Task media for coursework
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This institutional block contains production information for a movie. The block uses black and white colors with large font sizes that are consistent throughout. Key information like the production company, actors, director, and other crew are listed with capitalization to call out job titles. The typography and use of font size and color provide clear separation of each production role or element being described.
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Production logos
This document discusses production logos used by movie studios and production companies. It provides examples of famous logos like 20th Century Fox, Paramount Pictures, and MGM. Production logos are usually seen at the beginning or end of trailers and take advantage of motion and sound. They help introduce the film and can indicate the type of film. Larger companies use 3D or moving logos while others are simpler. The document also discusses logo drafts created by a student for a horror film trailer, exploring different designs and layouts that relate to the production company name.
Evaluation Question 2
The combination of the horror film, poster, and film review were generally effective due to consistent elements across the products. The same font and color scheme of red, white, and black were used in the mastheads to clearly link the products. Additionally, the use of a black background on the poster and review emphasized the film's theme of mystery. Language was mostly informal in the film but more formal on the poster due to space limitations. Images from the film, like the antagonist, were featured on the poster and review to create connections between the products.
Logo and Title Research
This document summarizes the research done on logos and titles for talent competition television shows. Key findings from the logo research include similarities between shows like using bold colors, symbols, and special effects. Font research analyzed typical and unconventional fonts, with some fonts seen as conveying stereotypes or aspects of the plot. This research will help in designing the logo and title for a talent show featured in a trailer.
Evaluation Question 2
The document discusses how the creator achieved synergy between a film trailer, poster, and magazine. Specifically:
1) The same font was used for the title across all three to provide continuity. White text was chosen to stand out despite going against horror conventions.
2) Similar content like the production company name and "Coming Soon" text linked the trailer and poster. The magazine and poster also shared stylistic text.
3) A dark color palette unified the imagery, though lights and flashes featured in the trailer. Dark backgrounds with some white text did the same for the poster and magazine.
4) Elements like similar colors, fonts, mis-en-scene, characters, and title presentation across
Evaluation q2
The document discusses the creation of a promotional package for a horror film consisting of a trailer, poster, and magazine cover. It emphasizes ensuring cohesion across the three items through consistent use of typography, imagery, color scheme, and social media tags. The same fonts, a bleeding title treatment and slasher-style font, are used. The main image is a close-up of the butcher from the trailer's final shot. Red, black, and white are the primary colors, which reference horror tropes. The #MeetTheButcher tag is included to generate social media buzz.
Joe's question 2
The document discusses how a company effectively created a consistent brand identity across their main product and ancillary texts like a teaser trailer, magazine cover, and poster. Key elements like balaclavas, fonts, focal points, and a black, white, and red color scheme were replicated to help audiences instantly associate the different media with the company's crime thriller product.
Joe's question 2
The document discusses how a company effectively created a consistent brand identity across their main product and ancillary texts like a teaser trailer, magazine cover, and poster. Key elements like balaclavas, fonts, focal points, and a black, white, and red color scheme were reused to help audiences instantly associate the different media with the company's crime thriller product.
Billing block research
The document discusses the typical order and formatting of information presented in movie billing blocks:
- Production companies are usually listed first to give primary credit to the main production company.
- Cast members and other notable crew like directors, writers and composers are also high up to highlight their importance.
- Job titles are in smaller font than individual names to emphasize the people over their roles.
- Logos of major production or distribution companies like Warner Bros. or Universal may be included for recognition.
- Content ratings and disclaimers about suitable audiences are placed at the bottom for parental guidance.
Recommended
Production logos
This document discusses production logos used by movie studios and production companies. It provides examples of famous logos like 20th Century Fox, Paramount Pictures, and MGM. Production logos are usually seen at the beginning or end of trailers and take advantage of motion and sound. They help introduce the film and can indicate the type of film. Larger companies use 3D or moving logos while others are simpler. The document also discusses logo drafts created by a student for a horror film trailer, exploring different designs and layouts that relate to the production company name.
