Daniel Burnham and John Root were pioneering architects in the late 19th century. They designed some of the first steel-framed skyscrapers in Chicago, including the Masonic Temple Building. They also designed other notable buildings like The Rookery that helped establish their fame. However, their greatest achievement was designing most of the buildings and landscapes for the 1893 World's Columbian Exposition in Chicago, where they introduced innovative construction techniques using wood and plaster. Burnham and Root revolutionized architecture through their pioneering use of steel structures and temporary construction methods.
Chicago History Presentation - Prof. Vince MichaelTom Tresser
This wonderful presentation was given by Prof. Vince Michael to the students in "The Art of Crossing the Street - Artist as Citizen" class at the School of the Art Institute.
EARLY MODERN ERA
culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),Chicago school: skyscrapers (Jenney), functionalism (Sullivan)
international style (Gropius, Corbusier, Mies),Wright (organic architecture
Chicago History Presentation - Prof. Vince MichaelTom Tresser
This wonderful presentation was given by Prof. Vince Michael to the students in "The Art of Crossing the Street - Artist as Citizen" class at the School of the Art Institute.
EARLY MODERN ERA
culmination of iron-frame architecture (Crystal Palace, Eiffel Tower),Chicago school: skyscrapers (Jenney), functionalism (Sullivan)
international style (Gropius, Corbusier, Mies),Wright (organic architecture
Lectures; theory of architecture iv arch 246 iahmed osman
Contemporary Architecture as part of series of lectures by
Dr Ahmed Osman Ibrahim
Associate Professor,
Architectural Theory and Criticism,
College of Architecture and Planning,
Head of Department of Interior Design and
College Quality Manager,
Qassim University,
Saudi Arabia.
Mob: +966 549562614
Email: AO.MOHAMED@qu.edu.sa
Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences.
Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism.
Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned.
In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture.
Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution.
Chicago’s architecture is famous throughout the world and one style is referred to as the Chicago school.
In the history of architecture the first Chicago school was a school of architects . active in Chicago at the turn of the 20th century .
They were among the first to promote the new technologies of steel-frame construction in commercial Buildings.
A “second Chicago school” with a modernist aesthetic emerged in the 1940’s through 1970’s.
Which pioneered new buildings technologies and structural system such as the tube-frame structure.
The famous American architect, Frank Lloyd Wright changed the way we build and the way we live. As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location.
These slides describes about 5 famous architects and their works. The architects includes - Zaha Hadid, Le Corbusier, Frank Lloyd Wright, Charles Correa, Walter Gropius
This research gives an overall idea about the late 18th century's Modernism period in the architecture and interior design field. It also talks about some of the famous design pioneers of that time.
Everything you wanted to know about Modern Design - its origins and heroes from the 19th century till now. Explanation and inspiration.
Researched, assembled and designed by Alex Brown:
alexbrown.net
Fashion central international june issue 2016Fashioncentral
It Covering All major Fashion activities in the world.All International fashion Shows and Cat walks.Fashion mag also covering Celebrity Gossips,beauty tips,Lifestyle,Travel and Men's corner.
Lectures; theory of architecture iv arch 246 iahmed osman
Contemporary Architecture as part of series of lectures by
Dr Ahmed Osman Ibrahim
Associate Professor,
Architectural Theory and Criticism,
College of Architecture and Planning,
Head of Department of Interior Design and
College Quality Manager,
Qassim University,
Saudi Arabia.
Mob: +966 549562614
Email: AO.MOHAMED@qu.edu.sa
Late Modernism encompasses the overall production of most recent architecture made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences.
Late Modernism, also known as High-tech architecture or Structural Expressionism, is an architectural style that emerged in the late 80s, this style became a bridge between modernism and postmodernism.
Architecture in which the images, ideas, and motifs of the Modern Movement were taken to extremes, structure, technology, and services being grossly over stated at a time when Modernism was being questioned.
In the year 1980s the high tech architecture started to look different from the post modern architecture. Many of the themes and ideas which originated during the post modern times were added to the high tech architecture.
