theories to effectively intrigue the audience.
The document provides analysis of several key scenes in the movie Donnie Darko. It summarizes the mood, symbolism, and plot foreshadowing conveyed through lighting, camera work, settings and costumes in various scenes. Key events summarized include Donnie lying alone in a field at the beginning, his interactions with the strange character of Grandma Death, the flooding at school he causes, his stabbing of Frank and shooting of his eye, and Donnie's death laughing as the plane engine falls through his bedroom ceiling.
The Blair Witch Project movie poster does not follow Todorov's narrative structure theory as there is no initial state of equilibrium. It poses questions like "Why did they disappear?" and "Where did they disappear to?" between lines of text to evoke mystery. The low camera angle and close-up of the character holding a camera enhances the realism and feeling of being lost and alone.
The document analyzes how performance and cinematography create meaning for the audience in a scene from the film "Into the Wild." It discusses how close-up shots of the main character Christopher McCandless show his gaunt and ill appearance. Point-of-view camera work makes the audience feel like they are experiencing his weakness. The cinematography and the actor's performance convey that McCandless is alone and getting weaker, eliciting sympathy from the audience for his struggle.
The document provides guidance for a written analysis assignment on how micro-features of film language like cinematography, editing, and sound create meaning in a film sequence. It instructs students to analyze no more than a 5-minute sequence from their researched film, focusing on one or more micro-features. It provides an example analysis and identifies how it demonstrates understanding of concepts, terminology, identified shots/movements, and personal response. Students are told to watch their chosen sequence multiple times and take notes to write a draft analysis.
The document summarizes a pitch presentation for an opening sequence to a romantic thriller film. It describes the opening scene showing a house with signs of murder. It establishes the main character as a wife who kills her son after her husband's death and claims someone else did it, but it's revealed her husband is actually still alive. It identifies the romantic thriller genre and conventions like tension music and quick cuts that will be used. It describes the sole character shown as a stereotypical mom to not reveal she is bipolar. It summarizes the audience survey which informed the project and the visual style including costume, lighting, and camera shots to create mystery and tension.
The Girl On the Train- Teaser Trailer and Poster Analysissophiedixon44
This document analyzes screenshots and scenes from a teaser trailer for a crime thriller. It summarizes key details about each scene, including characters, locations, costumes, camerawork, lighting, sound design and how they build tension and mystery. The analysis suggests the two main female characters may be connected and suspects in a disappearance. It notes how the teaser trailer leaves the audience with many questions about the narrative and characters.
The document summarizes a pitch presentation for an opening sequence to a romantic thriller film. It describes the opening scene showing a house with signs of murder. It then discusses key elements of the genre, conventions that will be used including music, camera angles and lighting. It outlines the main character as a stereotypical mom whose mental state will be implied, not revealed. It describes the intended audience as teens/young adults. Details are provided on visual elements like costume, location, and camera shots that will be used to set tone and imply tension and mystery without fully revealing the plot.
Sound Research- Timelines of films soundsophiedixon44
The document analyzes the soundtracks of movie teaser trailers for Gone Girl, The Girl on the Train, and Inception. It breaks down the trailers second-by-second, describing whether the sound used is diegetic (part of the on-screen action) or non-diegetic (added soundtrack). Across the three trailers, non-diegetic music and sound effects are used to build tension and engage audiences emotionally. Piano music in particular creates a solemn tone. Dialogue and diegetic sounds provide clues about the plots and characters. The document examines how matching visuals and sound immerses viewers in the stories and leaves them wanting more information.
This opening sequence establishes the genre as horror through its use of lighting, camera shots, music and reactions from characters. Various shots like close-ups, mid shots and long shots are used to focus attention on key subjects and build tension. Dark lighting and a tense musical score set an ominous tone. The characters of two female nurses are established as vulnerable through their body language and expressions of fear when recounting strange events, positioning the film's narrative as involving the supernatural or paranormal. Editing uses straight cuts for a natural flow between shots in this horror genre opening sequence.
The document discusses the development of an extended step outline for a crime/thriller film. It describes analyzing films like Taken and Now You See Me for inspiration. The original plot involved the main character Isaac hunting those who didn't accept his innocence after becoming sociopathic, but the outline worked better if Isaac remained innocent. Elements like lighting, costumes, tattoos, and sound were used to convey deeper meanings and messages to the audience. Specific scenes are discussed where techniques like dramatic irony and high key lighting were effectively employed. While editing was a challenge, transitions and jump cuts were used to suggest time passing and create surreal feelings. Overall, micro-elements were enjoyed but some scenes had deeper meanings than others. Inspiration was
The document analyzes scenes from two short horror films, "Apartment 41" and "The Cop Cam" to identify how they employ conventions of the horror genre to entice and scare audiences. For "Apartment 41", it notes the use of low-key lighting, intense music, and a focus on the main character's fear and realization of danger to build suspense. Scenes of supernatural events like a ghostly figure further frighten viewers as expected. "The Cop Cam" similarly uses low lighting, an abandoned setting, mysterious sounds and a jump scare to elicit fear in audiences and leave them wanting more answers. Both films utilize common horror techniques to engage thrill-seeking viewers.
