This video portrays Rihanna as a strong, powerful, and independent woman through her poses, dance moves, costumes, and use of lighting, editing, and camerawork. Throughout the video, Rihanna is presented as the dominant figure through long shots that position her in the center of the frame and close ups that make her the sole focus. Effects like blurred backgrounds and glowing lights further emphasize Rihanna's importance. Her revealing outfits and nudity portray her as confident in her sexuality while still maintaining a sense of dominance and control. The video reinforces Rihanna's strength and leadership through other dancers mimicking her movements.
The document analyzes the representation of subjects, stereotypes, and camera work in several music videos. It discusses how two sisters are represented in one video to show their feeling of isolation from society. It also examines how NWA presents themselves as bold and brave in opposing societal norms. The document discusses potential stereotypes around teenagers feeling alone and finding belonging through partying. It also analyzes the representation of gender in indie music videos.
Analysis of music video- lady gaga ft beyonce "telephone"Boassy Benson
This document analyzes the music video for "Telephone" by Lady Gaga and Beyonce. It identifies several techniques used in the video including camera shots, editing, mise-en-scene, genre conventions, and intertextuality. It also discusses how audiences may interpret the video differently based on their own experiences and perspectives. Finally, it explains how Andrew Goodwin's theory of key features in music videos can be applied to analyze the techniques and styles used in "Telephone."
This document analyzes how Britney Spears' persona and image have been constructed and evolved over her career in order to stay relevant. It examines her music videos from her first 8 albums and finds that her image became increasingly sexualized to appeal to adult audiences. After a mental breakdown, her image was reconstructed to hide her personal issues. Now her image is overtly commercialized to promote her work. The document argues that Britney has little control over her image and persona, which have been shaped by her record label to maximize commercial success.
The document analyzes several shots from a film to understand the characters and narrative. The first shot introduces four main protagonists and shows them acting normally, establishing an initial equilibrium. Subsequent shots reveal important details about individual characters - one confident female character is likely a "hero" or "villain", while a group seems less assured. Shots of two opposing female characters, one popular and one lonely, use binary opposition to illustrate their roles. Overall, the analysis indicates that a unhappy main character, Lindsay Lohan, will disrupt the equilibrium as the "hero" seeking change.
Codes and conventions of a psychological thrillerpaigewebbx
Shadows, low lighting, mirrors, and urban settings are commonly used in psychological thrillers through mise-en-scene and location to add tension. Eerie music, quick camera movements, and obtrusive editing are employed to build suspense through sound, camerawork, and editing. Flashbacks are also typically used to provide insight into a character's past.
This document discusses different genres of music and their typical styles and conventions as portrayed in music videos. It begins by explaining the variety of modern music genres like pop, rock, R&B, rap, jazz, hip hop, electronic, country and metal. It then provides more detail on specific genres, describing common themes, locations, shots, and portrayals of men and women in music videos for genres like rap, rock, drum & bass, and electronic. The document also covers various music video techniques including in-concert footage, narratives, animation, and referencing/homages.
1) The narrative of Scream follows Todorov's three-part structure of equilibrium, disruption, and resolution. The opening scene establishes equilibrium before the phone call acts as disruption, disturbing Casey's night. Attempts are made to catch the killer and restore order.
2) Propp's character types are also present in Scream, with Stu and Billy as the false heroes revealed as the killers. The victim is Casey and the policeman investigates as the hero.
3) Levi Strauss' concept of binary oppositions is shown through contrasts like Casey's changing demeanor from relaxed to panicked on the phone call. The film shifts from control to panic and light to dark scenes.
The music video for "On the Floor" by Jennifer Lopez featuring Pitbull depicts a dance party scene in Los Angeles featuring elaborate choreography and costumes. It draws from various dance music genres like electro house, electropop, eurodance, and Latin music. Fans were able to vote on their preferred ending for the video, allowing audience participation.
The document analyzes the representation of subjects, stereotypes, and camera work in several music videos. It discusses how two sisters are represented in one video to show their feeling of isolation from society. It also examines how NWA presents themselves as bold and brave in opposing societal norms. The document discusses potential stereotypes around teenagers feeling alone and finding belonging through partying. It also analyzes the representation of gender in indie music videos.
Analysis of music video- lady gaga ft beyonce "telephone"Boassy Benson
This document analyzes the music video for "Telephone" by Lady Gaga and Beyonce. It identifies several techniques used in the video including camera shots, editing, mise-en-scene, genre conventions, and intertextuality. It also discusses how audiences may interpret the video differently based on their own experiences and perspectives. Finally, it explains how Andrew Goodwin's theory of key features in music videos can be applied to analyze the techniques and styles used in "Telephone."
This document analyzes how Britney Spears' persona and image have been constructed and evolved over her career in order to stay relevant. It examines her music videos from her first 8 albums and finds that her image became increasingly sexualized to appeal to adult audiences. After a mental breakdown, her image was reconstructed to hide her personal issues. Now her image is overtly commercialized to promote her work. The document argues that Britney has little control over her image and persona, which have been shaped by her record label to maximize commercial success.