Evaluation Question 2
The combination of the horror film, poster, and film review were generally effective due to consistent elements across the products. The same font and color scheme of red, white, and black were used in the mastheads to clearly link the products. Additionally, the use of a black background on the poster and review emphasized the film's theme of mystery. Language was mostly informal in the film but more formal on the poster due to space limitations. Images from the film, like the antagonist, were featured on the poster and review to create connections between the products.
Logo and Title Research
This document summarizes the research done on logos and titles for talent competition television shows. Key findings from the logo research include similarities between shows like using bold colors, symbols, and special effects. Font research analyzed typical and unconventional fonts, with some fonts seen as conveying stereotypes or aspects of the plot. This research will help in designing the logo and title for a talent show featured in a trailer.
Evaluation Question 2
The document discusses how the creator achieved synergy between a film trailer, poster, and magazine. Specifically:
1) The same font was used for the title across all three to provide continuity. White text was chosen to stand out despite going against horror conventions.
2) Similar content like the production company name and "Coming Soon" text linked the trailer and poster. The magazine and poster also shared stylistic text.
3) A dark color palette unified the imagery, though lights and flashes featured in the trailer. Dark backgrounds with some white text did the same for the poster and magazine.
4) Elements like similar colors, fonts, mis-en-scene, characters, and title presentation across
Evaluation q2
The document discusses the creation of a promotional package for a horror film consisting of a trailer, poster, and magazine cover. It emphasizes ensuring cohesion across the three items through consistent use of typography, imagery, color scheme, and social media tags. The same fonts, a bleeding title treatment and slasher-style font, are used. The main image is a close-up of the butcher from the trailer's final shot. Red, black, and white are the primary colors, which reference horror tropes. The #MeetTheButcher tag is included to generate social media buzz.
Joe's question 2
The document discusses how a company effectively created a consistent brand identity across their main product and ancillary texts like a teaser trailer, magazine cover, and poster. Key elements like balaclavas, fonts, focal points, and a black, white, and red color scheme were replicated to help audiences instantly associate the different media with the company's crime thriller product.
Joe's question 2
The document discusses how a company effectively created a consistent brand identity across their main product and ancillary texts like a teaser trailer, magazine cover, and poster. Key elements like balaclavas, fonts, focal points, and a black, white, and red color scheme were reused to help audiences instantly associate the different media with the company's crime thriller product.
Billing block research
The document discusses the typical order and formatting of information presented in movie billing blocks:
- Production companies are usually listed first to give primary credit to the main production company.
- Cast members and other notable crew like directors, writers and composers are also high up to highlight their importance.
- Job titles are in smaller font than individual names to emphasize the people over their roles.
- Logos of major production or distribution companies like Warner Bros. or Universal may be included for recognition.
- Content ratings and disclaimers about suitable audiences are placed at the bottom for parental guidance.
A2 Media Evlauation Question 2
The document discusses the synergy between a main film product and ancillary texts like a magazine and poster. For the magazine, the antagonist featured on the cover to recognize them from the film trailer. For the poster, a script line is used to illustrate the plot. The same fonts are used across all products for consistency. Red and black colors are used to represent horror themes. Conventions from real movie posters, like credits and quotes, are applied. Images and elements like the antagonist and knives are repeated to emphasize characters and genre. Arrows show how the products reference each other, creating effective recognition through market synergy.
Cohesive marketing
The document discusses how cohesive marketing can be used for films through consistent typography, colors, and symbols across all marketing media such as posters and trailers. It provides examples like Star Wars which uses the same distinctive font, and Indiana Jones which employs consistent earth tones. Cohesive marketing makes a film instantly recognizable through iconic visual elements alone. Successful examples that demonstrate this principle include franchises like Fast and Furious through similar poster and trailer designs built around characters, fonts, and colors.
