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RUN FOR COVER 
BLITZ KIDS
The music video uses a range of camera shots, 
angles and movements to make it exciting and 
interesting for the target audience. 
The video begins with a low tilt from flooring up to 
reveal feet. The lighting is interesting as the shot 
predominantly uses shadows to create suspense 
from the start. We see a man being dragged by two 
people later revealed in a close up as women. The 
light is directional, coming from the direction the 
women are walking in to create shadows behind 
them. 
A straight cut then leads to a close up of the lead 
singer, who appears to be the man being dragged. 
The cut occurs as the song begins. The close up 
reveals his expression and emotion in the situation 
that he is in. it also reveals the people holding him 
to be women. However, the lighting has been 
focused on him so all we can see of the women are 
their chins and the rest in shadows. The lighting 
gradually lifts as his head moves up.
One of Andrew Goodwin’s seven conventions is 
consistently used in this video. The predominance 
of the close up has been successfully used 
throughout to exaggerate the emotion being 
portrayed from both parties. The video is based 
around an argument between a man and a woman. 
We see he has been captured and trapped. The 
close up reveals more about each person adding to 
the intensity of the theme. 
The close up is also used in the performance 
section of the video frequently to show the passion 
of the performers. The lighting in these close ups is 
very unique in a way that it distorts the main image 
making it hard to see. I think that this emphasises 
the genre of rock and portrays it in an accurate way.
Another of Andrew Goodwin’s conventions in 
voyeurism. The convention is being clearly used in 
this video throughout, A range of shots are used to 
make the woman appeal to the audience. 
1) Over the shoulder shot and lighting focuses on 
his reaction and expression but also reveals her 
removing her clothes. 
2) Two shot reveals her in underwear and also his 
reactions in more of a movement sense. 
3) Another over the shoulder shot but with the 
camera focus on the woman rather than him. A 
unique, clever and nice shot. 
4) A two shot of two women in provocative 
clothing reveals a seductive nature to the video, 
appealing to the target audience. 
5/6) Two over the shoulder shots but from the 
singer’s perspective of the woman to reveal her 
anger. 
1 
2 3 
4 5 6
These various shots use light very interestingly. 
There is clear directional lighting coming from the 
right hand side in the separate performers and from 
behind when the whole band is together. The 
medium close ups and close ups reveal a lot about 
the passion of the performers. The shadows on 
their bodies and faces make it appear that half of 
them is missing. This is very unique and makes the 
video look very interesting. This is done specifically 
for the target audience. The darkness and black and 
dark shades add to the theme 
of rock in a clever way. The 
drummer’s face is rarely shown as 
the lighting is intentionally 
directed to hide his face and only 
show the movement of his 
hands.
A range of shots have been combined 
together to portray the bands style. 
Iconography is another of Andrew Goodwin’s 
7 conventions and these medium shots, close 
ups and extreme close ups show the bands 
rock style. The top picture shows the lead 
singer in a vest and black skinny jeans, the 
bottom right shows him in a tatty denim 
jacket from a close up and the bottom right 
close up of the lead guitarist shows his hand 
with a tattoo on. All of these are conventional 
in the style of rock and roll performers. The 
shots and props have been successfully 
selected to emphasise the genre, the bands 
style and to appeal to the target audience.
In the video there is a relationship between lyrics 
and visuals. This is a convention of music videos. 
For example: 
“Just because we share a ring, doesn’t man you 
don’t know how to make me scream.” 
There is a close up of the woman holding a ring to 
the singer’s face as he is tied down. It shows her 
aggression but also has a direct link with the lyrics. 
Similarly, there is a relationship between the music 
and the visuals, another convention. We see each 
of the performers in turn playing along to the song. 
For example medium shots of the guitar and base 
players accurately and realistically playing along 
with the song.
Here is a collection of interesting shots at various 
points in the video. I like the top one as the light 
has been positioned behind him to create a 
silhouette as he sings along to the song. The 
drummer also appears to be hiding in the shadows 
for most of the song. The lighting creates a similar 
silhouette of the drummer. The medium shots of 
the base player are interesting as they don’t show 
his face clearly, but the bass is in full focus which 
draws the focus of the audience when they are 
watching it.

