One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
This document provides instruction on shooting fundamentals including composition, framing, camera angles, shots, and camera settings. It discusses composing shots with different objects and lines. It also covers technical camera settings like zoom, focus, white balance, exposure, sound, using a tripod versus handheld shooting, and panning and tilting. Exercises are provided to help learn these fundamentals by experimenting with a camera.
This document provides an overview of photography techniques for photojournalism students. It discusses proper camera settings and techniques for different lighting conditions. It also covers interacting with subjects, using flash photography, and legal considerations for photography in public spaces. The key topics covered are the aperture, shutter speed, and ISO settings; grips and techniques for handholding cameras; using fill flash; understanding on-camera flash exposures; and general dos and don'ts for photographing people.
This document provides definitions and explanations of various camera shots, angles, movements, and composition techniques:
1) It defines shots like establishing shot, wide shot, long shot, mid/medium shot, close up shot, extreme close up shot, point of view shot, over the shoulder shot, and two shot.
2) It explains camera angles such as high, low, and canted/oblique angles.
3) It describes camera movements including pans, tilts, tracks, zooms, reverse zooms, and dollies.
4) Finally, it discusses compositional techniques such as symmetry/asymmetry balance, rule of thirds, shallow/deep focus, and focus pulls.
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It provides definitions and explanations for common shots like establishing shots, close-ups, and two-shots. It also covers camera angles including high, low, and oblique angles. Camera movements such as pans, tilts, tracks, zooms, and dollies are explained. Finally, the document discusses compositional techniques including symmetry, rules of thirds, shallow and deep focus, and focus pulls.
1. Move closer to your subject to fill more of the frame with details. Keep moving closer until the photo successfully represents the subject.
2. Take the photo quickly if the subject may move before you are ready. Practice quick shooting and don't worry about settings, following the motto "shoot first, ask questions later."
3. Compose photos with care using techniques like level horizons, rule of thirds, leading the eye along lines or patterns, and placing the subject intentionally in the frame.
Unit 14 Photography For Non Photographerssumidahilo
This document provides guidance and best practices for yearbook photographers and editors. It discusses important elements of good photographs like focus, composition, and exposure. It also covers topics like candid vs posed shots, photo layouts, captions, and common problems to watch out for. Photographers are instructed to work closely with editors to understand what shots are needed based on layouts. Composition techniques like rule of thirds and use of leading lines are explained. Flash photography, exposure, and submitting photos for printing are also addressed.
This document expresses the wishes of Eliana Marcela Zea Realpe to graduate from university, create her own company, and get a job to earn money to buy a car, apartment, and house for her mom. She also wishes to travel around the world after finishing her studies to meet people from other countries and to live in another country where she could practice extreme sports.
This document provides instruction on shooting fundamentals including composition, framing, camera angles, shots, and camera settings. It discusses composing shots with different objects and lines. It also covers technical camera settings like zoom, focus, white balance, exposure, sound, using a tripod versus handheld shooting, and panning and tilting. Exercises are provided to help learn these fundamentals by experimenting with a camera.
This document provides an overview of photography techniques for photojournalism students. It discusses proper camera settings and techniques for different lighting conditions. It also covers interacting with subjects, using flash photography, and legal considerations for photography in public spaces. The key topics covered are the aperture, shutter speed, and ISO settings; grips and techniques for handholding cameras; using fill flash; understanding on-camera flash exposures; and general dos and don'ts for photographing people.
This document provides definitions and explanations of various camera shots, angles, movements, and composition techniques:
1) It defines shots like establishing shot, wide shot, long shot, mid/medium shot, close up shot, extreme close up shot, point of view shot, over the shoulder shot, and two shot.
2) It explains camera angles such as high, low, and canted/oblique angles.
3) It describes camera movements including pans, tilts, tracks, zooms, reverse zooms, and dollies.
4) Finally, it discusses compositional techniques such as symmetry/asymmetry balance, rule of thirds, shallow/deep focus, and focus pulls.
This document provides definitions for various camera shots, angles, and movements that may be assessed, including:
1. Tracking shots that move the camera in and out of the subject, tilt shots that tilt the camera up and down, and pan shots that swivel the camera left to right.
2. Zoom shots that zoom the lens in and out, steadicam shots that follow a subject's movement, and handheld camera shots.
3. Long shots, mid shots, and close ups that frame the subject from head to toe, waist up, and head and shoulders respectively.
