The document provides a shot list for a music video. It describes 136 shots ranging from close-ups to long shots of the characters Dan, Flo, and Charlie in various locations. The shots include Dan playing drums, Flo and Charlie interacting at a bar and searching for each other, and Dan walking his dog. The shots will be edited together to tell the story and sync with the music.
- Cale Farrah arrives at an old pipe mill ruins where he is greeted by his friend Perry Daniel. Perry tells Cale that he heard an SOS signal coming from Cale's old vault, Vault 414.
- Cale agrees to check out the vault with Perry's help. They prepare weapons and supplies. On the journey to the vault, Cale encounters and fights off a gang.
- Nearing the vault, Cale stealthily takes out the guards posted outside. The document provides backstory and details Cale's journey to investigate the distress signal from his former home at Vault 414.
This storyboard outlines scenes for a police investigation into the case of "Williams". It begins with an officer arriving at the police station. Then it shows flashbacks of Williams at home through extreme close-ups and establishing shots. The storyboard then cuts back to the police station, showing officers discussing the case at a board with evidence photos. Alternating between flashbacks and police investigation scenes, it builds tension as Williams enters her home and hears a strange noise just before the credits roll. The repeated final shots in color reveal what truly happened to Williams.
The document outlines a 12-scene plan for a social realism film. Scene 1 shows 3 characters preparing for a violent confrontation. In Scene 2, establishing shots introduce the film's location. Scene 3 focuses on a character approaching a building in an enigmatic way. Scenes 4-7 depict meetings between Characters X and Y, including conversations and the signing of a document. Scenes 8-11 follow Character Z receiving a call and then leaving home with a concealed weapon. The ending in Scene 12 reveals the film's title.
A journalist named James is kidnapped and interrogated by the police commissioner, Max Truxton. The commissioner demands to know James' source for a file that exposes corruption. When James refuses to reveal his source, the commissioner threatens to kill him. As the commissioner's anger grows, he cocks his gun to execute James. However, their confrontation is interrupted by a phone call to the commissioner.
This document outlines 10 scenes for a video storyboard about a woman named Taylor dealing with a breakup from her high school sweetheart. The storyboard follows Taylor as she struggles after the breakup but then finds companionship and happiness in adopting a black kitten named Olive. Over the course of bonding with Olive and supported by her roommates, Taylor comes to understand the importance of love and companionship in her life. The storyboard provides detailed descriptions of camera shots, music, and transitions between each scene to convey Taylor's emotional journey after her breakup.
This document provides a shot list for a music video or film. It includes 67 shots with details on camera movement, location, sync points to music, and notes for each shot. The shots cover a variety of sequences including a boxing match, pub fight, news interviews, and scenes at different character's homes. The shots transition between locations and characters to tell a story through music and imagery.
Storyboard group 3-Eleanor, Lydia, Shannon, Thamina LydiaRama
This storyboard outlines shots for a soap opera trailer involving a group of friends and flashbacks to past deaths. It begins with establishing shots of an ex-servicemen's club before focusing on a main antagonist arriving. Shots introduce a group of friends playing spin the bottle and having flashbacks to past deaths when the bottle lands on them. These flashbacks aim to elicit sympathy from the audience and build intrigue around the characters. The trailer ends with revealing the main antagonist and providing information about when the soap opera will air. The storyboard uses different camera shots and angles to introduce characters and locations and elicit emotions from the audience.
This storyboard outlines shots for a soap opera trailer involving a group of friends and flashbacks to past deaths. It begins with establishing shots of an ex-servicemen's club before focusing on a main antagonist arriving. Shots introduce a group of friends playing spin the bottle and having flashbacks to past deaths when the bottle lands on them. These flashbacks aim to elicit sympathy from the audience and familiarize them with the characters. The board ends by revealing the main antagonist and providing information about when the soap opera will air. The shots are planned to build mystery, engage the audience and develop character relationships.
- Cale Farrah arrives at an old pipe mill ruins where he is greeted by his friend Perry Daniel. Perry tells Cale that he heard an SOS signal coming from Cale's old vault, Vault 414.
- Cale agrees to check out the vault with Perry's help. They prepare weapons and supplies. On the journey to the vault, Cale encounters and fights off a gang.
- Nearing the vault, Cale stealthily takes out the guards posted outside. The document provides backstory and details Cale's journey to investigate the distress signal from his former home at Vault 414.
This storyboard outlines scenes for a police investigation into the case of "Williams". It begins with an officer arriving at the police station. Then it shows flashbacks of Williams at home through extreme close-ups and establishing shots. The storyboard then cuts back to the police station, showing officers discussing the case at a board with evidence photos. Alternating between flashbacks and police investigation scenes, it builds tension as Williams enters her home and hears a strange noise just before the credits roll. The repeated final shots in color reveal what truly happened to Williams.
The document outlines a 12-scene plan for a social realism film. Scene 1 shows 3 characters preparing for a violent confrontation. In Scene 2, establishing shots introduce the film's location. Scene 3 focuses on a character approaching a building in an enigmatic way. Scenes 4-7 depict meetings between Characters X and Y, including conversations and the signing of a document. Scenes 8-11 follow Character Z receiving a call and then leaving home with a concealed weapon. The ending in Scene 12 reveals the film's title.
A journalist named James is kidnapped and interrogated by the police commissioner, Max Truxton. The commissioner demands to know James' source for a file that exposes corruption. When James refuses to reveal his source, the commissioner threatens to kill him. As the commissioner's anger grows, he cocks his gun to execute James. However, their confrontation is interrupted by a phone call to the commissioner.
This document outlines 10 scenes for a video storyboard about a woman named Taylor dealing with a breakup from her high school sweetheart. The storyboard follows Taylor as she struggles after the breakup but then finds companionship and happiness in adopting a black kitten named Olive. Over the course of bonding with Olive and supported by her roommates, Taylor comes to understand the importance of love and companionship in her life. The storyboard provides detailed descriptions of camera shots, music, and transitions between each scene to convey Taylor's emotional journey after her breakup.
This document provides a shot list for a music video or film. It includes 67 shots with details on camera movement, location, sync points to music, and notes for each shot. The shots cover a variety of sequences including a boxing match, pub fight, news interviews, and scenes at different character's homes. The shots transition between locations and characters to tell a story through music and imagery.
Storyboard group 3-Eleanor, Lydia, Shannon, Thamina LydiaRama
This storyboard outlines shots for a soap opera trailer involving a group of friends and flashbacks to past deaths. It begins with establishing shots of an ex-servicemen's club before focusing on a main antagonist arriving. Shots introduce a group of friends playing spin the bottle and having flashbacks to past deaths when the bottle lands on them. These flashbacks aim to elicit sympathy from the audience and build intrigue around the characters. The trailer ends with revealing the main antagonist and providing information about when the soap opera will air. The storyboard uses different camera shots and angles to introduce characters and locations and elicit emotions from the audience.