The document provides an in-depth analysis of how various elements are used to set up the film "The Sixth Sense". It discusses how the characters of Anna and Malcolm are introduced to show their close relationship. It also examines how the narrative, setting, and an enigma are established through the use of diegetic speech, symbolic imagery like a heating light bulb, and Anna's reaction to something unseen. Technical elements like camera work, editing, mise-en-scene, and sound design are analyzed to build suspense and involve the audience.
The woman hears a noise from the baby's room cupboard and investigates, finding another woman gagged inside. It is revealed that the woman in the cupboard is actually the mother, and the other woman who has been pretending throughout the film is attempting to steal her identity and take her place in the family. She wrestles the ring off the mother's finger as proof of her intent to replace her. The film ends on a cliffhanger as the imposter shuts the real mother back in the cupboard just as her husband returns home.
The document analyzes the opening scene of the film "The Sixth Sense" through its camera angles, mise-en-scene, sound, and editing techniques. The camera stays at a mid-shot as a girl goes into a dark wine cellar, putting the audience on edge. Close-ups of her worried face and a later wide shot of a terrified couple hiding imply a lurking threat. Broken items and darkness increase tension. Silence heightens unease before a jump scare. Slow pacing and a single continuous shot create realism and suspense from the start. An amplified gunshot hints the man shot may become a ghost.
The opening sequence of The Sixth Sense uses various cinematic techniques to set up expectations for the film's paranormal atmosphere. Close-up shots of a light bulb emphasize its importance, and shots from behind objects suggest the female character is being watched unseen. Her fancy dress in the dark basement creates an eerie sense of uncertainty. Non-diegetic sounds build tension and suspense, while slow editing and low lighting further unnerve the audience. Through these techniques, viewers learn the film will feature a weak female character in danger from mysterious unseen forces.
In this document, 5 screenshots from a film are described that provide context clues about the plot and characters. The first screenshot shows a blurred scene in the woods creating suspense. A young girl is then shown looking directly at the camera with determination. Later, she is seen shooting a deer, contradicting the audience's initial view of her as innocent. Throughout, a lack of sound builds tension until something important occurs.
The teaser trailer is for the psychological thriller film "Gone Girl". It uses various camera shots and lighting techniques to create a sense of mystery and suspense surrounding the disappearance of Amy. Through Nick's expressions and interactions with Amy, the audience starts to question his innocence. Intercut with shots of evidence and Amy in dangerous situations, the trailer leaves the audience on a cliffhanger by showing Amy sinking underwater at the end, without revealing the full story.
The opening sequence establishes the amateur, documentary style of the film through shaky camerawork, lack of lighting and sound equipment, and casual clothing of the characters. It shows the characters preparing to investigate a local myth in the woods on Halloween, with dark lighting and dialogue hinting at something sinister. The sequence ends with a disturbing description of a graveyard in black and white, building an atmosphere of unease, death, and horror.
The document provides an analysis of different film opening techniques that connote the thriller genre. It summarizes several scenes from example film openings.
At the beginning of one clip, non-diegetic music creates suspense as the audience wonders what will happen. Two men are introduced, and their futuristic clothing implies the film is set in the future. In another scene, a girl is distressed but her sister's comforting relates to the "hero character" concept.
One opening uses music to introduce an illusionist character, then shows him correctly guessing a card's location in a surprising way. Another uses close-ups and interrogation to introduce a hypnotist character. Dramatic music and a performance introduce a magician character.
The opening scene of The Ninth Gate sets up tension and mystery. It begins with the man calmly writing a note as diegetic sound plays. The camera then reveals a noose tied around a chandelier. Despite looking relaxed, the man proceeds to hang himself. Slow pacing and lack of sound creates an unsettling atmosphere. A note is shown on the desk, leaving the audience to wonder why he committed suicide. Conventions of low lighting, pacing, and an initially calm character hiding a dark secret are employed to engage the audience.
The film The Woman in Black was directed by James Watkins and stars Daniel Radcliffe. Radcliffe is a highly professional actor and his star power helped promote the low-budget film, which cost around £9 million to make. The trailer uses camera angles, editing, lighting, color, and sound to create an unsettling and suspenseful atmosphere for viewers. Dark cinematography, a creepy voiceover, and unnerving music build tension as unseen threats lurk in the shadows.
This document discusses the filmmaker's choices in developing the codes and conventions for their psychological thriller media product. An online survey was conducted to determine the appealing subgenre, with results showing a preference for psychological thrillers. The filmmaker explores conventions of location, sound, props, costumes, characters, and cinematography/editing to both incorporate typical genre elements and subvert expectations through plot twists. Key decisions are analyzed in relation to existing thriller films and theories to effectively intrigue the audience.
The document provides analysis of several key scenes in the movie Donnie Darko. It summarizes the mood, symbolism, and plot foreshadowing conveyed through lighting, camera work, settings and costumes in various scenes. Key events summarized include Donnie lying alone in a field at the beginning, his interactions with the strange character of Grandma Death, the flooding at school he causes, his stabbing of Frank and shooting of his eye, and Donnie's death laughing as the plane engine falls through his bedroom ceiling.