4. Bird's eye view, establishing, high angle, and low angle shots taken from overhead, setting the scene, diagon
The document discusses various camera shots, angles, movements, and composition techniques used in filmmaking. It provides definitions and explanations for common shots like establishing shots, close-ups, and two-shots. It also covers camera angles including high, low, and oblique angles. Camera movements such as pans, tilts, tracks, zooms, and dollies are explained. Finally, the document discusses compositional techniques including symmetry, rules of thirds, shallow and deep focus, and focus pulls.
1. Move closer to your subject to fill more of the frame with details. Keep moving closer until the photo successfully represents the subject.
2. Take the photo quickly if the subject may move before you are ready. Practice quick shooting and don't worry about settings, following the motto "shoot first, ask questions later."
3. Compose photos with care using techniques like level horizons, rule of thirds, leading the eye along lines or patterns, and placing the subject intentionally in the frame.
Unit 14 Photography For Non Photographerssumidahilo
This document provides guidance and best practices for yearbook photographers and editors. It discusses important elements of good photographs like focus, composition, and exposure. It also covers topics like candid vs posed shots, photo layouts, captions, and common problems to watch out for. Photographers are instructed to work closely with editors to understand what shots are needed based on layouts. Composition techniques like rule of thirds and use of leading lines are explained. Flash photography, exposure, and submitting photos for printing are also addressed.
This document expresses the wishes of Eliana Marcela Zea Realpe to graduate from university, create her own company, and get a job to earn money to buy a car, apartment, and house for her mom. She also wishes to travel around the world after finishing her studies to meet people from other countries and to live in another country where she could practice extreme sports.
Photography 101 - San Diego Photography Classes | Jason KirbyJason Kirby
This is the powerpoint from Jason Kirby's Photography 101 class: Introduction to Photography. This presentation covers the basics of composition and will walk you through the different classes Jason and The Right Light Photography offers.
The document discusses the basic photographic principles of aperture, shutter speed, and film speed (ISO). It explains that aperture controls the amount of light entering the camera lens, shutter speed determines the duration of exposure, and ISO is the film or sensor's sensitivity to light. The document provides guidelines for each setting and how they work together to control exposure. It also reviews the different modes on a camera dial, including the basic modes like portrait and landscape, as well as the creative modes like aperture priority, shutter priority, and manual that allow the user more control over settings.
The document provides guidance on making basic videos, including choosing a digital video camera, understanding basic camera functions and buttons, using different camera angles and shots to frame subjects, ensuring good audio quality, planning interviews and storyboards, and sharing finished videos online. Key tips include using a tripod for steady shots, leaving space around subjects who may move within the frame, conducting sound checks, and filming longer than necessary to allow for editing.
29 Jan 2009 Jour 5030 Profiles & Multimedia StorytellingNeil Foote
The document provides tips for visual journalism and photography composition. It discusses fundamentals like focus and exposure. It emphasizes experimenting with camera settings and getting close to subjects. Good composition focuses on a single subject and idea. Photographs should tell a story and guide the viewer's eye. Elements like foreground, background, depth of field, lighting and visual weight should be considered. Conducting interviews requires preparation, rapport building, and asking open-ended, specific questions.
This document provides an overview of key concepts in photography including aperture, shutter speed, ISO, depth of field, modes, and exposure. It discusses how aperture controls the amount of light entering the camera, shutter speed determines exposure time, and ISO is the film speed rating. Aperture, shutter speed and ISO work together to determine exposure and depth of field. The document also explains the different modes on a camera dial including program, shutter priority, aperture priority and manual modes. It provides examples of when to use each mode and assignments for students to practice these techniques.
Lesson 7 • FARTing, Composition, Camera Shots & AnglesMarcio Sargento
Here is a glossary of camera shots and angles with examples:
Camera Techniques Glossary
Shots
Extreme Long Shot
Example: Photo of person standing at the end of a football field
Description: Subject appears very small in frame. Used to show environment/setting.
Long Shot
Example: Photo of person standing with full body in frame
Description: Entire subject is visible without cropping. Commonly used for portraits.
Medium Shot
Example: Photo of person from waist up
Description: Part of environment shown with primary focus on subject. Used in portraits, films.
Close-Up Shot
Example: Photo of person's face and shoulders
Description: I
This document discusses various photography techniques and concepts. It begins with 10 questions photographers should ask themselves to improve composition. It then discusses identifying the visual focal point, competing focal points, and elements in the foreground and background. The document also covers questions about distance, lighting, framing, perspective, and camera format. It provides lessons on shutter speed, aperture, depth of field, ISO, white balance, autofocus modes, and framing. The overall message is that photographers should consider various technical and compositional factors to improve their photos.