This storyboard outlines shots for a soap opera trailer involving a group of friends and flashbacks to past deaths. It begins with establishing shots of an ex-servicemen's club before focusing on a main antagonist arriving. Shots introduce a group of friends playing spin the bottle and having flashbacks to past deaths when the bottle lands on them. These flashbacks aim to elicit sympathy from the audience and familiarize them with the characters. The board ends by revealing the main antagonist and providing information about when the soap opera will air. The shots are planned to build mystery, engage the audience and develop character relationships.
Three men meet up and discuss a plan while concealing their identities. They drive to an alley and approach a group of boys, starting a violent fight. One of the men smiles after pulling down his disguise. The men disperse as sirens are heard. The document then outlines scenes showing characters moving between locations and having covert meetings, with their identities concealed until revealed through camera shots. The story aims to follow the conventions of social realism filmmaking.
This document outlines the shooting script format and shot list for a music video. It includes 79 shots ranging from close-ups and mid shots of the lead singer to establishing shots of the band and locations. The shots utilize techniques like jump cuts, match cuts, whip pans, and focus pulls. They show the singer performing, crying, arguing, and in bed with another person. Interspersed are news-style "short takes" of topical events matching the song's themes of pain, loss, and lack of care. The video starts and ends by zooming out from a close-up of the singer to reveal the full band, framing the personal story within current events.
1) The document describes various shots and camera angles used in a scene where two characters, Rico and Charles, are talking in their classroom about Rocky having lost his way.
2) It cuts between mid shots and close ups of the characters as they discuss whether Rocky has lost his edge.
3) The conversation is interrupted by Charles' phone ringing, and he becomes upset by the call before explaining to Rico what happened, though there is no sound during his explanation as Rocky's voices play in Rico's head.
This document describes 14 shots from a movie trailer. Shot 1 is an establishing shot showing an ordinary location before the horror begins. Shot 2 is text edited onto the trailer indicating the normal location is about to change. Shot 5 shows a victim trapped in a glass cube with a saw mechanism as he cries for help. The shots are meant to build suspense and tension through various camera angles and sounds of screaming, banging and choir music to draw in the audience for the Saw film franchise.
The document describes 17 shots from a film. Shot 1 shows production logos and Shot 2 shows actor's names fading in and out. Shot 3 is a close-up of Emma asleep in bed. Shot 4 shows the title "Fangirl" fading in and out. Shot 5 shows Emma's alarm going off in a close-up. Shot 6 is a long shot of Emma waking up and yawning. Shots 7-9 show Emma's alarm and her watching a One Direction music video. Shot 10 shows Sarah walking in and sighing. Shots 11-12 show Sarah's annoyed and upset face. Shot 13 shows Sarah holding a One Direction autograph. Shot 14 shows Sarah in Emma's room. Shot 15
The document describes 17 shots from a film. Shot 1 shows production logos while Shot 2 fades in actor names. Shot 3 is a close-up of Emma asleep in bed. Shot 4 introduces the title "Fangirl" that fades in and out. Shot 5 shows Emma's alarm going off as she wakes up in Shot 6 and yawns. Shot 7 has the alarm going off again as Emma is seen in the living room in Shot 8 putting on a One Direction music video. Shot 9 focuses on the TV playing the video as Shot 10 shows Sarah entering and sighing. Shot 11 presents Sarah looking annoyed and Shot 12 shows her upset and cross. Shot 13 features One Direction signatures that Sarah holds in Shot 14
A girl named Sarah Smith is stalked and kidnapped after a night out at the Christmas markets with friends. She is followed onto the bus and then taken to an abandoned warehouse, where her stalker has been watching her and has photos of her on the wall. Still tied to a chair, Sarah pleads for help as her stalker circles her menacingly with a weapon, hinting at harming her.
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
The directors aim to create a 5-minute horror film with psychological elements and surprise ending. The film will follow a man returning home and growing suspicious of noises in the house. Various horror conventions will build tension but ultimately lead to a surprise birthday party. While the directors collaborated on the plot, one director focused more on camerawork while the other emphasized clues foreshadowing the surprise ending. They plan to film over 5 days using a school camera and intend to direct, film and edit the short film themselves.
The document provides an analysis of a scene from the film Training Day. The scene involves four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the scene. Various shots are described, including close-ups, mid shots, and pans that are used to convey emotions and tension. Diegetic and non-diegetic sounds are discussed, as well as how the editing builds suspense through cuts and match cuts. Details of the setting and characters' appearances are also provided in the mise-en-scene analysis.
The document provides an analysis of a scene from the film Training Day. The scene depicts four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million inside. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the 5-minute clip. Various shots are used, including close-ups, mid-shots, and long shots to show facial expressions and the officers' points of view. Tension is built through low-angle shots, zooms, and cuts between characters. The clip culminates in the corrupt officer Alonzo unexpectedly shooting one of the men in the building, shocking both Jake and the audience.
The directors aim to create a 5-minute horror film with psychological elements and surprises. They will use horror conventions to build suspense but reveal at the end that the main character is being surprised with a party. They describe scenes where the main character returns home, hears strange noises, and has a disturbing phone call before discovering the surprise party. The directors will collaborate on the film and one will operate the camera, aiming to film over one week using the school's equipment and complete editing afterwards.
The document outlines a storyboard for a film with 48 shots. It describes scenes showing a girl grieving at a graveyard and looking at photos in a white room. She is seen crying on the floor surrounded by ripped photos. Flashbacks show memories of her with a happy couple. She runs through a park and passes out. More flashbacks reveal the couple playing together. The girl sees a ghostly figure of a boy in her bedroom and looks confused. Further flashbacks and dreams occur as she grieves.
The document provides an in-depth analysis of the camera work in a 5-minute scene from the crime thriller film Training Day. It discusses the various shots used - including mid shots, close ups, low angles, and tracking shots - and how they are used to convey meaning and immerse the audience. For example, close ups are used to show characters' facial expressions and build tension, while low angles imply power dynamics between characters. The scene involves 4 LAPD officers raiding a building and finding $4 million, with detailed analysis of how camera techniques are employed to tell this part of the story.
This document provides a shot list for a music video production titled "Lion's Teeth". It describes 80 shots, most taking place exterior (E) with a few interior (I). The shots include establishing shots of a car driving, medium and closeup shots of the occupants in the car interacting, and then shots of the man exiting the car and engaging in a boxing match performance with a band and crowd circling around. The final shots return to interior shots of the man alone in his room drawing the boxing scene.
