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Sophia, Orion & the ‘Lion of God’
June 23, 2016 Neil@ancienteyes8Uncategorized
Ariel – The Lion of God
I have now completed the last painting from a series
of lion images that have brought me full circle in terms
of my work. It’s 21 years ago that I started out on my
path as a visual artist/Illustrator, on a so-called
‘spiritual journey’ that introduced me to some of the
most interesting people. Many connections have
‘come and gone’, just as my art has changed over the
decades. From the early metaphysical years in
London, to the ‘stagnant years of Cornwall’, it’s been
a crazy ride with many highs and lows. Believe it or
not, there seems to be less support now for my art
than there was 6 years ago, despite the ‘rising
interest’ in certain authors work that I have created
imagery for.
The image in this blog (above) came out of a dream
I’d had earlier this year. It made me ‘reflect’ on
sketchbook images too that related to similar themes.
Eventually this led to research (as always) into the
‘visual nature’ of the forces that ‘shape our reality’. I
gave a small lecture at the Rudolf Steiner House in
London (March 2016), where I looked at some of
these ideas and the thoughts I’d had in relation to the
‘invisible force’ that manipulates our ‘world perception’
– our world view’. The canvas above is a simplistic
combination of symbols that capture the essence of
these forces. In this blog I’ll try to explain how and
why these symbols relate to each other.
Sophia and the Dreaming
The painting (above) is purely symbolic and considers
the Gnostic teachings of the Pleroma, or what the
thousands of years old Nag Hammadi texts called the
abode of the Æons – the place ofeternal ideas or
archetypes. Click here for more on the Gnostics and
the Nag Hammadi library. From my art and research,
the Pleroma is the ‘living plasma’ (the electric
universe) that constitutes the mass of
our living Universe. The word also means ‘fullness’ or
‘plenty’ and relates to what the Native Americans
called the ‘field of plenty’ – the place where all that we
need to live comes from. The cornucopia is another
symbol for the ‘field of plenty’ and can be found on
Banks and Stately homes of those that control the
‘field of energy’. In simple terms, the Pleroma is
‘livingelectromagnetic consciousness’. Everything is
alive and can take multiple forms. As the physicist
Wallace Thornhill writes in Electric Universe, “We can
detect magnetic fields in space which, according to
Maxwell’s equations, means electricity must be
flowing in space to produce them. It is impossible to
have a magnetic field without moving electrons.
Electrons only move in response to charge
imbalance. Once an electron is moving, we have an
electric current.”
The Gnostic texts say that the Aeons that
dwelt in and beyond the Pleroma were separated
from this celestial region by Horus (or Boundary) and
beyond its veil lies what they called the ‘Kenoma’ or
the ‘void’ – the kingdom of this world reality. Humanity
was said to have been created out of the meeting of
these forces, to be godlike (Aeon-like) with a powerful
tool at our disposal – the divine Imagination.
An Aeon called Sophia (wisdom in Greek) aided by
Thelete (intent in Greek) dreamed her existence into
the realms of the Kenoma and in doing so, created
what the Aboriginal cultures call the ‘Dreamtime’ (a
creation epic that predates all Biblical creation
narratives by tens of thousands of years). You will
notice some correlations between the three worlds of
Gnostic myth (Pleroma, Human/Sophia and demiurge
and the Dreamtime mythology (below). All three
worlds collidewithin the human world.
As the Goddess Sophia dreamed, its said that she fell
further into the void and awoke within a ‘nightmare’ as
her impact on the outer veil led to the ‘emergence’ of
‘in-organic’ elementals named Archons (Jinn). The
Gnostic texts say that the Archons circled and
swooned around the chaotic fields that were formed
by ‘Sophia’s fall’ into the Kenoma ( her coma).
According to this myth the world we inhabit is created
through ‘thought’, (the region of ‘matter made
manifest) and material things’. It was the land of
shadow and darkness, a place where ‘perception and
deception’ would coexist to form our realty. According
to the Gnostic texts, Sophia eventually took physical
form as Gaia (The Original Earth) and her daughter
was called Zoe (the Imagination). While the Demiurge
and the Archons built their replica Earth Matrix, (using
other electromagnetic bodies known as Planets and
Suns), an illusionary construct (flat or otherwise), was
made to perfectly ‘mimic’ the original earth reality. The
Gnostics say that humanity is caught up between two
realities, the ‘original Earth’ and the one created out of
what the Gnostic texts call HAL forged by its ‘Creator’
– the Demiurge (or God of Genesis fame). On Earth
the Archons are the ‘genies in a bottle’, phantoms that
can take many forms through fire and water, so to be
let loose or to be commanded. Just as one was
summoned at the “Gate of the Gods” at Hayu Marca,
Peru by those that travelled with David Icke back in
2012 (see below). I witnessed first hand the
appearnce of the Jinn (genie) that ‘possessed’ that
ancient place.