Analysis of student work
The student analyzed a film poster, webpage, and trailer created by another student for similarities they could apply to their own project. The poster used bold red typography against a dark blue background to convey the neo-noir genre. The grayscale webpage layout prioritized images over text to engage the audience. The trailer employed high contrast lighting, a dull color scheme, costumes to denote characters, and conventions like voiceover and abrupt cuts to unsettle the viewer.
Evaluation Question 2
The document discusses the effectiveness of combining a main product (film trailer) with ancillary texts (film poster and magazine cover) to promote the film. It finds that consistency across the products is key, with the ancillary texts using similar fonts, colors, images and lighting as the trailer to reinforce the "house style" and ensure the products support each other. Specific techniques discussed that achieve consistency include using the same title treatment, slogans, actor, and doll image featured in the trailer. This unified style makes the film brand more recognizable across different platforms.
Institutional block
The document discusses and compares several institutional blocks from movies or television shows. It notes characteristics like color scheme, typography, inclusion of information like production companies or age ratings. The institutional blocks described have minimal color and design elements to avoid distracting from the key details provided to viewers like credits and ratings. They use consistent typography across blocks, with text in capital letters and large font for visibility. While some blocks include more or less information, they generally share a similar understated visual style.
Poster Analysis: Mockumentary
The document analyzes posters from different mockumentaries to find common characteristics that can be applied to the author's own poster. It examines posters for films like What We Do in the Shadows, Darwin, Spinal Tap, and Borat, noting elements like central titles in distinctive fonts, images depicting the content, producers and certificates listed on the footer, and reviews/awards to entice viewers. The conclusion indicates that the author's poster will feature a large central title and image, along with producers, certificates, and reviews, to emulate the successful aspects identified from the sample posters.
A2 how does your media product challenge or follow forms and conventions of r...
This document discusses how the media product challenges or follows conventions of real media. For the double page spread (DPS), the author followed conventions from Empire magazine in terms of layout and including a picture between columns. Color, page numbers, and lines at the bottom also follow conventions. The poster was inspired by Silence of the Lambs and includes the actors' names, masthead in largest font, and credits underneath. The film includes experimental elements like color changes but also more conservative conventions like voiceovers, flashbacks in black and white, and text overlays - all common in thrillers to make it feel professional.
Billing block research
The document provides information on the typical order and formatting of credits or "billing blocks" shown before or after films. It notes that production companies are typically listed first to give them prominent placement. Other contributors like cast members, music composers, and directors are also usually credited in descending order of importance. Logos or ratings are often placed at the bottom or side for visibility. The names of key individuals are emphasized with larger font over smaller job titles to highlight their contributions.
Billing block research
The document provides information on the typical order and formatting of credits or "billing blocks" shown before or after films. It notes that production companies are typically listed first to give them prominent placement. Other contributors like cast members, music composers, and directors are also usually credited in descending order of importance. Logos or ratings are often placed prominently so viewers who don't read the entire block can still glean some information. The names of key people are made larger than job titles to emphasize their contributions.
Billing block research
The document discusses the typical order and formatting of information presented in movie billing blocks:
- Production companies are usually listed first, with the lead production company in largest text.
- Cast members and job titles of key crew are also included, with larger text for more prominent roles.
- Logos of production companies and ratings info are often placed with the billing block for branding and audience guidance.
- Formatting choices like text size, order, and placement aim to highlight the most important credits while giving due recognition to all contributors.
Title research
The document describes the opening title sequence of a film. It shows various institutional elements like production company logos that establish who funded the film. The elements are displayed in different fonts, sizes and colors to stand out and fit the theme of the film about superheroes or police. The producers name is given similar prominence as the major film companies. Narrative text is shown to set the scene like in Star Wars. The film title is the last thing displayed in a large, bold font in the consistent red and blue color scheme to clearly mark it as the title.
This is homework presantation4
This document discusses the key elements of an image including the background, layers of images, positioning of text within the image, colors used, and costumes.