Photography 101 - San Diego Photography ClassesJason Kirby
This is the presentation for Photography 101 put on by instructor Jason Kirby of San Diego Photography Classes. Jason Kirby discusses the different rules of compositions and how to manipulate your perspective to capture better and more engaging images. Learn more at http://www.sandiegophotographyclass.com
When photographing small objects or flowers up close, use the camera's <4> Close-up mode to magnify the subject. For even greater magnification, use an optional macro lens which allows focusing on subjects very near the camera. Some tips for close-up shooting include using a simple background to avoid distractions, moving as close as possible while checking the lens minimum focus distance, and employing the telephoto end of a zoom lens to enlarge the subject in the frame.
The document provides tips for effective photojournalism techniques including composition, lighting, point of view, balance, and capturing spontaneous moments. It discusses framing subjects using the rule of thirds and placing the subject off-center for interest. Different lighting conditions like direct sunlight, backlighting, and indoor lighting are addressed. Spontaneous photos should not be recreated with posing but captured as the event unfolds naturally. Practice is emphasized to improve photojournalism skills.
This document provides tips from expert photographers on how to improve photography skills. It includes tips on using a tripod workflow to fine-tune compositions, continuing to experiment with different compositions and settings even after finding a promising scene, using open shade for better outdoor portraits, analyzing a photo's effectiveness by looking at it briefly after looking away, and using a toothbrush to remove dust from camera equipment. The tips are meant to help photographers create higher quality images and develop better photographic techniques.
Quick Tips for clicking high-quality snapsPrasad Balgi
1. The document provides tips to avoid common mistakes in photography such as missing subjects, distracting backgrounds, everything in one frame, red eye, headroom issues, bad lighting, and overuse of photoshop.
2. It discusses each mistake and provides recommendations on how to fix them, such as repositioning the camera, using fill flash, zooming in on the subject, and being mindful of lighting and backgrounds.
3. The key recommendations are to understand the root causes of mistakes, fix them the next time by shooting additional photos, and not rely too heavily on photoshop to fix issues that could have been avoided by adjusting the shooting technique.
Camera shots and angles are important in film and photography to set mood and atmosphere and direct viewer attention. Different shot types include long shots, close-ups, high and low angle shots, and birds eye views. When taking photos, photographers should fill the frame with their subject, use lighting and composition techniques like the rule of thirds, and consider factors like focal points, backgrounds, and action. Students are tasked with taking photos of an object from different angles, like close-up and extreme close-up, to later edit into a print advertisement.
Students are required to present their Modge Podge and Darkroom experiments in their sketchbooks by July 21st alongside starting their personal investigation. They will receive individualized workshops and feedback to help progress their projects through the end of term, focusing on techniques like aperture and film photography. Deadlines are set for experiment presentations and workshop tasks to be completed each week in preparation for the next stage of work.
Perou is a British fashion and portrait photographer who has also worked as a judge on modeling competition shows. He studied photography in college and university in the UK. Lighting is a key element of photography as it allows the recording of light rays. Capturing lightning photography is challenging due to the fleeting nature of storms but can produce rewarding images. Composition refers to arranging visual elements in a photo and photographers should consider aspects like the main subject, lighting, and framing to create a balanced image.
Perou is a British fashion and portrait photographer who has also worked as a judge on modeling competition shows. He studied photography in college and university in the UK. Lighting is a key element of photography as it allows the recording of light rays. Choosing lighting carefully is important for good pictures. Composition refers to combining different elements in a photo to create a whole image. Considering aspects like the subject, lighting, and framing can improve composition. Depth of field is the zone of sharpest focus around the focused subject and is influenced by factors like camera distance and lens settings. A focal point is the central element of interest that draws the viewer's eye to a certain part of the photo.
Perou is a British fashion and portrait photographer who has also appeared as a judge on television shows. He studied photography and earned degrees from North East Surrey College of Technology and the University of Westminster. Lighting is crucial in photography as it records light rays. Capturing lightning photography is challenging but rewarding due to unpredictable lighting, risk, and technical demands. Composition refers to combining elements in a photo to form a whole picture. Elements like subject, lighting, and framing should be considered for an effective composition.
Jack Hollingsworth provides 33 tips for beginner iPhone photographers. Some key tips include: tap to focus and drag to expose for optimal photos; bracket multiple photos from different angles and exposures; use different shooting modes like time-lapse and slo-mo to tell visual stories; follow the rule of thirds for frame composition; zoom with your feet by getting physically closer rather than digitally zooming; and develop your own photographic style. The overall document provides a variety of tips for beginners to improve their iPhone photography skills.
