Scream4 vs Cabin in the Woods
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The document compares and contrasts the postmodern elements of the horror films Scream 4 and Cabin in the Woods. Scream 4 references previous films in the franchise through characters visiting film sets and references to a hypothetical fifth film. It also features cameo appearances by celebrities and archetypes of characters from the original film. Similarly, Cabin in the Woods sends teens to their deaths for the gain of manipulating scientists, subverting the typical cabin-in-the-woods plot. Both films exhibit self-awareness and irony through their postmodern approaches to the horror genre.
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Genre Research Presentation
Horror films aim to provoke negative emotions in viewers by tapping into primal fears of death, the supernatural, and the unknown. Slasher films are a subgenre of horror that feature a psychopathic killer stalking and brutally murdering a group of people, usually teenagers, in an isolated location. Key characteristics of slasher films include identifiable victims, a "final girl" survivor, and the establishment of iconic killer characters like Michael Myers and Freddy Krueger during the subgenre's popularity in the late 1970s and 1980s. By the 1990s, slasher films incorporated more comedy and parody elements to engage bored audiences.
Horror essay
This document provides an overview of horror films including their history, genres, themes, and audience reception. It discusses how horror films aim to frighten audiences while also entertaining them. Early horror films were influenced by Gothic literature and silent German films. More recently, religious themes have become popular. The document also examines the portrayal of gender in horror films and how this has changed over time with women increasingly depicted as strong protagonists. It explores theories around audience reception and how meanings can differ between encoding and decoding of messages in films.
Explanation Speech Outline
I. The document is a speech about filmmaker Wes Craven given by student Bayley Young. It discusses Craven's background and some of his most famous and influential horror films, including The Last House on the Left, A Nightmare on Elm Street, and Scream.
II. Craven was born in 1939 in Ohio and received his master's degree from Johns Hopkins University. He began his career making low-budget horror films in the 1970s and is credited with pioneering the slasher film genre.
III. Craven directed several hugely popular and iconic horror franchises over his 50-year career. Films like A Nightmare on Elm Street and Scream reinvented the genre and have
JMI fandom finals
- The document discusses various trivia questions related to movies, TV shows, books and games. It includes 20 trivia questions in the first round about topics like Friends, Game of Thrones, Harry Potter, Marvel and DC.
- It then has another 20 trivia questions in the second round on similar pop culture topics, asking players to identify characters, plot points, references and more from shows, movies and novels.
- Many of the questions require analyzing images or passages to deduce the answers related to details from various fictional works. The trivia game covers a wide range of popular culture franchises testing players' knowledge.
Intro to DirectingDirectingConsidered by many as the .docx
Intro to Directing
Directing
Considered by many as the “author” or auteur of a film. Auteur originated by French film critics Andre Bazín, and Cahiers du cinema (French New Wave Roehmer, Godard, Truffaut, Rivette, Chabrol).
Andrew Sarris and Auteur Theory
Village Voice film critic
Auteur applies to directors only; limits of theory
"At the moment, my list of auteurs runs something like this through the first twenty: Ophuls, Renoir, Mizoguchi, Hitchcock, Chaplin, Ford, Welles, Dreyer, Rossellini, Murnau, Griffith, Sternberg, Eisenstein, Von Stroheim, Buñuel, Bresson, Hawks, Lang, Flaherty, Vigo.
Three Criteria for Auteur
"The three premises of the auteur theory may be visualized as three concentric circles: the outer circle as technique; the middle circle, personal style; and the inner circle, interior meaning."
Role of director
Oversees or (as the French and Greta Gerwig would have it) realizes the screenplay through shots, performances, editing and sound.
Determines the style, tone, emphasis of the film through shots, performances, editing and sound.
Casts and directs actors
Directs creative crew in production (shooting of the film), primarily cinematographer, production designer and sound. In post-production (editing, visual effects and sound design), directs those crew people.
Decides when to “cut”(end a take, or version of a shot) and “move on” (stop doing takes of a shot or setup, and do a new one). Or When to Stop.
NOT Role of director
Write dialogue, characters, setting or plot. If they do, they get writing credit.
Some will shoot/operate camera (Spielberg, Soderbergh, Liman, Ridley Scott, Von Trier). Very rarely credited.
