The document summarizes a student's process of creating a video public service announcement and print advertisements for their local humane society. Over several months, the student learned Photoshop tools like the cloning tool, storyboarded and filmed their dog, and edited the video and photos. They encountered challenges like their dog losing focus during filming and issues with the green screen. Ultimately, they finished editing the PSA and two print ads without being able to schedule additional filming.
Lightning Talk #9: How UX and Data Storytelling Can Shape Policy by Mika Aldabaux singapore
How can we take UX and Data Storytelling out of the tech context and use them to change the way government behaves?
Showcasing the truth is the highest goal of data storytelling. Because the design of a chart can affect the interpretation of data in a major way, one must wield visual tools with care and deliberation. Using quantitative facts to evoke an emotional response is best achieved with the combination of UX and data storytelling.
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
By David F. Larcker, Stephen A. Miles, and Brian Tayan
Stanford Closer Look Series
Overview:
Shareholders pay considerable attention to the choice of executive selected as the new CEO whenever a change in leadership takes place. However, without an inside look at the leading candidates to assume the CEO role, it is difficult for shareholders to tell whether the board has made the correct choice. In this Closer Look, we examine CEO succession events among the largest 100 companies over a ten-year period to determine what happens to the executives who were not selected (i.e., the “succession losers”) and how they perform relative to those who were selected (the “succession winners”).
We ask:
• Are the executives selected for the CEO role really better than those passed over?
• What are the implications for understanding the labor market for executive talent?
• Are differences in performance due to operating conditions or quality of available talent?
• Are boards better at identifying CEO talent than other research generally suggests?
Lightning Talk #9: How UX and Data Storytelling Can Shape Policy by Mika Aldabaux singapore
How can we take UX and Data Storytelling out of the tech context and use them to change the way government behaves?
Showcasing the truth is the highest goal of data storytelling. Because the design of a chart can affect the interpretation of data in a major way, one must wield visual tools with care and deliberation. Using quantitative facts to evoke an emotional response is best achieved with the combination of UX and data storytelling.
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
By David F. Larcker, Stephen A. Miles, and Brian Tayan
Stanford Closer Look Series
Overview:
Shareholders pay considerable attention to the choice of executive selected as the new CEO whenever a change in leadership takes place. However, without an inside look at the leading candidates to assume the CEO role, it is difficult for shareholders to tell whether the board has made the correct choice. In this Closer Look, we examine CEO succession events among the largest 100 companies over a ten-year period to determine what happens to the executives who were not selected (i.e., the “succession losers”) and how they perform relative to those who were selected (the “succession winners”).
We ask:
• Are the executives selected for the CEO role really better than those passed over?
• What are the implications for understanding the labor market for executive talent?
• Are differences in performance due to operating conditions or quality of available talent?
• Are boards better at identifying CEO talent than other research generally suggests?
Is your favorite ring slipping and sliding on your finger? You're not alone. Must Read this Guide on What To Do If Your Ring Is Too Big as shared by the experts of Andrews Jewelers.
Care Instructions for Activewear & Swim Suits.pdfsundazesurf80
SunDaze Surf offers top swimwear tips: choose high-quality, UV-protective fabrics to shield your skin. Opt for secure fits that withstand waves and active movement. Bright colors enhance visibility, while adjustable straps ensure comfort. Prioritize styles with good support, like racerbacks or underwire tops, for active beach days. Always rinse swimwear after use to maintain fabric integrity.
MRS PUNE 2024 - WINNER AMRUTHAA UTTAM JAGDHANEDK PAGEANT
Amruthaa Uttam Jagdhane, a stunning woman from Pune, has won the esteemed title of Mrs. India 2024, which is given out by the Dk Exhibition. Her journey to this prestigious accomplishment is a confirmation of her faithful assurance, extraordinary gifts, and profound commitment to enabling women.
From Stress to Success How Oakland's Corporate Wellness Programs are Cultivat...Kitchen on Fire
Discover how Oakland's innovative corporate wellness initiatives are transforming workplace culture, nurturing the well-being of employees, and fostering a thriving environment. From comprehensive mental health support to flexible work arrangements and holistic wellness workshops, these programs are empowering individuals to navigate stress effectively, leading to increased productivity, satisfaction, and overall success.
