The document provides information about different genres of Russian music - sacred, folk, military, estrada, and bard. It discusses the unique musical elements and instruments associated with each genre. Sacred music refers to church music, while folk music represents village traditions. Military music was composed during communist Russia to promote patriotism. Bard music featured underground singer-songwriters. Estrada has pop/rock influences from the West. Instruments like the balalaika, domra, and garmon are described along with videos demonstrating their sounds.
Custom built trade show displays and rental display options for ICSC RECON 2015 Las Vegas. Including trade show graphics and all trade show labor and services. Presented by Exhibit Fair International Inc, Las Vegas
Exhibit Fair International builds custom exhibits and displays, provides trade show services including trade show graphics, trade show labor and transportation.
Custom built trade show displays and rental display options for ICSC RECON 2015 Las Vegas. Including trade show graphics and all trade show labor and services. Presented by Exhibit Fair International Inc, Las Vegas
Exhibit Fair International builds custom exhibits and displays, provides trade show services including trade show graphics, trade show labor and transportation.
Choose one of the questions from the list below. 1)     Reflect o.docxrusselldayna
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Choose one of the questions from the list below.Â
1)Â Â Â Â Â Reflect on the question by writing a 2-3 paragraph response.
2)     Include the reference (APA Formate) to an educational website other than Wikipedia that helped you to form your response, with a 2-3 sentence description of how this website enhanced your learning for the week.
3)Â Â Â Â Â Select and add an image to your post that reflects your learning, including the specific reasons you chose the image.
Questions are:
An integral relationship between language and music is a feature of many styles and traditions of music worldwide. How do language and music combine and reinforce one another in the kinds of music you listen to? Can you think of instances in which the line between what constitutes speech and constitutes music blurs?
So-called musical Africanisms are pervasive features of many music traditions outside of Africa, especially traditions that belong to or have been influenced by African diasporic culture. Listen to and discuss a range of music that is familiar to you. What Africanisms do you hear in the music from our course materials? What effect do they have on how the music sounds and makes you feel?
The American musician Taj Mahal has made a career of breaking down conventional musical boundaries and redefining world music as worldly music. Do some research on Mahal and locate recordings and videos of his that represent the range and diversity of his music. Write a report describing how Mahal has combined his musical founding in blues music, his broad conceptions of “African” music as encompassing all forms of African and African diasporic music expression, and his cosmopolitanism as a world music adventurer and pioneer.
Locate videos and recordings representing several different African and African diasporic music traditions such as Brazilian samba, Trinidadian calypso, American funk and hip-hop, Ghanaian highlife and South African mbaqanga. What distinctive features do you hear in each? Are there any underlying elements that cut across some or all of them?
What role does a jeli serve in Mande society? What does he or she sing about, and what is the principal musical instrument in our course materials that is used in the jeliya art form?
...
Each student will research and write a biographical essay (of at l.docxjoellemurphey
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Each student will research and write a biographical essay (of at least 1000 words) that examines the life and music of a composer.
Assigned composer will be givenÂ
Details:
The purpose of this assignment is to develop the skills necessary to analyze, synthesize, and critically assess research materials. A series of biographical questions will be provided for each student to address during the course of their research.
Requirements:
The essays must be double-spaced and use Times New Roman, 12 Point Font.
Students are required to include an annotated bibliography with a minimum of six (6) sources cited (two books, two journals, and two web links). Both MLA and APA styles are acceptable.Â
Please note, Wikipedia is not considered a reliable academic source and will not be accepted. In addition, papers missing in-text citations will not be accepted.
A rubric will be used to assess the paper.
Listening Requirements:
Students are required to listen to one complete work composed by the research subject and respond to question(s) about the musician’s music.
References:
Below are eleven (11) biographical questions for each student to address during the course of their research.
1.When and where was the musician born?
2.What are the names of the musician’sÂ
parents, their occupations and any additional facts regarding their role in developing the musician’s musical talent?
3.What are the facts regarding the musician’s general education and musical training?
4.What instrument, or instruments, (include voice) did the musician play?
5.Based on the range of years of the musician’s life and work, to what traditional period of music history does he (or she) belong?
6.What influences (i.e., family members, teachers, or established musicians of the day) helped to shape the musician’s musical work?