Oversee business, financial or staffing aspects of the film. If they do, they get producing credit.
Oversee organizational aspects of the film. In the theatre, the director should not also be the stage manager. The director should not be the assistant director or production manager.
Most do not have “final cut” or final say on which edited version of the film is released.
Directing is an entry-level Position
“Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director. Everything after that you're just negotiating your budget and your fee.”
--James Cameron
Get out (2017)
Jordan Peele (Writer/Director)
Peele started as a cast member on Mad TV. Co-showrunner on Key & Peele (with Keegan-Michael Key).
Get Out was his directorial debut. Grossed over $255 million worldwide.
Won Academy Award for Best Original Screenplay. Nominated for Best Picture, Best Director and Best Actor (Daniel Kaluuya).
8
Peele on the sunken place
“As I’m writing it becomes clear that the sunken place is this metaphor for the system that is suppressing the freedom of black people, of many outsiders, many minorities. There’s lots of different sunken p ...
Theory research
The document discusses several academic media theories including auteur theory, reception theory, the hypodermic needle model, and the male gaze. It then provides examples and analysis of how the male gaze is depicted in films and literature, discussing how it influences perception and the sexualization of women. The document concludes by listing bibliographic references related to these topics.
Postmodernism in scream
This document provides an analysis of the 1996 film Scream and how it exemplifies postmodern characteristics. It discusses how Scream acknowledges and references conventions of the horror genre while also subverting expectations. The film includes self-aware characters and parodies cliches through humor. It also heavily relies on intertextuality, featuring numerous references to other horror films like Halloween and Psycho. Overall, the document examines how Scream uses metafictional elements like parody and intertextuality to both engage with and challenge typical horror genre conventions from a postmodern perspective.
Sundance Films from our Collection
The document discusses highlighted films from past Sundance Film Festivals, including top 10 lists of influential films, best performances, provocations/controversies, and documentaries of the past decade. The Sundance Film Festival is the largest independent film festival in the US, held annually in Utah. It screens both American and international independent films and includes competitive sections for narrative and documentary features and shorts.
wff reviews
This document provides information on several films screening at the Worcester Arts Workshop and The Hive venues, including synopses and reviews. The reviews are all written by Isabel Harridence and provide high-level summaries in 3 sentences or less of each film:
- Toska is a shocking thriller about a school massacre that maintains tension throughout. Refugio 115 is a short film that creates considerable fear by trapping characters in a dark bomb refuge with an unknown threat. Buck gives little away but creates intrigue through mysterious phone calls and animal counterparts to human characters.
- The Battle of Green Hill documentary brings the American Civil War vividly to life through enthusiastic reenactors. Pastiche effectively combines themes
Research in to my short comedy horror clip
The document provides an overview of the history and key aspects of horror and comedy films. It discusses how horror originated from ghost stories told around campfires and developed as a genre in literature in the late 1700s. The first horror film was Georges Melies' Le Manoir du Diable in 1896. Key features of horror include iconography, settings that invoke vulnerability, narratives of good vs. evil, point-of-view filming styles, supernatural characters, and themes of struggle. Top horror films based on box office are The Exorcist, The Shining, Halloween, A Nightmare on Elm Street, and Alien. Comedy originated with silent films relying on slapstick and burlesque humor, with Charlie Chaplin being
Steven spielberg
Steven Spielberg is one of the most successful and influential directors in the film industry. He is known for classics like E.T. and Jurassic Park, as well as more recent films like Bridge of Spies. Some of his most notable works include Jaws (1975), which created suspense through techniques like minimal shark screen time set to a dramatic score, and Minority Report (2002), a neo-noir thriller about a future crime prediction system that questions the reliability of images and predictions. Spielberg continues to direct and produce popular films while also working in television. He has received many awards over his decades-long career and helped establish concepts like the blockbuster film.
Genre research
This document provides information about the slasher/stalker film genre, including definitions, examples, common roles, and conventions. It defines slasher films as involving a mysterious killer stalking and murdering victims with a weapon like a knife or axe. Friday the 13th is given as an example of a famous slasher franchise. Key roles discussed include the hero, killer, victims, and "final girl" survivor. Common conventions addressed are the isolated setting, incompetent authorities, and graphic violence. The document also outlines plans for a slasher-style trailer, focusing on subverting expectations with a female killer in a modern local setting.