Shot list - Jake Bennett and James GhazanfarJakeBennett_
This shot list contains descriptions for 6 scenes in a film. Scene 1 shows a man arriving home tired from work. Scene 2 shows him relaxing with friends, drinking beer, and playing video games. Scene 3 depicts the man practicing football, including shots of him shooting goals and sprinting. Scene 4 features the man and friends getting ready and going out for the night, drinking shots and dancing. Scene 5 is a montage of memorable clips from previous scenes. Scene 6 mirrors Scene 1, with the man returning home drunk/hungover from his night out.
This horror film uses many techniques to build suspense and tension. It begins with a shocking scene of a man committing suicide by jumping off a balcony, leaving the audience wondering what caused it. The opening credits set an ominous tone with dark colors, unsettling sounds and sudden visual jumps. The film then introduces a woman who enters an isolated, dark house alone, increasing her vulnerability and the audience's nerves about what may happen next. Screeching violins on the soundtrack enhance the growing sense of dread throughout these early scenes.
In this scene from the film "Sherlock Holmes", Lord Blackwood, the evil antagonist, is shown using black magic on a female victim while the camera looks down on her from a high angle, emphasizing her powerlessness compared to the male characters. Sherlock Holmes enters the scene from a low angle, establishing him as more powerful than the victim. Throughout the film, costumes and camera angles are used to portray the male dominance and gender roles of the time period. The music also builds tension during a fight between Sherlock, Watson, and the guards before stopping when Sherlock ends the ritual. Editing techniques like action match cuts are employed during the fight and cut away shots are used of Sherlock and Watson running down stairs
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
1) The document outlines a scene plan for a music video consisting of 7 scenes showing Charlie's interactions with Lauren in the park.
2) In the early scenes, Charlie performs alone while noticing Lauren from a distance.
3) In later scenes, Charlie slowly approaches Lauren as they talk and begin to perform together, showing their connection.
4) The video ends with a long shot of Charlie and Lauren walking off together down the path as the song fades out and titles appear.
Two brothers, Dave and Donny, get into a heated argument over Donny stealing and taking credit for Dave's rap lyrics. Their fighting escalates and their mother collapses while trying to break them up. She is rushed to the hospital but does not survive. Devastated, the boys receive the tragic news and realize they only have each other now.
1. The document provides a timed analysis of the music video for "Girls Like Girls" by Hayley Kiyoko. It consists of over 100 jump cuts between shots that show the relationship between two girls, Coley and Sonya, and the abuse they face from a male character, Trenton.
2. The analysis describes each shot in the video in detail with the timing of cuts. It shows the girls growing closer together until Trenton assaults them for their relationship. Coley then beats up Trenton while having flashbacks to happy memories with Sonya.
3. In the end, Coley and Sonya share a kiss and embrace while the video returns to its opening shot, showing it was
Three men meet up and discuss a plan while concealing their identities. They drive to an alley and approach a group of boys, starting a violent fight. One of the men smiles after pulling down his disguise. The men disperse as sirens are heard. The document then outlines scenes showing characters moving between locations and having covert meetings, with their identities concealed until revealed through camera shots. The story aims to follow the conventions of social realism filmmaking.
This document outlines the shooting script format and shot list for a music video. It includes 79 shots ranging from close-ups and mid shots of the lead singer to establishing shots of the band and locations. The shots utilize techniques like jump cuts, match cuts, whip pans, and focus pulls. They show the singer performing, crying, arguing, and in bed with another person. Interspersed are news-style "short takes" of topical events matching the song's themes of pain, loss, and lack of care. The video starts and ends by zooming out from a close-up of the singer to reveal the full band, framing the personal story within current events.
1) The document describes various shots and camera angles used in a scene where two characters, Rico and Charles, are talking in their classroom about Rocky having lost his way.
2) It cuts between mid shots and close ups of the characters as they discuss whether Rocky has lost his edge.
3) The conversation is interrupted by Charles' phone ringing, and he becomes upset by the call before explaining to Rico what happened, though there is no sound during his explanation as Rocky's voices play in Rico's head.
This document describes 14 shots from a movie trailer. Shot 1 is an establishing shot showing an ordinary location before the horror begins. Shot 2 is text edited onto the trailer indicating the normal location is about to change. Shot 5 shows a victim trapped in a glass cube with a saw mechanism as he cries for help. The shots are meant to build suspense and tension through various camera angles and sounds of screaming, banging and choir music to draw in the audience for the Saw film franchise.
The document describes 17 shots from a film. Shot 1 shows production logos and Shot 2 shows actor's names fading in and out. Shot 3 is a close-up of Emma asleep in bed. Shot 4 shows the title "Fangirl" fading in and out. Shot 5 shows Emma's alarm going off in a close-up. Shot 6 is a long shot of Emma waking up and yawning. Shots 7-9 show Emma's alarm and her watching a One Direction music video. Shot 10 shows Sarah walking in and sighing. Shots 11-12 show Sarah's annoyed and upset face. Shot 13 shows Sarah holding a One Direction autograph. Shot 14 shows Sarah in Emma's room. Shot 15
The document describes 17 shots from a film. Shot 1 shows production logos while Shot 2 fades in actor names. Shot 3 is a close-up of Emma asleep in bed. Shot 4 introduces the title "Fangirl" that fades in and out. Shot 5 shows Emma's alarm going off as she wakes up in Shot 6 and yawns. Shot 7 has the alarm going off again as Emma is seen in the living room in Shot 8 putting on a One Direction music video. Shot 9 focuses on the TV playing the video as Shot 10 shows Sarah entering and sighing. Shot 11 presents Sarah looking annoyed and Shot 12 shows her upset and cross. Shot 13 features One Direction signatures that Sarah holds in Shot 14
A girl named Sarah Smith is stalked and kidnapped after a night out at the Christmas markets with friends. She is followed onto the bus and then taken to an abandoned warehouse, where her stalker has been watching her and has photos of her on the wall. Still tied to a chair, Sarah pleads for help as her stalker circles her menacingly with a weapon, hinting at harming her.
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
The directors aim to create a 5-minute horror film with psychological elements and surprise ending. The film will follow a man returning home and growing suspicious of noises in the house. Various horror conventions will build tension but ultimately lead to a surprise birthday party. While the directors collaborated on the plot, one director focused more on camerawork while the other emphasized clues foreshadowing the surprise ending. They plan to film over 5 days using a school camera and intend to direct, film and edit the short film themselves.
The document provides an analysis of a scene from the film Training Day. The scene involves four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the scene. Various shots are described, including close-ups, mid shots, and pans that are used to convey emotions and tension. Diegetic and non-diegetic sounds are discussed, as well as how the editing builds suspense through cuts and match cuts. Details of the setting and characters' appearances are also provided in the mise-en-scene analysis.
