This is our script of the Team music video, it's important to have this as it allows out to know what we need on our filming days so we can be prepared and use our time effectively.
The document provides an analysis of how the opening sequence of the film "The Taking of Pelham 123" establishes suspense. It does this through 3 main techniques: 1) Using ambient noise and imagery of a bustling city to set the scene and imply something significant will happen. 2) Introducing the main characters through titles against a fast-paced backdrop that makes them seem threatening. 3) Escalating small problems on the subway train to generate intrigue about what larger event may unfold.
Reservoir Dogs is a neo-noir film directed by Quentin Tarantino in which he also acts. The film follows a group of mobsters played by Harvey Keitel, Michael Madsen, Chris Penn, Steve Buscerni, Quentin Tarantino and Tim Roth as they prepare for a heist. The opening scenes show the group in a diner with voiceover narration and then walking down the street in slow motion to establish their cool and laid back personalities, despite being involved in criminal activities.
This document contains a draft transcript for a music video that depicts a couple abusing drugs and spiraling out of control. The transcript includes descriptions of shots that show the couple using drugs in an abandoned warehouse and footage from Ibiza clubs. Their drug use escalates as they are shown overdosing and arguing. In the end, the video returns to black and white footage of the distraught female character and ends with ambulance lights, implying her drug use led to an overdose or other negative outcome.
The opening scene of Layer Cake introduces the main character who is narrating about the money to be made in drugs, signaling the film's theme. Various camera shots and editing techniques are used to transition between the present and past. Characters are introduced through the narration and cross-cutting scenes, including a group in Amsterdam. The atmosphere is set up by an arranged meeting between the narrator and his cocaine supplier, hooking the audience by not revealing what will happen.
The document provides an analysis of the opening sequence of Orson Welles' 1958 film Touch of Evil. It describes how the sequence uses a continuous 3-minute tracking shot to follow two characters and a car through streets, establishing them as the main characters. Dramatic irony is used by showing a bomb being planted in a car without the characters' knowledge but visible to the audience. Various film techniques are employed, including asynchronous music, synchronous diegetic sounds like a police whistle, and an eyeline match to reveal an explosion the character hears and sees.
Trevor sees a flash of green light and hears a strange noise coming from the desert. When he goes outside, Ron arrives on an ATV and warns Trevor that "they" are here, referring to reptilian aliens. A large flash and sonic boom from the desert knocks Trevor and Ron off their feet. Trevor wakes up being dragged by reptilian aliens in a field. He kills the aliens but then must fight off police who arrive at the crash site. Trevor, now only in his underwear, returns to his trailer to look for Ron.
Mike tells the psychiatrist Linda about sexually assaulting and killing his sister Sapphire by two police officers. When lawyers and officials refused to help, Mike took justice into his own hands by tracking down and killing those responsible as well as the lawyers and officials who ignored the case. He reveals that the psychiatrist herself had previously treated one of the assaulters, intensifying his anger at the system's failure to address the abuse. The session ends with Mike stabbing Linda, suggesting her own complicity in past injustices.
1) The document outlines Sam Arblaster's plans for the opening 2 minutes of their action film coursework project. It includes planning for flashbacks of key scenes and 4 main scenes to introduce characters, set up a deal between them, and show the deal going wrong when one character shoots the other.
2) Scene details include shots of 2 cars pulling up to a container yard where the deal takes place, but it escalates when one character shoots the other after money is exchanged.
3) The following scene shows police officers at a station reviewing CCTV of the shooting and identifying a license plate number before the camera blacks out, ending the opening sequence.
The document provides an analysis of how the opening sequence of the film "The Taking of Pelham 123" establishes suspense. It does this through 3 main techniques: 1) Using ambient noise and imagery of a bustling city to set the scene and imply something significant will happen. 2) Introducing the main characters through titles against a fast-paced backdrop that makes them seem threatening. 3) Escalating small problems on the subway train to generate intrigue about what larger event may unfold.
Reservoir Dogs is a neo-noir film directed by Quentin Tarantino in which he also acts. The film follows a group of mobsters played by Harvey Keitel, Michael Madsen, Chris Penn, Steve Buscerni, Quentin Tarantino and Tim Roth as they prepare for a heist. The opening scenes show the group in a diner with voiceover narration and then walking down the street in slow motion to establish their cool and laid back personalities, despite being involved in criminal activities.