Media
Slasher films are a sub-genre of horror films that involve a psychopathic killer murdering various victims using weapons like knives and chainsaws. They originated in the 1960s with films like Peeping Tom and Psycho and became popular in the 1970s with movies from directors like Wes Craven and John Carpenter that focused on holidays and special occasions. The 1974 film Black Christmas is considered the first true slasher film and established conventions like an unknown stalker, isolated teenage victims, and graphic violence from the killer's point of view.
MOVIE AND TV QUIZ Finals
The document describes a movie and TV quiz being hosted by Shivendra Singh. It provides the rules and format for two rounds of the quiz, including questions about movies, TV shows, and characters. Some of the questions require identifying movies, shows, or characters based on descriptions and clues provided. The final question describes a guest quizmaster round being added to the quiz format.
Horror and subgenres
This document discusses various horror subgenres including slasher, supernatural, psychological, gothic, and possession films. It provides examples of conventions for each subgenre and analyzes classic films that exemplify the conventions, such as Halloween for slasher, The Sixth Sense for supernatural, The Shining for psychological, and The Woman in Black for gothic horror. The document aims to outline the evolution and expanding popularity of horror subgenres since the 1970s as audiences demanded new ways to be terrified beyond traditional constraints.
Qonnoisseur 13 finals
This document provides a summary of an event called Qonnoisseur 2013 Finals. It thanks several people for their contributions and outlines the structure of the quiz competition. The quiz included two rounds - one with direct questions and one involving pouncing on questions. Each round consisted of 15 multiple choice questions and points were awarded for correct or pounced answers. Sample questions from each round are provided covering topics like books, films, art, music and more. Scoring guidelines for each round are also listed.
Scream notes
This document provides a summary and analysis of the slasher film genre, with a focus on gender and queer identities. It discusses how slasher films blur gender boundaries through characters like the killer and the "Final Girl" survivor. While often seen as misogynistic for depicting violence against women, the films also allow for identification with queer and gender non-conforming characters. The postmodern slasher film Scream further engages spectators through self-aware references to horror film tropes and conventions. By breaking expectations, Scream aims to produce a more active, critically engaged spectatorship.
After reading the three movie reviews, post at least two full pa.docx
After reading the three movie reviews, post at least two full paragraphs discussing the way they are structured and written. How do they start? What does the author do in each review? How do they support their opinion? How do they end the review? What rhetorical techniques or strategies do the authors use? How does a movie review work?
Question 1:
"Deuce Bigalow: European Gigolo" makes a living cleaning fish tanks and occasionally prostituting himself. How much he charges I'm not sure, but the price is worth it if it keeps him off the streets and out of another movie. "Deuce Bigalow" is aggressively bad, as if it wants to cause suffering to the audience. The best thing about it is that it runs for only 75 minutes.
Rob Schneider
is back, playing a male prostitute (or, as the movie reminds us dozens of times, a "man whore"). He is not a gay hustler, but specializes in pleasuring women, although the movie's closest thing to a sex scene is when he wears diapers on orders from a giantess. Oh, and he goes to dinner with a woman with a laryngectomy, who sprays wine on him through her neck vent.
The plot: Deuce visits his friend T.J. Hicks (
Eddie Griffin
) in Amsterdam, where T.J. is a pimp specializing in man-whores. Business is bad, because a serial killer is murdering male prostitutes, and so Deuce acts as a decoy to entrap the killer. In his investigation he encounters a woman with a penis for a nose. You don't want to know what happens when she sneezes.
Does this sound like a movie you want to see? It sounds to me like a movie that Columbia Pictures and the film's producers (
Glenn S. Gainor
,
Jack Giarraputo
, Tom McNulty, Nathan Talbert Reimann,
Adam Sandler
and
John Schneider
) should be discussing in long, sad conversations with their inner child.
The movie created a spot of controversy last February. According to a story by Larry Carroll of MTV News, Rob Schneider took offense when Patrick Goldstein of the
Los Angeles Times
listed this year's Best Picture Nominees and wrote that they were "ignored, unloved and turned down flat by most of the same studios that ... bankroll hundreds of sequels, including a follow-up to 'Deuce Bigalow: Male Gigolo,' a film that was sadly overlooked at Oscar time because apparently nobody had the foresight to invent a category for Best Running Penis Joke Delivered by a Third-Rate Comic."