The Blair Witch Project movie poster does not follow Todorov's narrative structure theory as there is no initial state of equilibrium. It poses questions like "Why did they disappear?" and "Where did they disappear to?" between lines of text to evoke mystery. The low camera angle and close-up of the character holding a camera enhances the realism and feeling of being lost and alone.
The document analyzes how performance and cinematography create meaning for the audience in a scene from the film "Into the Wild." It discusses how close-up shots of the main character Christopher McCandless show his gaunt and ill appearance. Point-of-view camera work makes the audience feel like they are experiencing his weakness. The cinematography and the actor's performance convey that McCandless is alone and getting weaker, eliciting sympathy from the audience for his struggle.
The document provides guidance for a written analysis assignment on how micro-features of film language like cinematography, editing, and sound create meaning in a film sequence. It instructs students to analyze no more than a 5-minute sequence from their researched film, focusing on one or more micro-features. It provides an example analysis and identifies how it demonstrates understanding of concepts, terminology, identified shots/movements, and personal response. Students are told to watch their chosen sequence multiple times and take notes to write a draft analysis.
The document summarizes a pitch presentation for an opening sequence to a romantic thriller film. It describes the opening scene showing a house with signs of murder. It establishes the main character as a wife who kills her son after her husband's death and claims someone else did it, but it's revealed her husband is actually still alive. It identifies the romantic thriller genre and conventions like tension music and quick cuts that will be used. It describes the sole character shown as a stereotypical mom to not reveal she is bipolar. It summarizes the audience survey which informed the project and the visual style including costume, lighting, and camera shots to create mystery and tension.
The Girl On the Train- Teaser Trailer and Poster Analysissophiedixon44
This document analyzes screenshots and scenes from a teaser trailer for a crime thriller. It summarizes key details about each scene, including characters, locations, costumes, camerawork, lighting, sound design and how they build tension and mystery. The analysis suggests the two main female characters may be connected and suspects in a disappearance. It notes how the teaser trailer leaves the audience with many questions about the narrative and characters.
The document summarizes a pitch presentation for an opening sequence to a romantic thriller film. It describes the opening scene showing a house with signs of murder. It then discusses key elements of the genre, conventions that will be used including music, camera angles and lighting. It outlines the main character as a stereotypical mom whose mental state will be implied, not revealed. It describes the intended audience as teens/young adults. Details are provided on visual elements like costume, location, and camera shots that will be used to set tone and imply tension and mystery without fully revealing the plot.
Sound Research- Timelines of films soundsophiedixon44
The document analyzes the soundtracks of movie teaser trailers for Gone Girl, The Girl on the Train, and Inception. It breaks down the trailers second-by-second, describing whether the sound used is diegetic (part of the on-screen action) or non-diegetic (added soundtrack). Across the three trailers, non-diegetic music and sound effects are used to build tension and engage audiences emotionally. Piano music in particular creates a solemn tone. Dialogue and diegetic sounds provide clues about the plots and characters. The document examines how matching visuals and sound immerses viewers in the stories and leaves them wanting more information.
This opening sequence establishes the genre as horror through its use of lighting, camera shots, music and reactions from characters. Various shots like close-ups, mid shots and long shots are used to focus attention on key subjects and build tension. Dark lighting and a tense musical score set an ominous tone. The characters of two female nurses are established as vulnerable through their body language and expressions of fear when recounting strange events, positioning the film's narrative as involving the supernatural or paranormal. Editing uses straight cuts for a natural flow between shots in this horror genre opening sequence.
The document discusses the development of an extended step outline for a crime/thriller film. It describes analyzing films like Taken and Now You See Me for inspiration. The original plot involved the main character Isaac hunting those who didn't accept his innocence after becoming sociopathic, but the outline worked better if Isaac remained innocent. Elements like lighting, costumes, tattoos, and sound were used to convey deeper meanings and messages to the audience. Specific scenes are discussed where techniques like dramatic irony and high key lighting were effectively employed. While editing was a challenge, transitions and jump cuts were used to suggest time passing and create surreal feelings. Overall, micro-elements were enjoyed but some scenes had deeper meanings than others. Inspiration was
The document analyzes scenes from two short horror films, "Apartment 41" and "The Cop Cam" to identify how they employ conventions of the horror genre to entice and scare audiences. For "Apartment 41", it notes the use of low-key lighting, intense music, and a focus on the main character's fear and realization of danger to build suspense. Scenes of supernatural events like a ghostly figure further frighten viewers as expected. "The Cop Cam" similarly uses low lighting, an abandoned setting, mysterious sounds and a jump scare to elicit fear in audiences and leave them wanting more answers. Both films utilize common horror techniques to engage thrill-seeking viewers.
The document provides an in-depth analysis of how various elements are used to set up the film "The Sixth Sense". It discusses how the characters of Anna and Malcolm are introduced to show their close relationship. It also examines how the narrative, setting, and an enigma are established through the use of diegetic speech, symbolic imagery like a heating light bulb, and Anna's reaction to something unseen. Technical elements like camera work, editing, mise-en-scene, and sound design are analyzed to build suspense and involve the audience.