A Jinn (Archon) appears to a group (connected to
David Icke) while performing ‘energy work’ on the
ancient location of the ‘Gate of the Gods’ in Peru
2012. Rainbow Serpent connections anyone?
Once loose, they can and do influence the illusionary
world for those that ‘communicate with them’. See all
‘magicians’ from Dr John Dee to Crowley, from the
Temples of Egypt to the Satanic elite.
According to the texts the illusionary world (our
Galaxy) had its Creator or king. The creator of this
world was called the Demiurge, a deity that was
eventually called God by the priesthoods of the Near
and Middle East religions; and according to the
Gnostic texts, ‘he’ is the angry, ‘demented’, impostor
God that envys the human divine imagination and
humanities connection to the Goddess Sophia. ‘He’ is
the beast often depicted as a ‘rampant lion’ whose
minions became the ‘in-organic’ Archons that were
supposedly ‘birthed from the chaos caused by
Sophia’s ‘fall through the Pleroma’ (the source of all-
that-exists).
As John Lash writes in his book, Not in His Image;
“And Sophia desired to cause the thing that had no
innate spirit of its own to be formed into a likeness
and rule over primal matter and over all the forces she
had precipitated. So there appeared for the first time a
ruler out of chaos, lion-like in appearance,
androgynous, having an exaggerated sense of power
within him, and ignorant of whence he came to be.”
(The Apocryphon of John)
From the Gates of the City of Jerusalem to the Bank
of England,the ‘Lord of Time’, the Demiurge in the
form of the rampant lion. Often Part-lion, part-serpent,
the Demiurge controls the ‘flow of energy’ in our
human world – ‘money’ and ‘time’.
The ‘cornucopia’, or the field of plenty is controlled,
guarded and locked away by the rampant ‘archontic’
Demiurge.
My intuitive side, along with my ‘visual research’ in
recent months, is showing me that the ‘fall of Sophia’
in the Gnostic texts, hints towards the Nebula of Orion
and how it was part of that ‘falling process’. The blue
prints for duality and the seperation splashed through
Orion and into the minds of humanity. Our unique
connection to the Orion Nebula and how it links into
the fall of Sophia, along with the coming of the Aeon
Christos, (to aid her in her creation process), is often
found in ancient sources. The Aeons Sophia and
Christos are the original blueprint for the Gods and
Goddesses all over the ancient world. Today, the
movie industry, not least certain directors and
producers (many of which are Zionists)
also encode their narratives with versions of the
Sophia and Christos mythology. Why? Because it is
the original ‘blue print’, a powerful connection to the
infinite source, beyond the Kenoma and also
represents the coming awakening of Ariel (the Lion of
God), in their zionist minds. The Jewish Wachowski’s
Matrix movie has it all in ‘three’ parts. Zion is saved
and Sophia and Christos are ‘sacrifced’ for this worthy
cause.
The Trinity Character in the Matrix triology and the
Quorra character in Tron Legacy, especially is in
keeping with the Sophia myth. The male figure
(especially Neo) is meant to be symbolic of the Aeon
Christos.
Son of Man – Orion (cross of changes)
Our connection to the Orion constellation is
monumental and can be seen in the mapping of
native ‘first peoples’ towns and Mesa’s, to the
aligment of pyramids across the Earth. From Nazca to
Giza, Orion is aligned with much of the ancient
religious centres! More so, I would go further and say
that the ‘invisible forces’ that ‘illuminates’ our form, a
bioogical body that may have been ‘star seeded’ ‘via’
Orion, hence the focus on its ‘Kingship’ (Kin=blood) in
many ancient ‘alien-like’ civilisations. See the Hopi
and the Egyptian dynasties for starters. The Hopi god
Masau’u is Osiris of ancient Egypt and these ‘Son of
Man’ deities are symbols of Orion, implanted in the
minds of priests and shamans in different locations.
The Pineal gland, ‘Odin’s eye’, through to the
symbolism of Golgotha (the place of the skull),
connects to this template. Along
with memory andthought (the two thieves) flanking the
‘Son of Man’, all allude to the life and death forces
connected to the constelation of Orion. In
Tiahuanaca, Bolivia (a place I visited in 2012), the
palaces with underground pyramids, along with
surface pyramids are dedicated to the South
American version of ‘the Son of Man’ – ‘Lord
Viracocha’, (another Osiris). The H-symbol of Orion’s
belt, the number 8 (a symbol of Saturn), the spider
(with eight legs), the swastika symbol, the Ankh-
cross-symbol and ‘T-statues’, all relate to Orion and
humanities connection to the forces that worked
through this location of the Pleroma. Some
researchers also talk of Venus coming out of the
Orion Nebula?