The document provides an analysis of a scene from the film Training Day. The scene depicts four LAPD officers, including a trainee named Jake, raiding a building and finding $4 million inside. The summary analyzes the camera work, sound, editing, and mise-en-scene used in the 5-minute clip. Various shots are used, including close-ups, mid-shots, and long shots to show facial expressions and the officers' points of view. Tension is built through low-angle shots, zooms, and cuts between characters. The clip culminates in the corrupt officer Alonzo unexpectedly shooting one of the men in the building, shocking both Jake and the audience.
The directors aim to create a 5-minute horror film with psychological elements and surprises. They will use horror conventions to build suspense but reveal at the end that the main character is being surprised with a party. They describe scenes where the main character returns home, hears strange noises, and has a disturbing phone call before discovering the surprise party. The directors will collaborate on the film and one will operate the camera, aiming to film over one week using the school's equipment and complete editing afterwards.
The document outlines a storyboard for a film with 48 shots. It describes scenes showing a girl grieving at a graveyard and looking at photos in a white room. She is seen crying on the floor surrounded by ripped photos. Flashbacks show memories of her with a happy couple. She runs through a park and passes out. More flashbacks reveal the couple playing together. The girl sees a ghostly figure of a boy in her bedroom and looks confused. Further flashbacks and dreams occur as she grieves.
The document provides an in-depth analysis of the camera work in a 5-minute scene from the crime thriller film Training Day. It discusses the various shots used - including mid shots, close ups, low angles, and tracking shots - and how they are used to convey meaning and immerse the audience. For example, close ups are used to show characters' facial expressions and build tension, while low angles imply power dynamics between characters. The scene involves 4 LAPD officers raiding a building and finding $4 million, with detailed analysis of how camera techniques are employed to tell this part of the story.
This document provides a shot list for a music video production titled "Lion's Teeth". It describes 80 shots, most taking place exterior (E) with a few interior (I). The shots include establishing shots of a car driving, medium and closeup shots of the occupants in the car interacting, and then shots of the man exiting the car and engaging in a boxing match performance with a band and crowd circling around. The final shots return to interior shots of the man alone in his room drawing the boxing scene.
Shot list - Jake Bennett and James GhazanfarJakeBennett_
This shot list contains descriptions for 6 scenes in a film. Scene 1 shows a man arriving home tired from work. Scene 2 shows him relaxing with friends, drinking beer, and playing video games. Scene 3 depicts the man practicing football, including shots of him shooting goals and sprinting. Scene 4 features the man and friends getting ready and going out for the night, drinking shots and dancing. Scene 5 is a montage of memorable clips from previous scenes. Scene 6 mirrors Scene 1, with the man returning home drunk/hungover from his night out.
This horror film uses many techniques to build suspense and tension. It begins with a shocking scene of a man committing suicide by jumping off a balcony, leaving the audience wondering what caused it. The opening credits set an ominous tone with dark colors, unsettling sounds and sudden visual jumps. The film then introduces a woman who enters an isolated, dark house alone, increasing her vulnerability and the audience's nerves about what may happen next. Screeching violins on the soundtrack enhance the growing sense of dread throughout these early scenes.
In this scene from the film "Sherlock Holmes", Lord Blackwood, the evil antagonist, is shown using black magic on a female victim while the camera looks down on her from a high angle, emphasizing her powerlessness compared to the male characters. Sherlock Holmes enters the scene from a low angle, establishing him as more powerful than the victim. Throughout the film, costumes and camera angles are used to portray the male dominance and gender roles of the time period. The music also builds tension during a fight between Sherlock, Watson, and the guards before stopping when Sherlock ends the ritual. Editing techniques like action match cuts are employed during the fight and cut away shots are used of Sherlock and Watson running down stairs
This document outlines 24 shot descriptions for a film involving a Detective being chased by mysterious figures called Shades. The shots include establishing shots of streets and wooded areas, shots of the Detective finding a ribbon belonging to a girl and encountering Shades, flashback shots providing hints to the Detective's backstory, and point-of-view shots showing the Detective becoming surrounded and overwhelmed by the Shades. Pictures are included at the end to accompany some of the shots.
1) The document outlines a scene plan for a music video consisting of 7 scenes showing Charlie's interactions with Lauren in the park.
2) In the early scenes, Charlie performs alone while noticing Lauren from a distance.
3) In later scenes, Charlie slowly approaches Lauren as they talk and begin to perform together, showing their connection.
4) The video ends with a long shot of Charlie and Lauren walking off together down the path as the song fades out and titles appear.
Two brothers, Dave and Donny, get into a heated argument over Donny stealing and taking credit for Dave's rap lyrics. Their fighting escalates and their mother collapses while trying to break them up. She is rushed to the hospital but does not survive. Devastated, the boys receive the tragic news and realize they only have each other now.
1. The document provides a timed analysis of the music video for "Girls Like Girls" by Hayley Kiyoko. It consists of over 100 jump cuts between shots that show the relationship between two girls, Coley and Sonya, and the abuse they face from a male character, Trenton.
2. The analysis describes each shot in the video in detail with the timing of cuts. It shows the girls growing closer together until Trenton assaults them for their relationship. Coley then beats up Trenton while having flashbacks to happy memories with Sonya.
3. In the end, Coley and Sonya share a kiss and embrace while the video returns to its opening shot, showing it was
Two brothers, Dave and Donny, have a rivalry over rap music. During a school lunch rap battle, Donny interrupts Dave and steals the spotlight. Later, Dave discovers Donny posted one of his songs online as his own. Their fighting escalates and their mother suffers a stroke while trying to break them up. She passes away in the hospital, leaving the brothers devastated and realizing they must support each other.
This storyboard document outlines the shots, angles, locations, audio, and transitions for a horror film titled "Stepfather." It describes scenes such as two sisters visiting their mother's grave, moving in with their new stepfather, attempting to contact their dead mother, strange events occurring in their new home, being chased by their unstable stepfather, and ultimately one sister being dragged away while screaming. The storyboard ends by revealing the film title and a "Coming Soon" message along with production credits.
This storyboard document outlines the shots, angles, locations, audio, and transitions for a horror film titled "Stepfather." It describes a sequence of shots showing two sisters putting flowers at their mother's grave, being told they will live with their stepfather now, and driving to his isolated house. Shots then show the sisters attempting to contact their dead mother, strange events occurring, one sister seeing the word "leave" written on her face, and both sisters running away from and hiding from the stepfather who is chasing them with a bloody knife. The document ends by showing the film's title and credits.
