This presentation was held at the Social Media Week Berlin in September 2014. It shows the thinking behind the smartphone app Sustainability Compass and how it shall be developed in the future.
Likes Don't Save Lives, Unicef Sweden. Social media campaigns I wish I'd done...CharityComms
Teri Doubtfire, Willow
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
KTHE - OUR HOUSE IS BURNING: Marketing to the Woke GenerationFalcon.io
Once upon a time in the Dark Ages of 80s and 90s, it used to be pretty uncool to care too much. It was uncool to care about the environment. If you were a feminist, people assumed you neither showered nor shaved your armpits. You never saw non-white people in prominent positions on media anyway, so you didn’t even know you had to care. After the world has collectively spent ten years on social media, all that has drastically changed – marketing not being an exception. Question is – how can brands market well, to the generation equipped with the most sophisticated Bullshit Detector in the history of mankind?
How can brands use customer participation, creative content and innovative communications to build campaigns that mobilize people to help solve social and environmental problems?
#LoveHasNoLabels. Social media campaigns I wish I'd done seminar, 25 June 2015CharityComms
Catriona Ayre, JustGiving
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
Stop the wedding, Plan International. Social media campaigns I wish I'd done ...CharityComms
Barney Evison, Citizens Advice
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
Likes Don't Save Lives, Unicef Sweden. Social media campaigns I wish I'd done...CharityComms
Teri Doubtfire, Willow
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
KTHE - OUR HOUSE IS BURNING: Marketing to the Woke GenerationFalcon.io
Once upon a time in the Dark Ages of 80s and 90s, it used to be pretty uncool to care too much. It was uncool to care about the environment. If you were a feminist, people assumed you neither showered nor shaved your armpits. You never saw non-white people in prominent positions on media anyway, so you didn’t even know you had to care. After the world has collectively spent ten years on social media, all that has drastically changed – marketing not being an exception. Question is – how can brands market well, to the generation equipped with the most sophisticated Bullshit Detector in the history of mankind?
How can brands use customer participation, creative content and innovative communications to build campaigns that mobilize people to help solve social and environmental problems?
#LoveHasNoLabels. Social media campaigns I wish I'd done seminar, 25 June 2015CharityComms
Catriona Ayre, JustGiving
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
Stop the wedding, Plan International. Social media campaigns I wish I'd done ...CharityComms
Barney Evison, Citizens Advice
Visit the CharityComms website to view slides from past events, see what events we have coming up and to check out what else we do: www.charitycomms.org.uk
Whirlpool presents the volume 2 of the Digital School. Lesson 4 is dedicated to storytelling and how to create interesting content for your audience, in order to stay relevant in a crowded landscape.
Imageability today. Telling stories in images.
In the context of this conference, my talk will not be about the representation of the image, but about the imageability of digital images. I’m particularly interested in what actually takes place inside the image and how this affects the value of the image – so not what is the story of image but what is the story in images. Storytelling here is no longer telling stories in a narrative way, but rather storytelling as an abstracted form that creates shifts in agency, which I will argue is constructed by human-machine relationships. It is clear that today’s images are not made through light and chemical processes anymore, and while even those materials could be used and manipulated in various ways to show or hide certain things, what happens when more and more images are made by webcams, satellites, security cameras, traffic cops, eBay sellers, Google StreetView cars, and tourists on a quest for the exact same photograph? Or, as Trevor Paglan mentioned, when referring to machine-vision, what happens when “the overwhelming majority of images are now made by machines for other machines, with humans rarely in the loop” [Invisible Images (Your Pictures Are Looking at You), 2016].
In this new ecology of images, the actual taking of a photograph –if that is still the case– is merely one step in a long chain of abstractions in which the image is manipulated, recontextualized, sometimes in combinations with other images, at times these processes happen in unpredictable or irreverent ways. In other words, where does the image begin and end? While there is an over-abundance of photos and images around today, I will highlight 3 different positions that I think are crucial when discussing these specific aspects of contemporary images, and show how they relate to storytelling. This is an abstracted sense of storytelling taking place below the surface, while different narratives start to emerge. First, the digital as a tool in which traditional models of institutional cultural authority and disciplinary expertise still rule, here a digital image emphasizes but also questions the power of the original image through different modes of circulation; Secondly, the effect of optimization or automatic evaluation of image content in semi-automated algorithms; and related to that 3. The construction of value through machine vision [obscure algorithmic processes].
