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This document provides contact information for Professor R.R. Borse, who is an assistant professor and head of the B.P. Arts, S.M. Arts Science and K.K. Commerce College in Chalisgaon. His email address is provided as ravinraborse1@gmail.com.
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Aristotle's poetics
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
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Hello everyone! This presentation is on lyrical Ballads combine work of Wordsworth and Coleridge. in this presentation I have not discussed any poem I have just given overview of the lyrical Ballads.
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Sir Philip Sidney wrote "An Apology for Poetry" in the 1580s to defend poetry against criticisms. In the summary, Sidney argues that poetry is superior to other fields as it can teach virtue and move people through charm. Poetry uses imitation, not just copying reality, but transforming it or creating new forms. It can depict both virtues and vices in a delightful manner to instruct people. Overall, Sidney establishes poetry's value and defends it as an art form.
Samuel taylor coleridge
Samuel Taylor Coleridge was an English poet, critic, and philosopher who was a leader of Romantic poetry. He divided imagination into primary and secondary forms. Primary imagination is a creative faculty possessed by all, while secondary imagination is the conscious, creative power of poets. Coleridge believed the purpose of poetry was to give pleasure, and defined a poem as having organic unity and seeking to produce immediate pleasure in readers through the willing suspension of disbelief. He saw imagination as the key distinguishing factor of a true poet.
Samuel johnson
Samuel Johnson lived from 1709 to 1784 in England. He suffered illnesses as a child but still showed intelligence. However, he lacked opportunities due to financial problems. He attended Oxford for a year and worked as a teacher and servant. He wrote many periodical essays and works, including his famous Dictionary of the English Language in 1755. His works influenced literature during his lifetime and today through his biographies, criticism, and other writings.
Function of Criticism: T.S Eliot
Function of Criticism by T.S Eliot, Why Criticism in Literature?, Four Parts of the essay “Function of Criticism”, Tradition and the Individual Talent, I Part: Eliot’s views on critic and critical work of art, II Part: John Middleton Murry’s Essay and Eliot’s Contradiction, III Part: Eliot’s criticism of Murry and function of criticism, IV Part: Relation of Criticism with creative work of art
Alexander pope
Alexander Pope was an 18th-century English poet born in London in 1688. He is best known for his satirical verse and use of the heroic couplet. Pope was educated informally as a Catholic in London. He published his first major poems An Essay on Criticism in 1711 and The Rape of the Lock in 1712-1714, which established his fame as a poet and satirist.
Biography literaria chapter 17
Coleridge provides a summary and critique of Wordsworth's views on poetic diction as expressed in the preface to Lyrical Ballads. He objects that not all of Wordsworth's characters are truly from low and rustic life, and their language cannot be attributed solely to their environment. Additionally, the language of rustics is too limited to form the basis of poetic language, as it lacks ideas, thoughts, and vocabulary derived from reflection. While Wordsworth aimed to use natural language, Coleridge argues the best parts of language come from thinking on noble concepts, not the direct expressions of rustics. Their views thus differ on the proper sources and qualities of language suitable for poetic works.
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Aristotle's poetics
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Lyrical ballad
Hello everyone! This presentation is on lyrical Ballads combine work of Wordsworth and Coleridge. in this presentation I have not discussed any poem I have just given overview of the lyrical Ballads.
Sir philip sidney's Apology for poetry
Sir Philip Sidney wrote "An Apology for Poetry" in the 1580s to defend poetry against criticisms. In the summary, Sidney argues that poetry is superior to other fields as it can teach virtue and move people through charm. Poetry uses imitation, not just copying reality, but transforming it or creating new forms. It can depict both virtues and vices in a delightful manner to instruct people. Overall, Sidney establishes poetry's value and defends it as an art form.
Samuel taylor coleridge
Samuel Taylor Coleridge was an English poet, critic, and philosopher who was a leader of Romantic poetry. He divided imagination into primary and secondary forms. Primary imagination is a creative faculty possessed by all, while secondary imagination is the conscious, creative power of poets. Coleridge believed the purpose of poetry was to give pleasure, and defined a poem as having organic unity and seeking to produce immediate pleasure in readers through the willing suspension of disbelief. He saw imagination as the key distinguishing factor of a true poet.
Samuel johnson
Samuel Johnson lived from 1709 to 1784 in England. He suffered illnesses as a child but still showed intelligence. However, he lacked opportunities due to financial problems. He attended Oxford for a year and worked as a teacher and servant. He wrote many periodical essays and works, including his famous Dictionary of the English Language in 1755. His works influenced literature during his lifetime and today through his biographies, criticism, and other writings.
Function of Criticism: T.S Eliot
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Alexander pope
Alexander Pope was an 18th-century English poet born in London in 1688. He is best known for his satirical verse and use of the heroic couplet. Pope was educated informally as a Catholic in London. He published his first major poems An Essay on Criticism in 1711 and The Rape of the Lock in 1712-1714, which established his fame as a poet and satirist.