La transidentité, un sujet qui fractionne les FrançaisIpsos France
Ipsos, l’une des principales sociétés mondiales d’études de marché dévoile les résultats de son étude Ipsos Global Advisor “Pride 2024”. De ses débuts aux Etats-Unis et désormais dans de très nombreux pays, le mois de juin est traditionnellement consacré aux « Marches des Fiertés » et à des événements festifs autour du concept de Pride. A cette occasion, Ipsos a réalisé une enquête dans vingt-six pays dressant plusieurs constats. Les clivages des opinions entre générations s’accentuent tandis que le soutien à des mesures sociétales et d’inclusion en faveur des LGBT+ notamment transgenres continue de s’effriter.
Have you ever wondered about the lost city of Atlantis and its profound connection to our modern world? Ruth Elisabeth Hancock’s podcast, “Visions of Atlantis,” delves deep into this intriguing topic in a captivating conversation with Michael Le Flem, author of the enlightening book titled “Visions of Atlantis.” This podcast episode offers a thought-provoking blend of historical inquiry, esoteric wisdom, and contemporary reflections. Let’s embark on a journey of discovery as we unpack the mysteries of ancient civilizations and their relevance to our present existence.
Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
Off-Screen Influenc
Johnny Depp Long Hair: A Signature Look Through the Years
Senior Project Work Log
1. 11-07-11:
1:30-2:30PM
My video production teacher and project facilitator announced that all students in our
class were to choose and program or project to work on for the next few weeks or so. I
chose to work with photoshop in order to feel more comfortable using it as part of my
project. I worked on familiarizing myself with the program and made sure to explore all
of the uses of the toolbar.
Although I am still somewhat new to using photoshop, I feel more comfortable with
using the most basic commands.
11-08-11:
1:30-2:30 PM
I continued to explore photoshop. I researched on the internet for suggestions for
features that I might find useful during my project. I discovered the Cloning Tool and
spent time researching how to use it and when I might use it.
The Cloning Tool makes it possible for me to completely cut out an unwanted object
from a picture without making it obvious. The Cloning Tool allows me to blend an
existing portion of a picture over the unwanted object, thus making it seem as though it
were never there.
11-09-11:
1:30-2:30 PM
Once I finished my research in the Cloning Tool, I chose a picture from Google and tried
it out myself. I worked with a picture of a cat pawing a toy; in the end I had completely
removed the toy without any obvious blurs or distortions to the picture.
This will become very handy when editing my magazine advertisements because of the
chances that something or someone may end up in the back of a shot that they don't
belong in.
11-10-11:
1:30-2:30 PM
Today I tried something a bit harder. I still worked on using the Cloning Tool, but in the
picture that I chose to use I would be attempting to remove a cage door from in front of
a dog.
The picture turned out fairly well. I had to be very meticulous in working to somewhat
restore the parts of the dog's fur and face where the cage overlapped.
11-11-11:
2. 1:30-2:30 PM
I continued to use the Cloning Tool on several more pictures, ensuring that I was
completely comfortable using the tool
11-21-11:
4:00-5:00 PM
Today, I decided to watch numerous animal-based commercials. I compared different
ASPCA and dog food advertisements and determined that the rescue groups'
commercials were far too solemn and while the issue of animal rescue is upsetting, their
choice of music and shots made the whole advertisement something to change the
channel on, whereas the commercials for Pedigree dog food and treats were very
upbeat and personified animals in a way that drew me in and made me want to continue
watching.
Because of these comparisons, I decided that I wanted my Humane Society commercial
to be upbeat and quirky as opposed to depressing and upsetting. I personally
responded better to the lighter advertisement, and because I am attempting to persuade
others to adopt a pet, I feel like a happier commercial would be more convincing.