The woman hears a noise from the baby's room cupboard and investigates, finding another woman gagged inside. It is revealed that the woman in the cupboard is actually the mother, and the other woman who has been pretending throughout the film is attempting to steal her identity and take her place in the family. She wrestles the ring off the mother's finger as proof of her intent to replace her. The film ends on a cliffhanger as the imposter shuts the real mother back in the cupboard just as her husband returns home.
The document analyzes the opening scene of the film "The Sixth Sense" through its camera angles, mise-en-scene, sound, and editing techniques. The camera stays at a mid-shot as a girl goes into a dark wine cellar, putting the audience on edge. Close-ups of her worried face and a later wide shot of a terrified couple hiding imply a lurking threat. Broken items and darkness increase tension. Silence heightens unease before a jump scare. Slow pacing and a single continuous shot create realism and suspense from the start. An amplified gunshot hints the man shot may become a ghost.
The opening sequence of The Sixth Sense uses various cinematic techniques to set up expectations for the film's paranormal atmosphere. Close-up shots of a light bulb emphasize its importance, and shots from behind objects suggest the female character is being watched unseen. Her fancy dress in the dark basement creates an eerie sense of uncertainty. Non-diegetic sounds build tension and suspense, while slow editing and low lighting further unnerve the audience. Through these techniques, viewers learn the film will feature a weak female character in danger from mysterious unseen forces.
In this document, 5 screenshots from a film are described that provide context clues about the plot and characters. The first screenshot shows a blurred scene in the woods creating suspense. A young girl is then shown looking directly at the camera with determination. Later, she is seen shooting a deer, contradicting the audience's initial view of her as innocent. Throughout, a lack of sound builds tension until something important occurs.
The opening scene of The Woman in Black sets a dark, gloomy mood through its use of mise-en-scene, editing, cinematography, and sound. Three young girls are seen playing with dolls in a dimly lit room decorated plainly. Strange editing choices, like slow motion and shot reverse shots between the girls and dolls, manipulate the viewer. Extreme close-ups of the unsettling dolls make them seem alive. As the scene progresses, the girls suddenly smash their teacups and throw the dolls before jumping out the window. Their scream leaves the viewer alone with the now darker and duller room, controlled by whatever made the girls act so strangely.
The opening sequence of The Sixth Sense uses various cinematic techniques to set up expectations for the film's paranormal themes. A woman is shown alone in a dark basement, dressed nicely, lit in a way that makes her stand out, suggesting she is in danger from something unseen. Unusual camera angles and a tracking shot imply she is being watched without knowing it. The soundtrack starts quietly and builds tension with changes in pace and rhythm. These visual and audio elements combine to create an eerie atmosphere and sense of uncertainty about what may happen.
The trailer uses various cinematic techniques to build tension and mystery around a box delivered to a family. It begins with slow, relaxed editing but as the man opens the box, the editing speeds up and rhythmic cuts are used to match the intensifying music. Jump cuts on a young girl cause unease in viewers. Shots are framed and angled to make characters seem small, weak, or intimidating. Costumes indicate the family's declining mental state. Candlelit shots in a prison-like setting follow one character down a dangerous path. Sound design with unsettling laughter and a foreboding voice build an ominous atmosphere around the consequences of interacting with the mysterious box.
Analysis of 'The Woman in Black' Opening title sequenceNusrat Chowdhury
The opening title sequence of 'The Women in Black' sets an ominous and disturbing tone through its visuals and audio. Close-up shots of creepy dolls and dim lighting in a plain room establish an unsettling mood. Three young girls are shown playing with dolls until suddenly changing and jumping from a window. Slow, dark music plays throughout, becoming more ominous as the girls' behavior changes. Their screams and a woman crying "my baby" leave the audience unsettled about what will happen in the mysterious story to come.
The opening scene of Black Swan shows a stick of chalk being dragged across a sheet to mimic ballet movements. The chalk starts smoothly but then cracks, mirroring the tension between grace and frustration. Dark colors and an old-fashioned sepia filter set a moody tone. Stylized text titles fade away quickly, hinting at a hidden meaning beneath the film's surface. Together, these visual and editing elements immerse viewers in the world of ballet while foreshadowing inner conflict.
The document discusses the filmmaking techniques used to create a sense of mystery and tension in a thriller sequence. Extreme close-ups of strings were used at the beginning to encourage audience questions. Sounds of wind and rumbles were added to shots to make them feel creepier. Wider shots later revealed more context but still left questions unanswered. Close-ups of a character waking in the dark tent continued the mystery. A revealing wide shot showed the strings led to the tent indoors, furthering the intrigue. A close-up of the character picking up an axe built tension over an unknown threat. Silence during a walk heightened discomfort. The door handle turning on its own gave a thrill while maintaining the mystery.
The opening scene of The Conjuring sets an ominous tone through dialogue alone on a black screen. It then uses disembodied close-up shots of a doll's eye to create an unsettling and mysterious atmosphere. The lighting throughout is very dark, obscuring the colorful clothing of the characters and making the environment feel threatening. A sheet of paper with the message "Miss me?" adds to the alarming nature of the story being told by the characters.