Blue prints for all belief in ‘life and death’… From
Orion to the Old Sun Helios before its ‘fall’ into
‘Saturn, or Satan’.
The EU flag is a simplistic version of the cross of
constellation of Orion, the twelve points around the
Son of Man (Atum) as he opposes the Papal Bull of
‘Europa’. The 12 main Gods of Egypt and of course
the 12 diciples are symbolised here. Sophia in this
respect is the Goddess (woman crowned and clothed
in Sun), and note what she is meant to give birth to,
according to the Book of Revelation?. The flag on the
right is the ‘original’ symbol of for the OC
(Ocitan/Cathar languedoc roussillon region), from
11th Century France. The Cathar were crushed by the
Holy Roman church and It is another symbol of the
star and cross of Orion. The symbolism is much
deeper than most would care to realise.
Atum and his lion goddess consort Sekmet at the time
of the Old Sun ‘becoming Saturn’ – The Fall
Dany Wilten an American analyst, alchemist,
symbolist, & hermeticist has produced some
outstanding work on the correlations of Orion and the
knowledge of the human anatomy and hemispheres
of the brain found encoded in the works of artists like
Michael Angelo, long before any telescopes had been
used to study nebula’s. See the amazing work (below)
of Danny Wilten.
The Demiurge is a chimera-like vibration
In the Nag Hammadi, the Gnostics describe
Yaldabaoth as Ariael, another variation of the angel
Ariel (or Ariael), which means “Lion of God” or “Hearth
of God”. The Apocryphon of John, a work heavily
quoted by John Lash in his excellent book ‘Not in his
Image’, describes the Demiurge as a ‘dragon-like lion’
(a beast). The beast is the Chimera, a ‘virus’ made
manifest that infested our world to replicate itself
through the human mind. It is the ‘beast within’, a
‘persona’ (a mask) of theDemiurge, the ‘phantom self’
(see David Icke’s book of the same name), for those
that are unkowingly possessed by the chimera, if they
allow it to be the overriding force.
Much Upper Renaissance art depicts the ‘beast
personified’. In my art I use similar concepts of
‘personified energy’, yet my lions represent the
Pleroma not the Demiurge. The ‘father of the Church’,
Saint Jerome, is always depicted in red with the lion
(the beast) and in the image on the far right the beast
looks especially surprised to be talking to old Cronos
himself… Like Daniel in the den of lions, the saints
are amongst their kin symbolically speaking.
Again the Gnostic texts allude to the demiurge and
the veil between the spirit and material world;
A Veil exists between the world above [in the galactic
core], and the realms that are below [exterior, in the
galactic limbs]; and shadow came into being beneath
the veil. Some of the shadow [dark mass] became
[atomic] matter, and was projected apart [partially
formed into elementary arrays, the dema]. And what
Sophia created [by her impact] became a product in
the matter [the dema], [a neonate form] like an
aborted fetus. And [once formed] it assumed a
plastic shape molded out of shadow, and became
an arrogant beast resembling a lion. It was
androgynous, because it was from [neutral, inorganic]
matter that it derived.
Hypostasis of the Archons (II, 4:93.30 ff)
Note the word androgynous, which is connected to
the obessesion with ‘no gender’.
The Hypostasis of the Archons explains that they (the
archons) created seven powers for themselves, and
these powers created ‘six angels’. One of the angels
is called Sabaoth (the Lord of Hosts) who was said to
have “a dragon’s face”. Sabaoth became the Ring
Lord, Sauron or Saturn.
John Lash equates Saboeth with our Sun, but the
Apocryphon of John says: “the sixth one is Cain,
whom the generations of men call the ‘fallen
Sun’.” This fallen Sun is both Helios and Saturn,
Prometheus (the young) and Kronos (the old). See
the Rockefeller Plaza in New York, it shows both
Prometheus and ‘Ancient of Days’ (Saturn) in one
location. Saturn with its artificial rings and therefore
distorted sound (vibration) is let loose and bypassed
by connecting our heartsand minds to the original
infinite source (the Aeons) beyond the Kenoma. The
Lord of Hosts, ‘Saturn with its rings’ is holding the
Illusion in place. I feel that Orion held sway over the
original ‘ring less’ Saturn (the old Sun of Orion) and
this idea is symbolised in my painting Ariel – The Lion
of God. A harmonised man and woman, connected
through their heart will naturally by pass the ‘rings of
constriction’ imposed via Saboeth and the Moon (Sin).
I illustrate this idea in more detail in my graphic
novel Moon Slayer.