The document describes 9 scenes from an opening sequence that introduces a main character. Scene 1 shows a long shot of an office corridor with a person walking through sliding doors. Scenes 2-4 use zooming and mid shots to reveal the character is a man in a police uniform. Scene 5 shows a close-up of his badge identifying him as Police Constable Nicholas Angel. Scene 6 provides information that he was born and schooled in London. Scenes 7-9 continue following the character walking down an office while musical cues and shots are used to draw focus to him against other symmetrical people. The sequences aim to gradually reveal details about the main character and location without dialogue.
The document provides details on 35 shots for a film scene involving a detective investigating a girl. It describes elements like camera angles, character movements, lighting, sounds, and locations for each shot. The shots progress from the detective following the girl to confronting a villain at a computer while pointing a gun at him. The final shots involve the detective smiling and saying "Game over" as he pulls the trigger on the villain.
The music video begins with a shy girl watching cheerleaders practice. When the lights flicker out, the heavy metal band Lordi enters led by their demonic frontman Mr. Lordi. He kills the cheerleaders and raises them as zombies. The girl is initially terrified but grows confident as Mr. Lordi points to her. She comes to lead the zombie cheerleaders menacingly through the school as other students flee in fear. The video transforms the shy girl through the power of Lordi's hard rock music, showing how it can empower outsiders.
The document provides a shot list for a film scene with 22 numbered shots describing the camera shots, locations, and descriptions. It includes establishing shots of the hospital and forest locations as well as close-ups, over the shoulder shots, and shots reversing between characters to capture an argument scene and the characters' reactions. It then describes shots following the characters exiting the hospital and walking through a forest, ending with two possible endings focusing on the character Alex.
This document outlines scenes from a film about a husband named Ryan who hires a private investigator to search for his missing wife. The scenes show Ryan expressing anger, anxiety, and distress over not knowing where his wife has gone. He finds evidence on her laptop of hotel reservations, meals, and work in London, which contradicts his belief that they were happy. Ryan demands the private investigator do whatever it takes to track her down and find her, as he is desperate to speak to her and get answers about what happened.
This shooting script outlines the shots planned for the film "Captured" about a teenage girl named Charlotte. It begins with establishing shots of Charlotte's school and conversations with her friends about birthday plans. It then shows Charlotte arguing with her strict parents at home and getting ready to go out for the night. Shots follow of Charlotte walking alone at night and becoming paranoid that she is being followed. The script ends with the police being called to Charlotte's house after she fails to return, increasing the tension over what may have happened to her.
1) Roxie encounters a dead girl in the woods who stabs her in the arm before disappearing.
2) Roxie runs to her friends Jay and Darren at their camp for help. Darren accuses Roxie of imagining things.
3) The dead girl reappears with a knife, throwing it and injuring Jay's leg before vanishing again. Roxie blames Darren for leaving instead of helping.
This shooting script summarizes the key shots and scenes for a film called "CAPTURED". It involves a teenage girl named Charlotte who gets into an argument with her strict parents. She decides to go out with friends but is followed and captured by someone wearing a black balaclava. Her friends become worried when she doesn't show up. The police get involved and question Charlotte's parents. The final shots hint that one of the parents may be involved in Charlotte's disappearance.
Will has been avoiding Theresa, who seems to be going through a difficult time. Dodger and Lib find Will sitting alone in the park and encourage him to reach out to Theresa to offer his support. They convince Will that he needs to speak to Theresa in person to let her know he's there for her. Will thanks Dodger and Lib for the advice and leaves to go talk to Theresa.
This document contains a shot list for a film titled "Firebox Records" with 169 total shots organized into 7 scenes. The shots include a variety of angles, distances, and movements to capture different perspectives of the characters Lana and the Geek interacting in Cambridge, with Lana initially ignoring the Geek's attempts to get her attention before he dances for her in different locations, embarrassing her but making her laugh. The final scene follows characters Lana and Gerald on a walk together at Wimpole Hall in Royston.
This shooting script outlines the shots planned for a film titled "CAPTURED" about a teenage girl named Charlotte. It begins with establishing shots of Charlotte's school and conversations with her friends about birthday plans. It then shows Charlotte at home where her parents are arguing. Later that night, Charlotte goes out but is followed and appears to have been captured. The script ends with shots of the police being called to investigate Charlotte's disappearance. Overall, the script establishes the characters of Charlotte and her family and friends, and sets up the events of her being followed and captured on her way out at night.
This shooting script summarizes the key shots and scenes for a film called "Captured". It follows the character of Charlotte who gets into an argument with her strict parents and leaves for a friend's birthday party. However, on her walk she is followed and captured by someone wearing a black balaclava. The script details 29 shots showing Charlotte's home life, her walk where she realizes someone is following her, then cuts to her friends becoming worried when she doesn't show up. It also shows the police being called to investigate Charlotte's disappearance.
This document provides a shot list for the music video of the song "Hot Stuff" with descriptions of different camera angles and shots. It includes a variety of close-up and wide shots showing the band members singing and dancing. There are also shots of props like a phone and food. The shot list culminates in a musical interlude taking place in a dark room with flashing lights, dancing, and shots of the band before the record playing the song is removed.
Blackwood arthur pre production tasks feedback sheet (2)Arthur Blackwood
The document provides feedback from a teacher on a student's pre-production work for a music video project.
1. The teacher provides positive feedback on several tasks, noting good research, analysis, storyboards, and production planning.
2. Areas identified for improvement include adding more images and sources, and providing more detailed analysis in some sections.
3. After implementing the suggested changes, the teacher awards the student a final mark of 18 out of 20, praising the clear planning and presentation while also acknowledging the improvements made based on the initial feedback.
Blackwood arthur pre production tasks feedback sheetArthur Blackwood
This document provides feedback from a teacher to a student, Arthur Blackwood, on their pre-production tasks for a music video project. The teacher provides comments on 13 tasks, praising aspects and noting areas for improvement. They give an initial mark of 15/20 and ask the student to address certain points in an action plan. The student responds with edits, additions and explanations to their work to address the teacher's feedback. No final mark is given.
This document contains a schedule for a music video production project. It lists dates for pre-production, production and post-production activities from June 2017 through December 2017. Pre-production involved activities like song selection, storyboarding and casting. Production took place on November 11th and 12th and involved filming scenes. Post-production from November 13th through 21st included editing footage and color grading. Evaluation of the project was done through written responses on specified dates in November and December.
- The song describes a mutual attraction and flirtation between the singer and a woman he sees. He expresses confidence in his ability to charm her and asks her to forget about any past relationships and focus on him.
- Various lyrics describe the scene of them exchanging looks in a bar filled with champagne and smoke, as well as dancing closely together to the music.
- While the music video will not directly illustrate each lyric, it will deal with similar themes of attraction and a disjunctive narrative style to mirror the nonlinear storytelling of the song. Specific shots will anchor some lyrics like "your heart won't stand a chance."
