Shot list
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The document is a shot list for a music video containing 30 shots filmed at a pier and beach. The shots include establishing shots of the pier, various shots of the main actor singing and walking along the pier, and flashback memories portrayed in black and white. The memories show the actor's past relationship with her ex, including them laughing together, the ex receiving a necklace from the actor, them arguing and the necklace being torn off during a fight. The final shots return to color and show the actor throwing the necklace away before walking off alone while it remains on the ground.
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Shot list
The shot list documents 44 shots needed for a romantic drama film set in Bournemouth, England. It includes various establishing shots of Bournemouth Beach, medium and close-up shots of actors arguing at home, over-the-shoulder shots of an actor singing to his love interest, and shots of the actress storming out and leaving for the airport while the actor tries to stop her from leaving. The shots range from establishing wide angles to close personal moments between the actors and cover locations like the beach, their home, and the airport as the story of the couple's argument and attempted reconciliation unfolds.
Cheerleader omi
The music video features fast-cutting shots of a beach party and people playing at the beach. It includes shots of the main actor singing in a car and desert, as well as a bedroom scene. The video utilizes different camera shots and angles throughout, along with fades, slow motion, and cuts to set the mood. Lip syncing is used to make the video look professional.
James Bay with Joseph Review
Joseph, a band of sisters from Oregon, opened the concert with their amazing vocals that captivated the audience. The main act, James Bay, then performed an entertaining set, playing guitar and engaging with the crowd through his movements, facial expressions, and pride in their singing along. The entire crowd was fully immersed in the experience, listening intently to songs like "Scars" and "Incomplete" and uniting in singing the choruses, showing the power of Bay's voice and their unity.
Shot list
1. The document describes shots from a music video intercut with lyrics from the song. It shows various actors in different locations interacting with tin can telephones or telephone boxes as they lip sync to the lyrics.
2. Scenes cut between the actors in synchronous ways to the music and include them making calls, disappearing, and leaving the telephones behind as the music fades out.
3. The shots convey a sense of isolation and longing to connect as the actors use the telephones but ultimately leave them alone, represented by the lyrics questioning what is real and feelings of not knowing.
Music video script second draft (rough)
The script is for a music video for the song "Hold Back the River" by James Bay. It follows a group of friends throughout a day as they get ready to go out, take public transportation, play games, walk around the city, attend a concert, hang out in a cafe and parking lot. Throughout the video, the friends are constantly filming each other on cameras with a grainy, sometimes black-and-white filter to give an old-fashioned feel. The lyrics and music are incorporated throughout scenes of the friends laughing, joking and wandering the city together.
Applying Goodwin's ideas (3)
The music video for "Smooth Criminal" by Michael Jackson uses editing, choreography, costumes, and sounds to engage the audience. It cuts between scenes rhythmically and focuses on Jackson, highlighting his dancing skills. The 1930s gangster-style outfits and sounds of violence depict the song's narrative. Complex choreography and a surprising break in the music leave viewers wanting more.
Shot list
The shot list contains 49 shots detailing a romantic storyline between three characters: Actor 1, Actor 2, and Actor 3. The shots show Actor 1 initially sitting alone at a table, noticing Actor 2 but growing disappointed after Actor 2 dances with Actor 3. Later shots depict Actor 1 playing guitar and lip syncing songs of longing for Actor 2. The list concludes with Actor 2 approaching Actor 1 and asking them to dance, implying Actor 1's feelings are reciprocated.
Music video analysis
The document analyzes two music videos - "Miss Independent" by Neyo and "Yonce" by Beyoncé - through the lens of gender representation. In Neyo's video, the female lead is presented as an equal to the male lead, shown sitting together at the head of a table, breaking conventions of male dominance. However, Beyoncé's video depicts the women dressed in minimal clothing dancing for the male gaze, focusing the camera on their body parts, representing them as sexual objects for visual male pleasure rather than as fully realized individuals. Both videos match their visuals to the lyrics but "Yonce" takes a more objectifying approach through its mis en scene.
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Shot list
The shot list documents 44 shots needed for a romantic drama film set in Bournemouth, England. It includes various establishing shots of Bournemouth Beach, medium and close-up shots of actors arguing at home, over-the-shoulder shots of an actor singing to his love interest, and shots of the actress storming out and leaving for the airport while the actor tries to stop her from leaving. The shots range from establishing wide angles to close personal moments between the actors and cover locations like the beach, their home, and the airport as the story of the couple's argument and attempted reconciliation unfolds.
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The music video features fast-cutting shots of a beach party and people playing at the beach. It includes shots of the main actor singing in a car and desert, as well as a bedroom scene. The video utilizes different camera shots and angles throughout, along with fades, slow motion, and cuts to set the mood. Lip syncing is used to make the video look professional.