The opening scene of the horror film is set in a dark forest at night. A high angle shot pans down through the trees to establish the setting. Non-diegetic electronic music plays, placing the scene in the 1980s. The film title "The Damned" connotes religious punishment for sins. Fire represents an approaching evil spirit. Typical horror conventions include teenage victims to appeal to the target demographic and the use of slow motion shots. The scene shows teens drinking and partying in the woods, impairing their senses and endangering them. Footsteps and breathing sounds build tension as a male character investigates a noise. He is startled by his friend but then both girls scream as an unseen threat approaches.
This document provides an analysis of various shots from the trailer for the movie "Cabin in the Woods". It summarizes the purpose and meaning behind 14 different shots or sequences from the trailer. Key details that are highlighted include shots that build tension, mystery, and suggest that the group of characters are being watched and are in danger. Symbols like the grid wall and lights going out indicate that there is no escape. The shots are used to provide clues about the plot and create an unsettling, ominous tone.
The opening sequence of Silence of the Lambs establishes a tense, ominous mood through low key lighting and camerawork that leaves the audience uncertain about what is chasing the female protagonist running through the foggy forest. As she reaches the FBI building, the music and lighting change to indicate it is a safe haven. In Mad Max, establishing shots show a desolate wasteland, creating isolation and uncertainty. Fast-paced editing and disfigured characters unnerve the audience as Max is chased. Costumes, lighting and sound further a tense atmosphere as he is captured in a hidden, dangerous place. Both openings set up mystery and danger through visual and audio techniques to engage the audience in the thriller genre.
The document provides an analysis of opening thriller sequences. It examines several film openings and analyzes the techniques used to set tone and build suspense, mystery, and interest in viewers. Key techniques discussed include the use of establishing shots, lighting, music, editing, camera shots, settings, characters' expressions and interactions. The analysis suggests these techniques aim to involve viewers emotionally, encourage imagination, create an unsettling atmosphere, and leave questions unanswered to drive interest in learning more through watching the full film.
The document analyzes the mise en scène elements of lighting, costume, setting, and makeup in trailers for the films Insidious, Women in Black, and Krampus. For Insidious, the lighting creates tension and unease, costumes seem supernatural, and the settings imply danger or escape. Women in Black uses lighting to build intrigue, costumes question characters' innocence, and isolated settings trap characters. Krampus associates lighting with chaos, costumes relate to reality and the past, while settings isolate characters or imply calm before danger. The analyses of these mise en scène elements aim to excite and unnerve audiences for each horror film trailer.
The sixth sense opening sequence analysis11soarese
The document analyzes the opening sequence of "The Sixth Sense" through its use of mise-en-scene, editing, sound, and camerawork to build suspense and uncertainty. It discusses how the female character's costume, the dark basement setting, and slow pacing create a sense that she is vulnerable and not alone. Non-diegetic sounds and camera angles hint at something watching her from behind. The sequence leaves the audience with questions about what may happen next and wanting to know if there is truly something threatening in the basement.
This shot-by-shot analysis summarizes key scenes and elements in the film "Amstetten". It describes an opening scene of a woman watching a news report in a dimly lit setting. The analysis then details flashback scenes showing the woman as a girl experiencing mysterious and possibly sinister events. The analysis concludes by returning to the present with the woman watching TV again as doors are heard opening, building suspense as the lights and TV are turned off by an unknown person.
This document analyzes the opening sequence of the film "Eighteen" through textual and film techniques. It discusses how the non-diegetic score creates suspense and emotion. Shots like long shots and medium shots are examined for how they connote isolation, desperation, and facing fear. Medium close ups show gender performance and stereotypical teenage relationships. While aimed at younger audiences, the sequence could have improved the dubbing and lighting. In conclusion, more sophisticated techniques could have challenged the audience more.
Similar to Textual analysis of a teaser trailer (20)
Bobby Murphy and Evan Spiegel founded Snapchat in September 2011, originally launching it at their university before expanding internationally. Snapchat grew over the years by adding features like filters, live mode, and calling friends, and it now has over 150 million users and has made over $18 billion, with its headquarters based in Los Angeles but offices around the world. Snapchat plans to continue adding to the app but is currently pleased with its success.
The document discusses conventions used in the author's teaser trailer, magazine cover, and movie poster for a psychological thriller film. For the teaser trailer, it follows conventions for duration at just over a minute, uses a fast-paced editing style, builds narrative tension, and includes eerie non-diegetic sound. The magazine cover includes typical layout elements like the title, bar code, and main character image, and trails other articles. The poster prominently features the main character and title as is conventional, and includes reviews to engage viewers without famous actors. Overall, the media products aim to develop thriller genre conventions on a low budget.
The document summarizes the process of creating a magazine cover. First, they took high quality images on the filming day using professional equipment. Then, they designed the cover in Photoshop using a clock background to represent their time-based teaser trailer, and the font Arial Black to mimic the style of Total Film magazine. Finally, they were inspired by the Inception issue of Total Film but had to change the cover image due to copyright issues.