The document discusses the target audience for Anderson .Paak's music and the creator's own music video. It analyzes the typical audiences of R&B and hip-hop genres, noting that R&B audiences tend to be black Americans while hip-hop appeals more to young males. Anderson .Paak's audience is described as diverse but predominantly male based on a concert observation. The creator decides the primary target for their music video will be males aged 15-25, drawing from the audiences of both Anderson .Paak's style and the hip-hop genre, with the secondary audience being females of the same age.
Bizarre Ride II The Pharcyde - Print Advert AnalysisArthur Blackwood
This print advertisement promotes the album "Bizarre Ride II The Pharcyde" through surreal and psychedelic imagery. A group of four men are depicted floating through space against a colorful background, their bodies contorted into unnatural positions that emphasize the album's experimental sound. In large text, the ad simply lists the album title and band name, trusting the vivid visuals to intrigue viewers and draw them in without lengthy explanation.
This document outlines the schedule and logistics for a film production and post-production project. It lists dates for filming drum scenes at Dan's house on November 11th and filming scenes in Christchurch on November 12th. It then details dates from November 13th through November 21st for editing scenes and color grading at Ringwood School, to be done by one person using Premiere Pro, After Effects, and other software. Evaluation questions are scheduled individually from November 27th through December 19th at Ringwood School.
The document discusses analyzing the target audience for Anderson .Paak's music videos. It examines the typical audiences of R&B and hip-hop genres. R&B typically appeals to black American audiences while hip-hop appeals most to young males. Anderson .Paak's audience is diverse but predominantly male. The proposed music video will target males aged 15-25 as the primary audience, in line with hip-hop and Anderson .Paak's audiences, and females of the same age as secondary. Both groups would enjoy live music and an active lifestyle.
- The song describes a mutual attraction and flirtation between the singer and a woman he sees at a bar. He watches her watching him and feels confident in his ability to charm her.
- The lyrics paint a picture of the two exchanging looks across the bar while drinking champagne. The singer believes the woman will not be able to resist his advances.
- He boasts about his wealth, success with women, and feeling that he is better than her previous partner. The song portrays a confident man seducing a woman and believes her feelings for him are inevitable.
This document discusses how media products can both challenge and conform to conventions. It argues that challenging conventions can make a product more original but also risks confusing or disengaging audiences. Conforming ensures audiences have familiar expectations but risks seeming cliche. The document then summarizes how the writer's psychological thriller follows some conventions to engage audiences, such as using an axe as a weapon, forest locations, and stock character roles like an antagonist and detective figure.
This document is a script that tells the story of Eric, a mentally disturbed man, and his hallucinations in the forest. The script describes Eric walking in the forest with an axe, covered in red substance, having a conversation with his hallucination Travis. Eric admits to Travis that he killed a woman who had cancelled their appointment, saying she provoked him. Travis tries to convince Eric this was caused by his own actions. The script then shows Eric continuing to talk to himself as a woman walks by with concern. It ends with Eric's psychiatrist making notes on his case, expressing a need to section him, as she passes his hallucination Travis at the door without noticing.
The document describes the actors, costumes, and props for the characters in an upcoming production. Eric will be played by Dan Ivett and dressed scruffily with bloodstained clothes, carrying a hatchet. Travis will be played by Joey Pinder and dressed in dark colors with a bowler hat and umbrella. Eric's psychologist will be played by Charlie Gaston, wearing glasses to appear intellectual, and carrying the psychologist's diary. A lady in the woods will be played by Lucy Brooks, wearing normal walking clothes.
1) The opening titles of Hot Fuzz use changing sound effects to show the evolution of the police force from air raid sirens to modern police sirens, indicating the film is set in present day.
2) The introduction focuses on Constable Nicholas Angel, showing him through a montage sequence that establishes his importance, competence, and intensity as a police officer through shots that keep him centered.
3) Throughout the montage, Angel's voiceover describes his training and experience in various police procedures in a way that presents him as exceptionally skilled and driven compared to other officers. This establishes him as the hero and main focus of the film.
The opening sequence of Shutter Island establishes the film's themes of mystery and imprisonment through its visuals and audio. It begins with text over a black screen accompanied by unsettling string music. The camera then reveals a ship emerging through dense fog, hinting at uncertainty and suspense. On board the ship, a character is seen being sick near chains, suggesting the story will involve prisoners. The main character Teddy is then introduced in a bathroom, appearing unwell. Later scenes feature chains, handcuffs and muted colors that connote jail. Teddy and another character talk on the deck, establishing them as counterparts. A flashback reveals Teddy's wife may be dead, supported by her bare feet and red nails. The opening
The opening scene shows the main protagonist Somerset in bed, unable to sleep due to noise from the next room. Shots show his frustration and attempts to focus on a metronome to block out the noise. This microcosm represents his desire to escape the noise and disruption of city life. The transition to the opening titles is abrupt, leaving the viewer feeling something is missing. The titles use an uneasy, flickering font and fast editing to set an unsettling tone and prepare viewers for disturbing visuals and an exciting thriller.
The document describes the actors, costumes, and props for the main characters in a play or film. Eric will be played by Dan Ivett and dressed scruffily, carrying a bloodstained hatchet. Travis, a contrasting character, will be played by Joey Pinder, dressed in dark colors with a bowler hat and umbrella. Eric's psychologist will be played by Charlie Gaston, dressed smartly with glasses, carrying notes from the deceased psychologist. A minor character, a lady in the woods, will be played by Lucy Brooks in normal walking clothes.
This document outlines the production schedule for a film project, including dates, locations, tasks, crews, equipment, and other details. It shows filming will take place on February 1st and 7th to capture scenes in the woods and a cafe. Editing and post-production will occur between those dates and continue through February 1st, involving tasks like organizing footage, editing scenes, finding music, color grading, and completing special elements for a blog. The listed equipment includes cameras, microphones, and editing software to carry out the various production and post-production roles.
This document discusses location plans for an upcoming film. It describes a forest area that will be difficult to replicate exactly but efforts will be made to find a similar location. It also mentions a path in the woods where a character will spot another alone. Finally, it provides details on a specific cafe called Bodega that will serve as the location where a woman reviews notes over coffee in a red chair.
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Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
1. Shot No. Shot Type Duration
(Approx.)
Additional Information
1 Long shot 4s Dan walking to/sitting at drums – no music playing.
2 Close up Cont. of
prev. shot.
Close up of Dan’s face
3 Close up 2s Dan playing drums. A few variations of same of same shot in quick succession. Opening
drum riff.
4 Mid Shot 4s Dan in park (cross cutting with drums), lots of camera movement and colour. Dream-like.
5 Close up 3s Return to Dan playing drums. A few variations of same of same shot in quick succession.
6 Mid shot 4s High angle of Flo in bar. Similar to shot No. 4.
7 Close up Cont. of
prev. shot.