This talk brings together concepts from theatre, urban planning and software development in less time than reading your Facebook wall.
Audio from the talk:
https://soundcloud.com/liberatr/free-time-how-i-learned-to-stop-worrying-and-love-the-flywheel
The End of Normal: When Brands and Memes CollideBackslash
How can brands compete for attention in a world dominated by Tide Pods and Yodel Boy? Backslash speaks with TBWA's Chris Garbutt, McDonalds' Colin Mitchell, Cultural Connoisseur Sean Monahan and the Co-Founders of Meme Insider.
WRI’s brand new “Food Service Playbook for Promoting Sustainable Food Choices” gives food service operators the very latest strategies for creating dining environments that empower consumers to choose sustainable, plant-rich dishes. This research builds off our first guide for food service, now with industry experience and insights from nearly 350 academic trials.
Willie Nelson Net Worth: A Journey Through Music, Movies, and Business Venturesgreendigital
Willie Nelson is a name that resonates within the world of music and entertainment. Known for his unique voice, and masterful guitar skills. and an extraordinary career spanning several decades. Nelson has become a legend in the country music scene. But, his influence extends far beyond the realm of music. with ventures in acting, writing, activism, and business. This comprehensive article delves into Willie Nelson net worth. exploring the various facets of his career that have contributed to his large fortune.
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Introduction
Willie Nelson net worth is a testament to his enduring influence and success in many fields. Born on April 29, 1933, in Abbott, Texas. Nelson's journey from a humble beginning to becoming one of the most iconic figures in American music is nothing short of inspirational. His net worth, which estimated to be around $25 million as of 2024. reflects a career that is as diverse as it is prolific.
Early Life and Musical Beginnings
Humble Origins
Willie Hugh Nelson was born during the Great Depression. a time of significant economic hardship in the United States. Raised by his grandparents. Nelson found solace and inspiration in music from an early age. His grandmother taught him to play the guitar. setting the stage for what would become an illustrious career.
First Steps in Music
Nelson's initial foray into the music industry was fraught with challenges. He moved to Nashville, Tennessee, to pursue his dreams, but success did not come . Working as a songwriter, Nelson penned hits for other artists. which helped him gain a foothold in the competitive music scene. His songwriting skills contributed to his early earnings. laying the foundation for his net worth.
Rise to Stardom
Breakthrough Albums
The 1970s marked a turning point in Willie Nelson's career. His albums "Shotgun Willie" (1973), "Red Headed Stranger" (1975). and "Stardust" (1978) received critical acclaim and commercial success. These albums not only solidified his position in the country music genre. but also introduced his music to a broader audience. The success of these albums played a crucial role in boosting Willie Nelson net worth.
Iconic Songs
Willie Nelson net worth is also attributed to his extensive catalog of hit songs. Tracks like "Blue Eyes Crying in the Rain," "On the Road Again," and "Always on My Mind" have become timeless classics. These songs have not only earned Nelson large royalties but have also ensured his continued relevance in the music industry.
Acting and Film Career
Hollywood Ventures
In addition to his music career, Willie Nelson has also made a mark in Hollywood. His distinctive personality and on-screen presence have landed him roles in several films and television shows. Notable appearances include roles in "The Electric Horseman" (1979), "Honeysuckle Rose" (1980), and "Barbarosa" (1982). These acting gigs have added a significant amount to Willie Nelson net worth.
Television Appearances
Nelson's char
"Understanding the Carbon Cycle: Processes, Human Impacts, and Strategies for...MMariSelvam4
The carbon cycle is a critical component of Earth's environmental system, governing the movement and transformation of carbon through various reservoirs, including the atmosphere, oceans, soil, and living organisms. This complex cycle involves several key processes such as photosynthesis, respiration, decomposition, and carbon sequestration, each contributing to the regulation of carbon levels on the planet.