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Shot list
1. The document describes shots from a music video intercut with lyrics from the song. It shows various actors in different locations interacting with tin can telephones or telephone boxes as they lip sync to the lyrics.
2. Scenes cut between the actors in synchronous ways to the music and include them making calls, disappearing, and leaving the telephones behind as the music fades out.
3. The shots convey a sense of isolation and longing to connect as the actors use the telephones but ultimately leave them alone, represented by the lyrics questioning what is real and feelings of not knowing.
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The script is for a music video for the song "Hold Back the River" by James Bay. It follows a group of friends throughout a day as they get ready to go out, take public transportation, play games, walk around the city, attend a concert, hang out in a cafe and parking lot. Throughout the video, the friends are constantly filming each other on cameras with a grainy, sometimes black-and-white filter to give an old-fashioned feel. The lyrics and music are incorporated throughout scenes of the friends laughing, joking and wandering the city together.
Applying Goodwin's ideas (3)
The music video for "Smooth Criminal" by Michael Jackson uses editing, choreography, costumes, and sounds to engage the audience. It cuts between scenes rhythmically and focuses on Jackson, highlighting his dancing skills. The 1930s gangster-style outfits and sounds of violence depict the song's narrative. Complex choreography and a surprising break in the music leave viewers wanting more.
Shot list
The shot list contains 49 shots detailing a romantic storyline between three characters: Actor 1, Actor 2, and Actor 3. The shots show Actor 1 initially sitting alone at a table, noticing Actor 2 but growing disappointed after Actor 2 dances with Actor 3. Later shots depict Actor 1 playing guitar and lip syncing songs of longing for Actor 2. The list concludes with Actor 2 approaching Actor 1 and asking them to dance, implying Actor 1's feelings are reciprocated.
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The document analyzes two music videos - "Miss Independent" by Neyo and "Yonce" by Beyoncé - through the lens of gender representation. In Neyo's video, the female lead is presented as an equal to the male lead, shown sitting together at the head of a table, breaking conventions of male dominance. However, Beyoncé's video depicts the women dressed in minimal clothing dancing for the male gaze, focusing the camera on their body parts, representing them as sexual objects for visual male pleasure rather than as fully realized individuals. Both videos match their visuals to the lyrics but "Yonce" takes a more objectifying approach through its mis en scene.
Music video script_template
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The document profiles several characters from the TV show The X Factor UK. It describes Lucy Spraggan as having a bubbly personality and writing relatable songs, though she gets emotional on stage. It outlines James Arthur as down-to-earth who opens up about his family, and Rylan Clarke comes across as a flamboyant entertainer. The judges are introduced wearing casual clothes initially, each with their own personalities and ideas for mentoring acts. Gary is portrayed as serious while Louis enjoys entertainers over singers. Conflicts arise between petty judge insults that entertain viewers.
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2) James Arthur shares personal details about his family during his audition and receives positive feedback from the judges.
3) Rylan Clarke is a flamboyant entertainer who is memorable but lacks singing ability. The judges see him as more of a novelty act.
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Red 1
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Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and house/electro music. The video needs to reflect youth culture and appeal to their desire to party wildly and freely. It must match the tempo of the song, building from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property depict the audience as "animals" and match their rebellious culture. Rapid editing between close-ups captures the fast pace and excitement to engage viewers.
Acai bowl dominic fike
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Acai bowl presentation
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Costumes
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Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful, wild culture and match the tempo of the song as it builds up speed. Scenes of people dancing, partying, and acting like "animals" would appeal to this audience. The lyrics are minimal to match the genre and allow for dancing. Shots of people dancing and a climactic scene of "animals" destroying a car are used to engage the target audience and match the increasing tempo and energy of the song.
Red
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Shot list
The document describes 36 shots from a music video filmed at Bournemouth Beach and in a studio. The shots include various camera angles, movements, locations and details showing Elliot and Ellena meeting on the beach, entering a dream-like state in the studio while the song plays, and their time together at the beach laughing and having fun.
Camera shots
The document outlines various camera shots that will be used for a music video, including wide shots, medium shots, and close ups of the singer, dancers, twins, and a boy writing on a wall. Shots of the singer include her holding bugs, in an ink room, and next to dancers. Shots of the dancers include them dancing, close ups of their faces and feet. Shots of the twins include them behind the singer and in the woods. Shots of the boy include him writing on a wall and pulling his hair in frustration.