7.What kind(s) of music (e.g., chant, opera, oratorio, art song, symphony, etc.) did the musician create over the span of his (or her) career?
8.After listening to one of the musician’s compositions, how would you characterize the music? Include the title of the piece of music that you are discussing and the details that illustrate the musical elements present in the piece (i.e., melody, harmony, rhythm).
9.What is the most significant contribution that the musician has made to the history of music?
10.When did the musician expire? Give specific details regarding the circumstances of the musician’s death?Â
11.Recount one anecdotal story about the musician’s life or work that you discovered during your research?
.
Birth in the United States Research Paper (90 points)Lea.docxrichardnorman90310
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Birth in the United States Research Paper (90 points)
Learning Objective:
Explain the ethical, cultural, economic, and social issues impacting the care women receive before, during, and after pregnancy. Understand how these issues can affect the health of women of childbearing age and their fetus in the United States.
Overview of Assignment:
Write a paper exploring the ethical, economic, cultural, and social issues that women of childbearing age face today in the United States. You can pick a topic that affects women in the childbearing stage of their lives and how it impacts the care received, their lives, their health, or the health of their fetus. Or you can explain each topic individually based on different topics. Overall, research how the ethical, economic, cultural, and social issues can impact women living in the United States.
You may use your text and the Herzing library, however, you MUST USE at least 4 scholarly sources to support your ideas, at least one for each consideration you are discussing.
Paper Requirements:
Length and Elements: The length of this essay should only be 3-4 written pages and should include:
1) Introduction with specific thesis statement (i.e. The purpose of this paper is to…Make sure to introduce the four issues you will be discussing in your paper)
2) Body of Paper: discuss each of the following considerations in separate sections with the following headings:
a. Ethical Issues—explore the ethical issues that surround and confront the childbearing women in the United States (DO NOT discuss informed consent as this is not the type of ethical issue I am looking for, look for issues related to abortion, IVF, genetic testing, ect.)
b. Economic Issues—consider the economic (money related) barriers women face, including such topics as: insurance coverage or lack thereof, WIC, money for food, Medicaid, rural access to childbearing services, etc.
c. Cultural Issues—discuss the various cultural norms that can be found among the different cultures of people in Minnesota and how these different cultural norms can impact the care received during pregnancy
d. Social Issues—consider health disparities a person experiences due to their social environment such as women of poverty, women of color, Amish women, being an immigrant (legal or illegal), being rich, teenagers experiencing pregnancy, ect in the United States. Relate these specific social considerations to childbearing women and how it affects maternal morbidity and mortality.
3) Conclusion: Summarize your findings; re-emphasize the thesis of the paper without simply repeating it; and do not introduce new ideas here
4) Use proper grammar, spelling, and APA 6th edition formatting including a title and reference page (the title and reference pages do not count toward the page total).
Short Written Assignment Prompt:
Based upon the reading for this module and the below video discuss the use of the raga in Indian Classical Music. You need to cite one speci.
Due Date 1159 p.m. EST, Monday of Unit 8 Points .docxShiraPrater50
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Due Date: 11:59 p.m. EST, Monday of Unit 8
Points: 100
Overview:
Music has long been used by movements seeking social change. In the 1950s and '60s, this was
particularly true, as successful black and white musicians openly addressed the issues of the day.
During the '60s, popular white singers such as Bob Dylan and Joan Baez lent both their names and
their musical talents to the American Civil Rights Movement. In fact, music long assisted those
working to win civil rights for African Americans. Freedom songs, often adapted from the music of the
black church, played an essential role in bolstering courage, inspiring participation, and fostering a
sense of community.
For your final project in this course, you will explore a special topic and artist in American Music that
is connected to American society and culture. Then you will create a PowerPoint presentation to
share with the class and exhibit what you have learned.
Submission Timelines:
The project will be broken up into three parts and spread out over the course of several units to help
you complete your project in stages. You will be graded on these assignments and receive feedback
from your instructor so you will be comfortable knowing that you are on the right track.
The timeline of assignments for the course project include:
• Instructor assigns each student a special topic at the beginning of Unit 2.
• Project Resources Assignment due by Sunday of Unit 3.
• Project Outline Assignment due by Sunday of Unit 5.
• Course Project due by 11:59 p.m. EST, Monday of Unit 8.