The document discusses the process of creating a teaser trailer for a film project. It describes filming scenes on location at a college house, editing the scenes together in Final Cut Pro, and realizing the initial cut was too long so scenes were cut down or removed. It also discusses selecting and adding appropriate diegetic and non-diegetic sounds from online sources to emphasize moments. Finally, it describes choosing between two production company idents created by a group member, with "Paradox Productions" selected as it had a more eerie tone fitting for the trailer.
The document describes the process of creating a movie poster. It discusses taking photos on set using professional equipment, editing the photos in Photoshop to create an eerie look, figuring out the billing blocks to credit roles, finding a font on a free font website, adding the font and reviews to the poster, getting feedback that the blood on "Time's Up" gave a horror feeling instead of thriller, and making final alterations like adding another review and an apostrophe to "Time's Up" before finishing the poster.
The poster for "Sixth Sense" uses conventions of psychological thriller posters through its dark and light color scheme and sense of mystery created by low-key lighting. While the poster design links to the film through its characters and tagline, its color scheme does not reflect the teaser trailer. The teaser trailer uses editing techniques common to psychological thrillers like quick cuts and flashing transitions to build tension. It introduces the film's theme of seeing the dead through depicting a boy claiming to see a dead woman by his car window, supported with an unsettling sound. Camerawork aims to give the perspective of a ghost as tension rises through matched heartbeats and cuts in the edit.
This risk assessment document summarizes the filming of a student project titled "Times Up!". It will film both outside and inside a field house at Castle. It identifies trip hazards from electrical wires as a potential risk and rates it as slightly harmful. It will minimize this risk by warning people near the wires. It also lists the team members involved in the filming.
A timer prop is needed for a teaser trailer that revolves around a timer running out of time, and Katie will provide the timer. Jane will have a satchel containing her belongings, with the satchel supplied by Shania and belongings supplied by others. A photo of Castle Field house printed on newspaper-like paper will show the house where John lives, and will be brought by Shania.
This document discusses location scouting for a teaser trailer. It describes Castle Field House, which will be used briefly at the beginning of the teaser trailer for its exterior. The document also mentions that an interior location was needed at Castle Field House for continuity in the teaser.
The call sheet provides details for the production of "TIMES UP!" including a call time of 9am and finish time of 4pm on October 31st at Reigate College Castle Field. It lists the crew of 4 people and their roles, with Ross and Shania as the main actors for the roles of Jane and John and backups if needed. Costume details are provided for Jane and John, and equipment like a camera, tripod and reflector are noted. Props needed include a timer, Jane's belongings, notepad and pen, keys, and a picture of Jane, with various crew members responsible for bringing items.
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This document contains test shots for a poster and magazine cover. The first test shot captures a pose for the poster with a lanyard in place of a stop watch to visualize the portrayal. The background will be edited darker for mystery. The second test shot plays with shadows on faces to create a spooky hovering effect, though the brightness of lighting could be toned down.
Jane, a reporter, visits John's house to interview him but finds herself trapped inside when John locks the door behind her. John sets a timer and tells Jane she must escape before it runs out. Jane panics as she searches frantically around the house but cannot find an exit. As the timer ticks down, Jane grows more distressed and desperate in her attempts to escape. When the timer finally runs out, Jane opens a drawer and discovers something shocking inside that causes her concern.
This document provides costume research for two characters, John the kidnapper and Jane the journalist. John will wear dark grey jeans, shirt and jumper with black boots, sourced from the actor Ross. Jane will wear smart casual clothing as a journalist, including a blazer or cardigan, black trousers, black shoes and a tee, sourced from the actor Shania.
This document contains a shot list for a film production titled at a castle field location. It includes 44 scenes with descriptions of the shots, such as character points of view, close-ups, medium shots, establishing shots, and more. The shots progress a storyline of a character named Jane exploring the castle to escape within the time limit set by another character, John.
The group pitched a psychological thriller film about a journalist who wakes up trapped in a strange man's house with a timer counting down. They discussed similar films like "Split" and focused their story on the protagonist and antagonist. They proposed marketing the film through mystery and questions to intrigue audiences. For the teaser trailer, they planned tense scenes of the woman trying to escape while flashbacks reveal the man's dark past. Their target audience would be 16-30 year olds interested in psychological mysteries.
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"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
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9
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(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
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-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
3. From the long shot we can establish that it’s currently day time and that it is placed in a shopping centre, the girls
presented in this long shot are wearing normal casual clothes, such as a baggy jumper and some jeans, intending
that they are just out for the day. The amount of cars that are parked make it seem as if it were a busy area as due
to the time of the day and area that it’s placed it would normally seem that way on a weekend. The lighting used
seems to be high key as it’s almost as if they used natural lighting from the sun. Just from this scene alone we can
establish that it is normal therefore the mood created is quite relaxed and laidback. Nevertheless, this shot is also a
camera held creating that shaky look, this can represent a sense of uneasiness or being scared, an addition to that is
that the camera follows the group of girls this can present a sense of being followed or stalked by someone and the
fact it’s higher than them could potentially mean that it’s something much more darker and scary following them.