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Kelmanewt
Kelma Music is an Egyptian music production company that specializes in album and music video production as well as live concerts. It has produced albums and singles for many Arab artists such as Mohamed Adaweya, MTM, Samo Zain, Sherief Mekkawy, and Heba Yousef. The company is run by Chairman Yasser Hasanen and is preparing to release a double compilation album featuring various Kelma artists called "Kelma II."
Contemporary Video
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Costumes.
The music video will feature a casual look throughout, inspired by Shontelle's "Impossible" video where she wears casual clothes. There will be a scene of the actress playing the piano, inspired by Pussycat Dolls' "I Hate This Part" where she wears a white dress, but their actress will wear a purple dress to evoke sad and frustrated feelings.
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The document outlines accounting and financial policies and procedures for an organization called NAHDA. It defines key terms like assets, liabilities, capital, revenue and expenditure. It establishes procedures for accounting categories, cash management, procurement, budgeting and more. The procedures are designed to ensure transparency, accountability, separation of duties and control over cash receipts, disbursements, petty cash and other financial activities.
Location overview
This document provides an overview of Boscombe Pier and Beach in Dorset, UK as a potential location for filming a music video. It notes that the public space could see disruption from weather or public interference. Permission would need to be obtained to film any members of the public. Weather conditions like rain or wind could also impact filming so protective equipment and a first aid kit would be required. During a location scout, risks were identified such as sharp objects or animals that could injure staff. Careful planning is required to film at this location safely and without disruption.
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1) The NGO aims to benefit from resources available in local communities and the private sector by hiring locally when possible and networking with private sectors.
2) Maintaining contact with decision makers and inviting them to events is a priority to promote the NGO's relations with the government.
3) Regular reporting, participation in planning, and communication are emphasized to satisfy funders and ensure credibility and accountability.
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Music video script_template
This music video script features various shots of actors and actresses singing and dancing to the song "I Wanna Be a Rockstar" by Post Malone. Over the course of 9 sections, the script outlines 29 shots showing the performers mouthing the lyrics of the song outdoors, inside homes, and other locations. It concludes with the music playing and sounds of the audience cheering.
Characters
The document profiles several characters from the TV show The X Factor UK. It describes Lucy Spraggan as having a bubbly personality and writing relatable songs, though she gets emotional on stage. It outlines James Arthur as down-to-earth who opens up about his family, and Rylan Clarke comes across as a flamboyant entertainer. The judges are introduced wearing casual clothes initially, each with their own personalities and ideas for mentoring acts. Gary is portrayed as serious while Louis enjoys entertainers over singers. Conflicts arise between petty judge insults that entertain viewers.
Characters
The document provides character summaries of four acts that auditioned for a singing competition show:
1) Lucy Spraggan is an emotional singer who connects with audiences through her personal songs, although she lacks confidence.
2) James Arthur shares personal details about his family during his audition and receives positive feedback from the judges.
3) Rylan Clarke is a flamboyant entertainer who is memorable but lacks singing ability. The judges see him as more of a novelty act.
4) The judges each have their own personalities and ideas about the type of acts they want to mentor, which sometimes leads to conflicts between them for entertainment purposes.
Red 1
The target audience for the music video are people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful culture of being wild and free. It must match the tempo of the song, which builds from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property appeal to the rebellious nature of the target audience. Camera techniques like close-ups, rapid cuts, and slow motion are used to match the fast pace of the music. Digital effects are minimal to maintain focus on the excitement of dancing and partying.
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and house/electro music. The video needs to reflect youth culture and appeal to their desire to party wildly and freely. It must match the tempo of the song, building from slow to fast beats and climaxes. Scenes of people dancing, partying, and destroying property depict the audience as "animals" and match their rebellious culture. Rapid editing between close-ups captures the fast pace and excitement to engage viewers.
Acai bowl dominic fike
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The video proposal is for Fike's song "Acai Bowl" and would feature shifting scenes of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. Different singers would be featured at different parts of the song to represent different themes.
Acai bowl presentation
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The proposed music video would feature simple, changing shots of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. It would use props like breaking glasses and spilled cranberry juice to symbolize parts of the song without a clear narrative or performance.
Costumes
The document discusses costume ideas for a music video inspired by other artists' videos. It recommends a casual look throughout, as seen in Shontelle's "Impossible" video, avoiding dresses or revealing clothes. For a specific scene of the actress playing an instrument, it suggests taking the girly white dress look from the Pussycat Dolls' "I Hate This Part" video.
Red
The target audience for the music video is people aged 16-25 who enjoy clubbing and electro/house music. The video needs to portray a youthful, wild culture and match the tempo of the song as it builds up speed. Scenes of people dancing, partying, and acting like "animals" would appeal to this audience. The lyrics are minimal to match the genre and allow for dancing. Shots of people dancing and a climactic scene of "animals" destroying a car are used to engage the target audience and match the increasing tempo and energy of the song.