The document analyzes several shots from a film to understand the characters and narrative. The first shot introduces four main protagonists and shows them acting normally, establishing an initial equilibrium. Subsequent shots reveal important details about individual characters - one confident female character is likely a "hero" or "villain", while a group seems less assured. Shots of two opposing female characters, one popular and one lonely, use binary opposition to illustrate their roles. Overall, the analysis indicates that a unhappy main character, Lindsay Lohan, will disrupt the equilibrium as the "hero" seeking change.
Codes and conventions of a psychological thrillerpaigewebbx
Shadows, low lighting, mirrors, and urban settings are commonly used in psychological thrillers through mise-en-scene and location to add tension. Eerie music, quick camera movements, and obtrusive editing are employed to build suspense through sound, camerawork, and editing. Flashbacks are also typically used to provide insight into a character's past.
This document discusses different genres of music and their typical styles and conventions as portrayed in music videos. It begins by explaining the variety of modern music genres like pop, rock, R&B, rap, jazz, hip hop, electronic, country and metal. It then provides more detail on specific genres, describing common themes, locations, shots, and portrayals of men and women in music videos for genres like rap, rock, drum & bass, and electronic. The document also covers various music video techniques including in-concert footage, narratives, animation, and referencing/homages.
1) The narrative of Scream follows Todorov's three-part structure of equilibrium, disruption, and resolution. The opening scene establishes equilibrium before the phone call acts as disruption, disturbing Casey's night. Attempts are made to catch the killer and restore order.
2) Propp's character types are also present in Scream, with Stu and Billy as the false heroes revealed as the killers. The victim is Casey and the policeman investigates as the hero.
3) Levi Strauss' concept of binary oppositions is shown through contrasts like Casey's changing demeanor from relaxed to panicked on the phone call. The film shifts from control to panic and light to dark scenes.
The music video for "On the Floor" by Jennifer Lopez featuring Pitbull depicts a dance party scene in Los Angeles featuring elaborate choreography and costumes. It draws from various dance music genres like electro house, electropop, eurodance, and Latin music. Fans were able to vote on their preferred ending for the video, allowing audience participation.
Codes and Conventions of British Social Realismhannahmedia123
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
This document analyzes Kanye West's music video for "Gold Digger" using Andrew Goodwin's theory of key aspects to look for in music videos. The analysis finds that the video has a strong relationship between the lyrics and visuals, illustrating the lyrics. It also has a relationship between the music and visuals, with the editing and shots amplifying the beat. There are many close-up shots of Kanye West and Jamie Foxx, showing their star images. Elements of voyeurism and the male gaze are present through sexualized shots of scantily-clad women. In general, the video is found to be a clear example of the aspects Goodwin identified as common in music videos.
Codes and Conventions of Indie Genre Music VideosAxel Cansdale
This document provides an overview of codes and conventions commonly found in indie genre music videos. It discusses the broad and diverse nature of the indie genre and some of its subcategories like indie-pop, indie-rock, and indie-folk. It then examines typical elements of indie music videos like their narrative style, use of camera shots, sound design, editing techniques, mise-en-scene aspects involving lighting, props, costumes, locations, and color palettes. Examples are given of specific music videos to illustrate these common conventions.
The document summarizes Tzvetan Todorov's theory that most films follow a common narrative structure of equilibrium, disequilibrium, and restored equilibrium. It provides an example of this structure in the film "Clueless" where the protagonist Cher begins in a state of equilibrium that is disrupted by a problem (her bad grade), leading her on a quest to resolve the issue and restore equilibrium. The document also discusses other literary techniques used in narratives like enigma codes and action codes that engage audiences and move the plot forward.
The document provides an analysis of the openings of three horror films: Scream (1996), A Nightmare on Elm Street (1984), and an unnamed third film. It summarizes key elements of each opening, including narrative structure, characters, settings, camerawork, sound, and how they set up conventions of the horror genre and build tension. The opening of Scream introduces the main character Casey and her threatening phone calls from an unknown man. A Nightmare on Elm Street shows the creation of Freddy Krueger's glove and his pursuit of Tina in a dream, leaving clues that the events may not be a dream. Generic conventions like isolation, curiosity, and weapons are also discussed.
Andrew Goodwin’s Theory and Analysis of Music Videoschristieshee
This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals relate to the music through illustration, amplification, or contradiction. Faster songs use quick cuts while slower songs use longer shots.
2) Narrative and performance - videos need a storyline and performance element to engage viewers. Artists typically act as both performer and narrator.
3) Star image - videos promote the artist as the main subject and increase their profile through close-ups and screen time. Artists develop signature styles of representation.
4) Relation of visuals to song - videos can disjuncture, amplify, or illustrate
The document discusses several key aspects of music videos identified by Andrew Goodwin, including thought beats, narrative and performance, star images, technical aspects, and the relationship between visuals and song. It explains Goodwin's three steps for identifying thought beats: examining song structure and music, listening to the artist's voice, and understanding the artist's role as storyteller. The document also discusses the importance of narrative, star image, technical elements, and Roland Barthes' codes for analyzing narrative texts. Finally, it summarizes Vladimir Propp's eight character types commonly found in narratives.
