This document consists of camera shots from a horror film depicting the following sequence of events:
1. Jessie and Chris go on a drive together and get into an argument after Chris drinks while driving.
2. Their car breaks down in the forest and while walking to a party, Chris finds an old jack-in-the-box.
3. When Chris opens the jack-in-the-box, his face transforms into a clown before chasing Jessie through the forest.
4. Jessie tries to escape from Chris but he blocks her path several times. She eventually runs to a house for help, only to find Chris waiting at the door.
The document describes conventions commonly found in film magazine reviews and movie posters. Magazine reviews typically include the magazine title, page number, title of the article in a large font, images from the film, and columns of text. Movie posters usually have the film title at the bottom, an image of a character close-up or scene, a short tagline, and release date in small font. Both utilize color schemes, images, and text features to effectively promote films.
1. Jessie and Chris go to a party but get lost on the way in the forest after their car breaks down.
2. Chris finds an old jack-in-the-box in the woods and winds it up, causing the toy to spray blood on his face and make him act strangely.
3. Chris begins chasing Jessie through the woods with clown makeup on his face, refusing to stop even when Jessie begs him to. Jessie sees a farmhouse in the distance and runs to it for help, but Chris is there when the door opens, implying he cannot be escaped.
The document provides production details for filming scheduled on February 26th, including locations, crew contact information, schedules, equipment lists, release forms, safety information, and shot lists. Personal data like phone numbers is included in call sheets in accordance with data protection policies. Signed release forms are required from all key contributors and crew.
This document summarizes the responses to a 10 question survey about horror film audiences and their preferences. Key findings include:
- The target age group is 16-18 and films should not exceed a 15 rating to appeal to most horror fans. Gore and supernatural elements are popular while icons are not.
- Both male and female audiences watch horror, but the target audience skews more female so adding "male gaze" could attract more male viewers.
- Psychological horror and stories based on true events are preferred over fictional/fantasy stories. A slow pace and non-diegetic music help build tension.
- Horror films are most likely to be watched with friends so the film should engage multiple viewers. Supernatural
The document lists props and ingredients needed to stage a Halloween scene, including a jack-in-the-box for £16, syrup and food colouring to make fake blood for around £2, and optional religious symbols or costume lenses that range in price from under £1 to £15.
The document outlines possible filming locations and associated risks, and provides recommendations to overcome those risks. The bedroom may have lighting issues or obstacles, which can be addressed with backup lights or moving objects. Shooting in a car risks confined spaces and engine noise, which can be mitigated by planting cameras and recording audio separately. Filming in a forest risks darkness, tripping, and weather, so bringing lights, watching footsteps, and dressing for weather are suggested. Outside risks include visible family, slippery ground, animal noise, and low light, so communicating with family, wearing proper shoes, moving animals, and checking the ground are recommended.
The document discusses creating a survey on Survey Monkey to gain understanding of what to focus on in a horror short film. The survey was promoted on Twitter and Facebook to reach a wide audience, especially teenagers, to gain insight into what they like and dislike about horror films. This feedback will help with script writing, showing what to add more of (e.g. blood) or take out (e.g. less screams). The survey was also sent to students and teachers at the author's school to collect a wider range of audience feedback.
The document describes conventions commonly found in film magazine reviews and movie posters. Magazine reviews typically include the magazine title, page number, title of the article in a large font, images from the film, and columns of text. Movie posters usually have the film title at the bottom, an image of a character close-up or scene, a short tagline, and release date in small font. Both utilize color schemes, images, and text features to effectively promote films.
1. Jessie and Chris go to a party but get lost on the way in the forest after their car breaks down.
2. Chris finds an old jack-in-the-box in the woods and winds it up, causing the toy to spray blood on his face and make him act strangely.
3. Chris begins chasing Jessie through the woods with clown makeup on his face, refusing to stop even when Jessie begs him to. Jessie sees a farmhouse in the distance and runs to it for help, but Chris is there when the door opens, implying he cannot be escaped.
The document provides production details for filming scheduled on February 26th, including locations, crew contact information, schedules, equipment lists, release forms, safety information, and shot lists. Personal data like phone numbers is included in call sheets in accordance with data protection policies. Signed release forms are required from all key contributors and crew.