This document contains a draft transcript for a music video that depicts a couple abusing drugs and spiraling out of control. The transcript includes descriptions of shots that show the couple using drugs in an abandoned warehouse and footage from Ibiza clubs. Their drug use escalates as they are shown overdosing and arguing. In the end, the video returns to black and white footage of the distraught female character and ends with ambulance lights, implying her drug use led to an overdose or other negative outcome.
The opening scene of Layer Cake introduces the main character who is narrating about the money to be made in drugs, signaling the film's theme. Various camera shots and editing techniques are used to transition between the present and past. Characters are introduced through the narration and cross-cutting scenes, including a group in Amsterdam. The atmosphere is set up by an arranged meeting between the narrator and his cocaine supplier, hooking the audience by not revealing what will happen.
The document provides an analysis of the opening sequence of Orson Welles' 1958 film Touch of Evil. It describes how the sequence uses a continuous 3-minute tracking shot to follow two characters and a car through streets, establishing them as the main characters. Dramatic irony is used by showing a bomb being planted in a car without the characters' knowledge but visible to the audience. Various film techniques are employed, including asynchronous music, synchronous diegetic sounds like a police whistle, and an eyeline match to reveal an explosion the character hears and sees.
Trevor sees a flash of green light and hears a strange noise coming from the desert. When he goes outside, Ron arrives on an ATV and warns Trevor that "they" are here, referring to reptilian aliens. A large flash and sonic boom from the desert knocks Trevor and Ron off their feet. Trevor wakes up being dragged by reptilian aliens in a field. He kills the aliens but then must fight off police who arrive at the crash site. Trevor, now only in his underwear, returns to his trailer to look for Ron.
Mike tells the psychiatrist Linda about sexually assaulting and killing his sister Sapphire by two police officers. When lawyers and officials refused to help, Mike took justice into his own hands by tracking down and killing those responsible as well as the lawyers and officials who ignored the case. He reveals that the psychiatrist herself had previously treated one of the assaulters, intensifying his anger at the system's failure to address the abuse. The session ends with Mike stabbing Linda, suggesting her own complicity in past injustices.
1) The document outlines Sam Arblaster's plans for the opening 2 minutes of their action film coursework project. It includes planning for flashbacks of key scenes and 4 main scenes to introduce characters, set up a deal between them, and show the deal going wrong when one character shoots the other.
2) Scene details include shots of 2 cars pulling up to a container yard where the deal takes place, but it escalates when one character shoots the other after money is exchanged.
3) The following scene shows police officers at a station reviewing CCTV of the shooting and identifying a license plate number before the camera blacks out, ending the opening sequence.
The music video tells the narrative of a man who is experiencing some kind of internal conflict or personal struggle. He finds a video camera in his hotel room that belongs to whoever was there before him. The camera contains surveillance footage of a woman going about her daily life and business. It becomes clear she is a prostitute. Upon realizing this, the man destroys parts of the hotel room in anger. The video suggests he had an encounter with the woman and things did not go well between them. In the end, the narrative is ambiguous as the woman arrives back at the hotel room while the man holds the camera.
The document announces a film by Florencia Sorrosua and Melanie Silva titled "I Never Go to Jail" which was directed by FJS S.A., produced by MPK Co., and had art direction by Melanie Silva and executive production by Florencia Sorrosua. Various phrases are listed that provide some context about the content of the film which include references to going to jail, flying, going to the beauty salon, cleaning, watching TV, and telling the truth.
The document provides an analysis of a music video in 14 paragraphs. It summarizes each shot of the video, describing the scenes, costumes, and elements that establish a mysterious and action-packed narrative with spy and sci-fi influences. Several artists are introduced throughout the video, shown in various dramatic situations involving fighting, weapons, and betrayal. The video utilizes dramatic lighting, costumes, weapons, and an explosive finale to bring the story to a climactic end and market the song and artists.
This is my first draft of a script. To of made this better I should of researched other scripts from television so I could make it look more professional the first time. I wrote this more like a theater script rather than for a short film.
The document summarizes and analyzes the music video for the song "Fire" by the band Kasabian. The summary focuses on key plot points in the video:
1) The video begins by establishing characters on a street who end up robbing a bank, using guitars instead of guns and pages of music instead of money.