This document provides an analysis of the music video for Katy Perry's song "Thinking of You" according to seven key ideas for identifying elements in music videos put forth by Andrew Goodwin. It discusses how the music video demonstrates characteristics of the pop genre through inclusion of Katy Perry's performance and use of editing techniques like fade ins and outs. It also analyzes how the video illustrates the song's lyrics through its narrative of a couple separated by war and how the cuts are timed to the music. Close-ups of Perry are used to relate her to the character and promote her artistic abilities. References are made to other works like "Dear John" and the video aims to appeal to Perry's target audience through these intertext
The document provides an analysis of Andrew Goodwin's theory on the key aspects of music videos through examining two music videos: "Roar" by Katy Perry and "Beauty and a Beat" by Justin Bieber featuring Nicki Minaj. It discusses how the videos illustrate Goodwin's five aspects of thought through the beat, relationship between music and visuals, narrative and performance, technical aspects, and star image. For each video, it analyzes how the visual elements like camerawork, editing, setting, and focus on the artists align with and enhance the meaning of the songs.
Codes and conventions in the horror genreamberloo20
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
The document discusses conventions of gangster and film noir genres. It provides examples from movie openings that utilize these conventions, such as low lighting, urban settings, suits/hats on male characters, and femme fatale women. The openings analyzed establish settings and characters quickly through shots of cities at night, silhouetted figures, and dialogue between potential romantic interests or criminals.
The document provides an analysis of Lady Gaga's "Bad Romance" music video. It discusses the video's concept of depicting Gaga being kidnapped and sold to the Russian mafia as a metaphor for the dark side of the music industry. Various camera techniques are examined, such as close-ups showing Gaga's innocence being stripped away. Costuming and lighting are also analyzed to represent Gaga's corruption. The intended audience is described as Lady Gaga fans and creative young adults who can understand the video's hidden messages.
The document discusses several techniques of mise-en-scène used in horror movies to create atmosphere and fear. It describes how settings like forests used in films like Friday the 13th isolate and endanger characters. Props symbolize religious elements in possession films and identify villains by their weapons. Dark lighting and colors like black and red are employed to conceal threats and represent good and evil. Costumes and makeup are also important for defining characters and showing their deterioration. Facial expressions and body language display characters' fear through tension and shock. Practical effects are often used in place of visual effects to portray graphic violence realistically.
Codes & Conventions of Folk Music VideosJackBrommers
Folk music videos should feature the artist and focus on natural environments without manufactured imagery. They tell a strong narrative that reflects the deep emotions and themes of the folk song through both the audio and visuals, without flashy effects. The characters are relatable to help viewers connect to the story and be absorbed in the emotional narrative.
The music video for Beyoncé's song "Pretty Hurts" depicts the pressures and unrealistic standards of beauty faced by women competing in a beauty pageant. Through scenes of Beyoncé vomiting, exercising excessively, and breaking down after losing the competition, the video sends a message about the negative impacts of society's obsession with physical perfection. Stylistic elements like revealing costumes, pink and yellow tones, and close-ups emphasize the objectification and scrutiny of the women's bodies. While adhering to conventions of the pop genre, the video uses Beyoncé's star power to spread an important message to its target audience of teenage and young adult women.
In hip hop music videos, there are several conventions used to convey status and power. Low camera angles are used to make the artist appear powerful over the audience. Crowds dancing to the beat gives credibility to the song. Expensive clothing, jewelry, cars, and money flaunt wealth and status. Men generally dominate while women are portrayed as sex objects. Visuals are linked to lyrics by featuring objects mentioned. Close ups emphasize the importance of the artist. Intertextuality connects lesser-known artists to more popular culture figures. Overall, the goal is to present the artist as powerful, wealthy, and with many admirers through these visual conventions.
This document outlines several common codes and conventions for country music videos. It discusses elements of mise-en-scene like costumes, hair, makeup and props. It notes that female singers are often presented in revealing clothing while males wear jeans and shirts. It also explores common settings, camera framing focused on the artist, low-key lighting, inclusion of dancers and love interests, and narratives about love and relationships. Examples are provided of videos that illustrate these conventions.
The video for "Take On Me" by A-ha uses rotoscoping animation and live action to tell a romantic narrative. It contrasts the dull real world with the exciting fantasy world of the comic book. The characters represent common tropes - the attractive heroic male lead and the villain. Imagery like costumes, settings and characters reference comic books. Shots link the lyrics to visuals, expressing themes of unstable relationships. It aims to promote the band's image while telling a story that would appeal to young adult audiences through its themes of escapism and romance.
This document discusses different types and styles of music videos. The main types are narrative-based, which tell a story related to the song's lyrics; performance-based, which primarily feature the artist performing; and concept-based, which are based on a specific theme or concept. Some common styles are animation, interpretive, impressionist, intertextual, surrealist, and allusion. Examples are provided for each type and style.