Human activities, particularly fossil fuel combustion and deforestation, have significantly altered the natural carbon cycle, leading to increased atmospheric carbon dioxide concentrations and driving climate change. Understanding the intricacies of the carbon cycle is essential for assessing the impacts of these changes and developing effective mitigation strategies.
By studying the carbon cycle, scientists can identify carbon sources and sinks, measure carbon fluxes, and predict future trends. This knowledge is crucial for crafting policies aimed at reducing carbon emissions, enhancing carbon storage, and promoting sustainable practices. The carbon cycle's interplay with climate systems, ecosystems, and human activities underscores its importance in maintaining a stable and healthy planet.
In-depth exploration of the carbon cycle reveals the delicate balance required to sustain life and the urgent need to address anthropogenic influences. Through research, education, and policy, we can work towards restoring equilibrium in the carbon cycle and ensuring a sustainable future for generations to come.
Characterization and the Kinetics of drying at the drying oven and with micro...Open Access Research Paper
The objective of this work is to contribute to valorization de Nephelium lappaceum by the characterization of kinetics of drying of seeds of Nephelium lappaceum. The seeds were dehydrated until a constant mass respectively in a drying oven and a microwawe oven. The temperatures and the powers of drying are respectively: 50, 60 and 70°C and 140, 280 and 420 W. The results show that the curves of drying of seeds of Nephelium lappaceum do not present a phase of constant kinetics. The coefficients of diffusion vary between 2.09.10-8 to 2.98. 10-8m-2/s in the interval of 50°C at 70°C and between 4.83×10-07 at 9.04×10-07 m-8/s for the powers going of 140 W with 420 W the relation between Arrhenius and a value of energy of activation of 16.49 kJ. mol-1 expressed the effect of the temperature on effective diffusivity.
Artificial Reefs by Kuddle Life Foundation - May 2024punit537210
Situated in Pondicherry, India, Kuddle Life Foundation is a charitable, non-profit and non-governmental organization (NGO) dedicated to improving the living standards of coastal communities and simultaneously placing a strong emphasis on the protection of marine ecosystems.
One of the key areas we work in is Artificial Reefs. This presentation captures our journey so far and our learnings. We hope you get as excited about marine conservation and artificial reefs as we are.
Please visit our website: https://kuddlelife.org
Our Instagram channel:
@kuddlelifefoundation
Our Linkedin Page:
https://www.linkedin.com/company/kuddlelifefoundation/
and write to us if you have any questions:
info@kuddlelife.org
Natural farming @ Dr. Siddhartha S. Jena.pptxsidjena70
A brief about organic farming/ Natural farming/ Zero budget natural farming/ Subash Palekar Natural farming which keeps us and environment safe and healthy. Next gen Agricultural practices of chemical free farming.
13. “The conceptofefficiencyisa lie. Itbroughtusonlygrowingconsumerismandneverceasingemissions.”
Daniel Spreng, Prof. em. ETH Zürich,
Blue-Tech 2011
Picture: www.uni-klu.ac.at
14. "Without an explanatory model of sustainability there won't be real change.“
Ola Ivarsson, COO Europe MoevenpickHotels
Picture: Moevenpick
15. “First do no harm.”
Picture: Ian MacKenzie, www.passittotheleft.org
Polly Higgins,
lawyer
founderoferadicatingecocide.com
22. 22
...concentrations of substances from the Earth’s crust,
...concentrations of substances produced by society,
...degradationbyphysicalmeans,
...and that people are not subject to conditions that systematically undermine their capacity to meet their needs.
In a sustainable future, nature is not subject to systematically increasing...
43. EcologicalImperative: The design principlesofacting
“Our acting in these days shall be guided (by this ecological imperative): Act only to the maximethat the consequences foster the development of a global system of solidarityor at least don’t hinder it. Act only to the maximethat the usual practice of exploitation and externalisationcan be substituted by an ethos of global protection. Act only to the maximethat no time is lost in the inevitable transformation which is in the interest of all.“
Peter Sloterdjik, philosopher, 2013
Picture: ddpon rp-online.de