Modern architecture is primarily driven by technological and engineering developments, and it is true that the availability o f new building materials such as iron, steel, and glass drove the invention of new building techniques as part of the Industrial Revolution.
Chicago’s architecture is famous throughout the world and one style is referred to as the Chicago school.
In the history of architecture the first Chicago school was a school of architects . active in Chicago at the turn of the 20th century .
They were among the first to promote the new technologies of steel-frame construction in commercial Buildings.
A “second Chicago school” with a modernist aesthetic emerged in the 1940’s through 1970’s.
Which pioneered new buildings technologies and structural system such as the tube-frame structure.
The famous American architect, Frank Lloyd Wright changed the way we build and the way we live. As an architect, Frank Lloyd Wright was known for many things, but perhaps his most famed characteristic was his exceptional attention to detail – in many of his projects, each furniture piece was designed specifically for its intended location.
These slides describes about 5 famous architects and their works. The architects includes - Zaha Hadid, Le Corbusier, Frank Lloyd Wright, Charles Correa, Walter Gropius
This research gives an overall idea about the late 18th century's Modernism period in the architecture and interior design field. It also talks about some of the famous design pioneers of that time.
Everything you wanted to know about Modern Design - its origins and heroes from the 19th century till now. Explanation and inspiration.
Researched, assembled and designed by Alex Brown:
alexbrown.net
Fashion central international june issue 2016Fashioncentral
It Covering All major Fashion activities in the world.All International fashion Shows and Cat walks.Fashion mag also covering Celebrity Gossips,beauty tips,Lifestyle,Travel and Men's corner.
Aron Web solution is one of the leading IT company in India, Mohali. We provide various IT services. We also provide industrial training at fair cost. The main programming languages are PHP, HTML and JS. JQuery is also applied in the projects. We use various CMS as Drupal, Wordpress,Joomla, Magento for projects depends on requirements or preferences of the customer. We also provide SEO and Business Catalyst.
The awesome presentation of all time.
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MBA semester 2
Cursos de Formación Continuada Acreditados CFC.
Dirigidos a médicos, enfermeros, técnicos superiores y técnicos en cuidados auxiliares de enfermería.
Cursos transversales: Cursos de Calidad, Seguridad de Pacientes y Gestión Clínica.
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He was an architect, designer, urbanist, writer, and one of the pioneers of what is now called modern architecture.
He was a pioneer in studies of modern high design and was dedicated to providing better living conditions for the residents of crowded cities
The presentation covers general details about architect , Villa Sovoye, Centre Le Corbusier and few other works
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modernism in architecture is characterized by its emphasis on form over ornament; appreciation of materials and structure instead of idyllic revival constructions; and the adroit, methodical use of space.
Modern architecture, or modernist architecture, was based upon new and innovative technologies of construction, particularly the use of glass, steel and reinforced concrete; the idea that form should follow function (functionalism); an embrace of minimalism; and a rejection of ornament.[1] It emerged in the first half of the 20th century and became dominant after World War II until the 1980s, when it was gradually replaced as the principal style for institutional and corporate buildings by postmodern architecture.
1. How new modern materials prompted changes in architecture in the .pdfaquastore223
1. How new modern materials prompted changes in architecture in the late nineteenth century in
reference to the construction of the Crystal Palace or Eiffel Tower.
After the Baroque faded slowly away, eighteenth-century architecture consisted primarily of
revivals of previous periods. This time was to be the calm before the storm, for the approaching
Industrial Revolution was to change everything about the world as it was then, including
architecture. Previously, building materials had been restricted to a few manmade materials
along with those available in nature: timber, stone, timber, lime mortar, and concrete. Metals
were not available in sufficient quantity or consistent quality to be used as anything more than
ornamentation. Structure was limited by the capabilities of natural materials. The Industrial
Revolution changed this situation dramatically.
In 1800, the worldwide tonnage of iron produced was 825,000 tons. By 1900, with the Industrial
Revolution in full swing, worldwide production stood at 40 million tons, almost 50 times as
much. Iron was available in three forms. The least processed form, cast iron, was brittle due to a
high percentage of impurities. It still displayed impressive compressive strength, however.