Instructions:
Your PowerPoint presentation should include the following:
• Background and explanation of your special topic.
• Brief background of your American musician/artist.
• The relationship your American musician/artist had to this special topic and the contributions
they have made.
• An explanation of how your American musician/artist connected to and influenced both music
and American society and culture.
Special Topics in American Music - Final Project
MUS320 - American Music
Requirements:
• Presentation must consist of 7-10 slides, with additional title and reference slides, all formatted
in accordance with the most current APA guidelines.
• Each slide will provide succinct points of the key information that you wish to convey.
• Use the Notes section to elaborate on the information presented in each slide. The Notes
section is your narrative for the presentation.
o Here is a tutorial on how to use speaker notes in PowerPoint. If you do not have a
LinkedIn Learning account (complimentary for Post students), refer to the Course
Information page for information on how to set it up so you can properly view this video.
• At least four (4) images - Two (2) related to your special topic and two (2) related to your artist.
• A video example from YouTube including music from your artist.
• Cite and reference at leas ...
A musical ethnography is a piece of writing that explores some asp.docxmehek4
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A musical ethnography is a piece of writing that explores some aspect of a particular music-culture through fieldwork.
The main goal in doing musical ethnography is to come to an understanding of how an “insider” experiences their own music-culture and then to write up your findings in a way that communicates this perspective to your readers.
To gain an “insider” perspective, ethnographers must seek out first-hand experience with their subject, usually by conducting interviews with musical “insiders” and by spending time participating and observing the music-culture.
For this assignment, you will have the opportunity to choose a music-culture that interests you and research it in two ways: first-hand (via an interview and/or fieldwork) and also via secondary sources (traditional library research).
The first-hand information is the most valuable to an ethnographer, but library research will provide you with the necessary background information to design your project, formulate questions for your interviewee, and write up your findings.
Basic Requirements:
- A one-paragraph to one-page proposal of the project (which must include the name of your interviewee, your subject, and your topic)
- A 6-8 page paper (double-spaced, 12 pt font) with properly formatted bibliography, which must include at least two outside sources, one of which must be a print source (book, journal article, newspaper or magazine article).
Project Steps:
Step 1:
Choose a Topic/Write a Proposal
Read the article “Doing Musical Ethnography” on BB—it provides excellent guidance for choosing a topic for your project. A good way to start is by brainstorming people that you know who are involved in music (musicians, teachers, producers, students, also active listeners and fans) or thinking of musical organizations (bands, clubs, radio stations, dance troupes, fan clubs) that you have some connection to.
Consider your own family or group of friends, and don’t be shy about asking around.
You might assume that no one in your family is musical, but a few questions can turn up some very interesting information that may lead you to your topic.
Once you choose your
subject
(the music-culture you want to explore, broadly speaking), you need to narrow down the
topic
that you want to study within that culture. For instance, let’s say you want to study the music-culture at your church, and decide to interview the choir conductor.
You will soon discover that you could talk for hours with your interviewee about numerous things:
what happens at a choir rehearsal?
Who chooses the songs that will be performed?
What is the relationship between the musical program and the religious service? Or you might ask the conductor biographical questions, or about their training, education, etc. Soon, you will have too much information and no way to organize it into a paper.
The solution is to narrow down the scope before you conduct the interview, and let your questions rel.
Research & Reflect Project Bringing Music of the Past into the .docxsyreetamacaulay
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Research & Reflect Project: Bringing Music of the Past into the PresentÂ
Project DescriptionÂ
For your written project this semester, you will be asked to research and reflect on the following question:
How is music of the past relevant in today’s world?
For this class, we will define “music of the past” as any aspect of music dating from Antiquity to 1750, and “today’s world” as the world during your lifetime. You are free to focus on what you personally relate to and see as most relevant to the present.Â
Your goals will be:
-to learn more about a specific area of music history through research -to write a coherent and convincing paper
-to relate academic work to your personal experiences and/or interests -to think creatively about historyÂ
a)-Research
(50%)
Choose
one specific area of music from Antiquity to 1750
that you find most interesting and perceive to be relevant in today’s world. Then research that specific area of early music to the point that you can discuss it accurately in 5 pages of your paper.
DO NOT research repertory in NAWM
–this is your opportunity to explore beyond what is covered in class!Â
Suggested Topic Categories: Note that for each category, you will need to narrow your focus to
one or two specific examples from before 1750
.