Codes and conventions of a rock music videoislalee1
Rock music originated in the 1950s in the US and was influenced by other genres like folk, country, and jazz. It is typically performed by bands with 4 or more members playing electric guitar and other instruments like drums. Rock artists in music videos and performances commonly wear black, have tattoos and piercings, and use facial expressions and body language to express the mood of the song. Rock videos also feature common visual conventions like low-key lighting, outdoor settings, cuts that match the tempo, and narratives that relate to the lyrics.
- Rihanna rose to fame in 2005 with her debut single "Pon de Replay" and transitioned to a "good girl gone bad" image with her 2007 album featuring the hit single "Umbrella".
- "Umbrella" was a major commercial success worldwide and received critical acclaim, helping cement Rihanna as a successful solo artist in genres like R&B and hip hop.
- Through elements like editing, camera work, mise-en-scene, and performance, the music video for "Umbrella" portrayed Rihanna as a powerful, independent woman and helped broaden her appeal to different audiences.
1) The music video for Rihanna's song "Diamonds" is shot entirely in black and white. It uses quick cuts and editing to build tension and features Rihanna in various close-up shots with lighting focused solely on her.
2) Scenes portray negative uses of diamonds and symbols of love being destroyed to match the emotion in the lyrics. Objects are seen moving in reverse, and locations change from a dark room to outside.
3) Shots include hands holding and then letting go to represent a relationship, and a horse gaining freedom through a low angle shot, all exploring the mixed emotions Rihanna aims to convey through her performance and body language in the video.
Codes and Conventions of British Social Realismhannahmedia123
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
This document analyzes Kanye West's music video for "Gold Digger" using Andrew Goodwin's theory of key aspects to look for in music videos. The analysis finds that the video has a strong relationship between the lyrics and visuals, illustrating the lyrics. It also has a relationship between the music and visuals, with the editing and shots amplifying the beat. There are many close-up shots of Kanye West and Jamie Foxx, showing their star images. Elements of voyeurism and the male gaze are present through sexualized shots of scantily-clad women. In general, the video is found to be a clear example of the aspects Goodwin identified as common in music videos.
Codes and Conventions of Indie Genre Music VideosAxel Cansdale
This document provides an overview of codes and conventions commonly found in indie genre music videos. It discusses the broad and diverse nature of the indie genre and some of its subcategories like indie-pop, indie-rock, and indie-folk. It then examines typical elements of indie music videos like their narrative style, use of camera shots, sound design, editing techniques, mise-en-scene aspects involving lighting, props, costumes, locations, and color palettes. Examples are given of specific music videos to illustrate these common conventions.
The document summarizes Tzvetan Todorov's theory that most films follow a common narrative structure of equilibrium, disequilibrium, and restored equilibrium. It provides an example of this structure in the film "Clueless" where the protagonist Cher begins in a state of equilibrium that is disrupted by a problem (her bad grade), leading her on a quest to resolve the issue and restore equilibrium. The document also discusses other literary techniques used in narratives like enigma codes and action codes that engage audiences and move the plot forward.
The document provides an analysis of the openings of three horror films: Scream (1996), A Nightmare on Elm Street (1984), and an unnamed third film. It summarizes key elements of each opening, including narrative structure, characters, settings, camerawork, sound, and how they set up conventions of the horror genre and build tension. The opening of Scream introduces the main character Casey and her threatening phone calls from an unknown man. A Nightmare on Elm Street shows the creation of Freddy Krueger's glove and his pursuit of Tina in a dream, leaving clues that the events may not be a dream. Generic conventions like isolation, curiosity, and weapons are also discussed.
Andrew Goodwin’s Theory and Analysis of Music Videoschristieshee
This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals relate to the music through illustration, amplification, or contradiction. Faster songs use quick cuts while slower songs use longer shots.
2) Narrative and performance - videos need a storyline and performance element to engage viewers. Artists typically act as both performer and narrator.
3) Star image - videos promote the artist as the main subject and increase their profile through close-ups and screen time. Artists develop signature styles of representation.
4) Relation of visuals to song - videos can disjuncture, amplify, or illustrate
The document discusses several key aspects of music videos identified by Andrew Goodwin, including thought beats, narrative and performance, star images, technical aspects, and the relationship between visuals and song. It explains Goodwin's three steps for identifying thought beats: examining song structure and music, listening to the artist's voice, and understanding the artist's role as storyteller. The document also discusses the importance of narrative, star image, technical elements, and Roland Barthes' codes for analyzing narrative texts. Finally, it summarizes Vladimir Propp's eight character types commonly found in narratives.
This document provides an analysis of the music video for Katy Perry's song "Thinking of You" according to seven key ideas for identifying elements in music videos put forth by Andrew Goodwin. It discusses how the music video demonstrates characteristics of the pop genre through inclusion of Katy Perry's performance and use of editing techniques like fade ins and outs. It also analyzes how the video illustrates the song's lyrics through its narrative of a couple separated by war and how the cuts are timed to the music. Close-ups of Perry are used to relate her to the character and promote her artistic abilities. References are made to other works like "Dear John" and the video aims to appeal to Perry's target audience through these intertext
The document provides an analysis of Andrew Goodwin's theory on the key aspects of music videos through examining two music videos: "Roar" by Katy Perry and "Beauty and a Beat" by Justin Bieber featuring Nicki Minaj. It discusses how the videos illustrate Goodwin's five aspects of thought through the beat, relationship between music and visuals, narrative and performance, technical aspects, and star image. For each video, it analyzes how the visual elements like camerawork, editing, setting, and focus on the artists align with and enhance the meaning of the songs.