Spiritual Blindness
On the left of my painting I show the creation of man
and woman (Adam and Eve) as a fusion of the
Pleroma of Orion and contained by the creator god
Atum, who is also Adam (Osiris). Adam coupled with
an aspect of Sophia (Isis/Eve), they form a trapezium
(a trinity) along with the solar/stellar consciousness
called Rigel, the brightest star in the constellation
Orion, (not to be confused with Regulus in
Leo). Rigel is the ‘seventh’ brightest star in the night
sky and relates to the seventh Chakra (the crown). In
the constellation of Orion, Rigel was also known as
(Altair) and probably goes back to the ancient
Babylonians and Sumerians, who called Aquilae
(Altair) the eagle star; A topic I am currently looking at
and writing about in much more detail for my Third
Book of Kokoro – The Eagles of Atlantis.
In the centre is a calm, almost meditating Lion (Ariel),
which means “lion of God” in Hebrew (Shakespeare
used it as the name of a ‘spirit’ in his play ‘The
Tempest’). Ariel is also another word for the ‘city of
Jerusalem’, not IS-RA-EL, but the ancient location. A
place I firmly believe to be in the heart of all human
beings. The ‘presence of Ariel’, with the Lord Archon
at its third eye, is bringing forth the separation of man
and woman. It is also a symbolic rendition of the two
sides of the brain (left and right hemispheres). Here
Ariel is portrayed as a force that has the ‘opportunity’
to change human destiny and is ‘sleeping’ for the
moment (dreaming), showing our world to be created
through pure imagination. In my image the ‘Lion of
God’ is caught up in his own pride, on one level, but is
also ‘contemplating the existence of something
greater than him’. Jerusalem is not yet awake! It will
be. But the the Lord of Hosts at Ariel’s third eye is
manifesting the ‘prison like worlds’ (the egg shell) that
encases humanity in ‘emotional thoughts’. The Moon
was ‘taken’ and used for soley for this purpose by the
Archons. The Moon is the egg (eye) in the sky’ that
harmonizes the ‘auric egg’ and the ‘prison of the mind’
that surrounds the physical human form. William
Blake’s Book and image of the Four Zoas shows this
concept of the ‘energetic egg’ perfectly (see below).
Replace the word ‘Satan’ with ‘Saturn’ and it makes
more sense. Orion ( or Adam), with Saturn and the
‘four points of the cross’ (the intersecting
circles) allconstruct humanities ‘reality’ (through
Imagination, thoughts, emotions and the physical
form).
In my image stands a single tree (symbolic of the
Seraphim and watchers of old). The path to the
Watcher stretches across the ‘Lion of God’ while his
shoulders represent Mt. Zion and Mt. Moriah.Both
mounds offer the structure for the Zionist blueprint for
the world (New World Order), unless humanity stirs
from its slumber. Watch what happens very closely in
Jerusalem? My creative intuitive side seems to ‘know’
that we are going to see much focus on Jerusalem in
the next few years. The Lion of God is not what it
seems and as I have shown in my illustrated stories,
the lion consciousness is the truth vibration (an
invisible fire) that rises out of the heart of humanity. It
forces us to ‘see all-that-there-is-to see’ at this time.
The spiritual fire is ever present in my art – it is there
for those that can ‘see’. While making this image I
was reminded of the quote from Isaiah 29 – The
Cause and Cure of Spiritual Blindness
1. The coming distress upon Jerusalem. 1. (1-4)
The Lord humbles a proud Jerusalem.
“Woe to Ariel, to Ariel, the city where David dwelt! Add
year to year; let feasts come around. Yet I will distress
Ariel; there shall be heaviness and sorrow, and it shall
be to Me as Ariel. I will encamp against you all
around, I will lay siege against you with a mound, and
I will raise siege works against you. You shall be
brought down, you shall speak out of the ground; your
speech shall be low, out of the dust; your voice shall
be like a medium’s, out of the ground; and your
speech shall whisper out of the dust.
In Romans 13:11 written to the Christians:
And do this, knowing the time that now it is high
time to awake out of sleep; for now our salvation
is nearer than when we first believed. Christians
need to be awake, especially knowing the time!
I would say all people need to awake and speak out,
no matter what you believe.
As I said at the beginning of this blog, the painting is
the ‘beginning and the end of an era’ for me in terms
of making this kind of art. I’am going back to school
‘metaphorically’ to see what other ways and methods
I can come up with. I may go very quiet, hermit-like,
maybe write another smal book based on this blog?
But I would like my work to be ‘out there more’,
especially physically (exhibitions, etc). If anyone
would like to organise an exhibition, or talk, get in
touch. Let’s raise the vibrations together.
Enjoy the summer.