--music sponsorship and/or entrepreneurship
--music and technologyÂ
--musical notation or transmission --music and politics or propaganda --music and religious reform --music and ritual or pietyÂ
--music and emotions
--music and other art forms
--performance practices or conventions
--a musical event or venue
--a musical ensemble or organization
--a compositional technique or expressive device --a pedagogical method
--a theoretical principle
--a musical philosophy or ideaÂ
The possibilities are limitless! Don’t hesitate to meet with me if you need help focusing your interests or simply brainstorming.Â
b)-Personal Reflection
(50%)
Reflect on how the pre-1750 area of music you have researched is relevant in today’s world.
This portion of your paper should consist of your personal ideas and observations, not research.
You are free to interpret “today’s world” from any perspective, such as: a personalÂ
MHL 341Â
2Â
experience or interest, an aspect of your anticipated musical career, an aspect of the local community or your “home” environment, world events or issues (from your lifetime), a trend in present-day society, a music scene or venue you identify with, a particular use or style of music, etc. As you express your ideas in 5 pages of your paper, be sure to organize your thoughts logically and to connect them as clearly as possible to the material you have researched.
Try to focus on one or two main ideas, which you can develop into a coherent statement that includes specific examples
.Â
A few strategies you might consider:
--Discuss a parallel phenomenon (e.g.: compare a medieval ruler’s use of music for political purposes to the use of ...
Assignment Concert ReportMUS 021 Dr. BjorkedalAttend a live .docxrock73
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Assignment: Concert Report
MUS 021: Dr. Bjorkedal
Attend a live (no podcasts, etc) western classical music performance and write a typed report. Make sure to review all instructions prior to attending a performance.
Concert Guidelines:
1. The level of the performance must be college-age performers or professional—no middle/high school/etc. performances.
2. The performance must be of western art music, similar to the genres discussed in text chapters assigned in the syllabus—orchestra, chamber music, solo instrumental performances, opera, choir, ballet, musicals, etc. If you have doubts about a concert qualifying as “western art” music, e-mail the professor before attending.
3. You must attend the entire performance- no late arrivals or early departures.
Report:
Format: 2-4 pages, typed, double-spaced on 8.5 x 11 paper with one-inch margins. Report should include a title, a header with your name and the date, and page numbers.
Writing Voice and style: Your colleagues taking this class should be able to read the report and gain a clear concept of your experience. You will not need to define the terminology we have covered in class, but you do need to keep in mind that your audience will not HEAR this concert and will rely on a sense of the experience solely from your descriptions. This paper should have an academic style- formal, with no contractions used.
Content: The report is YOUR observations of the concert. A successful report will address these categories:
1. Performance setting and types of music: Give the date, place, and name(s) of groups performing. Briefly describe the performance setting- for example, you might include your observations on the ambiance of the performance space, performers’ attire dress, audience’s attire, etc. and how it affected your concert-going experience. Which types/genres of music were performed (symphony, opera, solo, chamber, etc). What pieces did you hear, who were the composers, and what were historical eras of these pieces?
2. The main body of your report should focus on accurately and interestingly applying the knowledge gained in this class to the specific music you heard at the concert. Narrow your focus to two movements or short pieces from your concert and do one of the following:
a. Choose two movements or short pieces from the program and contrast/compare these works with references to specific musical elements.
b. Choose two movements of short pieces and give an overview of their characters- what types of moods or feelings they evoked with references to specific musical elements.
c. Choose the music composition you liked best and describe why using specific musical elements. Choose the music composition you liked least and describe why using musical elements.
Use YOUR ears (not the internet’s ideas…) and listen for the basic elements discussed in class and apply them to the pieces of your concert. Try to highlight what really “stuck out” to you about the musical selections highlighted ...
A Strategic Approach: GenAI in EducationPeter Windle
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Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
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http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
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Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
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Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Digital Artifact 2 - Investigating Pavilion Designs
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Russianmusicgenre
1. Name that Genre!
As you watch the video, what genres of
American music can you name? Are there
instruments that stand out for certain
genres? Write your answers on a sticky note. Be
prepared to share!
You will identify key elements within genres (sacred,
folk, military, estrada and bard) of Russian music in
order to identify and evaluate the characteristics of
the musical style.