Wrought iron was a more refined form of iron, malleable, though with low tensile strength. Steel
was the strongest, most versatile form of iron. Through a conversion process, all of the impurities
were burned out of the iron ore, then precise amounts of carbon were added for hardness. Steel
had tensile and compressive strength greater than any material previously available, and its
capabilities would revolutionize architecture.
This change did not happen over night. Prior to the introduction of bulk iron, architecture relied
on compressive strength to hold buildings up. Even great structures like the Chartres Cathedral
or the Parthenon were essentially orderly piles of stone. Architects were accustomed to thinking
of certain ways of creating structure, and though they glimpsed some of the possibilities of the
new materials, the first applications were made using the old ideas.
The explosion in the development of iron and steel structures was driven initially by the advance
of the railroads. Bridges were required to span gorges and rivers. In 1779, the first iron bridge
was built across the Severn River in Coalescence, England. It was not an iron bridge as we might
conceive of it today, but rather a traditional arch made of iron instead of stone. The compressive
strength of limestone is 20 tons per square foot. The compressive strength of cast iron is 10 tons
per square inch, 72 times as high, permitting significantly larger spans. Later, the truss, long used
in timber roofs, became the primary element of bridge building. A triangle is the strongest
structural element known, and applied force only makes it more stable. When a diagonal is added
to a square, the form can be viewed as two triangles sharing a side, the fundam.
In this class we look at Frank Lloyd Wright's vacation home for Edgar Kaufmann in Bear Run, Pennsylvania, and Mies van der Rohe's vacation home for Dr. Edith Farnsworth in Plano, IL.
1. Honors Architectural Drawing
Class: Period 7
Daniel Burnham and John Root
Presented to: Mr. Mugno
PresentedBy:ZacharyJob
Date: November16th
, 2011
2. JOB 1
Although many famous architects may not be known by their name, usually their works
remain thus the architect is never forgotten. Unlike most, Daniel Burnham and John Root are
unsung geniuses of the architectural realm who advanced architectural practices immensely.
Acknowledged with the creation of the unspeakably glorious feat known as “The White City,”
otherwise recognized as the Columbian Exposition, both architects arguably accomplished one of
man’s most incredible achievements. Unquestionably, Burnham and Root are two of the most
accomplished architects in history for their innovations and structures.
While Root already was scrapping a living, Burnham still had no idea as to what to do
with his life. While Burnham had not received formal education in architecture, instead he had
learned from William Jenney (“Daniel Burnham”). Concerned for his son’s indecisiveness, his
father got a firm to pair Root and Burnham (Larson 70). Unknowingly, his father successfully
found Burnham a partner who would inspire him to become an incredible architect. After a few
commissions on houses and skyscrapers under Carter, Drake, & Wright (“Burnham and Root”),
both found they could start a business of their own. Under the leadership of Burnham, Burnham
and Root was created. Having already established themselves under leadership of another firm as
promising architects, some entrusted the two men with projects where both Burnham and Root
would deliver.