Neil
SORRY FOR ALL @ MYTHS ACQUIRED FROM
WWW.GOOGLE.COM . ME : MR. DEEPAK SAWANT ;
ALTERNATE NAME MR. RONNIEVORSHET .

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Sophia .

  • 1. Sophia, Orion & the ‘Lion of God’ June 23, 2016 Neil@ancienteyes8Uncategorized Ariel – The Lion of God I have now completed the last painting from a series of lion images that have brought me full circle in terms of my work. It’s 21 years ago that I started out on my path as a visual artist/Illustrator, on a so-called ‘spiritual journey’ that introduced me to some of the most interesting people. Many connections have ‘come and gone’, just as my art has changed over the decades. From the early metaphysical years in London, to the ‘stagnant years of Cornwall’, it’s been a crazy ride with many highs and lows. Believe it or not, there seems to be less support now for my art than there was 6 years ago, despite the ‘rising interest’ in certain authors work that I have created imagery for. The image in this blog (above) came out of a dream I’d had earlier this year. It made me ‘reflect’ on sketchbook images too that related to similar themes. Eventually this led to research (as always) into the ‘visual nature’ of the forces that ‘shape our reality’. I gave a small lecture at the Rudolf Steiner House in London (March 2016), where I looked at some of these ideas and the thoughts I’d had in relation to the ‘invisible force’ that manipulates our ‘world perception’ – our world view’. The canvas above is a simplistic combination of symbols that capture the essence of
  • 2. these forces. In this blog I’ll try to explain how and why these symbols relate to each other. Sophia and the Dreaming The painting (above) is purely symbolic and considers the Gnostic teachings of the Pleroma, or what the thousands of years old Nag Hammadi texts called the abode of the Æons – the place ofeternal ideas or archetypes. Click here for more on the Gnostics and the Nag Hammadi library. From my art and research, the Pleroma is the ‘living plasma’ (the electric universe) that constitutes the mass of our living Universe. The word also means ‘fullness’ or ‘plenty’ and relates to what the Native Americans called the ‘field of plenty’ – the place where all that we need to live comes from. The cornucopia is another symbol for the ‘field of plenty’ and can be found on Banks and Stately homes of those that control the ‘field of energy’. In simple terms, the Pleroma is ‘livingelectromagnetic consciousness’. Everything is alive and can take multiple forms. As the physicist Wallace Thornhill writes in Electric Universe, “We can detect magnetic fields in space which, according to Maxwell’s equations, means electricity must be flowing in space to produce them. It is impossible to have a magnetic field without moving electrons. Electrons only move in response to charge imbalance. Once an electron is moving, we have an electric current.”
  • 3.
  • 4. The Gnostic texts say that the Aeons that dwelt in and beyond the Pleroma were separated from this celestial region by Horus (or Boundary) and beyond its veil lies what they called the ‘Kenoma’ or the ‘void’ – the kingdom of this world reality. Humanity was said to have been created out of the meeting of these forces, to be godlike (Aeon-like) with a powerful tool at our disposal – the divine Imagination.
  • 5.
  • 6. An Aeon called Sophia (wisdom in Greek) aided by Thelete (intent in Greek) dreamed her existence into the realms of the Kenoma and in doing so, created what the Aboriginal cultures call the ‘Dreamtime’ (a creation epic that predates all Biblical creation narratives by tens of thousands of years). You will notice some correlations between the three worlds of Gnostic myth (Pleroma, Human/Sophia and demiurge and the Dreamtime mythology (below). All three worlds collidewithin the human world.
  • 7.
  • 8. As the Goddess Sophia dreamed, its said that she fell further into the void and awoke within a ‘nightmare’ as her impact on the outer veil led to the ‘emergence’ of ‘in-organic’ elementals named Archons (Jinn). The Gnostic texts say that the Archons circled and swooned around the chaotic fields that were formed by ‘Sophia’s fall’ into the Kenoma ( her coma).
  • 9.
  • 10. According to this myth the world we inhabit is created through ‘thought’, (the region of ‘matter made manifest) and material things’. It was the land of shadow and darkness, a place where ‘perception and deception’ would coexist to form our realty. According to the Gnostic texts, Sophia eventually took physical form as Gaia (The Original Earth) and her daughter was called Zoe (the Imagination). While the Demiurge and the Archons built their replica Earth Matrix, (using other electromagnetic bodies known as Planets and Suns), an illusionary construct (flat or otherwise), was made to perfectly ‘mimic’ the original earth reality. The Gnostics say that humanity is caught up between two realities, the ‘original Earth’ and the one created out of what the Gnostic texts call HAL forged by its ‘Creator’ – the Demiurge (or God of Genesis fame). On Earth the Archons are the ‘genies in a bottle’, phantoms that can take many forms through fire and water, so to be let loose or to be commanded. Just as one was summoned at the “Gate of the Gods” at Hayu Marca, Peru by those that travelled with David Icke back in 2012 (see below). I witnessed first hand the appearnce of the Jinn (genie) that ‘possessed’ that ancient place.