Red
The music video for "Animals" by Martin Garrix effectively appeals to its target audience of 16-25 year olds who enjoy clubbing and electronic music. It matches the fast tempo and climactic buildup of the song through rapid editing between shots of a group dancing wildly and destroying property. Close-up shots of excited faces and bodies establish the rebellious "animal" spirit of youth culture that the lyrics and genre aim to portray.
Shot list
The document describes 36 shots from a music video filmed at Bournemouth Beach and in a studio. The shots include various camera angles, movements, locations and details showing Elliot and Ellena meeting on the beach, entering a dream-like state in the studio while the song plays, and their time together at the beach laughing and having fun.
Camera shots
The document outlines various camera shots that will be used for a music video, including wide shots, medium shots, and close ups of the singer, dancers, twins, and a boy writing on a wall. Shots of the singer include her holding bugs, in an ink room, and next to dancers. Shots of the dancers include them dancing, close ups of their faces and feet. Shots of the twins include them behind the singer and in the woods. Shots of the boy include him writing on a wall and pulling his hair in frustration.
Coldplay
The video for Coldplay's "Yellow" features lead singer Chris Martin walking along a beach while singing directly to the camera. Throughout the video, the sky changes from night to day within the span of the song, suggesting the passage of time. The video was filmed in a single continuous shot in slow motion to synchronize with the normal-speed song. It takes a minimalist approach with few visual elements beyond Martin's solitary figure, creating a contemplative and conceptual mood to match the song's lyrics.
Kelmanewt
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Contemporary Video
The video depicts Jennifer Lopez singing and dancing alongside backup dancers. It shows various episodic scenes of Lopez as different characters, such as a housewife, factory worker, and personal assistant, who are belittled and degraded by men but eventually stand up for themselves by saying "I ain't your momma". The scenes, lighting, and pacing of the video are upbeat and match the empowering lyrics and pop music genre. There is no overarching narrative, but rather a series of short scenes depicting women gaining empowerment and standing against patriarchal domination.
Costumes.
The music video will feature a casual look throughout, inspired by Shontelle's "Impossible" video where she wears casual clothes. There will be a scene of the actress playing the piano, inspired by Pussycat Dolls' "I Hate This Part" where she wears a white dress, but their actress will wear a purple dress to evoke sad and frustrated feelings.
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The document discusses and analyzes different music videos based on their genre. It examines an Olly Murs video that tells a narrative story through its unmade bed and characters' intimate moment. It also looks at a Will.i.am video that enhances its performance aspect through costumes setting it in the 1920s-1930s and black and white film style. Finally, it summarizes a Miley Cyrus video that focuses on crafting an image of the artist through close-ups, a white background, and her makeup look.
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This document outlines policies and procedures for project impact assessment at NAHDA. It defines key terms like baseline data, indicators, assessment, evaluation, and stakeholders. It describes collecting baseline data before projects using structured questionnaires. It also involves beneficiaries in all project stages from design to evaluation. Monitoring and evaluation will be based on impact indicators and disseminate results to improve future programs. The goal is to generate action-oriented recommendations by assessing social/cultural factors and how stakeholders participate in and benefit from NAHDA's policies and programs.
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The document outlines accounting and financial policies and procedures for an organization called NAHDA. It defines key terms like assets, liabilities, capital, revenue and expenditure. It establishes procedures for accounting categories, cash management, procurement, budgeting and more. The procedures are designed to ensure transparency, accountability, separation of duties and control over cash receipts, disbursements, petty cash and other financial activities.
Location overview
This document provides an overview of Boscombe Pier and Beach in Dorset, UK as a potential location for filming a music video. It notes that the public space could see disruption from weather or public interference. Permission would need to be obtained to film any members of the public. Weather conditions like rain or wind could also impact filming so protective equipment and a first aid kit would be required. During a location scout, risks were identified such as sharp objects or animals that could injure staff. Careful planning is required to film at this location safely and without disruption.
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This document outlines procedures for an NGO to collaborate with various stakeholders, including local communities, private sectors, government authorities, funders, media, and the public. The key points are:
1) The NGO aims to benefit from resources available in local communities and the private sector by hiring locally when possible and networking with private sectors.
2) Maintaining contact with decision makers and inviting them to events is a priority to promote the NGO's relations with the government.
3) Regular reporting, participation in planning, and communication are emphasized to satisfy funders and ensure credibility and accountability.
4) A public information officer will handle media relations through interviews and press releases to attract attention and promote any
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Location shots
Boscombe Pier and Boscombe Beach are two locations featured in a documentary. The documentary includes footage shot at both Boscombe Pier and Boscombe Beach, which are likely scenic or landmark areas near the coast. The brief listing of two location names suggests the documentary incorporates visuals from those two specific places.