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
Photography 101 - San Diego Photography Classes | Jason KirbyJason Kirby
This is the powerpoint from Jason Kirby's Photography 101 class: Introduction to Photography. This presentation covers the basics of composition and will walk you through the different classes Jason and The Right Light Photography offers.
The document discusses the basic photographic principles of aperture, shutter speed, and film speed (ISO). It explains that aperture controls the amount of light entering the camera lens, shutter speed determines the duration of exposure, and ISO is the film or sensor's sensitivity to light. The document provides guidelines for each setting and how they work together to control exposure. It also reviews the different modes on a camera dial, including the basic modes like portrait and landscape, as well as the creative modes like aperture priority, shutter priority, and manual that allow the user more control over settings.
The document provides guidance on making basic videos, including choosing a digital video camera, understanding basic camera functions and buttons, using different camera angles and shots to frame subjects, ensuring good audio quality, planning interviews and storyboards, and sharing finished videos online. Key tips include using a tripod for steady shots, leaving space around subjects who may move within the frame, conducting sound checks, and filming longer than necessary to allow for editing.
29 Jan 2009 Jour 5030 Profiles & Multimedia StorytellingNeil Foote
The document provides tips for visual journalism and photography composition. It discusses fundamentals like focus and exposure. It emphasizes experimenting with camera settings and getting close to subjects. Good composition focuses on a single subject and idea. Photographs should tell a story and guide the viewer's eye. Elements like foreground, background, depth of field, lighting and visual weight should be considered. Conducting interviews requires preparation, rapport building, and asking open-ended, specific questions.
This document provides an overview of key concepts in photography including aperture, shutter speed, ISO, depth of field, modes, and exposure. It discusses how aperture controls the amount of light entering the camera, shutter speed determines exposure time, and ISO is the film speed rating. Aperture, shutter speed and ISO work together to determine exposure and depth of field. The document also explains the different modes on a camera dial including program, shutter priority, aperture priority and manual modes. It provides examples of when to use each mode and assignments for students to practice these techniques.
Lesson 7 • FARTing, Composition, Camera Shots & AnglesMarcio Sargento
Here is a glossary of camera shots and angles with examples:
Camera Techniques Glossary
Shots
Extreme Long Shot
Example: Photo of person standing at the end of a football field
Description: Subject appears very small in frame. Used to show environment/setting.
Long Shot
Example: Photo of person standing with full body in frame
Description: Entire subject is visible without cropping. Commonly used for portraits.
Medium Shot
Example: Photo of person from waist up
Description: Part of environment shown with primary focus on subject. Used in portraits, films.
Close-Up Shot
Example: Photo of person's face and shoulders
Description: I
This document discusses various photography techniques and concepts. It begins with 10 questions photographers should ask themselves to improve composition. It then discusses identifying the visual focal point, competing focal points, and elements in the foreground and background. The document also covers questions about distance, lighting, framing, perspective, and camera format. It provides lessons on shutter speed, aperture, depth of field, ISO, white balance, autofocus modes, and framing. The overall message is that photographers should consider various technical and compositional factors to improve their photos.
Photography 101 - San Diego Photography ClassesJason Kirby
This is the presentation for Photography 101 put on by instructor Jason Kirby of San Diego Photography Classes. Jason Kirby discusses the different rules of compositions and how to manipulate your perspective to capture better and more engaging images. Learn more at http://www.sandiegophotographyclass.com
When photographing small objects or flowers up close, use the camera's <4> Close-up mode to magnify the subject. For even greater magnification, use an optional macro lens which allows focusing on subjects very near the camera. Some tips for close-up shooting include using a simple background to avoid distractions, moving as close as possible while checking the lens minimum focus distance, and employing the telephoto end of a zoom lens to enlarge the subject in the frame.
The document provides tips for effective photojournalism techniques including composition, lighting, point of view, balance, and capturing spontaneous moments. It discusses framing subjects using the rule of thirds and placing the subject off-center for interest. Different lighting conditions like direct sunlight, backlighting, and indoor lighting are addressed. Spontaneous photos should not be recreated with posing but captured as the event unfolds naturally. Practice is emphasized to improve photojournalism skills.
This document provides tips from expert photographers on how to improve photography skills. It includes tips on using a tripod workflow to fine-tune compositions, continuing to experiment with different compositions and settings even after finding a promising scene, using open shade for better outdoor portraits, analyzing a photo's effectiveness by looking at it briefly after looking away, and using a toothbrush to remove dust from camera equipment. The tips are meant to help photographers create higher quality images and develop better photographic techniques.