2) During the robbery and chase scenes, the video switches between color and black and white footage to distinguish between the band and the police response.
3) By the ending, the robbers realize they cannot escape and throw the bag of "money" into the air as the video fades back to the beginning.
This document provides a summary and analysis of the opening scenes of the film "28 Days Later". The summaries describe settings including a public place with police on horseback dispersing tear gas during an incident, a dark laboratory conducting experiments on a chimpanzee, and a nervous man in a lab coat calling someone on a telephone dated to the 1990s. Subsequent scenes show a character waking up alone and confused in an abandoned, dark hospital in a deserted London with overturned vehicles and no people. Notes posted on a wall may provide clues to what happened in the town during the 28 days referred to in the title.
This document is the script for Beyonce's music video for her song "Single Ladies". The video depicts a woman getting ready to go out with her friends to a club after breaking up with her boyfriend. It shows her getting ready, going to the club and dancing with her friends, as well as flashbacks to her ex-boyfriend. Throughout the video, the lyrics and dancing are synced to tell the story of a woman celebrating her new single status and independence after a breakup.
The document appears to be a script for a short film. It describes scenes of a character named Anna running through a school corridor at night while being chased by another character, Anand. Anand is filming the chase and plans to kill Anna to create a movie. He catches up to her and slashes her with a knife while pointing to the camera, implying the murder was filmed. The last scene shows the camera viewpoint with Anna's body on the floor and no one else around.
This shot list contains 30 shots detailing scenes that will be filmed around a girl's neighborhood, on her bus ride, and at London Bridge where she encounters her ex-boyfriend. The shots include establishing shots of locations, close-ups, and over-the-shoulder shots to capture the girl's interactions, movements, and reactions. A dramatic moment is created when the girl's ex-boyfriend sees her at the bus stop and realizes she overheard his conversation, and the shot list culminates in a hug and kiss between the two characters.
The document discusses conventions used in the opening scenes of horror films. It analyzes conventions seen in one film, such as a flash forward showing dead victims, establishing the haunted location where murders occurred, and depicting a character who was previously victimized trying to warn others. It notes that while the analyzed film uses conventions like showing victims having fun before danger strikes, the author's own opening scene focused solely on the killing of a victim to quickly set up the plot.
Dominic Toretto is sentenced to prison in the opening scene of Fast Five. Close ups show his emotion and that of his family members witnessing the sentencing. He is put on a prison bus along a deserted road, where the bus is suddenly ambushed by cars that appear dramatically with loud engines. Quick cuts and intense sound establish the speed and intensity of the film to come.
This document is a script for a music video for the song "Desire" by Years & Years. The script describes 12 scenes that will be featured in the video. Scenes include a girl watching a video on her TV and rewinding it, friends getting ready to go out while one films on a camera, friends laughing and joking on a train with the camera facing them, and friends playing cards and messing around in various locations while one films on the camera throughout. The scenes cut between the friends' days out and the camera perspectives are meant to show the passing of the camera between friends.
The main character is on a train where she is listening to music on her headphones. When she passes other passengers, they start dancing to the music they can hear from her headphones. As she walks through the streets, more and more people start dancing whenever she passes by them. She enters a dance studio where she is reunited with friends as more people who were dancing outside join them inside the studio.
The opening scene of Reservoir Dogs establishes the characters and tone through its use of lighting, camera shots, music, costumes, and mise en scene. The men are dressed sharply in suits, implying wealth and importance. The upbeat pop song and high key lighting make the group seem charismatic at first. However, the music references drugs and the film ends by cutting to a kidnapped man bleeding in distress, signaling that these men may be involved in criminal plans.
Lexi is home alone watching TV when she hears banging at the front door. When she answers, Tom forces his way inside. Lexi runs upstairs to her bedroom and hides under the bed. Tom and James find her and drag her to the basement where they tie her up and brutally beat her while she cries. They then pour petrol on the floor and light a match, implying they plan to set fire to Lexi.
1) The document is a shot-by-shot description of the music video for the song "The Way You Do" by Nikki J. It provides timings and descriptions of each shot in the video.
2) The video shows the relationship between the main characters through scenes of them dancing, spending time together at home, and walking together at night.
3) It alternates between color and black-and-white shots of the characters as the song plays out their feelings for each other through the lyrics.