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SUSTAINABILITY POLICY AND PROCEDURE
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Post survey report
A survey of Boscombe Pier and Beach in Dorset, England found it to present medium risks to crew from hazards like glass bottles and cans in the area as well as strong currents. Public activity was also noted as a risk, though it was quiet at the time of the survey. The terrain varies between flat, uneven sand, and water. Weather is unpredictable but rain is most likely in autumn. Wildlife like jellyfish present minor concerns. Careful planning will be needed to film safely and efficiently at this location given the various risks and potential disruptions.
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The document provides examples of adjectives used to describe people and objects. Adjectives modify nouns and provide description. Some adjectives used in examples are beautiful, pretty, handsome, cute, ugly, big, small, fat, thin, tall, short, old, and young to characterize people's appearances and the sizes of objects. The examples are attributed to Edgar Jiron Balladares.
Question 1
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This document contains a list of 17 numbered floor plan shots for a scene set on a pier, followed by 3 shots for a scene set on a beach and 3 shots for a scene set along a road near the beach. It also lists 2 shots for a scene set in a cafe. The shots are identified by number and describe the camera angle, shot size, and subject/action for each take.
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This document provides a history of the origins and evolution of pop music over time. It traces the genre back to its roots in the 1950s with rock and roll and discusses how pop music originated in Britain as a description for rock and roll and related youth music styles. It outlines some of the most influential artists and bands in pop music history like The Beatles, Michael Jackson, and Madonna. The document also discusses the development of different pop music styles over the decades from the 1950s through the 2000s and how various technologies, genres, and events helped shape pop music into what it is today.
Question 2
The document discusses how the author planned and created ancillary texts like a digipak and website to market a music video. The author wanted the ancillary texts to capture the emotion of the video and appeal to audiences. They considered different styles and concepts, sketching ideas before designing computer mockups and final products. The author took inspiration from existing pop genre products to ensure their ancillary texts conformed to conventions while having unique twists. They strove to make the products look professionally produced like real world music industry items. The author believes their package of ancillary texts is effective at marketing across different mediums and conforming to conventions to reach a variety of potential consumers.
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Shooting schedule
1. The document outlines a shooting schedule for a music video and narrative film, with 65 shots planned over 3 days of filming. Shots include scenes of a band performing in a recording studio, a couple arguing at home, and party scenes.
2. Locations include a recording studio, a stereotypical family home, and a public house party. Costumes include casual clothes and vintage band jackets.
3. Dates are scheduled to film the band on October 18th, couple scenes on October 21st, and party scenes on November 2nd.
Music video analysis
The document summarizes and analyzes three music videos:
1) Jamie T's "If You Got The Money" takes place in a club with dark backgrounds and red lighting on the singer. It uses shots of unhappy girls and a singing man to tell a storyline.
2) Kings of Leon's "Use Somebody" switches between scenes of a city and a concert, using dark colors and fast editing between long shots and close ups. It focuses mainly on men and sexualizes the few women shown.
3) The Fray's "How To Save A Life" shows close ups of faces and objects in a white room setting. Using words and neutral colors, it depicts different peoples' pain through continuity editing at
Shooting schedule
This shooting schedule outlines 57 shots for a music studio recording session, a domestic dispute scene, and a night out drinking with friends. The shots include various angles, close-ups, and movements to capture the key actions and emphasize important details. Locations include a recording studio outfitted with instruments, a stereotypical family home, and a public house. Characters are portrayed through their costumes, facial expressions, and interactions with others. The schedule provides technical direction to help visualize and film the intended scenes.
Shot list
The document provides a shot list for a music video with descriptions of the location, shot, camera distance, angle, movement, and any framing or composition issues to consider for each shot. Shots include an establishing shot of a beach, a performer walking on the beach, a performer at the beach with cliffs in the background, dance studio performance shots from various distances and angles, shots of a performer walking and a close-up in Darlington, and performance shots in Colburn. Continuity of lighting and keeping the public out of shots are noted as issues to consider.
Shooting schedule
The document provides details for filming shots over two days to tell a story. On Wednesday from 11am-3pm at Knypersley Reservoir, various shots of a couple holding hands and kissing by the lake are planned, along with shots of a singer watching them. On Thursday from 3-5pm at 20 Crowndale Place in a dark room lit by a single bulb, close-up and longer shots of a singer playing guitar and singing are scheduled, with a bassist joining in some shots.