Quick Tips for clicking high-quality snapsPrasad Balgi
1. The document provides tips to avoid common mistakes in photography such as missing subjects, distracting backgrounds, everything in one frame, red eye, headroom issues, bad lighting, and overuse of photoshop.
2. It discusses each mistake and provides recommendations on how to fix them, such as repositioning the camera, using fill flash, zooming in on the subject, and being mindful of lighting and backgrounds.
3. The key recommendations are to understand the root causes of mistakes, fix them the next time by shooting additional photos, and not rely too heavily on photoshop to fix issues that could have been avoided by adjusting the shooting technique.
Camera shots and angles are important in film and photography to set mood and atmosphere and direct viewer attention. Different shot types include long shots, close-ups, high and low angle shots, and birds eye views. When taking photos, photographers should fill the frame with their subject, use lighting and composition techniques like the rule of thirds, and consider factors like focal points, backgrounds, and action. Students are tasked with taking photos of an object from different angles, like close-up and extreme close-up, to later edit into a print advertisement.
Students are required to present their Modge Podge and Darkroom experiments in their sketchbooks by July 21st alongside starting their personal investigation. They will receive individualized workshops and feedback to help progress their projects through the end of term, focusing on techniques like aperture and film photography. Deadlines are set for experiment presentations and workshop tasks to be completed each week in preparation for the next stage of work.
Perou is a British fashion and portrait photographer who has also worked as a judge on modeling competition shows. He studied photography in college and university in the UK. Lighting is a key element of photography as it allows the recording of light rays. Capturing lightning photography is challenging due to the fleeting nature of storms but can produce rewarding images. Composition refers to arranging visual elements in a photo and photographers should consider aspects like the main subject, lighting, and framing to create a balanced image.
Perou is a British fashion and portrait photographer who has also worked as a judge on modeling competition shows. He studied photography in college and university in the UK. Lighting is a key element of photography as it allows the recording of light rays. Choosing lighting carefully is important for good pictures. Composition refers to combining different elements in a photo to create a whole image. Considering aspects like the subject, lighting, and framing can improve composition. Depth of field is the zone of sharpest focus around the focused subject and is influenced by factors like camera distance and lens settings. A focal point is the central element of interest that draws the viewer's eye to a certain part of the photo.
Perou is a British fashion and portrait photographer who has also appeared as a judge on television shows. He studied photography and earned degrees from North East Surrey College of Technology and the University of Westminster. Lighting is crucial in photography as it records light rays. Capturing lightning photography is challenging but rewarding due to unpredictable lighting, risk, and technical demands. Composition refers to combining elements in a photo to form a whole picture. Elements like subject, lighting, and framing should be considered for an effective composition.
Jack Hollingsworth provides 33 tips for beginner iPhone photographers. Some key tips include: tap to focus and drag to expose for optimal photos; bracket multiple photos from different angles and exposures; use different shooting modes like time-lapse and slo-mo to tell visual stories; follow the rule of thirds for frame composition; zoom with your feet by getting physically closer rather than digitally zooming; and develop your own photographic style. The overall document provides a variety of tips for beginners to improve their iPhone photography skills.
Similar to One Day on Earth Interactive Lesson #4 (20)
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
One Day on Earth is a global community of filmmakers, educators, students, and inspired individuals. We are committed to using documentary filmmaking as a platform to create greater understanding and civic engagement around the issues that will most affect or future.
This slideshow is part of a complete curriculum designed to give teachers an entry point to using filmmaking and social media as powerful educational tools.
See more at www.onedayonearth.org/education
The document discusses the process of reviewing footage and making selects. It recommends viewing all footage to determine which shots came out successfully, which did not, and if any necessary shots were missed. When reviewing, the viewer should look for strong composition, compelling imagery, interesting movements, and shots that support the story being told. The document provides examples of criteria to log for each shot, including timecode, duration, comments, and whether it is good or not. It advises filling out a logging chart with this information for each take while reviewing footage.
This document discusses editing video sequences. It defines editing as organizing and structuring shots from raw footage into a coherent narrative. A sequence is a series of related or unrelated shots that develop a subject or have a particular style. The word "cut" has several meanings in film including joining shots together in the editing process, ending a take, or transitioning between shots. A rough cut is an unfinished first draft that contains the main content, while a final cut is the exported version that cannot be further edited. The document advises keeping a journal during editing to record notes on what works, doesn't work, desired changes, and any challenges encountered.