Camera moves into close up of Flo.
8 Close up 8s Many variations of Dan playing drums. Editing pace slows as opening comes to an end.
9 Close up Cont. of
prev. shot.
Camera pans away from drums and tilts upwards slowly as if snapping out of a dream.
(Possible fade transition)
10 Mid shot 1.5s STARTS 20 SECONDS INTO SONG. Shot of behind Dan walking in a park (location may
change). Camera tracks him.
11 Close up <1s Shots 11-14 are each one of four beats. Close up of back of Dan’s head from a slight angle
(can see a little of side of face).
12 Close up <1s Shots 11-14 are each one of four beats. Close up of side of Dan’s head (square on).
13 Close up <1s Shots 11-14 are each one of four beats. Close up of Dan’s eye (or sunglass).
14 Close up <1s Shots 11-14 are each one of four beats. Close up of Dan’s face (square on).
15 Mid shot 2s Lyric “I be catchin’…”. Flo from shot No. 6 exiting bar (location may change).
16 Close up 3s Low angle of Flo looking left and right outside bar.
17 Mid shot 3s Flo walking away from bar, Dan in background
18 Close up 2s Lyric “But keep your eyes on me. Side of Dan’s face, Flo in background with shallow depth
of focus (if possible).
19 Close up Cont. of
prev. shot.
Camera swings round to front on of Dan’s face. Lyric “… on me.”
2. 20 Mid shot 1s Cross cut to Dan playing drums again.
21 Mid shot 3s Reaction shot of Flo seeing Dan. (Shot 20 on storyboard)
22 Close up 2s Cut back to bar seen in shot 6. Shot of table with Flo’s ID on it (can see from photo or
similar). Hand comes in to grab it, camera zooms in and tracks the item while swinging
round to a low angle of a man (Charlie) in background with shallow focus.
23 Close up 1s Track hand (and item) as the person moves to exit.
24 Long shot 2s Lyric “Your heart don’t stand a chance”. Zoom from long shot into mid shot + low angle of
Charlie (similar shot No. 16)
25 Mid shot Cont. of
prev. shot.
Charlie looks around in the same way as the Flo did in shot 16
26 Close up <1s Dog. 1 beat.
27 Close up <1s Lead. 1 beat.
28 Close up <1s Dan. 1 beat (next beat is ‘uh’ at around 37.5 seconds in).
29 Mid shot 2s Dan throws the dog a ball.
30 Long shot 3s Hand held (POV of Flo), ball lands near her, dog looks at her.
31 Mid shot 2s Reaction shot (now we can see her face) of the Flo who’s just seen the dog. She tries to
call it over.
32 Long shot 2s Dog looks at her and runs away.
33 Close up 1s She looks a little sad and looks where the dog goes.
34 Extreme long
shot
2s Dog runs to Dan. (Smooth zoom transition to next shot)
35 Mid shot 1s Dan praises the dog and leaves.
36 Mid shot 2s The Flo’s interest has shifted to Dan and she looks to see where he’s going. Her NVC
shows interest. She looks at her watch. Lyric “the eyes keep me all…” ENDS 50 SECONDS
INTO SONG.
37 Close up 2s (4
beats)
Cross cut to Dan playing drums again.
38 Close up <1s Dan pulls cardoor closed.
39 Mid shot 2s Dan pulls away in his car. Ends just before lyric “all in the back of your head”.
3. 40 Long shot 3s Charlie spots the Flo in the distance and begins to jog towards her.
41 Close up 2s Flo shot with Charlie in the background, slow motion (maybe) she turns her head away
and walks off.
42 Mid shot 2s Flo unlocks door to her house.
43 Close up 1s Charlie looking a little puffed out.
44 Mid shot 1s Flo has seen Charlie but goes into her house concerned.
45 Close up 1s Charlie looks annoyed.
46 Close up 2s Charlie puts the Flo’s item into his pocket to lyric “all in the palm of my hand”.
47 Close up 3s Cross cut to Dan playing drums again. ENDS 1:04.5 INTO SONG.
48 Mid shot 1s The Flo is writing something down.
49 Close up 2s Shot of what she wrote down – ‘4:45 TOMORROW – PARK’.
50 Close up 3s Dog falling asleep. Possible slow motion. Lyric “Far too long, girl”
51 Close up 2s Cross cut to Dan playing drums again.
52 Extreme long
shot
2s Shot of Dan closing curtains from outside house.
53 Mid shot 1s Match on action of closing curtains. Shot from indoors, behind Dan.
54 Mid shot 1s Dan sat in bed. Shots No. 54 – 56 are a sequence of jump cuts.
55 Mid shot 1s Dan pulling duvet over.
56 Mid shot 1s Dan switching light off. SHOT ENDS AT 1:19 INTO SONG.
57 Close up 2s Cross cut to Dan playing drums again.
58 Close up 2s Dogs eye beginning to wake. Bright light to signify morning.
59 Close up 2s Hand grabs Flo’s item off a bedside table.
60 Close up 4s Flo’s hand hits an alarm clock next to pad with the note on it. Shot ends at end of lyric
“…so far from what you’re used to. SHOT ENDS 1:26 INTO SONG.
61 Close up 2s Cross cut to Dan playing drums again.
62 Close up 1s Dog yawn start (Jump cuts).
63 Close up 1s Dog yawn end (Jump cuts).
64 Mid shot 1s Charlie buttons up top button of shirt (shot in mirror) (Jump cuts).
65 Mid shot 1s Charlie turns away from mirror and heads off (Jump cuts).
4. 66 Extreme close
up
1s Flo’s eye looking down (Jump cuts).
67 Mid shot 1s Flo’s note pad (Jump cuts).
68 Mid shot 1s Dan checks phone (Jump cuts).
69 Close up 1s Phone says ‘4:30’ (Jump cuts). JUMP CUT SEQUENCE ENDS AT 1:32 INTO SONG
70 Long shot 2s Dan grabs lead.
71 Close up 2s Dan clips lead onto dog.
72-92 Variety 10s Shots 58 – 71 repeats 2 more times, each time subtle changing (without drum cross cut) in
quicker succession show time passing. SEQUENCE ENDS 1:45 INTO SONG.
93 Close up 1.5s Continuation of final shot of sequence (similarto shot No.71). Camera pulls up as Dan
walks dog away. SHOT ENDS 1:45 INTO SONG, JUST BEFORE INSTRUMENTAL.
94 Close up 1s Slow motion close ups of scenery from shot No. 4
95 Close up 1s Slow motion close ups of scenery from shot No. 4
96 Close up 1s Slow motion close ups of scenery from shot No. 4
97 Mid shot 2s Slow motion dog’s head out window.
98 Extreme close
up
2s Slow motion of Flo’s eye blinking and turning away.