The document analyzes the credit sequence of the Black Swan trailer. It identifies the different production and distribution companies involved, including Fox Searchlight Pictures and Crosscreek Pictures. It also notes that key credits include Darren Aronofsky as director, Natalie Portman as the lead actor, and Vincent Cassel and Mila Kunis in supporting roles. The credits highlight that the film premiered at both the Venice and Toronto Film Festivals.
The document analyzes and summarizes editing techniques used in several film clips. It discusses the use of continuity editing to maintain a clear narrative versus non-continuity editing which disrupts time and space. It then analyzes clips from Rocky III, Team America, The Silence of the Lambs, Way Down East, and Battleship Potemkin. These clips demonstrate techniques like montage editing to condense time, parallel editing to alternate between scenes, and quick cuts to build tension and convey chaos.
The document summarizes key elements of the mise-en-scene, sound, narrative, setting, and location in the opening of a 1950s film noir. The mise-en-scene shows a man driving through the countryside to a classy bar where another man tends bar. The sound is classic jazz, setting the tone. While the narrative is not fully established, the characters introduced represent different social classes: the driver has a nice car while an elderly customer's tab is extended. The rural countryside and town of "Iron City" are the first locations seen.
Simon believes he is trapped with two minds in his body, and is trying to figure out who killed his daughter Sophia. He argues with his wife Kate that Sophia's spirit helps him investigate at night. Kate insists Sophia is dead and Simon needs to stop his "crazy detective shit." Simon becomes convinced their neighbor Richard killed Sophia and grabs a knife, intent on getting justice, before running off. Scenes cut between Simon writing on the shed wall and flashing back to the day Sophia died while riding her bike.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
The music video tells the narrative of a man who is experiencing some kind of internal conflict or personal struggle. He finds a video camera in his hotel room that belongs to whoever was there before him. The camera contains surveillance footage of a woman going about her daily life and business. It becomes clear she is a prostitute. Upon realizing this, the man destroys parts of the hotel room in anger. The video suggests he had an encounter with the woman and things did not go well between them. In the end, the narrative is ambiguous as the woman arrives back at the hotel room while the man holds the camera.
The document announces a film by Florencia Sorrosua and Melanie Silva titled "I Never Go to Jail" which was directed by FJS S.A., produced by MPK Co., and had art direction by Melanie Silva and executive production by Florencia Sorrosua. Various phrases are listed that provide some context about the content of the film which include references to going to jail, flying, going to the beauty salon, cleaning, watching TV, and telling the truth.
The document provides an analysis of a music video in 14 paragraphs. It summarizes each shot of the video, describing the scenes, costumes, and elements that establish a mysterious and action-packed narrative with spy and sci-fi influences. Several artists are introduced throughout the video, shown in various dramatic situations involving fighting, weapons, and betrayal. The video utilizes dramatic lighting, costumes, weapons, and an explosive finale to bring the story to a climactic end and market the song and artists.
This is my first draft of a script. To of made this better I should of researched other scripts from television so I could make it look more professional the first time. I wrote this more like a theater script rather than for a short film.
The document summarizes and analyzes the music video for the song "Fire" by the band Kasabian. The summary focuses on key plot points in the video:
1) The video begins by establishing characters on a street who end up robbing a bank, using guitars instead of guns and pages of music instead of money.
2) During the robbery and chase scenes, the video switches between color and black and white footage to distinguish between the band and the police response.
3) By the ending, the robbers realize they cannot escape and throw the bag of "money" into the air as the video fades back to the beginning.
This document provides a summary and analysis of the opening scenes of the film "28 Days Later". The summaries describe settings including a public place with police on horseback dispersing tear gas during an incident, a dark laboratory conducting experiments on a chimpanzee, and a nervous man in a lab coat calling someone on a telephone dated to the 1990s. Subsequent scenes show a character waking up alone and confused in an abandoned, dark hospital in a deserted London with overturned vehicles and no people. Notes posted on a wall may provide clues to what happened in the town during the 28 days referred to in the title.
This document is the script for Beyonce's music video for her song "Single Ladies". The video depicts a woman getting ready to go out with her friends to a club after breaking up with her boyfriend. It shows her getting ready, going to the club and dancing with her friends, as well as flashbacks to her ex-boyfriend. Throughout the video, the lyrics and dancing are synced to tell the story of a woman celebrating her new single status and independence after a breakup.