Biography literaria chapter 17
Coleridge provides a summary and critique of Wordsworth's views on poetic diction as expressed in the preface to Lyrical Ballads. He objects that not all of Wordsworth's characters are truly from low and rustic life, and their language cannot be attributed solely to their environment. Additionally, the language of rustics is too limited to form the basis of poetic language, as it lacks ideas, thoughts, and vocabulary derived from reflection. While Wordsworth aimed to use natural language, Coleridge argues the best parts of language come from thinking on noble concepts, not the direct expressions of rustics. Their views thus differ on the proper sources and qualities of language suitable for poetic works.
Biographia literaria
This document provides a summary of Samuel Taylor Coleridge's 1817 work Biographia Literaria. It discusses that the work is a critical text divided into 24 chapters where Coleridge presents his views on the nature and functions of poetry. Specifically, it examines Coleridge's definition of a poem as an "organic whole" and his distinction between imagination and fancy. It also analyzes Coleridge's concept of primary imagination as the living power that mimics divine creation and shapes perception, as well as his description of the imagination's "esemplastic" ability to shape disparate ideas into one coherent whole.
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This document presents the differences between Wordsworth and Coleridge's concepts of poetry. Wordsworth defined poetry as the "spontaneous overflow of powerful emotions" that are later "recollected in tranquility." His poetry focused on themes from common life, using simple language and depicting rural characters. In contrast, Coleridge felt that poetry should include supernatural incidents and agents, with elements of mystery and wonder. He saw poetry as depicting the world of fancy and thoughts, with a sense of magic and mystery. The key difference is that Wordsworth sought to give charm to everyday nature through imagination, while Coleridge aimed to make ordinary objects supernatural.
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An Apology for Poetry (or The
Defence of Poesy) is a work of
literary criticism by Elizabethan
poet Philip Sidney. It was written
in approximately 1580 and first
published in 1595, after his death .
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An Essay of Dramatic Poesy -John dryden
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A sonnet is a 14-line poem written in iambic pentameter with a set rhyme scheme. The most common types are the English or Shakespearean sonnet, which has three quatrains and a couplet, and the Italian or Petrarchan sonnet, which has an octave followed by a sestet. Sonnets were invented in Italy in the 13th century and introduced to English by Sir Thomas Wyatt in the 16th century. Famous sonnet writers include Shakespeare, Spenser, and Sidney.
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This document provides a summary of Samuel Taylor Coleridge's 1817 work Biographia Literaria. It discusses that the work is a critical text divided into 24 chapters where Coleridge presents his views on the nature and functions of poetry. Specifically, it examines Coleridge's definition of a poem as an "organic whole" and his distinction between imagination and fancy. It also analyzes Coleridge's concept of primary imagination as the living power that mimics divine creation and shapes perception, as well as his description of the imagination's "esemplastic" ability to shape disparate ideas into one coherent whole.
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This document summarizes Aristotle's concept of tragedy based on his definition and analysis of its key elements. The most important elements are plot, character, and hamartia (tragic flaw). A good plot involves a change in fortune from happiness to misery for a protagonist who is neither perfectly good nor bad. It also includes a peripety (reversal) or discovery. The plot aims to arouse emotions of pity and fear in the audience through the hero's downfall, culminating in a catharsis or release of these emotions. Character and hamartia relate to creating a believable yet imperfect hero. Other elements like language, spectacle, and thought/diction are less crucial but should still be done well.
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Matthew Arnold viewed poetry as the "criticism of life" that is governed by poetic truth and beauty. He believed the best poetry has seriousness of substance combined with superior style and diction. Arnold analyzed poets using his "touchstone method" of comparison and advocated for disinterested criticism. However, critics argue he did not always practice disinterested criticism and overemphasized morality. Overall, Arnold made significant contributions to literary criticism through his analysis of poets and emphasis on poetry's relationship to interpreting life.
DIFFERENCE BETWEEN WORDSWORTH AND COLERIDGE'S CONCEPT OF POETRY
This document presents the differences between Wordsworth and Coleridge's concepts of poetry. Wordsworth defined poetry as the "spontaneous overflow of powerful emotions" that are later "recollected in tranquility." His poetry focused on themes from common life, using simple language and depicting rural characters. In contrast, Coleridge felt that poetry should include supernatural incidents and agents, with elements of mystery and wonder. He saw poetry as depicting the world of fancy and thoughts, with a sense of magic and mystery. The key difference is that Wordsworth sought to give charm to everyday nature through imagination, while Coleridge aimed to make ordinary objects supernatural.