Planning process
The document outlines costumes, props, locations, and casting for a music video production. It lists 4 outfits for the protagonist including dresses, tops, and accessories. It also lists a single outfit for the secondary artist. Props include a microphone. Filming locations are a green screen room, bedroom, outside, and living room. The casting includes the main protagonist BIA and a secondary artist named Robert.
Shot Count
The document describes 48 shots from a music video. The shots alternate between scenes of a band performing on stage at a college theater and a narrative of a man discovering his girlfriend cheating. The performance shots show each band member and their instruments as they prepare and play. The narrative shots depict the man finding his girlfriend with another man and later changing his appearance for her but feeling uncomfortable. The final shots return to showing the full band energetically performing their music.
Music video shot list
This document provides a shot list for a music video with 8 scenes and various shots within each scene. The shots include closeups, medium shots, long shots, and establishing shots of a male and female actor in a bedroom. The shots show the actors interacting, looking at phones, sitting on a bed, opening a door, and more. Technical details such as camera angles, actor positioning and movement, and lighting setups are included to capture the scenes as planned.
Shot list
This document contains a shot list for a music video. It includes 34 shots with descriptions of the camera movement, location, lyrics covered, and any actors or elements included in each shot. The shots progress through different locations like a bar, house, countryside, campfire, and conclude back at the bar. They alternate between close-ups of the main actor and wider shots showing other characters or the full scene. The shots are designed to visually depict the lyrics and story of the song being filmed.
Script - Hanging Hill Lane
This document outlines the script for a film called "Hanging Hill Lane". It describes 29 scenes showing the progression of a story about a girl in a village. The scenes establish the setting, show the girl walking around looking uncomfortable and afraid, arguing with someone, being intimidated by other characters, and imply that harm may come to her. The script ends by teasing the broadcast of the full film on BBC2.
Script
This document outlines the script for a film called "Hanging Hill Lane" with 29 scenes. It provides details for each scene including characters, camera shots, music and dialogue. The story follows a girl named Mary or Jess through the village as she has an argument with her partner and appears afraid as she is followed by an intimidating man down an alleyway. It ends with the girl's feet seen hanging, implying harm has come to her.
A level media script
This document outlines the script for a film called "Hanging Hill Lane" with 29 scenes. It provides details for each scene including characters, camera shots, music and dialogue. The story follows a girl named Mary or Jess through the village as she has an argument with her partner and appears afraid as she is followed by an intimidating man down an alleyway. It ends with the girl's feet seen hanging, implying harm has come to her.
Music tribes 2
The video begins with a close-up of Usher's "U" necklace against a black background. It then cuts between shots of Usher dancing with blue lighting and other people dancing on the dance floor. Near the end, Lil Jon and Ludacris make appearances, rapping and dancing along with changing colored lights in the club setting. The video emphasizes dancing, artistic expression, and elements of the hip hop and R&B genres through its filming techniques, lighting, costumes, and multiple artists collaborating.
A level media studies soap opera script
This document contains a script summary for a film called "Hanging Hill Lane". It describes 29 scenes showing the progression of a story about a girl in a village. The scenes establish the setting, show the girl walking alone looking uncomfortable as music plays, an argument with a partner, an interaction with an intoxicated man, and the girl being followed and silenced by another man. It ends with a voiceover and the film's logo and broadcast details.
Script - Unit G324
This document contains a script for a film titled "Hanging Hill Lane". It describes 29 scenes showing the progression of a story about a girl in a village. The scenes establish the setting, show the girl walking alone looking uncomfortable and afraid, arguing with someone, being watched by intimidating men, and eventually being grabbed from behind with her mouth covered. The final scene and voiceover imply the girl's fate and advertise the airing of the full film.
Music video script_chelseadagger
This document provides a script for a music video with 29 scenes. Each scene includes a description of the video shot and lyrics or music for that part of the song. The video begins with establishing shots of the venue and band setting up. It then shows the crowd arriving and band performing, alternating between close-ups of different band members and wider shots of the full band and crowd. The video captures the energy of the live performance throughout the song until its conclusion, with the final scene showing the band and crowd from the back of the room as the song ends.
Script
This document contains a script for a media production with 27 scenes. It lists the scene number, character name, shot type, camera angle, diegetic/non-diegetic sound, and brief action for each scene. The scenes establish characters at a pub and show their reactions after someone (Connie) dies during a game. The main antagonist, Nikita, is revealed at the end, looking smugly down at the other characters. Music from 30 Seconds to Mars plays throughout as the non-diegetic soundtrack.
Finished story board all together
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both establishing shots of the band performing on stage as well as close-ups of the singer, and cut between the narrative of a love triangle and shots of the band.
3. The shots are also described in terms of camera angles, movements, lighting, color effects, and mise-en-scene to depict the story and sync with lyrics from the song.