The document appears to be a script for a short film. It describes scenes of a character named Anna running through a school corridor at night while being chased by another character, Anand. Anand is filming the chase and plans to kill Anna to create a movie. He catches up to her and slashes her with a knife while pointing to the camera, implying the murder was filmed. The last scene shows the camera viewpoint with Anna's body on the floor and no one else around.
This shot list contains 30 shots detailing scenes that will be filmed around a girl's neighborhood, on her bus ride, and at London Bridge where she encounters her ex-boyfriend. The shots include establishing shots of locations, close-ups, and over-the-shoulder shots to capture the girl's interactions, movements, and reactions. A dramatic moment is created when the girl's ex-boyfriend sees her at the bus stop and realizes she overheard his conversation, and the shot list culminates in a hug and kiss between the two characters.
The document discusses conventions used in the opening scenes of horror films. It analyzes conventions seen in one film, such as a flash forward showing dead victims, establishing the haunted location where murders occurred, and depicting a character who was previously victimized trying to warn others. It notes that while the analyzed film uses conventions like showing victims having fun before danger strikes, the author's own opening scene focused solely on the killing of a victim to quickly set up the plot.
Dominic Toretto is sentenced to prison in the opening scene of Fast Five. Close ups show his emotion and that of his family members witnessing the sentencing. He is put on a prison bus along a deserted road, where the bus is suddenly ambushed by cars that appear dramatically with loud engines. Quick cuts and intense sound establish the speed and intensity of the film to come.
This document is a script for a music video for the song "Desire" by Years & Years. The script describes 12 scenes that will be featured in the video. Scenes include a girl watching a video on her TV and rewinding it, friends getting ready to go out while one films on a camera, friends laughing and joking on a train with the camera facing them, and friends playing cards and messing around in various locations while one films on the camera throughout. The scenes cut between the friends' days out and the camera perspectives are meant to show the passing of the camera between friends.
The main character is on a train where she is listening to music on her headphones. When she passes other passengers, they start dancing to the music they can hear from her headphones. As she walks through the streets, more and more people start dancing whenever she passes by them. She enters a dance studio where she is reunited with friends as more people who were dancing outside join them inside the studio.
The opening scene of Reservoir Dogs establishes the characters and tone through its use of lighting, camera shots, music, costumes, and mise en scene. The men are dressed sharply in suits, implying wealth and importance. The upbeat pop song and high key lighting make the group seem charismatic at first. However, the music references drugs and the film ends by cutting to a kidnapped man bleeding in distress, signaling that these men may be involved in criminal plans.
Lexi is home alone watching TV when she hears banging at the front door. When she answers, Tom forces his way inside. Lexi runs upstairs to her bedroom and hides under the bed. Tom and James find her and drag her to the basement where they tie her up and brutally beat her while she cries. They then pour petrol on the floor and light a match, implying they plan to set fire to Lexi.
1) The document is a shot-by-shot description of the music video for the song "The Way You Do" by Nikki J. It provides timings and descriptions of each shot in the video.
2) The video shows the relationship between the main characters through scenes of them dancing, spending time together at home, and walking together at night.
3) It alternates between color and black-and-white shots of the characters as the song plays out their feelings for each other through the lyrics.
The document analyzes the credit sequence of the Black Swan trailer. It identifies the different production and distribution companies involved, including Fox Searchlight Pictures and Crosscreek Pictures. It also notes that key credits include Darren Aronofsky as director, Natalie Portman as the lead actor, and Vincent Cassel and Mila Kunis in supporting roles. The credits highlight that the film premiered at both the Venice and Toronto Film Festivals.
The document analyzes and summarizes editing techniques used in several film clips. It discusses the use of continuity editing to maintain a clear narrative versus non-continuity editing which disrupts time and space. It then analyzes clips from Rocky III, Team America, The Silence of the Lambs, Way Down East, and Battleship Potemkin. These clips demonstrate techniques like montage editing to condense time, parallel editing to alternate between scenes, and quick cuts to build tension and convey chaos.
The document summarizes key elements of the mise-en-scene, sound, narrative, setting, and location in the opening of a 1950s film noir. The mise-en-scene shows a man driving through the countryside to a classy bar where another man tends bar. The sound is classic jazz, setting the tone. While the narrative is not fully established, the characters introduced represent different social classes: the driver has a nice car while an elderly customer's tab is extended. The rural countryside and town of "Iron City" are the first locations seen.