This is coursework presantation3
This document provides guidelines for creating movie posters, suggesting that posters should attract attention, convey the film's themes through visuals rather than words, and incentivize viewers to see the film by appealing to fans and having a style consistent with the movie to create lasting appeal and recognizability for sequels.
Powerpoint this set web
The decorations and colors symbolize the joy and affection in the couple's relationship, while the cupcakes imply the sweetness and trust between them. The fresh red roses represent the strength of their trust compared to dead roses, showing the unbreakable bond and the couple's affection and adoration for each other.
The homework for Media
The document defines and provides examples of several major film genres: romance focuses on themes of love; horror seeks to elicit fear for entertainment; animation can have many aspects but is often old themes brought to life. Comedy aims to make audiences laugh through exaggerated humor, while drama is meant to be more serious in tone. Action films involve violence and physical feats. Westerns are set in the American Old West. Fantasy incorporates imaginative and supernatural themes, sometimes involving magic or fantasy worlds.
For the website task
The document analyzes the fonts used in various movie title designs and what they convey about the movie's genre and style. It discusses several different fonts like Footlight MT Light, Sexsmith, Aachen, Bauer Badoni Bold Oldstyle Figures, Arial, Bahnschrift Light Semi Condensed, Gotham Bold, and Brush Script. For each font, it notes whether letters are replaced by images, how letters are spaced, and the use of capital and lowercase letters to infer the movie's mood, atmosphere, and whether it is a thriller, horror, romantic, or other genre of film.
The media task this
DVD and Blu-ray covers serve to inform potential buyers about the contents of the film and attract purchases. DVD covers typically feature quotes about the film, a brief description of the plot, and standard identifying information like ratings. Blu-ray covers also summarize the story to entice readers and include production details and special features to appeal to audiences. Both use graphics, fonts, and symbols to identify the format and make the cover appealing and informative for customers browsing in stores.
Research task film analysis
The poster uses visuals rather than text to convey mystery and intrigue around the plot. A lone figure stands in front of a dark, ominous building, appearing frightened or lost. Very little is revealed about the narrative to leave the audience wondering what danger lies ahead. Bright lights in the lower center contrast with the dark background and add a sense of impending fear or threat.
productions Table for Film4
Film4 Productions has produced several films across different genres including drama, biography, romance, comedy, sci-fi, horror, thriller and history. Some of their notable films include Calm With Horses (2019) about an ex-boxer working as an enforcer for a drug family, True History of the Kelly Gang (2020) telling the true story of Australian outlaw Ned Kelly, and Ex Machina (2015) about a programmer participating in a experiment with an AI assistant created by his CEO. Their films have been directed by directors such as Nick Rowland, Justin Kurzel, Alex Garland and feature major actors like Barry Keoghan, Charlie Hunnam, Domhnall Gleeson and Alicia
film4 Films task This
The director of programmes at Film4 productions is Ian Katz. In 2019, they will commission popular and entertaining programmes that test conventions and say something significant about Britain. This ensures Channel 4 is always the most characteristic British presenter, taking creative risks and airing unheard voices.
Film4 develops and co-finances feature length films for theatrical release, looking for a range of subject matters and budgets. They focus on stories with modern relevance, created around British-led talent or content. Although films may eventually play on Channel 4 and Film4, they are not developed specifically for television.
Film4 has its own channel, which is more convenient than BBC Films being on the same channel. Film4 is featured in
bbc Films table This
This document provides a summary of films made by BBC Films between 2005-2019. It lists 14 films, including the year of release, genre, director, main actors, and a brief 1-2 sentence synopsis. The films cover a range of genres including comedy, social realism, drama, romance, thriller, mystery, and war. Some notable films mentioned are I Daniel Blake, Creation, Brighton Rock, and The Aftermath. The document gives high-level overviews of the plots and creative teams behind various BBC Films productions over a 15 year period.
media Homework
The article discusses figures from the BFI showing a large reduction in money spent on independently produced British films, with spending on films without studio backing dropping 45% to £175 million and productions over £500,000 budget falling from 94 to 49. It notes television is often a more attractive option for producers due to more reliable revenues from streamers like Netflix or rights from British broadcasters. The article also states the British independent film system has fundamental flaws in how financing works and the terms under which producers and talent can earn money.