This document summarizes the responses to a 10 question survey about horror film audiences and their preferences. Key findings include:
- The target age group is 16-18 and films should not exceed a 15 rating to appeal to most horror fans. Gore and supernatural elements are popular while icons are not.
- Both male and female audiences watch horror, but the target audience skews more female so adding "male gaze" could attract more male viewers.
- Psychological horror and stories based on true events are preferred over fictional/fantasy stories. A slow pace and non-diegetic music help build tension.
- Horror films are most likely to be watched with friends so the film should engage multiple viewers. Supernatural
The document lists props and ingredients needed to stage a Halloween scene, including a jack-in-the-box for £16, syrup and food colouring to make fake blood for around £2, and optional religious symbols or costume lenses that range in price from under £1 to £15.
The document outlines possible filming locations and associated risks, and provides recommendations to overcome those risks. The bedroom may have lighting issues or obstacles, which can be addressed with backup lights or moving objects. Shooting in a car risks confined spaces and engine noise, which can be mitigated by planting cameras and recording audio separately. Filming in a forest risks darkness, tripping, and weather, so bringing lights, watching footsteps, and dressing for weather are suggested. Outside risks include visible family, slippery ground, animal noise, and low light, so communicating with family, wearing proper shoes, moving animals, and checking the ground are recommended.
The document discusses creating a survey on Survey Monkey to gain understanding of what to focus on in a horror short film. The survey was promoted on Twitter and Facebook to reach a wide audience, especially teenagers, to gain insight into what they like and dislike about horror films. This feedback will help with script writing, showing what to add more of (e.g. blood) or take out (e.g. less screams). The survey was also sent to students and teachers at the author's school to collect a wider range of audience feedback.
1. Jessie and Chris get lost in the woods after their car breaks down on the way to a party.
2. Chris finds an old jack-in-the-box in the woods and winds it up, which seems to trigger something strange in Chris. He collapses and Jessie runs away in fear.
3. Jessie is then chased through the woods by Chris, who is dressed and acting like the jack-in-the-box character. She escapes to a nearby farmhouse seeking help but it's unclear if she finds it.
This document provides location information for a film shoot in Crowthorne, England. Location A is a farmhouse off Wellingtonia Avenue that will be used for interior house scenes. Location B, called Simons Wood, is a 10 minute walk from the farmhouse and will be used for forest and country lane scenes. Specific details are given about how each location can be used, including rooms in the farmhouse and different landscape areas in the forest. Both locations may experience mud and wet weather that need to be considered in planning.
The document outlines a shooting schedule for 15 scenes of a film called "Jack out the box". It provides the time, location, actors, and props needed for each scene, as well as a brief description of what will be filmed. The scenes will be shot on Friday January 10th and Saturday January 11th 2014, starting with a character getting ready at home and ending with her pleading for help at a farmhouse door.
This 3 sentence summary provides the essential information from the document:
The short film follows Jessie and Chris who get lost in the woods after their car breaks down on the way to a party, Chris finds an old jack-in-the-box which causes him to suddenly bleed from his mouth when opened, transforming him into a pale clown-faced figure that begins haunting Jessie through the woods until she reaches a nearby farmhouse for help.
1. The document is the script for a short horror film called "Jack out the box". It follows a young couple, Jessie and Chris, who get lost in the woods on their way to a party.
2. They come across an old jack-in-the-box in the woods. When Chris winds the crank, a bloody-faced clown pops out and Chris transforms, pursuing Jessie through the woods.
3. Jessie eventually makes it back to their car but finds Chris has followed her there. The script ends with Chris appearing next to Jessie in the backseat as she screams.
Jack Out The Box is a film about a man who unexpectedly pops into people's lives. It received generally positive reviews for its quirky premise and comedic performances. Critics praised the film for its offbeat humor in depicting an eccentric character who inserts himself into random situations.