The sound on the other hand queues in immediately when this shot cuts in, the sound played is a non-diegetic
sound of what seems to be chimes, but it seems to get quicker fairly quickly, the chimes used can also be used to
portray that sense of uneasiness as it matches well with the handheld camera. Overall this shot is portrayed as
uneasy because as an audience we get that sense of something is not right however, the characters do not know
what is going to happen to them, which leads on to the question of what will happen to these girls.
4. For this extreme long shot it is portrayed as eerie and odd as the area that it is shown is not a normal location many
people would visit which gives off that aura of uneasiness, as an addition it also uses selective focus more towards
the closer area, blurring out the back bit, this is most likely to give the sense of, “What is at the end of the tunnel?”
to add to this point, the lighting is quite dark and dingy however it incorporates that “light at the end of the tunnel”
scenario. The camera seems to be located on a moving table/bed, as from this shot it moves in a straight line
however gives off that feeling of being push in a bed like a patient in a hospital, it shakes as if it were on uneven
ground giving it that slight shakiness to it. Before this shot we were shown a girl being pulled by something so
perhaps this is a point of view of what she is witnessing, this would give the audience a sense of panic as they don’t
know what is going to happen however it does seem bad. For this scene there is also a non-diegetic piano playing,
but only playing one key every 2 seconds this acts as if it were a build up which incorporates the idea of the panic
for the female being pulled away to the unknown. Overall, this shot is presented as confusing as the audience may
ask on what is exactly happening, however, the long camera shot, the eerie piano key, the short duration of the clip,
and the uneasiness of the camera senses that it’s not so great.
5. From this long shot we can establish three girls sitting on the beds, the girls seem to be in an unsteady set of
mind due to their facial expressions looking panicky and uncomfortable, this can also be told by the two girls
on the right their posture is odd as they are close together not sitting comfortably this can perhaps means
that something is wrong. Nevertheless, the girl of the left looks more dominant as her posture is quite relaxed
and she’s separated herself from the others, this can show she is more familiar with the situation as is
prepared for it, however she does look somewhat frightened. For the lighting it does look a bit dull and dank,
especially with the background wall being stone (which is unusual for a bed to be nearby) this can indicate
that it’s underground and unlike the first clip I chose being busy and bright, this is the opposite, isolated and
dark. Due to the darkness it creates a darkness around the girls as if they were becoming silhouettes, or just a
shadow, this can portray the sense of being forgotten. As for the sound, it has a non-diegetic piano key which
varies from a high key to low, this gives the sense of uneasiness. They use the sound as a duration of the shot,
so once it does the low key it cuts to this scene, but when the high key sound queues, it cuts back out. This is
a clever way to use sound as it feels like a build up, this creates suspense for the audience.
6. This medium/long shot of the rose on the bed is quite simplistic in the way of creating a certain mood. As for
the other shots it’s always been uneasy, just for this shot alone the rose somehow makes it fairly peaceful, this
could be for what roses are normally used for such as events like a wedding, or a sad but peaceful funeral.
Despite how the rose is placed on the pillow of course it has the hints of unsettling emotions, such as the girl
on the side of the screen, It doesn’t show all of her, therefore we can’t tell what her facials is but her posture is
very closed and almost personal-like, this can present a sense of something bad, so she is ultimately ‘hiding’
herself. The lighting is also quite dull, almost could be low-key, however this gives off a ‘odd’ feeling as like I
said previously, it’s unusual for beds to be underground. The girl appears to be fading into darkness almost
like a silhouette, but nevertheless she has a soft glow perhaps showing that there is a chance? For this shot,
there is a narrative that is said that, “There is a flower in the bedroom, and in the bathroom, this could mean
we’re Important” which gives a sense of calmness however, there is still the high and low key music which
cancels that sense of calm, with them piano keys they added what sounds to be an old squeaky wheel, this
creates irritation, and more suspicion on what is truly happening.
7. This shot is quite interesting as its mixed between an extreme long shot and a long shot, depending on how
you look at it, the door is close up blurred out so we would focus on out the door crack, this can give a sense
of being trapped or isolated from the outside. Peering through the crack in the door we can see that there is
a female (or what appears to be a female) dressed in a long skirt and heels, this can be quite formal, however
looking into a crack in the door makes it’s odd and eerie as we don’t get a full picture of the person. The
lighting appears to be high key as it looks well-lit in the ‘outside’ area this enhances the idea of being
trapped, in contrast with the dialogue where the three girls start banging on the door shouting, “We’re in
here!” The banging on the door emphasises that they are indeed trapped and wanting to get out, it gives a
sense of fear. This shot is slightly longer than most of them, this makes the shot slightly more important as
this actually introduces the psychological half in this teaser.
8. This extreme long shot, it shows a man running down the stairs as if he were in a rush to be somewhere, this
fits with the duration of the shot as the pace goes well, apart from that this believes to give a sense of
intensity and suspicion. This shot also rotates which gives a sense of being trapped as it feels like its stair after
stair, almost if you were in the mind of the antagonist, this spinning could create crazy, or worse.