Codes and conventions in the horror genreamberloo20
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
The document discusses conventions of gangster and film noir genres. It provides examples from movie openings that utilize these conventions, such as low lighting, urban settings, suits/hats on male characters, and femme fatale women. The openings analyzed establish settings and characters quickly through shots of cities at night, silhouetted figures, and dialogue between potential romantic interests or criminals.
The document provides an analysis of Lady Gaga's "Bad Romance" music video. It discusses the video's concept of depicting Gaga being kidnapped and sold to the Russian mafia as a metaphor for the dark side of the music industry. Various camera techniques are examined, such as close-ups showing Gaga's innocence being stripped away. Costuming and lighting are also analyzed to represent Gaga's corruption. The intended audience is described as Lady Gaga fans and creative young adults who can understand the video's hidden messages.
The document discusses several techniques of mise-en-scène used in horror movies to create atmosphere and fear. It describes how settings like forests used in films like Friday the 13th isolate and endanger characters. Props symbolize religious elements in possession films and identify villains by their weapons. Dark lighting and colors like black and red are employed to conceal threats and represent good and evil. Costumes and makeup are also important for defining characters and showing their deterioration. Facial expressions and body language display characters' fear through tension and shock. Practical effects are often used in place of visual effects to portray graphic violence realistically.
Codes & Conventions of Folk Music VideosJackBrommers
Folk music videos should feature the artist and focus on natural environments without manufactured imagery. They tell a strong narrative that reflects the deep emotions and themes of the folk song through both the audio and visuals, without flashy effects. The characters are relatable to help viewers connect to the story and be absorbed in the emotional narrative.
The music video for Beyoncé's song "Pretty Hurts" depicts the pressures and unrealistic standards of beauty faced by women competing in a beauty pageant. Through scenes of Beyoncé vomiting, exercising excessively, and breaking down after losing the competition, the video sends a message about the negative impacts of society's obsession with physical perfection. Stylistic elements like revealing costumes, pink and yellow tones, and close-ups emphasize the objectification and scrutiny of the women's bodies. While adhering to conventions of the pop genre, the video uses Beyoncé's star power to spread an important message to its target audience of teenage and young adult women.
In hip hop music videos, there are several conventions used to convey status and power. Low camera angles are used to make the artist appear powerful over the audience. Crowds dancing to the beat gives credibility to the song. Expensive clothing, jewelry, cars, and money flaunt wealth and status. Men generally dominate while women are portrayed as sex objects. Visuals are linked to lyrics by featuring objects mentioned. Close ups emphasize the importance of the artist. Intertextuality connects lesser-known artists to more popular culture figures. Overall, the goal is to present the artist as powerful, wealthy, and with many admirers through these visual conventions.
This document outlines several common codes and conventions for country music videos. It discusses elements of mise-en-scene like costumes, hair, makeup and props. It notes that female singers are often presented in revealing clothing while males wear jeans and shirts. It also explores common settings, camera framing focused on the artist, low-key lighting, inclusion of dancers and love interests, and narratives about love and relationships. Examples are provided of videos that illustrate these conventions.
The video for "Take On Me" by A-ha uses rotoscoping animation and live action to tell a romantic narrative. It contrasts the dull real world with the exciting fantasy world of the comic book. The characters represent common tropes - the attractive heroic male lead and the villain. Imagery like costumes, settings and characters reference comic books. Shots link the lyrics to visuals, expressing themes of unstable relationships. It aims to promote the band's image while telling a story that would appeal to young adult audiences through its themes of escapism and romance.
This document discusses different types and styles of music videos. The main types are narrative-based, which tell a story related to the song's lyrics; performance-based, which primarily feature the artist performing; and concept-based, which are based on a specific theme or concept. Some common styles are animation, interpretive, impressionist, intertextual, surrealist, and allusion. Examples are provided for each type and style.
Codes and conventions of a rock music videoislalee1
Rock music originated in the 1950s in the US and was influenced by other genres like folk, country, and jazz. It is typically performed by bands with 4 or more members playing electric guitar and other instruments like drums. Rock artists in music videos and performances commonly wear black, have tattoos and piercings, and use facial expressions and body language to express the mood of the song. Rock videos also feature common visual conventions like low-key lighting, outdoor settings, cuts that match the tempo, and narratives that relate to the lyrics.
- Rihanna rose to fame in 2005 with her debut single "Pon de Replay" and transitioned to a "good girl gone bad" image with her 2007 album featuring the hit single "Umbrella".
- "Umbrella" was a major commercial success worldwide and received critical acclaim, helping cement Rihanna as a successful solo artist in genres like R&B and hip hop.