Описание некоторых наиболее известных ноотропов, материал с одной из встреч по ноотропам в РТД - Российском траснгуманистическом движении. Автор - Е. Резников
The document summarizes several theories about media representations of youth:
- Giroux, Acland, Hebdige, and Cohen argue that media representations of youth are constructed by adults and do not accurately reflect the realities of being a teenager. This leads to stereotypes and moral panics around youth behavior.
- Gramsci's theory suggests media representations always align with the values of the middle class, portraying other social groups negatively.
- Philo's theory says contemporary films link the working class with hoodies and crime, fueling middle class anxiety.
- Gerbner's cultivation theory proposes that excessive TV watching shapes perceptions, with media often depicting youth as criminals and influencing views of
1. Jessie and Chris get lost in the woods after their car breaks down on the way to a party.
2. Chris finds an old jack-in-the-box in the woods and winds it up, which seems to trigger something strange in Chris. He collapses and Jessie runs away in fear.
3. Jessie is then chased through the woods by Chris, who is dressed and acting like the jack-in-the-box character. She escapes to a nearby farmhouse seeking help but it's unclear if she finds it.
This document provides location information for a film shoot in Crowthorne, England. Location A is a farmhouse off Wellingtonia Avenue that will be used for interior house scenes. Location B, called Simons Wood, is a 10 minute walk from the farmhouse and will be used for forest and country lane scenes. Specific details are given about how each location can be used, including rooms in the farmhouse and different landscape areas in the forest. Both locations may experience mud and wet weather that need to be considered in planning.
The document outlines a shooting schedule for 15 scenes of a film called "Jack out the box". It provides the time, location, actors, and props needed for each scene, as well as a brief description of what will be filmed. The scenes will be shot on Friday January 10th and Saturday January 11th 2014, starting with a character getting ready at home and ending with her pleading for help at a farmhouse door.
This 3 sentence summary provides the essential information from the document:
The short film follows Jessie and Chris who get lost in the woods after their car breaks down on the way to a party, Chris finds an old jack-in-the-box which causes him to suddenly bleed from his mouth when opened, transforming him into a pale clown-faced figure that begins haunting Jessie through the woods until she reaches a nearby farmhouse for help.
1. The document is the script for a short horror film called "Jack out the box". It follows a young couple, Jessie and Chris, who get lost in the woods on their way to a party.
2. They come across an old jack-in-the-box in the woods. When Chris winds the crank, a bloody-faced clown pops out and Chris transforms, pursuing Jessie through the woods.
3. Jessie eventually makes it back to their car but finds Chris has followed her there. The script ends with Chris appearing next to Jessie in the backseat as she screams.
Jack Out The Box is a film about a man who unexpectedly pops into people's lives. It received generally positive reviews for its quirky premise and comedic performances. Critics praised the film for its offbeat humor in depicting an eccentric character who inserts himself into random situations.
Описание некоторых наиболее известных ноотропов, материал с одной из встреч по ноотропам в РТД - Российском траснгуманистическом движении. Автор - Е. Резников
The document summarizes several theories about media representations of youth:
- Giroux, Acland, Hebdige, and Cohen argue that media representations of youth are constructed by adults and do not accurately reflect the realities of being a teenager. This leads to stereotypes and moral panics around youth behavior.
- Gramsci's theory suggests media representations always align with the values of the middle class, portraying other social groups negatively.
- Philo's theory says contemporary films link the working class with hoodies and crime, fueling middle class anxiety.
- Gerbner's cultivation theory proposes that excessive TV watching shapes perceptions, with media often depicting youth as criminals and influencing views of
The document discusses the ideological state apparatus and dominant ideologies in the press coverage surrounding riots, suggesting the true causes of the riots went deeper than portrayed. Key factors included the shooting of Marcus Duggan by police under questionable circumstances, a history of police violence against Black people with no convictions, and government budget cuts to youth centers despite youth unemployment, fueling tensions between police and disenfranchised youth.
The document discusses how to analyze news articles by examining the newspaper and date of publication, topic and main points, language used, images included, and underlying messages and values conveyed. It suggests breaking down articles in this way to understand editorial choices and how certain details or framing can influence reader interpretation.