  • 11. A Jinn (Archon) appears to a group (connected to David Icke) while performing ‘energy work’ on the ancient location of the ‘Gate of the Gods’ in Peru 2012. Rainbow Serpent connections anyone? Once loose, they can and do influence the illusionary world for those that ‘communicate with them’. See all ‘magicians’ from Dr John Dee to Crowley, from the Temples of Egypt to the Satanic elite.
  • 12. According to the texts the illusionary world (our Galaxy) had its Creator or king. The creator of this world was called the Demiurge, a deity that was eventually called God by the priesthoods of the Near and Middle East religions; and according to the Gnostic texts, ‘he’ is the angry, ‘demented’, impostor God that envys the human divine imagination and humanities connection to the Goddess Sophia. ‘He’ is the beast often depicted as a ‘rampant lion’ whose minions became the ‘in-organic’ Archons that were supposedly ‘birthed from the chaos caused by Sophia’s ‘fall through the Pleroma’ (the source of all- that-exists). As John Lash writes in his book, Not in His Image; “And Sophia desired to cause the thing that had no innate spirit of its own to be formed into a likeness and rule over primal matter and over all the forces she had precipitated. So there appeared for the first time a ruler out of chaos, lion-like in appearance, androgynous, having an exaggerated sense of power within him, and ignorant of whence he came to be.” (The Apocryphon of John)
  • 13. From the Gates of the City of Jerusalem to the Bank of England,the ‘Lord of Time’, the Demiurge in the form of the rampant lion. Often Part-lion, part-serpent, the Demiurge controls the ‘flow of energy’ in our human world – ‘money’ and ‘time’.
  • 14.
  • 15. The ‘cornucopia’, or the field of plenty is controlled, guarded and locked away by the rampant ‘archontic’ Demiurge. My intuitive side, along with my ‘visual research’ in recent months, is showing me that the ‘fall of Sophia’ in the Gnostic texts, hints towards the Nebula of Orion and how it was part of that ‘falling process’. The blue prints for duality and the seperation splashed through Orion and into the minds of humanity. Our unique connection to the Orion Nebula and how it links into the fall of Sophia, along with the coming of the Aeon Christos, (to aid her in her creation process), is often found in ancient sources. The Aeons Sophia and Christos are the original blueprint for the Gods and Goddesses all over the ancient world. Today, the movie industry, not least certain directors and producers (many of which are Zionists) also encode their narratives with versions of the Sophia and Christos mythology. Why? Because it is the original ‘blue print’, a powerful connection to the infinite source, beyond the Kenoma and also represents the coming awakening of Ariel (the Lion of God), in their zionist minds. The Jewish Wachowski’s Matrix movie has it all in ‘three’ parts. Zion is saved and Sophia and Christos are ‘sacrifced’ for this worthy cause.
  • 16.
  • 17. The Trinity Character in the Matrix triology and the Quorra character in Tron Legacy, especially is in keeping with the Sophia myth. The male figure (especially Neo) is meant to be symbolic of the Aeon Christos. Son of Man – Orion (cross of changes) Our connection to the Orion constellation is monumental and can be seen in the mapping of native ‘first peoples’ towns and Mesa’s, to the aligment of pyramids across the Earth. From Nazca to Giza, Orion is aligned with much of the ancient religious centres! More so, I would go further and say that the ‘invisible forces’ that ‘illuminates’ our form, a bioogical body that may have been ‘star seeded’ ‘via’ Orion, hence the focus on its ‘Kingship’ (Kin=blood) in many ancient ‘alien-like’ civilisations. See the Hopi and the Egyptian dynasties for starters. The Hopi god Masau’u is Osiris of ancient Egypt and these ‘Son of Man’ deities are symbols of Orion, implanted in the minds of priests and shamans in different locations. The Pineal gland, ‘Odin’s eye’, through to the symbolism of Golgotha (the place of the skull), connects to this template. Along with memory andthought (the two thieves) flanking the ‘Son of Man’, all allude to the life and death forces connected to the constelation of Orion. In Tiahuanaca, Bolivia (a place I visited in 2012), the palaces with underground pyramids, along with surface pyramids are dedicated to the South American version of ‘the Son of Man’ – ‘Lord
  • 18. Viracocha’, (another Osiris). The H-symbol of Orion’s belt, the number 8 (a symbol of Saturn), the spider (with eight legs), the swastika symbol, the Ankh- cross-symbol and ‘T-statues’, all relate to Orion and humanities connection to the forces that worked through this location of the Pleroma. Some researchers also talk of Venus coming out of the Orion Nebula?