1 2 3 654 Next
When listening to Russian music, what are the musical elements of the genres sacred,
folk, military, estrada and bard? Which musical instruments help to create the unique
sounds of each genre?
Video Source: https://www.youtube.com/watch?v=dMH0bHeiRNg
2. The music of Russia represents the diversity of the
culture that has been influenced by the
neighboring regions people and music. Russian
music is a unique compilation representative of
the surrounding people of the region. The music
reflects a diversity of sacred, folk, military, estrada
and bard with an overlying idea of NATIONALISM.
Use the resources provided to the right to complete
the activity on slide 3
Don’t forget to observe the elements of the genres as
well as the instruments that create the sound!
Music Genres
Sacred
Folk
Military
Estrada
Bard
1 2 3 654 Next
Image Source:
Russian Instruments
Balalaika Domra
Garmon Rubel
Gudok Zhaleika
Lozhki Volynka
3. Use the information sources on Slide 2 to identify
the characteristics of Russian music.
1. View the resources on slide 2.
2. Describe the musical elements present within
each genre of Russian music: rhythm, dynamics,
melody, harmony, tone color, texture, and form.
3. Describe popular Russian instruments that may
be typical for each genre. How does the
instruments look and sound. How would you
classify them: chordophone, membranophone,
idiophone or aerophone?
Use this chart (Word Document) to help you
organize your notes.
1 2 3 654 Next
Image Source: https://pixabay.com/en/photos/russian/?&per_page=50
4. Choose one of the following:
Choose one genre of Russian music that was the
most appealing to you.
1. Describe the musical elements within the genre.
2. Identify the instrument/s that helped to create the sound.
3. Classify the instrument/s that helped to create the sound.
4. Explain how the music made you feel.
OR
Choose two Russian genres. Compare and
contrast the musical elements.
1. Describe the musical elements within each genre.
2. Identify the instrument/s that helped to create the sounds.
3. Classify the instrument/s that helped to create the sounds.
4. Explain how the music made you feel.
Create and link to the scoring tool you will use to assess student
learning. Need to create rubric once we fine tune the assessment
Product Ideas:
Infographic
Padlet
PowerPoint
Prezi
Publisher
Sway
Voki
Wiki
Word
1 2 3 654 Next
Image Source: https://en.wikipedia.org/wiki/Music_of_Russia
When listening to Russian music, what are the musical elements of the genres sacred, folk, military, estrada and bard?
Which musical instruments help to create the unique sounds of each genre?
For help (tutorials) visit the ODL Wiki
5. Stay tuned…Russian dancing? Here you may provide additional digital
resources, learning objects, or tutorials
related to:
ď‚— the content/topic of this Slam Dunk
ď‚— an information literacy skill
ď‚— digital citizenship or
ď‚— career connections
These are engaging sites you have checked for
relevance and reading level which will
reinforce, extend, or enrich student learning
about the content or develop their 21st
century skills.
1 2 3 654 Next
Image Source:
6. Standards Alignment National Standard – 6, 9, State Curriculum – 1, 2, World Music 7 – 1, 5
Maryland State Curriculum Standards
Themes of World Music
The music of Russia represents the diversity of the culture that has been influenced by the neighboring
regions people and music.
Enduring Knowledge
Explore and identify the key elements of Russian music within a variety of genres throughout Central
Eurasia.
Common Core State Standards
Reading: 1. Read closely to determine what the text says explicitly and to make logical inferences from it;
cite specific textual evidence when writing or speaking to support conclusions drawn from the text.
Writing: 7. Conduct short as well as more sustained research projects based on focused questions,
demonstrating understanding of the subject under investigation.
AASL Standards for the 21st Century Learner
1.1.6 Read, view, and listen for information presented in any format (e.g. textual, visual, media, digital) in
order to make inferences and gather meaning.
2.1.3 Use strategies to draw conclusions from information and apply knowledge to curricular areas, real-
world situations, and further investigations.
ISTE NETS - National Educational Technology Standards for Students
3. Research and Information Fluency: Students apply digital tools to gather, evaluate, and use information.
4. Critical Thinking, Problem Solving, and Decision Making: Students use critical thinking skills to plan and
conduct research, manage projects, solve problems, and make informed decisions using appropriate
digital tools and resources.