This document discusses digital information and how computers organize and store data. It explains that computers use binary digits (1s and 0s) to represent all digital information. This allows incredible amounts of data to be stored and processed using relatively simple on/off signals. Examples like CDs and DVDs are given of how binary representations can encode high-quality audio and video. The document also notes that while computers view data digitally, humans perceive information in a more analog/continuous manner. Finally, it briefly mentions how external storage devices can be used to transfer and play back digital files.
This document provides instructions for reviewing footage and selecting clips. It explains that reviewing footage is an important step and that footage may be in one continuous piece or divided into clips. It instructs the reader to look for successfully and unsuccessfully shot clips, any missing shots, and technical problems. When reviewing, the reader should note strong composition, compelling imagery, interesting movements, shots that support the story, and shots that ask or answer questions. The document provides an example logging chart to catalog clips during the selection process.
The document discusses the history of moving images from early optical devices like the camera obscura and zoetrope to modern technologies like film, video, and digital cameras. It explains perceptual phenomena like persistence of vision that allow individual still images to be perceived as motion when viewed rapidly in sequence. Key early innovations that helped advance moving images include the zoetrope, which produced an illusion of motion through spinning slits that revealed sequenced drawings, and motion picture cameras which similarly captured sequenced still frames that the eye perceives as a moving picture.
On October 10, 2010, filmmakers and citizens around the world will document a 24-hour period by taking photos and videos to upload to the One Day on Earth website. This collective effort will be used to create a documentary film capturing global life and culture. Participating will help create a gift for the world in the form of an online archive of a single day.
The document discusses the history of moving images from early optical devices like the camera obscura and zoetrope to modern technologies like film, video, and digital cameras. It explains how persistence of vision creates the illusion of motion and covers experiments investigating beta movement. A variety of visual technologies are introduced that capture sequential still images which appear as motion when viewed rapidly in succession.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
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2. Composition is the spatial arrangement
of visual elements in a work of art.
Lesson 4: Shooting Fundamentals
3. Composition is the
spatial arrangement of visual elements
in a work of art.
Lesson 4: Shooting Fundamentals
4. Composition
is the spatial arrangement of visual elements in a work of art.
Lesson 4: Shooting Fundamentals
5. Composition
Exercise:
Arrange a round object, a square object and two
long objects a create an interesting photographic
or video composition with them.
Lesson 4: Shooting Fundamentals
8. Composition
Exercise:
Find a curved object and do the same.
Now find two lines that intersect and
create a composition with them.
Lesson 4: Shooting Fundamentals
9. Look at the horizon, and try different ways of dividing the space.
Lesson 4: Shooting Fundamentals
10. Look at the horizon, and try different ways of dividing the space.
Lesson 4: Shooting Fundamentals
11. Look at the horizon, and try different ways of dividing the space.
Lesson 4: Shooting Fundamentals
12. Framing
is the act of creating
a boundary between
what the filmmaker
chooses to show the
audience, and what
happens beyond the
view of the camera.
!
Paying close
attention to your
framing allows you
to create a more
pleasing image,
while keeping the
focus on the subject.
Lesson 4: Shooting Fundamentals
13. Framing can add depth to the image,
give context, and add information to
the picture.
Terry
Henderson
Lesson 4: Shooting Fundamentals
14. Terry
Henderson
Sometimes a natural frame can be
found within the environment you
are shooting, such as trees, clouds, a
tunnel or an archway.
Lesson 4: Shooting Fundamentals
15. Rule of Thirds
The rule of thirds is a compositional
guideline that states that an image
should be thought of as divided into nine
equal parts...
Lesson 4: Shooting Fundamentals
16. Rule of Thirds
...by two equally-spaced
horizontal lines and two
equally-spaced vertical lines.
Lesson 4: Shooting Fundamentals
17. Important compositional
elements, or the subject
of the image, should be
placed along these lines,
or at their intersections.
Rule of Thirds
Lesson 4: Shooting Fundamentals
19. Camera
dddd perspective
!
can be thought of as the point from which
the photo or the film is being shot in
relation to the subject that you are shooting.
Neutral
Angle
High
Angle
Jennifer
Serchia
Lesson 4: Shooting Fundamentals
20. Camera
dddd perspective
!
This
s
t thought of as are
point from which
can ibehe
place
that
you
the choosing
to
view
your
subject
from.
This
can
also
be
referred
to
as
camera
the photo or the film is being shot in
angle;
you
can
use
a
low
angle,
a
high
angle,
or
an
relation to the subject that you are shooting.
overhead
angle
to
name
a
few.