11-23-11:
3:00-4:30 PM
I decided that I wanted only music playing for my commercial as opposed to dialogue
and other audio, so today I spent some time listening to songs that might portray the
right tone that I'd like in the commercial. My top options so far proved to be:
Animal by: Miike Snow
Just Like the Moon by: Brett Dennen
Lucky Today by: Cloud Cult
To Kingdom Come by: Passion Pit
Because the only audio will be music, it is extremely important that I pick the right song
that will enhance the idea that adopting a dog brings happiness.
Also, I will have to use titles and logos in order to give any information.
11-26-11:
1:00-2:30 PM
I brainstormed today on the exact concept I want to based my advertising campaign
around. I threw out many ideas because they could only be used effectively on either
the commercial or the print ads, but not both. In the end, I decided upon the concept:
"I am a _______, I am a shelter dog."
With this concept, I will be able to display a large variety of characteristics found in dog
while also keeping it playful and maintaining the overall idea of adopting.
A main idea I have that would be used in a printed ad: A picture of a dog dancing with
their owners on one page; the title will say "I am a salsa dancer." On the corresponding
3. page, a picture of the dog sitting and looking at the camera; the title being "I am a
shelter dog."
1-9-12:
1:30-2:30 PM
I created a shot list and began storyboarding the shots for the commercial. I had to
Google pictures of dogs in order to make the pictures accurate and to scale.
I had to carefully plan each shot by determining whether I'd be able to get the dog in the
commercial to cooperate. To ensure that the shots that might be more difficult were still
doable, I planned close ups in order to eliminate the chances of getting a lease or hand
in the shot.
2-11
1:00PM - 5:00PM
I filmed the majority of the footage necessary for the commercial
and conducted the photo shoot for the print advertisements.
At times it was difficult to hold my dogs' attentions, but I had
plenty of treats on hand. During the first photo shoot, the sun
came in through the window and messed up the lighting I had set
up, so I had to tack a sheet over the window to darken the
room.
Also, it was 22 degrees outside, so my dog was constantly losing
focus and headed for our back door more than once. I had to
split filming up into segments so that he could warm up inside for
a while in between.
2-12
3:00PM - 5:00PM
I uploaded all pictures and videos onto my computer, then began
to edit the commercial together.
4. The first 15 seconds, or first half, of the commercial came
together really well, but I began to notice that my shot variety
was very minimal and decided that I needed to plan a second day
of filming. I also ran into problems with the green screen on Final
Cut Express. The lighting caused the screen to come out as more
of a yellow, so when I tried to change the background to white,
parts of my dog's fur was washed out as well, and so I must film
that part again.
2-19
2:00PM - 3:00PM
I edited together another few seconds of the commercial and
played around with the ending.
Because of the issues with the green screen, I decided to see
what changes I could make to save myself from a second day of
filming. I had the idea to have a shot of the dog fade into the
flashing credits as opposed to having them move in the shot with
him. The commercial has taken on a more artistic quality to it as
opposed to the quirkiness that I first had in mind.
2-27
1:30PM - 2:30 PM
I brought in the photographs for the print ads to enter into
photoshop.
I was worried that the green screen would not register well in
photoshop, but I found that the paint brush tool and cloning tool
with help me immensely. The green screen will be made into a
5. white background, but I will have to be careful not to brush the
dog white. That will make the editing look very amateur.
3-1
1:30 - 2:30
I finished editing Pebble's ad and published it.
The biggest challenge that I faced when editing Pebbles' picture was that my arm was in
the shot holding her in place and she had a large line of drool hanging from her mouth.
The cloning tool definitely came in handy here; I was surprised how easy it was to mask
all of the imperfections!
3-2
1:30 - 2:30
Today, I edited Dino's ad and published.
Dino's picture was much easier to edit because he was more relaxed and still when I
had filmed him. I tried to edit out my hand that was blocking his collar, but I couldn't
neatly cover it and had to settle with leaving it in the picture.
3-10
I finished editing the end of the commercial and exported it onto my computer. While the
ending did not include the green screen shots like I had wished, the alternate ending
that I put together looks just as nice!
I decided that I would not be able to schedule another day to film, and so I had to
improvise with the shots that I already had.