- Through elements like editing, camera work, mise-en-scene, and performance, the music video for "Umbrella" portrayed Rihanna as a powerful, independent woman and helped broaden her appeal to different audiences.
1) The music video for Rihanna's song "Diamonds" is shot entirely in black and white. It uses quick cuts and editing to build tension and features Rihanna in various close-up shots with lighting focused solely on her.
2) Scenes portray negative uses of diamonds and symbols of love being destroyed to match the emotion in the lyrics. Objects are seen moving in reverse, and locations change from a dark room to outside.
3) Shots include hands holding and then letting go to represent a relationship, and a horse gaining freedom through a low angle shot, all exploring the mixed emotions Rihanna aims to convey through her performance and body language in the video.
This document provides an analysis of the music video for Rihanna's song "Diamonds". It summarizes that the video is shot in black and white, uses quick editing and close-up shots. Lighting is used to focus on Rihanna, giving the video a vintage feel. Symbols like shattered glass and a burning rose are used to represent the destruction of love. Reverse effects and changes in scenery portray Rihanna's emotions throughout the video.
The song compares being in a romantic relationship to playing Russian roulette, where either person could get hurt. The music video depicts Rihanna engaging in risky behaviors and situations that result in her death, metaphorically representing the dangers of love. It uses camera techniques like close-ups, two shots, and flashbacks to convey mood and build suspense. Rihanna wears sexually suggestive clothing and makeup typical of the R&B genre to appeal to fans and sell the video.
The video analyzes Rihanna's music video for "Diamonds" and discusses techniques that could inspire the document's author's own music video. It notes the video uses black and white filmting and close-up shots. Quick editing builds tension. Lighting focuses solely on Rihanna as she sings. Symbols like shattered glass and burning roses signify love being destroyed. Reverse shots emphasize the singer's emotional state. Location changes from a dark room suggest moving on from mixed feelings.
The music video features Rihanna and another unseen character. It uses techniques like cross-cutting between scenes to tell a story. The colors are mainly dark tones, and Rihanna appears partly or fully naked at times, showing her tattoos. The narrative seems to depict a breakup, as scenes show Rihanna alone or losing contact with a man. A key iconic image is Rihanna smoking diamonds in a cigarette.
Rihanna's "Man Down" music video tells a story through flashbacks of events leading up to her shooting a man. The video begins with Rihanna shooting a man at a train station then flashing back to show her enjoying time with friends and family in Jamaica. At a club, she dances with a man who later assaults her in an alley. The final scene shows Rihanna at home with a gun, distraught over the assault. Stylistic elements like lighting, costumes, and camera angles are used to contrast Rihanna's happiness before the assault with her darkness and desire for revenge after.
This song compares the risks of being in a romantic relationship to playing Russian roulette. The lyrics use the dangerous game as a metaphor for how relationships can potentially end with someone getting hurt. The music video depicts Rihanna playing an actual game of Russian roulette with a man at a table. As the game progresses, flashbacks show her in dangerous situations where she is interrogated, hit by a car in the woods, and ultimately shot underwater, depicting her character dying at the end of the video from playing the risky game. The video aims to portray Rihanna as a strong yet dangerous woman through her bold style, makeup, and willingness to take risks in the game.
Rihanna - Where Have You Been (analysis)danielr1007
The music video for Rihanna's song "Where Have You Been" displays several characteristics common to pop genre videos. It features upbeat dance routines to keep the pace interesting for audiences. Rihanna, as the young and attractive star, helps sell the video to audiences as required by record labels. The lyrics and visuals show Rihanna constantly looking at the camera as if searching for someone. Objectification of Rihanna's body through costumes, close-ups, and lack of clothing is used throughout to sell her sex appeal and flexibility in appealing to audiences' wants.
This document analyzes and summarizes images of various musical artists, including:
1) An image of Rihanna uses low key lighting and the color red to portray her as mysterious and seductive.
2) A black and white image of Kanye West emphasizes his stylish clothing and flashy sunglasses, appealing to his young, wealthy audience.
3) A photo of Take That shows an unbalanced dynamic as one member is behind the others, possibly representing the band's changing lineup.
This document analyzes and summarizes images of various musical artists, including:
1) An image of Rihanna uses low key lighting and the color red to portray her as mysterious and seductive, consistent with her music.
2) A black and white image of Kanye West emphasizes his stylish clothing and flashy sunglasses, appealing to his young, wealthy audience.
3) An image of Take That shows an unbalanced dynamic as one member is behind the others, possibly representing the band's rejoining with a former member.
Rihanna's song "Diamonds" is proposed for use in a music video. The song expresses a range of emotions through different images in the official video, including sunshine on Rihanna's face and her walking through a burning city. It also shows her in four environments representing different elements like earth, air, water and fire, expressing a sense of hope between chaos. For their video, the group plans to use diamonds falling with a black background and flashing lights on faces to match the lyrics and express the song's emotions to the audience.