The document analyzes representations of youth subcultures in the film This Is England. It discusses how the opening scenes establish Shaun's working-class background through his run-down bedroom. It also signifies that he comes from a broken family due to his father's death in the Falklands War. The document then examines how the film depicts youth as being cruel to each other and facing issues like bullying. It analyzes the skinhead subculture and how the film challenges stereotypes by depicting the skinhead gang as initially friendly toward Shaun. The ideologies of director Shane Meadows in exploring the impact of Margaret Thatcher's government on British working-class youth are also summarized.
The document discusses the media coverage of two tragic criminal events:
1) The Columbine school shooting in 1999 which led to moral panic around the causes of youth violence and zero tolerance policies in schools. The media simplified the causes and policy responses did not address the root problems.
2) The murder of James Bulger in 1993 which the media similarly blamed on absent fathers and violent media without evidence. They exaggerated the threats and stigmatized social groups to generate outrage.
The document analyzes representations of youth subcultures in the film This Is England. It discusses how the opening scenes establish Shaun's working-class background through his run-down bedroom. It also shows him grieving the loss of his father, signifying how the working classes and troops were impacted by the Falklands War. Later scenes depict youth as cruel but also show Shaun being befriended by a skinhead group. The document examines the film's portrayal of unemployed yet violent skinhead youth and the run-down areas they inhabited. It analyzes the importance of fashion in skinhead subculture and how the film conveys the ideology of director Shane Meadows on 1980s British working-class youth.
Hippies of the 1960s were known for wearing tie-dyed and patchwork clothing with flowers in their hair, practicing free love, advocating peace, and protesting the Vietnam War and middle-class values. They listened to artists like Jefferson Airplane, Bob Dylan, and The Beatles, drove Volkswagen Beetles, took LSD and cannabis, and sought to live simply and freely through handmade clothes and counter-cultural ideals that celebrated nature.
This document outlines stereotypes of teenagers labeled as "chavs" in British media. It describes their typical appearance as having slick back hair, hoop earrings, hoodies, heavy makeup for girls and tracksuits and jewelry for both. Their behavior is portrayed as violent, disobedient, swearing, troublemaking, drinking alcohol and being rude. It also provides examples of how they are contrasted against authority figures and societal norms. The document then discusses stereotypes and countertypes related to lesbians' appearance and behavior.
This document analyzes various scenes from the movie Top Gun to identify how characters and their appearances signify different things. It notes that in the club scene, the female is dressed revealingly and seems impressed by the male pilot, signifying that women are viewed as sexual objects inferior to men. Charlie dresses modestly at the club to be seen as intelligent rather than just sexual. When Charlie laughs at one of Maverick's jokes, it signifies he does not respect her authority as much as others due to her gender. The bold line on the back of Charlie's tights in one scene signifies she wants to look attractive to the male pilots despite her high position. Maverick's confidence in answering Charlie signifies he is not intimidated by her
The document outlines Michael Moore's film Bowling for Columbine and examines American attitudes towards guns. It shows how easy it is to obtain guns from banks and bullets from hair salons. Despite school shootings like Columbine, the NRA continues promoting pro-gun stances. Experts blamed outside influences like music instead of the widespread gun culture. Comparisons show the US has far more gun deaths than other countries due to long-held fears and the belief that guns provide protection and independence rather than danger. The news exploits these fears for profit through exaggerated crime stories.
A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...OH TEIK BIN
A free eBook comprising 5 sets of PowerPoint presentations of meaningful stories /Inspirational pieces that teach important Dhamma/Life lessons. For reflection and practice to develop the mind to grow in love, compassion and wisdom. The texts are in English and Chinese.
