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Unit 70 – Stage sound design

By Joe Roberts
ROLE OF A SOUND DESIGNER
•

Design – Designs the sound on equipment such as sound forge.

•

Install – Installs the sound equipment and decides where it goes. For example speaker stage right.

•

Operate – Operates the sound desk during shows.

•

Works extremely closely with the director or choreographer.

•

To be able to evoke emotion, create and reflect mood and underscore the action.

•

To be able to source the sound (record or find pre-recorded sound).

•

To be able to edit and manipulate sound.

•

Diegetic sound – A sound an actor reacts to.

•

Non-diegetic sound – A sound that the audience hear but actors don’t respond / react to.

•

To be able to layer sounds.

•

Know the difference between radio mics, ambient mics, orchestral mics and backstage mics / radios.

•

To be able to take the script and analyse whats required and when.

•

To be able to create cues. E.g. act 1 scene 2 – violins fade in.

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Role of a sound designer

  • 1. Unit 70 – Stage sound design By Joe Roberts
  • 2. ROLE OF A SOUND DESIGNER • Design – Designs the sound on equipment such as sound forge. • Install – Installs the sound equipment and decides where it goes. For example speaker stage right. • Operate – Operates the sound desk during shows. • Works extremely closely with the director or choreographer. • To be able to evoke emotion, create and reflect mood and underscore the action. • To be able to source the sound (record or find pre-recorded sound). • To be able to edit and manipulate sound. • Diegetic sound – A sound an actor reacts to. • Non-diegetic sound – A sound that the audience hear but actors don’t respond / react to. • To be able to layer sounds. • Know the difference between radio mics, ambient mics, orchestral mics and backstage mics / radios. • To be able to take the script and analyse whats required and when. • To be able to create cues. E.g. act 1 scene 2 – violins fade in.