Simon believes he is trapped with two minds in his body, and is trying to figure out who killed his daughter Sophia. He argues with his wife Kate that Sophia's spirit helps him investigate at night. Kate insists Sophia is dead and Simon needs to stop his "crazy detective shit." Simon becomes convinced their neighbor Richard killed Sophia and grabs a knife, intent on getting justice, before running off. Scenes cut between Simon writing on the shed wall and flashing back to the day Sophia died while riding her bike.
How to Setup Warehouse & Location in Odoo 17 InventoryCeline George
In this slide, we'll explore how to set up warehouses and locations in Odoo 17 Inventory. This will help us manage our stock effectively, track inventory levels, and streamline warehouse operations.
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
The chapter Lifelines of National Economy in Class 10 Geography focuses on the various modes of transportation and communication that play a vital role in the economic development of a country. These lifelines are crucial for the movement of goods, services, and people, thereby connecting different regions and promoting economic activities.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
1. "Team"
Wait 'til you're announced
We've not yet lost all our graces (0.10)
Panning shot with main singer in the middle, then pans back as two more
girls are seen in the back
The hounds will stay in chains
Look upon Your Greatness and she'll send the call out (0.18)
mid-shot of Izzie (main singer) in front of pink walls
(Send the call out) [15x] (0.28)
panning shot of the two girls walking down to enter the shop, then a cut on
each beat of the different locations that will be seen though out the
video.
Call all the ladies out
They're in their finery (0.40)
Police car pulling up outside the shop in a long shot panning the car as it
drives, then cuts to close up of all three girls in front of houses in
London location
A hundred jewels on throats
A hundred jewels between teeth
Now bring my boys in
Their skin in craters like the moon(0.52)
Police man getting out of the car craning up to show his faces then one
girl running off
The moon we love like a brother, while he glows through the room
Crabbing shot of Izzie looking ground the shop.
Dancin' around the lies we tell
Dancin' around big eyes as well
Even the comatose they don't dance and tell (1.06)
Mid shot of Izzie singing in London locations, then cuts to prison panning
shot in pink room.
[Chorus:]
We live in cities you'll never see on screen
Not very pretty, but we sure know how to run things
Living in ruins of a palace within my dreams
And you know, we're on each other's team (1.25)
Fast pace cuts after each line, close up of Izzie singing in prison and
London, craning shot used to show Izzie sat on stairs in London location.
2. I'm kind of over getting told to throw my hands up in the air, so there
(1.32)
Tracking shot of Izzie walking and singing towards the camera
So all the cups got broke shards beneath our feet but it wasn't my fault
(1.35)
Extreme close up for Izzie singing the lyrics
And everyone's competing for a love they won't receive
'Cause what this palace wants is release (1.49)
Close up of Izzie stealing item from the shop then back to her in London in
a side shot singing.
[Chorus:]
We live in cities you'll never see on screen (1.55)
All three girls turn and look at close up in mid shot
Fast straight cut to Izzie with flowers in my grandmas house
Not very pretty, but we sure know how to run things (2.04)
Close up of Izzie
Living in ruins of a palace within my dreams (2.09)
Tracking Izzie walking in London location
And you know, we're on each other's team (2.13)
Mid shot of Izzie on stairs with the two girls sat behind.
I'm kind of over getting told to throw my hands up in the air
So there (2.23)
Establishing shot of police man chasing Izzie then cuts to a tracking shot
of izzie running away down stairs
I'm kinda older than I was when I revelled without a care
So there
[Chorus:]
We live in cities you'll never see on screen (2.38)
Fast pace cuts of close up of izzie in London to wide shot of her sat in
the pink room
Not very pretty, but we sure know how to run things
Living in ruins of a palace within my dreams (2.47)
Match on action of Izzie getting put in police car
And you know, we're on each other's team
We're on each other's team(2.52)
Camera moving arounf Izzie as she sings cuts back to her in the car, Then
mid shot of her behind the bars
And you know, we're on each other's team(3.02)
3. Long shot of her sat in prison cell
We're on each other's team(3.05)
Her with the two girls all behind the bars cuts to a panning shot of her
sat in the prison cell
And you know, and you know, and you know (3.10)
Shot of two girls running in the prison, then another cut to all three
girls behind prison door in a close up then fades to black.