My other free eBooks can be obtained from the following Links:
https://www.slideshare.net/ohteikbin/presentations
https://www.slideshare.net/ohteikbin/documents
Sanatan Vastu | Experience Great Living | Vastu ExpertSanatan Vastu
Santan Vastu Provides Vedic astrology courses & Vastu remedies, If you are searching Vastu for home, Vastu for kitchen, Vastu for house, Vastu for Office & Factory. Best Vastu in Bahadurgarh. Best Vastu in Delhi NCR
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...franktsao4
It seems that current missionary work requires spending a lot of money, preparing a lot of materials, and traveling to far away places, so that it feels like missionary work. But what was the result they brought back? It's just a lot of photos of activities, fun eating, drinking and some playing games. And then we have to do the same thing next year, never ending. The church once mentioned that a certain missionary would go to the field where she used to work before the end of his life. It seemed that if she had not gone, no one would be willing to go. The reason why these missionary work is so difficult is that no one obeys God’s words, and the Bible is not the main content during missionary work, because in the eyes of those who do not obey God’s words, the Bible is just words and cannot be connected with life, so Reading out God's words is boring because it doesn't have any life experience, so it cannot be connected with human life. I will give a few examples in the hope that this situation can be changed. A375
Why is this So? ~ Do Seek to KNOW (English & Chinese).pptxOH TEIK BIN
A PowerPoint Presentation based on the Dhamma teaching of Kamma-Vipaka (Intentional Actions-Ripening Effects).
A Presentation for developing morality, concentration and wisdom and to spur us to practice the Dhamma diligently.
The texts are in English and Chinese.
The Hope of Salvation - Jude 1:24-25 - MessageCole Hartman
Jude gives us hope at the end of a dark letter. In a dark world like today, we need the light of Christ to shine brighter and brighter. Jude shows us where to fix our focus so we can be filled with God's goodness and glory. Join us to explore this incredible passage.
The Book of Ruth is included in the third division, or the Writings, of the Hebrew Bible. In most Christian canons it is treated as one of the historical books and placed between Judges and 1 Samuel.
The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
My ritual will not only stop separation and divorce, but rebuild a strong bond between you and your partner that is based on truth, honesty, and unconditional love. For an even stronger effect, you may want to consider using the Eternal Love Bond spell to ensure your relationship and love will last through all tests of time. If you have not yet determined if your partner is considering separation or divorce, but are aware of rifts in the relationship, try the Love Spells to remove problems in a relationship or marriage. Keep in mind that all my love spells are 100% customized and that you'll only need 1 spell to address all problems/wishes.
Save your marriage from divorce & make your relationship stronger using anti divorce spells to make him or her fall back in love with you. End your marriage if you are no longer in love with your husband or wife. Permanently end your marriage using divorce spells that work fast. Protect your marriage from divorce using love spells to boost commitment, love & bind your hearts together for a stronger marriage that will last. Get your ex lover who has remarried using divorce spells to break up a couple & make your ex lost lover come back to you permanently.
Visit https://www.profbalaj.com/love-spells-loves-spells-that-work/
Call/WhatsApp +27836633417 for more info.
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...Phoenix O
This manual will guide you through basic skills and tasks to help you get started with various aspects of Magic. Each section is designed to be easy to follow, with step-by-step instructions.
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...
Storyboard final
1. 1) ESTABLISHING SHOT PAN (Jessie alone in
room applying make –up.
4) SLOW ZOOM – MID-CLOSE UP of Chris in
the car looking suspiciously around to make
sure no one is around.
2) Focus into Jessie –SLOW ZOOM INTO OVER
THE SHOULDER SHOT of Jessie applying her
make- up.
5) SLOW ZOOM – EXTREME CLOSE UP of
Chris retrieving a small baggy from glove box
in car.
3) ESTABLISHING SHOT – Chris sat in parked
car on a country road.
6) ZOOM OUT TO MEDIUM CLOSE UP
of Chris dipping finger into bag.
1
2. 7) ZOOM INTO EXTREME CLOSE UP of Chris
rubbing substance on gums.
10)POINT OF VIEW SHOT FROM CHRIS – MID
SHOT of Jessie getting into his car and
greeting him.
8) ZOOM OUT TO MID SHOT –Chris looks
around suspiciously and puts baggie back into
the glove box.
11) EXTREME CLOSE UP of Chris wiping over
his mouth in a subtle but suspicious way.
9) MID LONG SHOT of Jessie walking towards
Chris’s car.
12- MID TWO SHOT of Chris starting car engine
and couple driving off
2
3. 13) VARIOUS ESTABLISHING SHOTS AND ANGLES of car driving through forest.