Neutral
Angle
High
Angle
Jennifer
Serchia
Lesson 4: Shooting Fundamentals
21. a
shot is a continuous series of frames,
running for an uninterrupted period of time,
and coming from one camera.
Lesson 4: Shooting Fundamentals
22. a
shot is a continuous series of frames,
running for an uninterrupted period of time,
and coming from one camera.
TIP: When you find a shot that you like, hold on it for 10 or more
seconds. This increases the the chance of capturing an interesting action
and will also give you more footage to work with, making editing easier.
Lesson 4: Shooting Fundamentals
23. a
master
shot shows the full scene and places the
subject in relationship to its surroundings. It is
the widest view of the scene.
Anto
Motulz
Lesson 4: Shooting Fundamentals
24. a
medium
shot falls between a wide shot and a close-
up shot, andsubject in relationship to its surroundings. It is
can cover the full subject or part of the subject
in orderthe draw attentionthe a specific area or action.
to widest view of to scene.
Gina
Nemirofsky
Lesson 4: Shooting Fundamentals
25. in a
close-up
shot
the subject framed by the camera
ddddddddddddd generally fills theto its surroundings. It is
subject in relationship entire screen.
te widest view of the scene.
Richard
Clark
Lesson 4: Shooting Fundamentals
26. an
extreme close-up
shot shows a fragment of a subject. It is a
way to signify the in relationship to its surroundings. It is
subject importance of an object, the movement
of a body widestor an actionscene. place in a scene.
the part, view of the taking
Tristan
Bayer
Lesson 4: Shooting Fundamentals
27. What camera will I use?
You, or people you know, may have a camera
that you can use on your filming date.
!
!
Lesson 4: Shooting Fundamentals
28. !
!
It is important that you get to know how to
use this camera before you film. Please take
out your cameras and investigate them.
Lesson 4: Shooting Fundamentals
29. Here’s a list of questions that you
can answer about your camera to
help you better understand what it
can do and how best to use it:
!
Lesson 4: Shooting Fundamentals
30. 1) Does your camera have the following?
On/Off button
Lesson 4: Shooting Fundamentals
31. 1) Does your camera have the following?
On/Off button
Start/Stop button
Lesson 4: Shooting Fundamentals
32. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
Lesson 4: Shooting Fundamentals
33. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Lesson 4: Shooting Fundamentals
34. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Lesson 4: Shooting Fundamentals
35. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
Lesson 4: Shooting Fundamentals
36. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Lesson 4: Shooting Fundamentals
37. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Lesson 4: Shooting Fundamentals
38. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
39. 1) Does your camera have the following?
On/Off button
Zoom Button or Knob
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
40. 1) Does your camera have the following?
On/Off button
Start/Stop button
Zoom Button or Knob
Focus Button or Knob
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
41. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
42. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
Headphone Jack
Record button
Menu Button
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
43. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
Headphone Jack
Battery
White Balance Button
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
44. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
Headphone Jack
Battery
AC adaptor/Power cord
Exposure Button
Display Button
Lesson 4: Shooting Fundamentals
45. 1) Does your camera have the following?
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
Headphone Jack
Battery
AC adaptor/Power cord
Lens Cap
Display Button
Lesson 4: Shooting Fundamentals
46. Journal: Make a list of anything you find on the camera that’s
not on the list. Next to the name, write what you think it’s for.
On/Off button
Start/Stop button
Tape Dock or Card Dock
LCD screen or viewfinder
Record button
Menu Button
White Balance Button
Exposure Button
Zoom Button or Knob
Focus Button or Knob
Microphone Jack
Headphone Jack
Battery
AC adaptor/Power cord
Lens Cap
Display Button
Lesson 4: Shooting Fundamentals
47. Experiment with your camera:
Zoom
Dave
ShaLuck
Certain lenses are designed in such a way that their focal lengths can
be changed, making subjects appear closer (zoom in) or farther away
(zoom out).
Lesson 4: Shooting Fundamentals
48. Experiment with your camera:
Zoom
Dave
ShaLuck
Generally this is a sliding button on a video camera, a button or
manual adjustment on your SLR camera.
Lesson 4: Shooting Fundamentals
49. Experiment with your camera:
Zoom
Dave
ShaLuck
Exercise:
Turn your camera on and point it at a subject. Find your zoom
button or knob and push it, watch as your camera zooms in and
out.
Lesson 4: Shooting Fundamentals
50. Experiment with your camera:
Focus
Tristan
Bayer
Lesson 4: Shooting Fundamentals
51. Experiment with your camera:
Focus
Tristan
Bayer
Your lens can be adjusted to make an image distinct and clear by
shifting the distance of the lens from the subject.