Finished story board all together
1. The document provides editing notes and descriptions for 18 shots to film a music video for the song "Mr. Brightside" by The Killers.
2. The shots include both close-ups and long shots of the band performing, as well as shots showing a narrative of a boy watching his girlfriend with another guy.
3. The shots are described in detail with information on camera angles, lighting, color effects, settings, costumes, and how each shot relates to and advances the lyrics of the song.
Shotlist
This document contains a shot list for a music video production with 15 shots over 5 scenes. The shots include establishing shots, singles, inserts, cutaways and more. They show the female singer entering an empty studio, rehearsing a song while being filmed from different angles, and performing on stage with a male dancer.
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Demi Lovato released her new single "Skyscraper" which debuted at number 10 on the Billboard Hot 100 chart, her highest charting single since 2008. The song has sold over 176,000 downloads in its first week and won the Teen Choice Award for Choice Summer Song. It has also been certified gold in Australia and platinum in the United States. "Skyscraper" is the lead single from Lovato's third studio album "Unbroken".
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This risk assessment form covers the filming of a music video to be shot on Boscombe Pier and beach from November 27th to December 6th. It lists the producer, crew, and locations involved. Potential hazards are identified from situations like drowning, falls, allergic reactions, stress, and litter. For each hazard, control measures are outlined such as appointing a first aid trained crew member, using barriers to prevent falls, notifying of allergies, scheduling breaks to reduce stress, and cleaning the area. With these controls, the post-control risk level is deemed low to trivial for all identified hazards.
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This document outlines the schedule and responsibilities for a film project. It includes the planned dates and resources required for tasks such as developing the treatment, script, storyboards, location scouting, production plan, shooting, editing, and focus group feedback. The schedule spans from September to December with various crew members assigned for filming and editing. Some tasks such as the storyboards and extra footage shooting required changes to the schedule due to modifications in plans or weather.
Shot types and meanings
This document defines and explains different types of camera shots and their meanings:
- Extreme wide shots establish the location without showing characters and set the mood and context. Close-ups intensify emotions by focusing on small details of characters' expressions and appearances. Medium shots provide context by showing characters and their surroundings. Two shots and over-the-shoulder shots convey relationships between characters. Point-of-view shots allow the audience to experience events through a character's perspective. Long shots also establish context by providing background information about the scene. Each shot type has narrative purposes and conveys different meanings to the audience.
Risk assessment
This risk assessment form evaluates the risks associated with filming a music video on Boscombe Pier and beach from November 27th to December 6th. It identifies potential hazards such as drowning, falls from height, allergic reactions, stress, and litter. Controls are outlined to minimize each risk, such as appointing a first aider, safety barriers, allergy notifications, breaks, and cleaning up after filming. With these controls in place, the risks are deemed low for staff and contributors involved in the production.
Theorists and theories
Laura Mulvey's 1975 essay "Visual Pleasure and Narrative Cinema" argued that classic 1970s Hollywood cinema encouraged the "male gaze," or voyeuristic way of looking at women. She identified five features of the male gaze in cinema, including focusing the camera on female bodies and showing events through the male character's reaction rather than the female's perspective. The male gaze objectifies and sexualizes women for the pleasure of the male viewer. It positions women as weak objects in need of male protection rather than as fully realized characters.
Roles and responsibilities
The document outlines the roles and responsibilities of various positions for a film production. Bethany Stacey will serve as the director and take overall control of the project, as well as casting actors in the correct roles. Other roles include camera operator, sound, editor, location scout, costumes, and production manager, each with specific duties to ensure shots, dialogue, editing, locations, costumes, and production run smoothly.
Bournemouth Borough Council Permission Letter
The student is writing to request permission from Bournemouth Borough Council to film a music video for their coursework on Boscombe Pier and beach, including a local café. The music video is for the song "Skyscraper" by Demi Lovato and will depict a break up through flashbacks filmed on the pier. Most of the filming will take place outside on the pier during quiet times to avoid disturbances. The student is flexible on filming dates and times depending on the Council's availability and permission. They assure that tourism and locals will not be disrupted and there will be no screaming or weapons involved in the production. Permission to use the location would be appreciated.
Location survey form
This document outlines the environment, risks, and control measures for filming at a location. It records the type of terrain, weather over several days, and any dangerous wildlife. The risks to personnel and disruption to production are rated on a scale from 1 to 3. Control measures include having first aid kits, trained medical staff on set, and briefing all staff on hazards. When filling out this form, accurate information and pictures of hazards should be provided to assess risks and discuss at weekly meetings.