99 Close up 1s Slow motion Dan’s keys swinging in ignition.
101 Close up 1s Slow zoom of table where Charlie found item – no item there now obviously. Charlie’s
hand is in corner of frame.
102 Mid shot 2s Charlie looking at item as if about to give up and hand it to the police.
103 Variety Until 2:12 Continuation of slow motion shots focussing on scenery, emotion and plot development.
Final shot of sequence should be of Dan drumming just before the chorus – this should
then move into normal speed and be in time with the chorus.
104 Close ups/mid
shots
Until end
of chorus
(2:30)
Same sort of sequence as shots No. 1-9 but this time more intense (in terms of the way of
drumming and what it is being cross cut with). Make cross cutting more fast paced, play
with speed, etc. – make the dream slightly more nightmarish.
105 Mid shot 1s Charlie walking towards bar, shot from front – keep constant distance between Charlie
and camera
5. 106 Long shot 1s Hand held POV of Charlie – we see he’s going to the bar.
107 Mid shot 2s Flo leaves bar. Charlie is within 5m of the bar when Flo exits
108 Close up 1s Reaction shot – unsure if it was Flo
109 Mid shot 1s Flo walking away
110 Mid shot 2s Charlie picks up pace
111 Long shot 2s Flo goes around a corner
112 Mid shot 2s Charlie begins to jog
113 Mid shot 1s Flo walking, looking at watch. She walks quite fast and goes around a corner.
114 Extreme long
shot
3s Shot of street Flo was walking down, symmetrical, cinematic. Charlie comes around the
corner.
115 Extreme long
shot
2s Reaction shot from where Charlie was. Facing other way down street, no one is there.
Charlie Enters frame facing away from us, walking away from the camera.
116 Close up 2s Cross cut to Dan playing drums again.
117 Long shot 4s Start on path, ‘steadicam’ down path (put in faster motion in post) and zoom into low
angle of Dan.
118 Close up 2s Dan looks a little alarmed and whips his head around.
119 Long shot 2s A jogger runs towards him and then past him. Camera pans and follows them
120 Close up 1s Reaction shot. Dan frowns but looks a little relieved.
121 Mid shot 2s Slow motion. Bailey tries to chase jogger – pulls on lead. Shot low at Bailey’s height.
122 Close up 2s Cross cut to Dan playing drums again.
123 Mid shot 2s Catch up with Flo. Location has changed a little. She looks rushed.
124 Close up 3s Slow motion. Close up of half of Flo’s face framed so that we can see space behind her.
Zoom past face so whole frame is empty space behind her. Smooth zoom transition to
next shot.
125 Close up 3s Catch up with Charlie. He is looking for turning that Flo could have gone in to. Lyric “is it as
real as the stone in your crown”. SHOT ENDS AT 3:11.
126 Mid shot 1s Charlie power walks/jogs out of shot like he’s found something.
127 Mid shot 2s Shot start from around the corner, Charlie comes around the corner into shot, looks
around behind him and continues out of shot.
6. 128 Long shot 5s Camera starts at Charlie jogging down new path on a mid-shot, pans around, steadicamto
where Flo is (further down path, round more corners, etc.) in fast motion. Flo looks and
power walks off towards place where she saw Dan, days ago.
129 Close up 2s Slow motion lead coming off.
130 Close up 1s Dan swinging lead round neck.
131 Close up 2s Bailey panting in slow motion.
132 Long shot 1s Flo begins to move into a jog. Lyric “Your heart don’t stand a chance”.
133 Close up 2s Charlie digs item out of pocket. Lyric “I’m waiting for the white flag”.
134 Mid shot 2s Charlie disappears down a different turning to her.
135 Close up 4s Cross cut to Dan playing drums again.
136 Mid shot 3s Dan laughs (general expression of joy) in slow motion.
137 Close up 3s Dan whips lead off his shoulders in slow motion.
138 Close up 1s Clips lead onto Bailey.
139 Mid shot 2s Dan heads away into car.
140 Close up 1s Flo’s phone – she missed the time.
141 Close up 3s Reaction shot. Flo looks angry, frustrated, sad, etc. She then jogs out of frame to go to the
park (she is close).
142 Close up 1s Charlie looks down.
143 Close up 1s Item.
144 Close up 1s Charlie looks frustrated.
145 Long shot 2s Flo appears from Charlie’s POV in park.
146 Mid shot 1s Dan slams cardoor shut
147 Close up 1s Flo looks happy
148 Mid shot 2s Flo heads quickly out of shot to intercept Dan.
149 Mid shot 2s Charlie realises it’s her and begins to run.
151 Long shot 1s Charlie runs (to camera) yelling “hey”, etc.
152 Close up 2s Flo looks over shoulder and seems confused, continues.
153 Mid shot 2s Camera moves alongside Charlie running. He continues to yell.
7. 154 Mid shot 2s Flo looks over shoulder again but looks more concerned and begins to break into a run
herself.
155 Close up 2s Slow motion of item in Charlie’s pumping hand.
156 Close up 2s Flo’s bag as she runs.
157 Close up 1s Dog looking out window.
158 Close up 1s Hand tapping on wheel.
159 Various 20s Chase scene continues with a mix of normal and slow motion. Florence has mixed
expressions – fear and excitement. Focus needs to also be on the item and Flo’s bag
(which she has on her). Little focus on Dan driving.
160 Close up 3s AT 4:37, WHEN CHORUS COMES IN, Dan’s drumming becomes more intense/dramatic.
161 Long shot 2s Flo stops Dan’s car.
162 Close up 1s Slow motion of her saying “help” acting very scared.
163 Mid shot 1s Flo opens door and gets in.
164 Mid shot 1s Flo’s face – saying “go go go”, “someone’s chasing me”, or similar.
165 Close up 1s Reaction shot of Dan asking what frantically.
166 Close up 1s Dan drumming
167 Close up of
mirror, long of
Charlie
1s Wing mirror with Charlie running after in, trying to wave down car.
168 Close up 1s Flo’s face – expression has changed. She looks slightly eviller as Dan pulls away quickly.
169 Close up 1s Wing mirror – Charlie has vanished.
170 Close up 5s Zoom out from bag where we could see the item Charlie had is in there – revealing she
made Charlie up to get to Dan. Camera tracks around into front of car – Flo breaks fourth
wall. Looks very evil.
171 Close up 1s Final beats of song – Dan ends drums, puts sticks down, fade to black.
172 Title 12s Title of song, my name, etc. all during 12 second interview section at end of song.
Shotswillbeinveryquicksuccession.
Timingswon’tbefullysorteduntilI
matchitwithmusicinpost.