14)TWO SHOT CLOSE UP of Jessie and Chris
in car driving.
15) POV FROM JESSIE MID SHOT of Chris
Driving.
16) MID CLOSE UP of Jessie opening a
can of alcohol and drinking.
3
4. 17) TWO SHOT MID CLOSE UP of couple in car
laughing and dancing to music.
Chris! What the hell! You’re driving,
you can’t drink yet! Do you want to
kill us?!
18) EXTREME CLOSE-UP of speed dial in car
increasing.
19) POINT OF VIEW FROM JESSIE – MID SHOT
of Chris grabbing a can and opening it.
20) POINT OF VIEW SHOT FROM CHRIS – MID
SHOT of Jessie arguing with Chris on drinking
4
and driving.
5. 21) POINT OF VIEW FROM JESSIE MID – CLOSE
UP of Chris telling Jessie to calm down.
24) POINT OF VIEW FROM CHRIS MID –
CLOSE UP of Jessie getting angry and
refusing to calm down.
22) POINT OF VIEW FROM CHRIS – MID –
CLOSE UP of Jessie ordering Chris to stop
the car.
23) POINT OF VIEW SHOT FROM JESSIE – MID
– CLOSE UP of Chris still continuing to
attempt to reassure Jessie.
25) EXTREME CLOSE UP of Jessie pulling the
hand-break and stalling the car.
26) POINT OF VIEW FROM JESSIE MID – CLOSE
UP of Chris trying to restart the car, but not
having any luck.
5
6. 27)MID – LONG SHOT of couple getting out
of the car.
28) SLOW ZOOM MEDIUM CLOSE UP LOW
ANGLE of Chris opening the bonnet and
checking the car.
29) CONTINUED MID CLOSE UP LOW ANGLE
of Chris slamming the car bonnet down in
anger.
Great! I have
no bloody
reception!
32)TILT CAMERA UP TO EYE LEVEL MID SHOT as
Jessie walks into the shot to apologise.
33) MEDIUM CLOSE UP of Jessie on phone
trying to find reception in the forest.
34) MID SHOT of Chris looking
annoying TRACKING MID SHOT of
Chris getting GPS out of glove box in
car.
6
7. 35) ZOOM INTO EXTREME CLOSE-UP of GPS
showing the distance between their current
location and where the party is located.
38) MID CLOSE UP TWO SHOT of couple
from in front walking through forest.
36) ZOOM OUT TO POINT OF VIEW SHOT
FROM JESSIE - CLOSE UP explaining that the
party isn’t that far for walking distance.
39) EXTREME CLOSE UP of Jessie’s expression
being frightened and panicked.
37) MID CLOSE UP TWO SHOT FROM BEHIND
of couple walking into forest together holding
hands.
40) EXTREME CLOSE UP of Chris’s
expression being calm and collected.
7
8. 41) POINT OF VIEW ESTABLISHING SHOT of
the forest.
44) As a mysterious tune starts to play a PAN
from the COUPLES POINT OF VIEW occurs.
42) MID CLOSE UP SHOT of Jessie asking Chris
if he knows where he is going
45) CLOSE UP of Jessie asking Chris what the
noise is and where it’s coming from.
43) MID CLOSE UP SHOT of Chris re-assuring
Jessie that he does know where he is going.
46) MEDIUM CLOSE-UP of Chris
telling Jessie that he doesn’t know
what it is, but it’s coming from a
place in the forest.
8
9. 47) POINT OF VIEW FROM CHRIS AND TORCH
of the forest – focuses on a small box object
(Jack in the box).
50) EXTREME CLOSE UP of box (not
opened!) showing how old and tattered box
is.
48) POINT OF VIEW FROM COUPLE walking
over to object TRACKING SHOT (Jack in the
box not open yet).
49) CLOSE – UP of Chris picking up the Jack in
the box and wiping the dirt off of it (box not
supposed to be open yet!)
51) SLOW ZOOM into MEDIUM CLOSE UP of
Chris becoming fascinated by the box.
52) MID CLOSE UP of Jessie
becoming worried and asks Chris to
carry on walking.
