This document outlines the shooting script format and shot list for a music video. It includes 79 shots ranging from close-ups and mid shots of the lead singer to establishing shots of the band and locations. The shots utilize techniques like jump cuts, match cuts, whip pans, and focus pulls. They show the singer performing, crying, arguing, and in bed with another person. Interspersed are news-style "short takes" of topical events matching the song's themes of pain, loss, and lack of care. The video starts and ends by zooming out from a close-up of the singer to reveal the full band, framing the personal story within current events.

1. ShootingScriptFormat
Shot Camera/Action Time Audio Editing Technique Transition
1 Newsflash: Short takes
2 Of a Brexit campaign Brexit marches Short take
3 Of Black lives matter marches Short take
4 Of mass shootings Short take
5 Of Donald Trump political campaigns Short take
6 Of old news reel ofHitler Short take /Match on action
7 Of a murder case Short take
8 KKK marching through Cali Short take
9 Of “not my president” riots. Short take
10 Of MLK I have a dream speech Short take
11 Of Syrian refugees. Short take
12 Boy in the ambulance video Short take

2. ShootingScriptFormat
13 Atomic bomb launch Short take
14 Long shotof the band left in the
woods, image is distorted by the old
TV static.
Long take
15 Zoom out to reveal a TV with the
previous shotstill on it and the camera
begins to pan around the room.
16 When the pan turns 180 degrees it
shows the band. Lead singer is lit
under a spotlight and it zooms in on
the lead.
17 Close Up ofthe artist performing until
the line “hold tightly to the walls”
No one asks me for dances
because Ionly know how to
flail/
I always hit like I'm drowning,
dead arms around him
I'd rather stand still, hold
tightly to the walls
18 Cross cuts to the band all out drinking
and being reckless. Mid shotofthe
lead in central London.
No care, no care in the world
19 Close Up ofher laughing No care, no care in the world Jump cuts

3. ShootingScriptFormat
20 Close up ofher looking emotionless Jump Cut
21 Close Up her looking sad using a fish
eye lens.
I don't care, I don't care
anymore
Jump cuts
22 Close up to her looking confused using
a fish eye lens.
Jump Cuts
23 Close Ups her laughing once more
using a fish eye lens.
I don't care, I don't care Jump cuts
24 POV shot ofArtist running into the
woods.
Love you in a panic because I
prefer to siton fences
25 Whip pan to the Right (Band member
1)
Spit-kissing on my sickbed
26 Whip pan to the left to see the other
band member (2) standing there.
I'm not searching for
replacements
27 Close up ofthe artist looking at
something (the instruments they are
holding).
But we are like broken
instruments
28 Close up ofthe broken instruments the
rest ofthe band are holding
Twisted up and wheezing out
the runnels
29 Close up oflead singer. Sleepless folks watching light
grow

4. ShootingScriptFormat
30 Mid shotof artist walking away from
the camera and standing in the middle
of the band members. Band members
say “early morning windows” in time
with the song.
Through their early morning
windows
31 Lead singer stands in the middle ofthe
two members in a long shot.
32 Jump Cuts to the lead singer who is
smiling uncomfortably
I don't care, I don't care
anymore
33 Close up ofartist looking sad. I don't care, I don't care
34 Close up ofartist having a friend come
up to her but she shoves her off
looking agitated.
Oh, I'm too drunk to fight,
35 Close up ofartist wiping her eyes. hurling curses at your surface
36 Long Shot oflead singer sitting on a
train.
Because I'm aware, because it
hurts that I'm in love again

5. ShootingScriptFormat
37 Over the shoulder shotofher looking
down at her phone she sees a missed
call from her mum.
And laugh, kiss my neck, say
your arguments are insane
38 Tracking movement follows her
entering her building and down the
corridor
Fighting over the way
something was said
39 The two band members are seen
mirroring the shining twins on the side
of the shotfollowed by the artist
backtracking and shaking her head out
of disbelief
40 Cut to lead singer standing in front of
the open cabinet taking outpills.
41 Jump cuts to a slow zoom to close up
of lead singer staring at herself in the
mirror up until the end ofthe line of
“Well, I’m still here like a cheap threat”
Well, I'm still here like a cheap
threat
Jump cut
42 jump cuts to a close up ofthe artist
crying No care, no care in the world
Jump cut
43 jump cuts to a close up oflead singer
arguing with someone
No care, no care in the world Jump Cut
44 jump cuts to a close up oflead singer
screaming
Jump Cut