Lesson 4: Shooting Fundamentals
52. Experiment with your camera:
Focus
Tristan
Bayer
A subject that is in focus will have sharp, crisp edges. A subject that
is out of focus will be blurry.
Lesson 4: Shooting Fundamentals
53. Experiment with your camera:
AutoFocus
Auto focus allows the camera to automatically adjust the
focus for you.
Lesson 4: Shooting Fundamentals
54. Experiment with your camera:
ManualFocus
Manual focus allows the user to adjust focus. When
working with shifting light or off-center compositions,
manual focus is best.
Lesson 4: Shooting Fundamentals
55. Experiment with your camera:
Exercise:
Point your camera at a subject, zoom in
as close as you can, and then focus
manually by adjusting with your manual
focus button or knob. Zoom back out
and everything should look sharp and in
focus. This is called critical focus.
!
Lesson 4: Shooting Fundamentals
56. Experiment with your camera:
White Balance
To make sure that your footage best matches the
real life light and colors of your subject, you
must set the white balance on your camera.
Lesson 4: Shooting Fundamentals
57. Experiment with your camera:
White Balance
White Balance adjusts the sensor in your camera to
perceive light from different sources the way your eye
perceives those colors.
Lesson 4: Shooting Fundamentals
58. Experiment with your camera:
White Balance
Daylight:
Bernard
M
Lynch
Jr:
OrangeMercury.com
White Balance adjusts the the sensor in your camera
to perceive light from different sources the way your
eye perceives those colors...
Lesson 4: Shooting Fundamentals
59. Experiment with your camera:
White Balance
Fluorescent:
Noemi
Preiswerk
White Balance adjusts the the sensor in your camera
to perceive light from different sources the way your
eye perceives those colors...
Lesson 4: Shooting Fundamentals
60. Experiment with your camera:
White Balance
Tungsten:
Javier
Pistani
White Balance adjusts the the sensor in your camera
to perceive light from different sources the way your
eye perceives those colors...
Lesson 4: Shooting Fundamentals
61. Experiment with your camera:
Exposure
Exposure is a term that refers to the total amount of light that is allowed
to fall on the image sensor during the process of taking a photograph or
video.
Lesson 4: Shooting Fundamentals
62. Experiment with your camera:
Exposure
The purpose of adjusting exposure is to control the
brightness and the darkness of the image.
Lesson 4: Shooting Fundamentals
63. Experiment with your camera:
Exposure
Underexposed
Properly Exposed
Overexposed
Jennifer
Serchia
Lesson 4: Shooting Fundamentals
64. Experiment with your camera:
Sound
Sound
is
an
important
element
in
your
video.
Most
video
cameras
have
built
in
microphones.
For
be<er
sound,
you
can
plug
a
external
microphone
into
your
camera’s
audio
jack.
Lesson 4: Shooting Fundamentals
65. Experiment with your camera:
Sound
Exercise:
Find out what sound options your camera has. Does your
camera have levels? If it does, adjust for sound levels. Red is
the peak, and if it sounds distorted the levels are set too high.
Lesson 4: Shooting Fundamentals
66. Experiment with your camera:
Tripod
!
A tripod is a three-legged stand
used to provide the stability to hold
a camera.
Lesson 4: Shooting Fundamentals
67. Experiment with your camera:
Handheld
!
If you don’t have a tripod, then you
will be shooting handheld footage.
Lesson 4: Shooting Fundamentals
68. Experiment with your camera:
Handheld
Exercise:
Try holding the camera and moving around with it.
How can you best stabilize the camera so that the
image appears still? How can you give your shot a
smooth floating quality? Try to hold the camera still
and focused on one point for 10 seconds.
Lesson 4: Shooting Fundamentals
69. Experiment with your camera:
Panning and Tilting
Panning
refers
to
the
horizontal
rotaAon
of
a
camera
that
changes
the
field
of
view
from
side
to
side.
This
is
usually
done
with
the
aid
of
a
tripod.
Lesson 4: Shooting Fundamentals
70. Experiment with your camera:
Panning and Tilting
Tilt
refers
to
the
verAcal
rotaAon
of
a
staAonary
camera
that
changes
the
field
of
view
along
a
front
to
back
access.
Lesson 4: Shooting Fundamentals
71. Journal:
What kind of coverage do you need for
the topic you have chosen to film? How
many cameras will you use? What type of
shots will you use to cover the topic?
Lesson 4: Shooting Fundamentals