9
10. 53) MEDIUM CLOSE UP of Jessie trying to hit box
out of Chris’s hands.
56) ZOOM OUT TO CLOSE UP of Chris
sniggering, Jack in the box half covering his
face.
54) CLOSE UP of Chris admiring the box and
starting to turn the handle.
57) CONTINUE CLOSE UP, PANNED to the
side of Chris when the box pops open and
splatters blood all over Chris’s face.
55) ZOOM IN TO EXTREME CLOSE UP of
Chris turning the handle and Jessie’s voice in
the background telling him to stop.
58) EXTREME CLOSE UP of Chris
coughing up like he just swallowed
something nasty.
10
11. 59) EXTREME CLOSE UP of Chris’s face starting to
deteriorate.
60) EXTREME CLOSE UP of Chris’s face
becoming a clown face identical to the one in
the Jack in the box.)
61) POINT OF VIEW FROM CHRIS MID SHOT of
Jessie screaming and running off into the
forest.
62) VARIOUS SHOTS of Jessie running through forest, EXTREME CLOSE UP’S of her facial expression, MID SHOTS to show her posture whilst
she’s running and LONG SHOTS to show her whereabouts.
11
12. 63) EXTREME CLOSE UP of Jessie getting
caught in some branches but then freeing
herself.
64) MEDIUM SHOT POINT OF VIEW PAN of
Jessie finding a tree to stand behind and
taking in her surroundings around her.
66) EXTREME CLOSE UP FLOOR SHOT of
Chris’s feet crunching in the leaves.
67) CUT BACK TO EXTREME CLOSE UP OF
JESSIE then a POINT OF VIEW PAN of the
forest.
65) EXTREME CLOSE UP of Jessie looking
confused and scared as she tries to work
out what has just happened.
68) MEDIUM CLOSE UP of Jessie
peering round the tree.
12
13. 69) POINT OF VIEW MEDIUM CLOSE UP of
Jessie peering round and seeing Chris stood
there.
72) CUTS BETWEEN EXTREME CLOSE UPS of
Jessie and Chris’s face.
70) LONG SHOT of Chris taking a step towards
Jessie.
73) MEDIUM CLOSE UP of Jessie turning
round and running away.
71) CUTS BETWEEN EXTREME CLOSE UPS of
Jessie and Chris’s face.
74) MEDIUM CLOSE UP of Chris
sluggishly walking in the same
direction as Jessie was.
13
14. 75) CLOSE UP POINT OF VIEW SHOT FROM
JESSIE, telling Chris that this better not be a
joke.
78) POINT OF VIEW SHOT FROM Chris of
Jessie running in front of him.
76) VARIOUS FAST PACED SHOTS of Jessie
running through forest.
79) POINT OF VIEW SHOT of Jessie of Chris
stepping in front of her path.
77) POINT OF VIEW SHOT FROM Jessie
running through the forest and her
surroundings whilst running.
80) POINT OF VIEW SHOT from
Chris, showing Jessie’s reaction to
him stepping in her way.
14
15. 81) POINT OF VIEW SHOT FROM JESSIE of her
falling over FLOOR SHOT OF CHRIS’S FEET IN
FRONT OF HER.
84) POINT OF VIEW FROM CHRIS of Jessie
scared and shocked and asking Chris what the
matter with him is .
82) POINT OF VIEW SHOT FROM CHRIS –
HIGH ANGLE of Jessie fallen on the floor in
front of him.
85) POINT OF VIEW SHOT FROM CHRIS
watching Jessie spin round and run again.
83) Jessie gets back up, starts running , but
Chris slumps into her path again POINT OF
VIEW SHOT FROM JESSIE.
86) POINT OF VIEW SHOT FROM
JESSIE of a house in the distance,
ESTABLISHING SHOT.
15
16. 87) POINT OF VIEW TRACKING SHOT OF JESSIE
running up the path to the house.
88) MID SHOT of Jessie banging on door asking
for help.
90) EXTREME CLOSE REACTION SHOT of
Jessie’s face.
89) POINT OF VIEW FROM JESSIE of Chris
standing in the door way.
CUT TO BLANK.
16