  • 19.
  • 20. Blue prints for all belief in ‘life and death’… From Orion to the Old Sun Helios before its ‘fall’ into ‘Saturn, or Satan’. The EU flag is a simplistic version of the cross of constellation of Orion, the twelve points around the Son of Man (Atum) as he opposes the Papal Bull of ‘Europa’. The 12 main Gods of Egypt and of course the 12 diciples are symbolised here. Sophia in this respect is the Goddess (woman crowned and clothed in Sun), and note what she is meant to give birth to, according to the Book of Revelation?. The flag on the right is the ‘original’ symbol of for the OC (Ocitan/Cathar languedoc roussillon region), from 11th Century France. The Cathar were crushed by the Holy Roman church and It is another symbol of the
  • 21. star and cross of Orion. The symbolism is much deeper than most would care to realise.
  • 22.
  • 23. Atum and his lion goddess consort Sekmet at the time of the Old Sun ‘becoming Saturn’ – The Fall Dany Wilten an American analyst, alchemist, symbolist, & hermeticist has produced some outstanding work on the correlations of Orion and the knowledge of the human anatomy and hemispheres of the brain found encoded in the works of artists like Michael Angelo, long before any telescopes had been used to study nebula’s. See the amazing work (below) of Danny Wilten.
  • 24.
  • 25. The Demiurge is a chimera-like vibration In the Nag Hammadi, the Gnostics describe Yaldabaoth as Ariael, another variation of the angel Ariel (or Ariael), which means “Lion of God” or “Hearth of God”. The Apocryphon of John, a work heavily quoted by John Lash in his excellent book ‘Not in his Image’, describes the Demiurge as a ‘dragon-like lion’ (a beast). The beast is the Chimera, a ‘virus’ made manifest that infested our world to replicate itself through the human mind. It is the ‘beast within’, a ‘persona’ (a mask) of theDemiurge, the ‘phantom self’ (see David Icke’s book of the same name), for those that are unkowingly possessed by the chimera, if they allow it to be the overriding force.
  • 26.
  • 27.
  • 28. Much Upper Renaissance art depicts the ‘beast personified’. In my art I use similar concepts of ‘personified energy’, yet my lions represent the Pleroma not the Demiurge. The ‘father of the Church’, Saint Jerome, is always depicted in red with the lion (the beast) and in the image on the far right the beast looks especially surprised to be talking to old Cronos himself… Like Daniel in the den of lions, the saints are amongst their kin symbolically speaking. Again the Gnostic texts allude to the demiurge and the veil between the spirit and material world; A Veil exists between the world above [in the galactic core], and the realms that are below [exterior, in the galactic limbs]; and shadow came into being beneath the veil. Some of the shadow [dark mass] became [atomic] matter, and was projected apart [partially formed into elementary arrays, the dema]. And what Sophia created [by her impact] became a product in the matter [the dema], [a neonate form] like an aborted fetus. And [once formed] it assumed a plastic shape molded out of shadow, and became an arrogant beast resembling a lion. It was androgynous, because it was from [neutral, inorganic] matter that it derived. Hypostasis of the Archons (II, 4:93.30 ff) Note the word androgynous, which is connected to the obessesion with ‘no gender’. The Hypostasis of the Archons explains that they (the archons) created seven powers for themselves, and
  • 29. these powers created ‘six angels’. One of the angels is called Sabaoth (the Lord of Hosts) who was said to have “a dragon’s face”. Sabaoth became the Ring Lord, Sauron or Saturn.
  • 30.
  • 31. John Lash equates Saboeth with our Sun, but the Apocryphon of John says: “the sixth one is Cain, whom the generations of men call the ‘fallen Sun’.” This fallen Sun is both Helios and Saturn, Prometheus (the young) and Kronos (the old). See the Rockefeller Plaza in New York, it shows both Prometheus and ‘Ancient of Days’ (Saturn) in one location. Saturn with its artificial rings and therefore distorted sound (vibration) is let loose and bypassed by connecting our heartsand minds to the original infinite source (the Aeons) beyond the Kenoma. The Lord of Hosts, ‘Saturn with its rings’ is holding the Illusion in place. I feel that Orion held sway over the original ‘ring less’ Saturn (the old Sun of Orion) and this idea is symbolised in my painting Ariel – The Lion of God. A harmonised man and woman, connected through their heart will naturally by pass the ‘rings of constriction’ imposed via Saboeth and the Moon (Sin). I illustrate this idea in more detail in my graphic novel Moon Slayer.