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A2 Media Evlauation Question 2
The document discusses the synergy between a main film product and ancillary texts like a magazine and poster. For the magazine, the antagonist featured on the cover to recognize them from the film trailer. For the poster, a script line is used to illustrate the plot. The same fonts are used across all products for consistency. Red and black colors are used to represent horror themes. Conventions from real movie posters, like credits and quotes, are applied. Images and elements like the antagonist and knives are repeated to emphasize characters and genre. Arrows show how the products reference each other, creating effective recognition through market synergy.
Cohesive marketing
The document discusses how cohesive marketing can be used for films through consistent typography, colors, and symbols across all marketing media such as posters and trailers. It provides examples like Star Wars which uses the same distinctive font, and Indiana Jones which employs consistent earth tones. Cohesive marketing makes a film instantly recognizable through iconic visual elements alone. Successful examples that demonstrate this principle include franchises like Fast and Furious through similar poster and trailer designs built around characters, fonts, and colors.
Analysis of student work
The student analyzed a film poster, webpage, and trailer created by another student for similarities they could apply to their own project. The poster used bold red typography against a dark blue background to convey the neo-noir genre. The grayscale webpage layout prioritized images over text to engage the audience. The trailer employed high contrast lighting, a dull color scheme, costumes to denote characters, and conventions like voiceover and abrupt cuts to unsettle the viewer.
Evaluation Question 2
The document discusses the effectiveness of combining a main product (film trailer) with ancillary texts (film poster and magazine cover) to promote the film. It finds that consistency across the products is key, with the ancillary texts using similar fonts, colors, images and lighting as the trailer to reinforce the "house style" and ensure the products support each other. Specific techniques discussed that achieve consistency include using the same title treatment, slogans, actor, and doll image featured in the trailer. This unified style makes the film brand more recognizable across different platforms.
Institutional block
The document discusses and compares several institutional blocks from movies or television shows. It notes characteristics like color scheme, typography, inclusion of information like production companies or age ratings. The institutional blocks described have minimal color and design elements to avoid distracting from the key details provided to viewers like credits and ratings. They use consistent typography across blocks, with text in capital letters and large font for visibility. While some blocks include more or less information, they generally share a similar understated visual style.
Poster Analysis: Mockumentary
The document analyzes posters from different mockumentaries to find common characteristics that can be applied to the author's own poster. It examines posters for films like What We Do in the Shadows, Darwin, Spinal Tap, and Borat, noting elements like central titles in distinctive fonts, images depicting the content, producers and certificates listed on the footer, and reviews/awards to entice viewers. The conclusion indicates that the author's poster will feature a large central title and image, along with producers, certificates, and reviews, to emulate the successful aspects identified from the sample posters.
A2 how does your media product challenge or follow forms and conventions of r...
This document discusses how the media product challenges or follows conventions of real media. For the double page spread (DPS), the author followed conventions from Empire magazine in terms of layout and including a picture between columns. Color, page numbers, and lines at the bottom also follow conventions. The poster was inspired by Silence of the Lambs and includes the actors' names, masthead in largest font, and credits underneath. The film includes experimental elements like color changes but also more conservative conventions like voiceovers, flashbacks in black and white, and text overlays - all common in thrillers to make it feel professional.
Billing block research
The document provides information on the typical order and formatting of credits or "billing blocks" shown before or after films. It notes that production companies are typically listed first to give them prominent placement. Other contributors like cast members, music composers, and directors are also usually credited in descending order of importance. Logos or ratings are often placed at the bottom or side for visibility. The names of key individuals are emphasized with larger font over smaller job titles to highlight their contributions.