Music record labels
This document discusses the history and structure of major music record labels from 1988 to present. It notes that from 1988-1999 there were six major labels known as the Big Six, which consolidated to the Big Five from 1999-2004, the Big Four from 2004-2008 and 2012, and the Big Three since 2012. It explains that record labels are often owned by larger holding companies which also control music publishing, manufacturing, distribution and other aspects of the music industry. Major labels currently control about 70% of the global music market and 80% of the US market.
2015 mtv video music awards
The 2015 MTV Video Music Awards was held on August 30, 2015 in Los Angeles and hosted by Miley Cyrus. Taylor Swift led nominations with 10 and won four awards including Video of the Year for "Bad Blood". The show had the lowest viewership in its history at 5.03 million viewers on MTV alone. It did break the US Twitter record with over 21 million tweets about the show from over 2 million people.
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
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如果您处于以下几种情况：
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◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分→ 【关于价格问题（保证一手价格）
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对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Shot list
- 1. Shot list Shot number Shot type Camera Movement Camera Angle Lighting Location Sound Detail 1 Establishin g shot Camera slowly sweeps the screen left to right. Long shot Natural/ High Key Pier Music playing all the way through Sets the scene and shows location of where the video will be mainly filmed in. 2 Establishin g shot Camera pans up Long shot Natural/ High Key Pier Music playing all the way through A figure is shown walking down the pier 3 Medium shot From the side as actor walks into the frame Tracking Natural/ High Key Pier Music playing all the way through Actor walks up to the pier and puts her hand on the railings 4 Extreme close up N/A Face Natural/ High Key Pier Music playing all the way through Actor sings 5 Medium shot N/A Medium shot Natural/ High Key Pier Music playing all the way through Actor blinks and looks down- slowed down pace 6 Close up N/A Close up Natural/ High Key Pier Music playing all the way through 7 Low angle shot Camera angled upwards to ‘look up at the actor’. Medium Natural/ High Key Pier Music playing all the way through
- 2. 8 Medium shot Actor walks towards camera Medium Pier Music playing all the way through 9 Close up N/A Close up Natural/ High Key Pier Music playing all the way through 10 Head shot N/A Close up Natural/ High Key Pier Music playing all the way through Actor looks over at the beach and back again at the camera 11 Head shot N/A Close up Shot is in black and white Pier/ Park Music playing all the way through Shot blurs as memory fades in 12 Two shot N/A Medium Shot is in black and white Park Music playing all the way through Main actor positioned behind and her ex positioned in the front as they both laugh together. 13 Head shot N/A Close up Natural/ High Key Park/Pier Music playing all the way through Camera blurs back into the face of the main actor looking sad while singing 14 Point of views shot N/A POV- Medium Low key Road Music playing all the way through Memory- ex walking hand in hand with another person 15 Two shot N/A Medium Black and white Restaurant Music playing all the way through Black and white memory- couple
- 3. laughing at restaurant -presented with necklace 16 Two shot N/A Medium Shot is in black and white Restaurant Music playing all the way through Black and white memory- Ex gets up to put necklace on 17 Extreme close up N/A Extreme close up Shot is in black and white Restaurant Music playing all the way through Black and white memory- of looking at necklace in hands while wearing it 18 Point of view shot Camera ‘runs’ with actress POV Low key Road Music playing all the way through Back to memory of ex with another person- pushes him 19 Two shot N/A Medium Low key Road Music playing all the way through Couple argue and the necklace is torn off of her neck as she is pushed away 20 Medium shot N/A Medium Natural/ High Key Pier Music playing all the way through Actor walks towards the camera singing 21 Close up N/A Face Natural/ High Key Pier Music playing all the way through Actor singing
- 4. 22 Medium shot Camera follows actress Medium Natural/ High Key Pier Music playing all the way through Actor runs towards the edge pier and looks over 23 Point of view shot Slight zoom POV Natural/ High Key Pier/ Beach Music playing all the way through Sees ex and new partner together 24 Close up N/A Face Natural/ High Key Pier Music playing all the way through Actor singing 25 Low angle Full body shot Low Natural/ High Key Pier Music playing all the way through Actor looks down and walks away 26 Close up N/A Face Natural/ High Key Pier Music playing all the way through Actor singing 27 High angle shot Close up High Natural/ High Key Pier Music playing all the way through Shows necklace in hand- fist clenches and throws it behind 28 Medium shot N/A Medium Natural/ High Key Beach Music playing all the way through Back to medium shot of couple walking with their backs to the camera 29 Medium shot N/A Medium Natural/ High Key Pier Music playing all the way through Shot of main actor walking with her back to the camera
- 5. 30 Close up N/A Face Natural/ High Key Pier Music playing all the way through Necklace on the floor with actors feet walking away in the backgroun d