Themes in an apology for poetry
An Apology for Poetry (or The
Defence of Poesy) is a work of
literary criticism by Elizabethan
poet Philip Sidney. It was written
in approximately 1580 and first
published in 1595, after his death .
Biography literaria chapter 18
it includes
objections and defence
Review of each paragraph
essence and existence
prose and poetry
meter
effects of meter
principles of writing
coleridge as a critic
Aristotle's Poetics
Aristotle's Poetics c. 335 BCE is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory
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Wordsworth Preface to Lyrical Ballads
Wordsworth's preface discusses his views on poetry, including that poetry is the breath and spirit of all science that propagates moral thoughts. Poetry that revolts against moral ideas is revolting against life itself. The language of poetry should be simple and from common people, not elaborate. Wordsworth saw the poet as having a greater knowledge of human nature and sensibility to passionately enter into other lives and translate feelings into words for common people, not just the elite. He defined poetic creation as arising from spontaneous powerful feelings that are then recollected with tranquility.
T.S Eliot's Tradition and Individual Talent
This document provides information about T.S. Eliot's essay "Tradition and Individual Talent". It discusses that the essay was first published in 1919 and later included in Eliot's 1920 collection The Sacred Wood. The essay is divided into three parts that discuss Eliot's concepts of tradition, the theory of depersonalization in poetry, and his conclusion that poetry is an escape from emotion and personality rather than an expression of it. It also notes that Eliot believes a poet can understand what to do if they have a sense of literary tradition and history.
The Rape of the Lock - A Mock Poem
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Aristotle's Concept regarding Plot
Tragic Plot-Its constituent parts, Importance of plot, Poet as a maker of plot not story, The construction of plot, the magnitude of plot, organic unity of plot, Fatal and fortunate plots, peripety and anagnorisis, complication and denouement, Freytag pyramid, Aristortle's concern, Dramatic unities
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The document discusses metaphysical poetry, which explores spiritual or philosophical themes through unconventional means. It was pioneered by John Donne in the 17th century. Key features included witty conceits, passionate reasoning, and unusual imagery. Donne combined thought and emotion through paradoxes, argumentative styles, and exaggerated metaphors. His poetry was intellectual yet used ordinary language. Overall, metaphysical poetry blended heart and mind through fantastical language and reasoning about life and the universe.
Three Estimates by Matthew Arnold
The document discusses Matthew Arnold's views on poetry criticism as presented in his essay "Three Estimates of Matthew Arnold". Arnold describes three types of estimates used to evaluate poetry: the Real Estimate, which judges a work based solely on its artistic merit; the Historic Estimate, which overvalues a work due to the poet's historical context; and the Personal Estimate, which is swayed by personal biases towards contemporary poets. Arnold advocates for his "touchstone method" to properly analyze poetry by comparing excerpts to established classics and evaluating them based on their highest poetic quality.
An Essay of Dramatic Poesy -John dryden
The document summarizes John Dryden's essay "An Essay of Dramatic Poesy". The essay is structured as a dialogue between four friends - Eugenius, Crites, Lisideius, and Neander - discussing theories of drama. Crites argues that Greek/Roman literature should be the model and praised the ancients' adherence to the three unities. Eugenius agrees with imitating the ancients but thinks English dramatists have improved on them. Lisideius claims French dramatists are now better than the English due to their simpler plots. However, Neander disagrees, defending English dramatists' use of subplots and mixing of comedy and tragedy.
art for art sake and life sake
This document discusses the concepts of art for art's sake and art for life's sake. It defines art for art's sake as the belief that art needs no justification beyond its own existence and should serve no political or didactic purpose, but rather exist solely to be enjoyed. It presents quotes from Oscar Wilde and Victor Cousin expressing this view. Art for life's sake is defined as using art as a form of self-expression to convey feelings and emotions. Quotes from Roy Adzak, Carl Andre, and Nicholson Baker are presented that discuss how art impacts and relates to life. The document concludes with a quote from J. David Arnold about how art touches both the mind and life.
The preface to lyrical ballads
According to William Wordsworth poetry is the powerful overflow of spontaneous feelings. Wordsworth describes his main intention to write Lyrical Ballads is to choose incidents from real life and add a colour of imagination so that ordinary things may be represented in an unusual fashion.
Biographia literaria chapter14
biography of s.t coleridge
introduction to biographia literaria
synopsis of chap 14
critical analysis
literary devices
objections and defence
fancy and imagination
primary and secondary imagination
Characteristics of Anti- Sentimental Comedy
Anti-sentimental comedy is a reaction against sentimental comedy that appeals to emotions like sorrow and pity. It uses techniques like wit, farce, laughter, irony on society, and amusing intrigues involving disguise and marriage for both love and money. The pioneer of anti-sentimental comedy was Oliver Goldsmith, who criticized sentimental comedy in his essay "A Comparison between Laughing and Sentimental Comedy".
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