While both Burnham and Root still continued working with houses and private sector
structures to generate a constant income, important commissions came by which did help
establish the two businessmen. Soon enough, buildings like The Rookery, Randy McNally, and
the Equitable buildings all gave the group great fame (“Burnham and Root”(2)). Completed in
1888 (“The Rookery”), The Rookery gained the partners immense fame. Since the two were only
3. JOB 2
well known for their private works, such a building truly helped the group advance. Through the
use of concrete reinforced with steel gridding, the duo designed an extravagant yet open structure
where the entire main area was roofed by windows. Even Frank Lloyd Wright and William
Drummond admired the building so that they rented it out as a work place for extended amounts
of time (“A Rich History”). The structure was so beloved by all generations that it remains a
landmark, and it is the only high-rise structure to have survived from Burnham and Root. While
The Rookery was unique for its style, The Randy McNally building was an incredible feat for its
construction. Used as Burnham’s first experiment in building an all steel structure, this building
was leaps ahead of its time. Seeing that steel had not been common practice in any building,
bearing-structures had reigned supreme since the dawning of what they considered “modern”
architecture. Unlike skeleton framing created via steel, the outer walls of a structure would
actually serve as support for the building. At this time, buildings using this support were limited
height-wise as the structure had no means to remain stable at extreme heights. While simply a
test then, Burnham and Root had laid the foundation for a vast new method which would later
serve them and the world. Lastly, the Equitable building helped finalize how flexible Burnham
and Root were upon its completion in 1892 (“Equitable Building”). Joel Hurt had established a
competition to create an office that would satisfy a triangular property. In order to conquer the
space given, Burnham and Root developed a completely triangular design. Such a design was so
unique and liked by Joel that he granted the two the commission (Edge 100), and it was built by
1892 (“Equitable Building”). While the building was destroyed for the sake of a modernistic
movement (“Equitable Building”), such a building was an interesting innovation which was used
all over the U.S. following its creation. One example of imitating their creation is the well known
4. JOB 3
Flatiron building located in New York City. This building was a mirror image, and it was created
a few years later with an additional height bonus in 1902 (“Flatiron Building”). Overall, these
creations put Burnham and Root on the map as accomplished architects. While both Burnham
and Root were well established, two new commissions were up and coming that not only would
change their firm, but the world. Received nearly at the same time, Burnham and Root accepted
commissions to build what are now known to have been some of the first skyscrapers. Deemed
the Masonic Temple building and the Monadock, The Monadock was to be four floors short of
the Masonic temple building’s twenty floors. While this may seem small in the current society
where buildings reach above one thousand feet tall, at this time, these would be deemed the
tallest in the Chicago (“Masonic Temple”). While this seems simple, at the time, steel was not
commonly used in building construction. The reason for the lack of height in these buildings was
directly related to this fact. As explained before, bearing-walls had been used and were less
sturdy. Factually, the Monadock, the first building designed by the two was to be a hybrid
between a load-bearing brick structure, steel, and iron (“Monadock Building”). Used as a testing
ground for Burnham, he applied his teachings from William Jenny who was in fact the founder
of skyscrapers (“William Le Baron Jenney, Father of the American Skyscraper”). Pleased by the
simplicity and effectiveness of the Randy McNally Building, both Burnham and Root moved to
create what was to be known as the tallest skyscraper in Chicago, the Masonic Temple Building
(Larson 66). At the time, the tallest building in Chicago had only reached eighteen stories
(“Masonic Temple”). Comparable to William Jenny’s steel Manhattan Building built in Chicago
by 1891 (“Manhattan Building”), the Masonic Temple Building was immense and the first all
steel structure to reach twenty stories (“Masonic Temple”). As a testament to the effectiveness of
5. JOB 4
steel skeleton construction, while the Monadock required two years by 1891 (“Monadock
Building” (2)), the Masonic only required one ending in 1892 (“Masonic Temple”). Today,
skyscrapers have evolved and reached higher into the sky. While they may seem insignificant,
these steel structures are the very reason why larger and more complicated structures are possible
today.
Although it is not known widely, Burnham and Root were the incredible minds behind
rapidly erecting structures. Upon taking the challenge of what would be deemed the Columbian
Exposition, Burnham and Root had no idea how immense the challenge would be. The U.S. had
set their sights to out-do the Paris Exposition, and they wished to do so on the 400th anniversary
of Columbus’ landing; otherwise known as 1892 (Larson 92). Such a city would be the marvel of
the world which would have to out-perform any event which could possibly arise. Not only was
this a testament of U.S. architecture, it was a testament to how the free market had created a
thriving country. Not only was this fair a means to show off, but too that of wounded pride due
to the success of the Paris Exposition. Sadly, although intentions were good, planning for this
unimaginable event was horrid. Due to extreme indecision on the behalf of the committee
assigned to make decisions, Burnham and Root would only have two years to develop and
execute this plan (Larson 120). In these two years, they would have to populate 600 acres not
only with extremely intricate buildings, but with incredible landscapes and facilities to sustain it
as would a city of the future (Larson 220). While Burnham and Root had massive help with
landscapes and planning, the real genius of the fair was Burnham and how he developed a new
method for constructing buildings. Understanding that there was no time for concrete or stone,
Burnham and Root had to innovate. Unlike now, the mindset was that temporary structures
6. JOB 5
should be built out of conventional material. Breaking from convention, Burnham developed a
wood, plaster, and spray paint system. Simple as it sounds, a crew would erect a skeleton of each
building from wood. Once complete, each skeleton would be cast in plaster. At this time, spray
paint had yet to be invented. Understanding this would be the only effective way, Burnham
devised this method along with Francis Millet in 1892 so hoses could literally spray coatings
over each of the buildings (Larson 189). Not only did this cut costs immensely, but it led to
future building practices still in use today. Undoubtedly this idea revolutionized and cheapened
temporary architecture beyond what it had been.