Rihanna is a Barbadian singer born in 1988. She was signed at age 16 and her debut album sold over 2 million copies. Her music spans genres like R&B, reggae, pop, dancehall, hip-hop and dance-pop. Early music videos like "Pon de Replay" showed her youthful side with some exposed areas attracting male attention. Recent videos feature more revealing outfits and nudity intended to draw the male gaze through sexuality rather than music. Younger fans may see her oversexualized image as a role model, though she is also seen as strong for speaking out about an abusive relationship.
Rihanna is a Barbadian singer born in 1988. She was signed at age 16 and her debut album sold over 2 million copies. Her music spans genres like R&B, reggae, pop, dancehall, hip-hop and dance-pop. Early music videos like "Pon de Replay" showed her youthful side with some exposed areas attracting male gazes. Recent videos mainly focus on her sex appeal, showing her naked or in minimal clothing to draw in male gazes, promoting violence in one video. She is often portrayed wearing revealing, tight outfits and doing dances seen as sexual to attract male attention through props like cigarettes and alcohol. Younger fans see this as a role model which could
Case study Rihanna - Where have you beennatasha3210
The music video for Rihanna's song "Where Have You Been" uses various animal-inspired imagery and themes throughout. Scenes depict Rihanna portraying different animals through costumes, movements, and settings. It also references the Hindu god Shiva to portray Rihanna as a powerful transformer. The video utilizes rapid cutting between scenes to match the fast-paced techno song and create an exciting visual experience for viewers.
1) The song "Umbrella" by Rihanna featuring Jay-Z was released in March 2007 and marked a shift to a more mature image for Rihanna compared to her previous work.
2) The music video shows Rihanna in provocative outfits and poses, establishing her new "good girl gone bad" image, while Jay-Z is surrounded by scantily clad women in scenes meant to depict pouring rain.
3) Throughout the video, Rihanna maintains intense eye contact and focus on the audience to emphasize her confident demeanor in contrast to her past persona.
This song by Rihanna was a hit that remained number one in the UK for 10 weeks and marked a change to a more sexualized image compared to her previous work. The music video depicts Rihanna in various revealing outfits and poses intended to portray her "good girl gone bad" persona, including scenes of her naked and covered in silver paint. Jay-Z also appears in the video surrounded by scantily-clad women. Throughout the video, lighting, camera work, and choreographed dance routines are used to keep Rihanna as the central focus.
The document analyzes the music video for Rihanna's song "Diamonds". It describes two main characters, with Rihanna being one of them. The video uses cross-cutting between scenes to tell a story that is open to interpretation. Scenes include Rihanna smoking diamonds, floating in a river, and standing alone in a field with a horse. The dark color palette and Rihanna's minimal clothing are meant to set a moody tone. Diamonds are prominently featured as an iconic element due to the song title.
Rihanna's "Take A Bow" music video follows typical conventions of the R&B genre, featuring her in stylish outfits driving a convertible to attract audiences. The narrative shows Rihanna vulnerable after a breakup, reluctant to see her ex at her door. Through body language, she expresses no longer caring for him. The video helps viewers understand the sarcastic lyrics by revealing her hurt feelings. Rihanna wears casual clothes to relate to her target audience of women ages 15-30 who can connect to the experience of moving on from a bad relationship. Her changing outfits and confidence level reflect her emotional journey from heartbreak to strength.
Rihanna gained success through an audition with music producers in 2003. She signed a six album deal with Def Jam Recordings in 2005 after Jay-Z requested an audition. Rihanna does not have a clear ideology in her work but has explored themes of violence, sexuality, and relationships. Her hit song "S.O.S" contributed to her worldwide success and image as a newly rebranded artist after "Pon de Replay". Her video for "Russian Roulette" showed a darker artistic direction and her transformation from girl to woman.
Similar to Rihanna- Umbrella music video analysis (20)
The document analyzes the music video for Ed Sheeran's song "Drunk" through analyzing the synchronization between the lyrics and visuals. Specific scenes from the video are described where the lyrics and actions of the artist align. The video is said to portray different genres through the artist's guitar and meaningful lyrics. Close ups of both the artist and other characters are used to show emotions. Overall, the video uses music, lyrics, and everyday scenes mixed with fantasy to depict the artist's experience with love and loss through drinking.
The document discusses using Photoshop tools to edit images for a school project. It describes using the magic wand tool to remove backgrounds, applying black and white filters, cropping images, copying and pasting text, and linking layers to move elements together. The steps outlined provide instructions for preparing and manipulating various elements to composite into a final design.
The document provides information about Savannah Emment's target audience for a new music magazine. It describes the audience as teenagers and young adults aged 18-20 who are music enthusiasts interested in their appearance and social lives. They value family, friends, education and achieving their goals. Many aspire to careers in music or music media. They have busy social lives and work hard both in and outside of school. The document also provides sample responses to questions from Savannah's survey about magazine purchasing habits and music interests to help define her target readership.
Savannah Emment is a rising senior at the University of Southern California majoring in communications. She has interned at several media companies in Los Angeles and is looking for a full-time job after graduation next spring. Savannah is passionate about storytelling across multiple platforms and hopes to find a career that allows her to develop creative content.
