A lighting designer uses light to enhance theatrical productions by setting mood, indicating location and time of day, shifting emphasis between stage areas, and blending visual elements into a unified whole. The designer begins by reading the script and meeting with the director to discuss lighting concepts. They collaborate with the set designer to plan lighting placements. During rehearsals, the designer observes blocking and plans lighting cues. Tools like lighting plots, instrument schedules and cue sheets are used to design and implement the lighting plan. The designer works with the production team to ensure lighting integrates with sets and costumes to create a cohesive artistic vision.
Materiały ze szkolenia z zakresu użycia nowych technologii w edukacji, w którym uczestniczyli nauczyciele ZPO w Piekoszowie w ramach projektu POWER SE "Innowacyjne nauczanie języków obcych w Zespole Placówek Oswiatowych w Piekoszowie”, realizowanego w latach 2018/2020 we współpracy z Fundacją Rozwoju Systemu Edukacji, finansowanego ze środków Europejskiego Funduszu Społecznego.
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This is aimed at lighting design professionals and is an open call for a wider discussion on better ways to deliver circadian lighting schemes which are put into reality by teams including independent lighting designers.
Talk by Inessa Demidova, Lighting Designer, Arup
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Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
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The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
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Home assignment II on Spectroscopy 2024 Answers.pdf
Role Of A Lighting designer
1. Connor Newbury http://www.aact.org/lighting-designer
Lighting Designer
Lightingdesignersknowhowtomake the bestuse of the subtle andpowerful mediumof light,
creatingeffectsthatcan be changedat will tomatch the moodof the action.
At itsmostbasic, stage lightingfunctionstomake the actors and theirenvironsvisibletothe
audience.Butitcan alsobe usedto:
Evoke the appropriate mood
Indicate time of dayand location
Shiftemphasisfromone stage areato another
Reinforce the style of the production
Make objectsonstage appearflat or three dimensional
Blendthe visual elementsonstage intoa unifiedwhole
The lightingdesignerbeginsbyreadingthe scripttobe producednotingthe type of lightitcallsfor
ineach scene.Designerand directorshare theirideasabouthow lightcouldbe usedtoenhance the
productionconceptat theirfirstmeeting.Earlymeetingswiththe setdesignerare alsoimportant
because the setand lightingdesignersmustcollaborate onhow toachieve the desired"look"forthe
play.The planfor the set mayinfluence the placementanddirectionof the necessarylighting
instruments,soflagginganypotential problemsinthisareaas earlyas possible makessense.
Lightingdesignersattendrehearsalstogeta feel forthe lightingcuesandtoplanhow to lightthe
actors as theymove fromplace to place on stage.Whenthe blockingisset,the lightingdesignercan
start to workout whichlightinginstrumentswill be usedandwhere eachone willbe located.
Planning tools:
The planningtoolslightingdesignersuse include:
Paintingsandphotosshowingthe moodandstyle of specificlightingtechniquesandare
gatheredthroughresearch
A lightingplot:ascale drawingof the stage and setas seenfromabove showingthe planned
layoutof each lightingfixture tobe used
A vertical sectionplot:across-sectionof the stage andsetdrawnto scale showingthe vertical
sightlinesandthe heightandpositionof eachinstrument
An instrumentschedule:achart that listseachlightinginstrumentseparatelyalongwiththe
details of itstype,wattage,purpose,filtercolour,the dimmeritwillbe pluggedintoandthe
circuitthat will control it
A cue sheet:a complete listof the variouslightingeffectsthe designerhasplannedforthe
showand whentheyoccur.
2. Connor Newbury http://www.aact.org/lighting-designer
Lightcontrol:
Lightingdesignersusuallycombine bothdirectandindirectlighttoilluminatethe actorsandobjects
on stage.Directlightingcomesfromadefinite locationandilluminatesspecificareas;indirect
lightingwashesoverthe entireareatobe litand doesn'tappearto come from anyone specific
location.
The amount of lightneededtoclearlyilluminate anobjectonstage dependsonthe objects:
Reflectiveproperties
Colour
Contrastwithitssurroundings
Size
Distance fromthe personlookingatit.
Collaboration:
The lightingdesignerwillmeetwiththe directorandthe designteam(set, costume,
and sounddesigners),todiscussthe detailsof the setandthe director'sinterpretationof the play.
The set,costume and lightingdesignersalsomeetandwork togethertoensure the creationof a
unifiedlookandfeelforthe production.A livelyexchange of initial ideasandfirstimpressionshelps
clarifythe stepsthateach personneedstotake inthisintenselycollaborativeprocess.
Once the showopens,the designer'sworkisessentiallycomplete.Now it'snormallythe jobof
the stage manager andlightcrewto make sure thateveryaspectof the productionrunsjustas the
designerintended,time aftertime,until the productioncloses.