P21 Skills
Information Literacy: Access information efficiently (time) and effectively (sources); Use information
accurately and creatively for the issue or problem at hand.
ICT Literacy: Use technology as a tool to research, organize, evaluate and communicate information.
Grade #7 Unit 5: Music of Central Eurasia: A Russian Focus
Objective: Students will identify key elements within genres (sacred,
folk, military, estrada and bard) of Russian music in order to identify
and evaluate the characteristics of the musical style.
I can:
Time Frame: 2-3 mods
Differentiation strategies for this lesson:
ď‚— Independent research
ď‚— Jigsaw research Idea: groups of 4, each member becomes an
expert on one genre.
ď‚— Group idea (assessment): Create a SWAY that will teach your
classmates about the genre of Russian music that you
researched. Remember to include the musical elements and to
describe at least 2 Russian instruments that may be typical for
this genre.
Notes to the teacher:
ď‚— Collaborate with your school library media specialist to
implement this lesson.
Last updated: December 2015 Created by Patricia Bunch and Christine Pipkin
BCPS Slam Dunk Research Model, Copyright 2015, Baltimore County Public Schools, MD, all rights reserved. This lesson may be used for educational, non-profit school use only.
All other uses, transmissions, and duplications are prohibited unless permission is granted expressly. This lesson is based on Dr. Jamie McKenzie’s Slam Dunk Digital Lesson model.
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7. ď‚— Idiophones, such as the xylophone
and rattle , produce sound by
vibrating themselves; they are sorted
into concussion, percussion, shaken,
scraped, split, and plucked
idiophones.
ď‚— Membranophones, such as drums
or kazoos , produce sound by a
vibrating membrane; they are sorted
into predrum membranophones,
tubular drums, friction idiophones,
kettledrums (timpani), friction drums,
and mirlitons.
ď‚— Chordophones, such as the piano or
cello, produce sound by vibrating
strings; they are sorted into zithers ,
keyboard chordophones, lyres , harps,
lutes, and bowed chordophones .
ď‚— Aerophones, such as the pipe organ
or oboe, produce sound by vibrating
columns of air; they are sorted into
free aerophones, flutes,
organs, reedpipes, and lip-vibrated
aerophones .
Adapted from: http://aniko.pertucafe.hu/classification-of-instruments.html
9. • One of three expressions of
European classical music
• Referred to as chamber music,
theater music or church music
(choral music)
• The earliest written music
Video Source: http://study.com/academy/lesson/renaissance-music-sacred-vs-secular.html
10. •Represents a community
•In Russia, it is tied to
village life and traditions
•Shows nationalistic pride
•Can be sung/played by
people who may or may
not actually be trained
musicians
•Using the instruments
available to them.
•Folk Sample
•Folk Festival
Video Source: https://vimeo.com/52448273
11. • During Communist
Russia, military
music was required
to be composed
• A source of
patriotic and
nationalistic pride
Video Source: https://www.youtube.com/watch?v=CfBeeVKhPHE
12. • Underground folk
music
• The singer-
songwriter wrote
songs outside the
Soviet
establishment Video Source: https://www.youtube.com/watch?v=pDR6Uf2Fcy4&feature=youtu.be
13. • A type of
contemporary
music
• Sounds similar to
pop or rock with
obvious Western
influences Video Source: https://www.youtube.com/watch?v=vgWS2Jc_jO0
14. balalaika domra garmon
Video Source: https://www.youtube.com/watch?v=lYxXUTyovCE Video Source:
https://www.youtube.com/watch
?v=4COISGGb9sk
Instrument Resources
Video Source: https://www.youtube.com/watch?v=5JqeSU7lSLE
15. rubel- gudok- zhaleika-
Video Source:
https://www.youtube.com/watch?v=HcGo_
ak1kc4&feature=endscreen&NR=1%20-
Video Source:
https://www.youtube.com/watch?v=G8Pl6d2NpkA&feat
ure=related
Video Source:
https://www.youtube.com/watch?v=V8cL7iy
K7Zo
Instrument Resources
16. Lozhki- Volynka
-
Video Source: https://www.youtube.com/watch?v=6TS9ugnarQQ
Video Source: https://www.youtube.com/watch?v=ArKh2dojsjA
Instrument Resources