  • 33. On the left of my painting I show the creation of man and woman (Adam and Eve) as a fusion of the Pleroma of Orion and contained by the creator god Atum, who is also Adam (Osiris). Adam coupled with an aspect of Sophia (Isis/Eve), they form a trapezium (a trinity) along with the solar/stellar consciousness called Rigel, the brightest star in the constellation Orion, (not to be confused with Regulus in Leo). Rigel is the ‘seventh’ brightest star in the night sky and relates to the seventh Chakra (the crown). In the constellation of Orion, Rigel was also known as (Altair) and probably goes back to the ancient Babylonians and Sumerians, who called Aquilae (Altair) the eagle star; A topic I am currently looking at and writing about in much more detail for my Third Book of Kokoro – The Eagles of Atlantis. In the centre is a calm, almost meditating Lion (Ariel), which means “lion of God” in Hebrew (Shakespeare used it as the name of a ‘spirit’ in his play ‘The Tempest’). Ariel is also another word for the ‘city of Jerusalem’, not IS-RA-EL, but the ancient location. A place I firmly believe to be in the heart of all human beings. The ‘presence of Ariel’, with the Lord Archon at its third eye, is bringing forth the separation of man and woman. It is also a symbolic rendition of the two sides of the brain (left and right hemispheres). Here Ariel is portrayed as a force that has the ‘opportunity’ to change human destiny and is ‘sleeping’ for the moment (dreaming), showing our world to be created
  • 34. through pure imagination. In my image the ‘Lion of God’ is caught up in his own pride, on one level, but is also ‘contemplating the existence of something greater than him’. Jerusalem is not yet awake! It will be. But the the Lord of Hosts at Ariel’s third eye is manifesting the ‘prison like worlds’ (the egg shell) that encases humanity in ‘emotional thoughts’. The Moon was ‘taken’ and used for soley for this purpose by the Archons. The Moon is the egg (eye) in the sky’ that harmonizes the ‘auric egg’ and the ‘prison of the mind’ that surrounds the physical human form. William Blake’s Book and image of the Four Zoas shows this concept of the ‘energetic egg’ perfectly (see below). Replace the word ‘Satan’ with ‘Saturn’ and it makes more sense. Orion ( or Adam), with Saturn and the ‘four points of the cross’ (the intersecting circles) allconstruct humanities ‘reality’ (through Imagination, thoughts, emotions and the physical form).
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  • 36. In my image stands a single tree (symbolic of the Seraphim and watchers of old). The path to the Watcher stretches across the ‘Lion of God’ while his shoulders represent Mt. Zion and Mt. Moriah.Both mounds offer the structure for the Zionist blueprint for the world (New World Order), unless humanity stirs from its slumber. Watch what happens very closely in Jerusalem? My creative intuitive side seems to ‘know’ that we are going to see much focus on Jerusalem in the next few years. The Lion of God is not what it seems and as I have shown in my illustrated stories, the lion consciousness is the truth vibration (an invisible fire) that rises out of the heart of humanity. It forces us to ‘see all-that-there-is-to see’ at this time. The spiritual fire is ever present in my art – it is there for those that can ‘see’. While making this image I was reminded of the quote from Isaiah 29 – The Cause and Cure of Spiritual Blindness 1. The coming distress upon Jerusalem. 1. (1-4) The Lord humbles a proud Jerusalem. “Woe to Ariel, to Ariel, the city where David dwelt! Add year to year; let feasts come around. Yet I will distress Ariel; there shall be heaviness and sorrow, and it shall be to Me as Ariel. I will encamp against you all around, I will lay siege against you with a mound, and I will raise siege works against you. You shall be brought down, you shall speak out of the ground; your speech shall be low, out of the dust; your voice shall
  • 37. be like a medium’s, out of the ground; and your speech shall whisper out of the dust. In Romans 13:11 written to the Christians: And do this, knowing the time that now it is high time to awake out of sleep; for now our salvation is nearer than when we first believed. Christians need to be awake, especially knowing the time! I would say all people need to awake and speak out, no matter what you believe. As I said at the beginning of this blog, the painting is the ‘beginning and the end of an era’ for me in terms of making this kind of art. I’am going back to school ‘metaphorically’ to see what other ways and methods I can come up with. I may go very quiet, hermit-like, maybe write another smal book based on this blog? But I would like my work to be ‘out there more’, especially physically (exhibitions, etc). If anyone would like to organise an exhibition, or talk, get in touch. Let’s raise the vibrations together. Enjoy the summer. Neil
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  • 39. SORRY FOR ALL @ MYTHS ACQUIRED FROM WWW.GOOGLE.COM . ME : MR. DEEPAK SAWANT ; ALTERNATE NAME MR. RONNIEVORSHET .