Billing block research
The document provides information on the typical order and formatting of credits or "billing blocks" shown before or after films. It notes that production companies are typically listed first to give them prominent placement. Other contributors like cast members, music composers, and directors are also usually credited in descending order of importance. Logos or ratings are often placed prominently so viewers who don't read the entire block can still glean some information. The names of key people are made larger than job titles to emphasize their contributions.
Billing block research
The document discusses the typical order and formatting of information presented in movie billing blocks:
- Production companies are usually listed first, with the lead production company in largest text.
- Cast members and job titles of key crew are also included, with larger text for more prominent roles.
- Logos of production companies and ratings info are often placed with the billing block for branding and audience guidance.
- Formatting choices like text size, order, and placement aim to highlight the most important credits while giving due recognition to all contributors.
Title research
The document describes the opening title sequence of a film. It shows various institutional elements like production company logos that establish who funded the film. The elements are displayed in different fonts, sizes and colors to stand out and fit the theme of the film about superheroes or police. The producers name is given similar prominence as the major film companies. Narrative text is shown to set the scene like in Star Wars. The film title is the last thing displayed in a large, bold font in the consistent red and blue color scheme to clearly mark it as the title.
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A2 how does your media product challenge or follow forms and conventions of r...
A2 how does your media product challenge or follow forms and conventions of r...
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This is homework presantation4
This document discusses the key elements of an image including the background, layers of images, positioning of text within the image, colors used, and costumes.
This is coursework presantation3
This document provides guidelines for creating movie posters, suggesting that posters should attract attention, convey the film's themes through visuals rather than words, and incentivize viewers to see the film by appealing to fans and having a style consistent with the movie to create lasting appeal and recognizability for sequels.
Powerpoint this set web
The decorations and colors symbolize the joy and affection in the couple's relationship, while the cupcakes imply the sweetness and trust between them. The fresh red roses represent the strength of their trust compared to dead roses, showing the unbreakable bond and the couple's affection and adoration for each other.
The homework for Media
The document defines and provides examples of several major film genres: romance focuses on themes of love; horror seeks to elicit fear for entertainment; animation can have many aspects but is often old themes brought to life. Comedy aims to make audiences laugh through exaggerated humor, while drama is meant to be more serious in tone. Action films involve violence and physical feats. Westerns are set in the American Old West. Fantasy incorporates imaginative and supernatural themes, sometimes involving magic or fantasy worlds.
For the website task
The document analyzes the fonts used in various movie title designs and what they convey about the movie's genre and style. It discusses several different fonts like Footlight MT Light, Sexsmith, Aachen, Bauer Badoni Bold Oldstyle Figures, Arial, Bahnschrift Light Semi Condensed, Gotham Bold, and Brush Script. For each font, it notes whether letters are replaced by images, how letters are spaced, and the use of capital and lowercase letters to infer the movie's mood, atmosphere, and whether it is a thriller, horror, romantic, or other genre of film.
The media task this
DVD and Blu-ray covers serve to inform potential buyers about the contents of the film and attract purchases. DVD covers typically feature quotes about the film, a brief description of the plot, and standard identifying information like ratings. Blu-ray covers also summarize the story to entice readers and include production details and special features to appeal to audiences. Both use graphics, fonts, and symbols to identify the format and make the cover appealing and informative for customers browsing in stores.
Research task film analysis
The poster uses visuals rather than text to convey mystery and intrigue around the plot. A lone figure stands in front of a dark, ominous building, appearing frightened or lost. Very little is revealed about the narrative to leave the audience wondering what danger lies ahead. Bright lights in the lower center contrast with the dark background and add a sense of impending fear or threat.
productions Table for Film4
Film4 Productions has produced several films across different genres including drama, biography, romance, comedy, sci-fi, horror, thriller and history. Some of their notable films include Calm With Horses (2019) about an ex-boxer working as an enforcer for a drug family, True History of the Kelly Gang (2020) telling the true story of Australian outlaw Ned Kelly, and Ex Machina (2015) about a programmer participating in a experiment with an AI assistant created by his CEO. Their films have been directed by directors such as Nick Rowland, Justin Kurzel, Alex Garland and feature major actors like Barry Keoghan, Charlie Hunnam, Domhnall Gleeson and Alicia
film4 Films task This
The director of programmes at Film4 productions is Ian Katz. In 2019, they will commission popular and entertaining programmes that test conventions and say something significant about Britain. This ensures Channel 4 is always the most characteristic British presenter, taking creative risks and airing unheard voices.