Nevertheless, the male appears to be in formal wear so perhaps he is in a rush for a meeting? As the audience
this can only raise suspicion of what’s occurring. In the voice over it talks about how a woman has never ‘see
and case like this before’ referring to the antagonist having multiple personalities, possibly having multiple
personalities could leave someone feeling confused or feel like they’re repeating over and over, thus why this
shot was included to give that sense of confusion and being trapped. Like I said previously this shot only lasts
around 2 seconds before fading away this could enhance the pace and make it more intense. Overall, I find
this shot intriguing and I like the use of the spinning camera movements as it has that sense of repeating, and
it leaves the audience in to thinking about the situation as the trailer unravels the mystery.
9. From this long shot we have two characters conversating with each other, however, in the dialogue the
question, “Who are you?” is asked, this strikes a nerve in the male character making him uneasy, however
from his posture he looks upper-class and as if he were to impress, as his clothes compliment that statement.
On the other hand, the woman in a blue jacket looks suspicious as she askes the question making her seem
intrigued in him. For the lighting it appears to have a contrast between the light and the dark, as the light
shines more onto the male, giving him that light outline on him yet still having that dark shadow on his front
half, this could represent that he puts on a fake personality to make him appear ‘good’ however, he has that
dark side which could mean that he has more of a bad side as most of him is ‘covered’ in shadows, on the
other hand the woman has half and half, perhaps suggesting that she’s neither good or bad, just a curious
person, she is more dominant in this situation as she is the one asking the questions, after this was asked the
music dies down which perhaps suggest that the male in this situation stop for a moment to think. This
statement also adds the idea that the intense music that is playing could be the male characters brain, and his
thought process, this enhances the situation drastically.
10. In this scene we can tell that we are back in the underground area that was introduced in the
beginning of the trailer. The underground area is presented as dark and eerie, this makes the situation
unstable as it’s not exactly a ‘happy’ place. In this scene we also see a male he appears to be
struggling, or attempting to do something, this confuses the audience as it’s not exactly clear on what
the trailer is suggesting.
Furthermore, this shot only lasts a couple of seconds this makes it fast pace and can enhance the
intensity, and the overall feeling to the trailer. This is a high angle shot, this makes it appear as if the
character is lower, and it could also suggest that he is non-dominant, however in this scenario he
seems as if he is in pain, this is suggested with the diegetic sounds of bones breaking/moving and him
grunting in pain. He appears to have shadows almost ‘consuming’ him, this can also suggest that he is
turning into something bad or it’s over taking him.
11. This extreme long shot shows a area which appears to be under a train station, It seems like It’s dark and
dingy almost cold looking, no one would normally go there at night. In the background it appears to be lights
coming from a huge building, this appears to be the only light source until the flashlight appears. In the far
distance you can see a male figure run away from the flash light, this could suggest that he is afraid of the
light and wants to keep in the darkness, or he could be afraid of WHO is holding that flashlight.
Nevertheless, this shot is fast pace as it’s apart of a montage, this means that they want to get a lot of shots in
with as little information so the audience can be intrigued into the trailer to want to watch more. The sound
played in this shot in a non-diegetic sound, which almost sounds like a string on a guitar was pulled and left
for that eerie hum before pulling it again, that relates well with the montage as it adds intensity and curiosity.
12. Overall
This trailer is overall 2:30 as I couldn’t find an exact teaser for this movie, however, it still includes all the main
parts you would find in a teaser, a build up, leaves the audience wanting to watch more, and it’s slightly short.
In this trailer I believe people would be able to figure out it’s a psychological thriller as after the male comes
out wearing female clothing it leaves the audience thinking on what and why, further into the trailer it slightly
explains it saying he has 23 personalities, this answers a few of the audiences questions, however, the
character then goes on talking about ‘the beast’ this ideally askes more questions and intrigues the audience.
As well as to why he ‘kidnapped’ the three girls.
I would say the unique selling point for Split is his multiple personality disorder, it’s not viewed upon much,
this movie shows what it can do, however there is the good side to it.
I’d say the target audience for this film is most likely teenagers and up, it includes three teenage girls
therefore the teenagers would relate more in a way that they could understand the feelings that get
portrayed in the movie/trailer. However, young adults/adults may perhaps find it interesting as it’s not the
usual thriller film you would get, I’d say it’s carefully thought out. It may perhaps strike counsellors/therapists
as they may one day get a person with multiple personalities and it gives them a sense of how they can go
from one to another.
13. What could I perhaps use?
In this trailer a lot of ideas perked up, I liked the contrast between the light and dark, emphasising how
they could appear nice, but they are actually dark on the inside. But The most important thing from
this trailer is how they laid out their montage, it’s well put together, it’s short therefore fast pace and it
made sense. The trailer didn’t give away too much information however, it just gave a few basic ideas
of what the movie may be about.
The shot with the staircase was interesting as it represented the endless thoughts, as it rotated with
the stairs as well, it’d be interesting to add something similar as our antagonist was briefly made so we
could make something haunt his memories in a way that it’s an endless trail of thoughts.
I also liked how the music stopped once the woman asked who he was, it was almost as if we were in
his mind, and he almost stopped to think, and then it continues as if he is getting racing thoughts
about something which could link in with the stairs scene.