From skyscrapers to office buildings to expositions, Burnham and Root revolutionized
architecture in vast ways. In improvising to create vast temporary structures rapidly and creating
one of the first steel skeleton structures, both architects opened other’s eyes to new and effective
ways to take architecture to unseen heights. Without question, these architects not only were
incredibly accomplished, but also changed architecture in previously inconceivable ways.
7. CITATIONS
“A Rich History”. The Rookery. n.p. 2009. Web. 11 Nov. 2011.
<http://www.therookerybuilding.com/building-history.html>.
Wilson, Mark, Stephen Porter, and Janice Reiff. "Burnham and Root." Encyclopedia of Chicago.
Chicago Historical Society, 2004. Web. 11 Nov. 2011.
<http://www.encyclopedia.chicagohistory.org/ pages/2581.html>.
“Burnham and Root”(2). Encyclopedia Britannica. eb.com, n.d. Web. 11 Nov. 2011.
<http://www.britannica.com/EBchecked/topic/85650/Daniel-H-Burnham/279249/Burnham-
Root>.
"Daniel Burnham." Essential Architecture. N.p., n.d. Web. 11 Nov. 2011. <http://www.essential-
architecture.com/ARCHITECT/ARCH-Burnham.htm>.
Larson, Erik. Devil in the White City. N.p.: Vintage, 2003. Print.
“Equitable Building”. Emporis. Emporis GMBH, n.d. Web. 11 Nov. 2011.
<http://www.emporis.com/building/equitablebuilding-atlanta-ga-usa156>.
“Flatiron Bulding”. Emporis. Emporis GMBH, n.d. Web. 11 Nov. 2011.
< http://www.emporis.com/building/flatironbuilding-newyorkcity-ny-usa>
“History”. Monadock. n.p. n.d. Web. 11 Nov. 2011.
<http://www.monadnockbuilding.com/history.htm>.
Edge, Sarah. Joel Hurt and the Development of Atlanta. N.p.:Atlanta Historical Society, 1955
“Manhattan Building”. Emporis. Emporis GMBH, n.d. Web. 11 Nov. 2011.
< http://www.emporis.com/building/manhattanbuilding-chicago-il-usa>
"Masonic Temple." Emporis. Emporis GMBH, n.d. Web. 11 Nov. 2011.
<http://www.emporis.com/building/masonictemple-chicago-il-usa>.
“Monadock Building”. Encyclopedia Britannica. eb.com, n.d. Web. 11 Nov. 2011.
<http://www.britannica.com/EBchecked/topic/388810/Monadnock-Building>.
“Monadock Building”(2). Chicago Architecture Info. ArteFaqs Corp. n.d. Web. 11 Nov. 2011
<http://www.chicagoarchitecture.info/Building/1619/Monadnock-Building.php>
“The Rookery”. Emporis. Emporis GMBH, n.d. Web. 11 Nov. 2011.
<http://www.emporis.com/building/the-rookery-chicago-il-usa>.
Craven, Jackie “William Le Baron Jenney, Father of the American Skyscraper”. About.com.
Web. 11 Nov. 2011. <http://architecture.about.com/od/greatarchitects/p/jenney.htm>.