Film4 develops and co-finances feature length films for theatrical release, looking for a range of subject matters and budgets. They focus on stories with modern relevance, created around British-led talent or content. Although films may eventually play on Channel 4 and Film4, they are not developed specifically for television.
Film4 has its own channel, which is more convenient than BBC Films being on the same channel. Film4 is featured in
bbc Films table This
This document provides a summary of films made by BBC Films between 2005-2019. It lists 14 films, including the year of release, genre, director, main actors, and a brief 1-2 sentence synopsis. The films cover a range of genres including comedy, social realism, drama, romance, thriller, mystery, and war. Some notable films mentioned are I Daniel Blake, Creation, Brighton Rock, and The Aftermath. The document gives high-level overviews of the plots and creative teams behind various BBC Films productions over a 15 year period.
media Homework
The article discusses figures from the BFI showing a large reduction in money spent on independently produced British films, with spending on films without studio backing dropping 45% to £175 million and productions over £500,000 budget falling from 94 to 49. It notes television is often a more attractive option for producers due to more reliable revenues from streamers like Netflix or rights from British broadcasters. The article also states the British independent film system has fundamental flaws in how financing works and the terms under which producers and talent can earn money.
Media homework 44444444
The document outlines tasks for analyzing film posters. It lists the key features of film posters as attention, iconography, interest, appeal, style, lasting appeal, and recognizability. Some key elements are the central image, background image, layers of images, positioning and sizing of text, colors, and costumes. The tasks involve drawing a poster template and annotating analyses of sample posters discussing these elements and what is implied through the visual design.
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Task media for coursework
- 1. Task 14 Institutionalblockanalysis Thisinstitutionalblock hasa blackcolourand a big faded out fontinbig blockletters.The capitalisationof the textin the blockis evenlyinlinesof order andthe capitalizationis seenthroughitand the same fontsize isusedthroughout it Thisinstitutionalblockhadblack and white colourswithabigtitle at the top the typographyisgreatlyin the fontsize the capitalisationis shownthroughthe title where itis bigand the rest of the sizingand informationisunderitthe fontsize isshownthroughthe block as itis equal throughoutit Company Productioncompany In associationwith Production Name of actors Productiondesigner Editor Directedby Companypresents In associationwithName of actors Name of film Costume designer Producers Who iseditedby Productiondesignby Associate producer
- 2. The coloursare contrastingbetweeneachotherthe typographyis shownthrougheachpart of it,the capitalisationisimagedasthey are all typical size,the fontsize isshowninthe same level of information Setmusic Name of actors Whose itcast by Who wasthe production designer Whetheritsbasedon somethingelse Companypresents Who designedthe costume The producers
- 3. Thiscontains produced information aboutthe productionof movie the coloursare typical of the blockand the typographyof it isset ginormous letterswhichfitintothe portionof size itmakes.The capitalisationis shownclearlythroughthe wordsare some bigand otheraren’t.The font size iscreatedto shoe greatsort of informationthey are making Namesof actors Who the musicis by Who the executive produceris Who the editoris Who the production designeris Directorof photography Who the costume designeris Who the musicis by The coloursare shownthroughoutitwhichare mainlyblackthe typographyisusedastextisshown incertain way. Capitalisationisusedforcertainwordsandnotthe others andfontsizingisseenas the wordsare in capitalsandothersaren’twhichshare the information The actors Production company Production Music by The release date Executive producers In association with Editor