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Run for cover

  • 1. RUN FOR COVER BLITZ KIDS
  • 2. The music video uses a range of camera shots, angles and movements to make it exciting and interesting for the target audience. The video begins with a low tilt from flooring up to reveal feet. The lighting is interesting as the shot predominantly uses shadows to create suspense from the start. We see a man being dragged by two people later revealed in a close up as women. The light is directional, coming from the direction the women are walking in to create shadows behind them. A straight cut then leads to a close up of the lead singer, who appears to be the man being dragged. The cut occurs as the song begins. The close up reveals his expression and emotion in the situation that he is in. it also reveals the people holding him to be women. However, the lighting has been focused on him so all we can see of the women are their chins and the rest in shadows. The lighting gradually lifts as his head moves up.
  • 3. One of Andrew Goodwin’s seven conventions is consistently used in this video. The predominance of the close up has been successfully used throughout to exaggerate the emotion being portrayed from both parties. The video is based around an argument between a man and a woman. We see he has been captured and trapped. The close up reveals more about each person adding to the intensity of the theme. The close up is also used in the performance section of the video frequently to show the passion of the performers. The lighting in these close ups is very unique in a way that it distorts the main image making it hard to see. I think that this emphasises the genre of rock and portrays it in an accurate way.
  • 4. Another of Andrew Goodwin’s conventions in voyeurism. The convention is being clearly used in this video throughout, A range of shots are used to make the woman appeal to the audience. 1) Over the shoulder shot and lighting focuses on his reaction and expression but also reveals her removing her clothes. 2) Two shot reveals her in underwear and also his reactions in more of a movement sense. 3) Another over the shoulder shot but with the camera focus on the woman rather than him. A unique, clever and nice shot. 4) A two shot of two women in provocative clothing reveals a seductive nature to the video, appealing to the target audience. 5/6) Two over the shoulder shots but from the singer’s perspective of the woman to reveal her anger. 1 2 3 4 5 6
  • 5. These various shots use light very interestingly. There is clear directional lighting coming from the right hand side in the separate performers and from behind when the whole band is together. The medium close ups and close ups reveal a lot about the passion of the performers. The shadows on their bodies and faces make it appear that half of them is missing. This is very unique and makes the video look very interesting. This is done specifically for the target audience. The darkness and black and dark shades add to the theme of rock in a clever way. The drummer’s face is rarely shown as the lighting is intentionally directed to hide his face and only show the movement of his hands.
  • 6. A range of shots have been combined together to portray the bands style. Iconography is another of Andrew Goodwin’s 7 conventions and these medium shots, close ups and extreme close ups show the bands rock style. The top picture shows the lead singer in a vest and black skinny jeans, the bottom right shows him in a tatty denim jacket from a close up and the bottom right close up of the lead guitarist shows his hand with a tattoo on. All of these are conventional in the style of rock and roll performers. The shots and props have been successfully selected to emphasise the genre, the bands style and to appeal to the target audience.
  • 7. In the video there is a relationship between lyrics and visuals. This is a convention of music videos. For example: “Just because we share a ring, doesn’t man you don’t know how to make me scream.” There is a close up of the woman holding a ring to the singer’s face as he is tied down. It shows her aggression but also has a direct link with the lyrics. Similarly, there is a relationship between the music and the visuals, another convention. We see each of the performers in turn playing along to the song. For example medium shots of the guitar and base players accurately and realistically playing along with the song.
  • 8. Here is a collection of interesting shots at various points in the video. I like the top one as the light has been positioned behind him to create a silhouette as he sings along to the song. The drummer also appears to be hiding in the shadows for most of the song. The lighting creates a similar silhouette of the drummer. The medium shots of the base player are interesting as they don’t show his face clearly, but the bass is in full focus which draws the focus of the audience when they are watching it.