Schneider retaliated by attacking Goldstein in full-page ads in
Daily Variety
and the
Hollywood Reporter
. In an open letter to Goldstein, Schneider wrote: "Well, Mr. Goldstein, I decided to do some research to find out what awards you have won. I went online and found that you have won nothing. Absolutely nothing. No journalistic awards of any kind ... Maybe you didn't win a Pulitzer Prize because they haven't invented a category for Best Third-Rate, Unfunny Pompous Reporter Who's Never Been Acknowledged by His Peers.
Reading this, I was about to observe that Schneider can dish it out but he can't t.
Similar to Scream4 vs Cabin in the Woods (20)
Intro to DirectingDirectingConsidered by many as the .docx
Intro to DirectingDirectingConsidered by many as the .docx
After reading the three movie reviews, post at least two full pa.docx
After reading the three movie reviews, post at least two full pa.docx
Recently uploaded
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Colour Theory for Painting - Fine Artist.pdf
This document is all about Colour Theory for Fine Artist / Painter.
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HERE IS THE FULL SCRIPT OF VINNAITHTHAANDI VARUVAAYA BY GAUTHAM VAASUDEV MENON
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Ealing London Independent Photography meeting - June 2024
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Ealing London Independent Photography meeting - June 2024
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Scream4 vs Cabin in the Woods
- 2. Scream 4 VS Cabin in the Woods Director: Wes Craven Budget: $40million Box Office: $97.1million Distributed by: Dimension Films Starring: David Arquette, Neve Campbell, Courtney Cox, Emma Roberts and Hayden Panettiere Plot: Many years since the Ghostface Killer (and last film). Sidney Prescott returns to Woodsboro for her book tour, coming across old and new faces along the way. However, Sidney's arrival also sparks the return of Ghostface, putting Sidney and everyone she loves in danger. TRAILER: https://www.youtube.com/watch?v =UlaZfOiGaCU Director: Drew Goddard Budget: $30million Box Office: $66.5million Distributed by: Starring: Kristen Connolly, Chris Hemsworth, Jesse Williams, Fran Kranz and Anna Hutchison Plot: Five college friends visit a remote cabin where one by one, they fall victim to the various horrors that await there. However unknown to them, two scientists are manipulating the goings-on and ultimately sending the teens to their graves for their own gain. TRAILER: https://www.youtube.com/watch?v =NsIilFNNmkY
- 3. How is Scream 4 Postmodern? • The opening: a film within a film, within a film. (LINK) • Starring (for less than ten minutes): Lucy Hale (Pretty Little Liars), Shanae Grimes (90210), Anna Paquin (True Blood), Kristen Bell (Vernica Mars), Aimee Teegarden (Friday night Lights) and Britt Robertson (Secret Circle). • IRONY AND SELF AWARENESS • References made of a fifth movie; ‘Stab 5’ including time travel – an idea Wes Craven put forward for the fourth ‘Nightmare on Elm Street ‘ but it was rejected. • The characters visit the set of the ‘Stab’ films where a dummy of Tatum stuck in the doggy door is visible at the "Stabathon". There are also audience members dressed as Dewey and Gale which emphasises how self aware the character are.
- 4. Every new main characters is an archetype for one of the characters from the original Scream: Jill (Sidney), Kirby and Olivia (Tatum), Trevor (Billy), Charlie (Stu), and Robbie (Randy). Similarly as shown in Charlie and Stu’s screenshot, they both play the crazed killer without a personal motive of killing Sidney and so in Scream 4, Charlie mimics a lot of Stu’s behaviourisms and actions. This is especially noticeable towards the end as the final ‘reveal’ scene plays out a lot like the first one in the original Scream.
- 7. Bibliography • http://www.imdb.com/title/tt1262416/trivia?ref_=tt_trv_trv • https://www.youtube.com/watch?v=UlaZfOiGaCU • https://www.youtube.com/watch?v=NsIilFNNmkY • https://prezi.com/sq7nh2ig6eg5/the-cabin-in-the-woods-as-a- postmodern-text/