6. ShootingScriptFormat
45 Jump cuts to her crying performing “I
don't care”
I don't care Jump Cuts
46 Jump cuts to her performing (angrily) “I
don’t care anymore”
I don't care anymore Jump cuts
47 Jump cuts to “I don'tcare” I don't care Jump Cuts
48 Final Jump cut to “I don’t care” I don't care Jump cut
49 Aerial shot to show that there is
someone in bed with her. The room
clearly is not her room.
Oh, there has only been one
time where we fucked
And I felt like a bad memory
Like my spine was a reminder
of her
And you said that you felt sick
50 Close up to mirror Suzanne Opton’s
photography for the duration of“I was
so heavy hearted, lying side one with
you afterwards”
I was so heavy hearted, lying
side-on with you afterwards
51 Back to the TV room. Lead singer is
viewed from a mid long shotone the
sofa crying. For the duration of “How I
wanted you to promise we would only
make love”
How I wanted you to promise
we would only make
52 The close up shoton the streets.
Crying; performs “How I wanted you to
promise we would only make”
How I wanted you to promise
we would only make

7. ShootingScriptFormat
53 Back in the bedroom artistis laying on
her side looking atthe person in bed
with her. Tight frame/Arial Shot. “How I
wanted you to promise we would only
make love”
How I wanted you to promise
we would only make love
54 Shot (from the corner) showing lead
singer getting outof the bed.
But my mouth felt like Iwas
choking, broken glass
55 Shot (from the corner) showing lead
picking up her boots to puton.
56 Shot (from the corner) showing lead
standing in the room tidying up her
hair.
57 Long Shot ofher walking into the
kitchen
So I just sleptit off
58 Low angle looking atlead singer who
is looking intensely atsomething
followed by her picking up the knife
(American Psycho reference)
You see, my mouth felt like it
could…
59 Long Shot ofher walking out of the
house.
…talk the end ofus
60 Loose frame ofher sleeping on a train. So I just sleptit off, slept itoff
61 Close up ofartist in hysterics. No care, no care in the world

8. ShootingScriptFormat
62 Close up ofartist coming having
people come up to her trying to
comfort her.
63 Close up ofartist in hysterics. No care, no care
64 Close up ofartist coming having
people come up to her trying to
comfort her.
65 Close up/tight frame of artist lip
syncing to “I don't care”
I don't care, I don't care
anymore
66 Close up ofartist having someone
trying to console her-cupping her face.
67 Close up ofartist yelling Idon’t care.
68 Close up ofartist performing U don't
care and pushing people away.
I don't care, I don't care
69 Handheld shotshaking side to side as
Lead singer walks down the corridor
with difficulty.
Ah, I'm too drunk to fight
70 of her walking through the door. Mid
shot.
I only wanted you to promise
me we would only ever make
love
Match on action
71 Shallow focus to the light that switch
on at the top ofthe stairs.

9. ShootingScriptFormat
72 Focus pull so artist is in shot. She rolls
eyes and continues walking.
But my mouth felt like Iwas
choking, broken glass
73 Tracking shotfollowing the lead singer
into the dark living room viewed atthe
beginning.
So I just sleptit off
74 Close up ofthe artist sitting down
Sings the final lines ofthe song.
Wanted you to promise me we
would only ever make
75 Zoom out from the artists to reveal a
mid long shotofthe band with the lead
singer in the middle.
Wanted you to promise me we
would only ever make love
76 The camera has a dolly movement as
it pans across the room.
77 180 degree rotation ofthe camera to
face the TV
78 Zoom into the TV
79 TV shows newsflash at the beginning. Short Take
80 Short take Kkk marching through Cali Short Take
81 Short take Boy in the ambulance video Short Take

10. ShootingScriptFormat
82 Short take of Donald Trump political
campaigns (rally’s) (match on action)
Short Take
83 Short take of more topical news Short Take
84 Short take of Black lives matter
marches
Short Take
85 Short take of a murder case Short Take
86 Short take of a refugees Short Take
87 Band viewed from an extreme long
shotstanding in the trees.
Long take
88 of the area the band were in but they
had disappeared.
Long take
89 Cut to black