The document describes the process of designing a magazine masthead in Photoshop. It involves selecting fonts, colors, and images and layering them to create the final design. Key steps include using tools to cut, fill, and add effects to text to make it stand out on the magazine cover against photos and backgrounds. The document outlines adjusting colors, thickening text, and adding elements like barcodes and issue details to complete the magazine cover design.
This document provides a reader profile for a music magazine targeted towards teenagers and young adults aged 18-20. It describes the target audience as being music-oriented, interested in their appearance and family/friends, and independent. They value education and achieving their goals. Many of the readers would attend music festivals and play instruments. They have busy social lives and work hard both in and out of school. The document also includes pie charts summarizing the results of a survey about the target readers' music interests, where they discover new music, magazine purchasing habits, and how much they would spend on a magazine.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
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The History of NZ 1870-1900.
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A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
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There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
1. Rihanna’s video “Umbrella” is very drawing. It
uses very powerful movements and editing.
Throughout the video Rihanna is portrayed as
a very strong women, this is shown through
her poses and her dance movements
throughout. I like the fact that Rihanna has a
very high status throughout this video, it
shows that women can be strong and are
strong.
I also like this video because its use od
editing, the picture to your left shows an
example. The editing used here to make the
top of the screen orange is a great effect
because it catches the viewers eye.
2.
3. When the music video In this shot there is a
starts, you have an instant dim light and a bright
long shot of Rihanna on light. The bright lights
the screen. Immediately aim is to either be
we have the portrayal of coming from Rihanna
dominance from the or to be enhancing her
female artist, she's assets as that where
wearing a black revealing the light is at.
outfit that covers what If the light is coming
she needs. This shows a from Rihanna is shows
sign of confidence and her significance and
control. From the first superiority within this
show we know that video and to the
Rihanna is going to be others within it.
with main artist. On the other hand if
the light is enhancing
her assets then this
Here you can see shows confidence.
Rihanna's perfectly
manicured nails, this
indicates that she looks This screen grab of Rihanna portrays mysterious and dark vibes.
after her appearance not This contrasts with the change in Rihanna career with her new
to the fact that se cares album “Good Girl Gone Bad”. In this short, the artists hat is
what people think but she covering half of her hair and face, this shows a confident and
likes to feel good about dominant stance, it also shows a tom boy side of her.
herself.
4. In both of these mid/ close up shots, we have the significance of the costumes along with
a contrast of colours. Firstly Rihanna is wearing a black ballerina outfit which shows
dominance and breaking rules as ballerina dresses aren’t typically black. It also gives her a
sense of darkness and edge. The shot is cut short to show the artists legs which portrays
her as a sex icon. However Jay Z is wearing gold trainers which makes him stand out
against the back ground and the other dancers behind him.
Having Rihanna in this elegant but strong pose, this makes her stand out in comparison to
ay Z which lets the audience know that she is the main artist. This pose is powerful due to
her standing on her toes, it makes her look taller and therefore more powerful. In both of
these shots, the lighting used is very effective, in the shots where Rihanna is sparkles
which display a feminine side to her hard look. Whereas Jay Z has a contrast of eclectic
sparkles with the black background, they are similar to Rihanna but more masculine.
5. From these screen shots we see the house style displayed through the
effective use of Mise-en-scene. A black and white theme is used
throughout these shots with flashes of white to make the image of the
artist stand out.
Due to Rihanna being nude this portrays that she is confident with the
way she looks and isn’t shy in showing it off. Rihanna here is being
labelled as a sex icon because of the nudity of herself through this video
even though it isn’t because she’s flaunting herself its because she is
comfortable in her own skin. Being nude in the part of the video shows
her dominance yet again which is a main theme in this video. It shows
she’s an independent women who people can idolise and look up to.
Throughout this piece in the video there is a range of close up and mid
shots of the artist. The editing here applies strong lighting to give
Rihanna that glow when there are close up and mid shots of her. The
glow that create makes Rihanna stand out in the contrasting
background . The glowing technique has been used throughout to show
that she is the main artist and that she is the main focus to the
audience. In other shots of this piece in the video there is a mirror
effect used to then again make her the main focus because there isn't
anything else to look at.
The fact that Rihanna has been painted silver makes the audience sit up
and notice because its an eye catcher. Not many artist paint there hole
bodies one colour but it has proven to be effective here. All her moves
are slow as if to suggest her status in this video, like she has no one to
rush for so this also portrays her independence as a women.
6.
7. Throughout the part of the Rihanna’s videos her body
language is very strong and to show this there are a
lot of cuts of Rihanna from close ups to mid sots to
long shots. Having so many shots one after the other
and her in a different pose each time shows
powerfulness and strength. Due to Rihanna dance
wear it yet again portrays her as a sex icon due to how
revealing it is.
When Rihanna turns around the back ground cuts and
the white sits on top of the orange. I believe that the
change of colours indicates Rihanna’s change into an
independent women. The colours contrast with each
other and having Rihanna in black makes her stand
out against the background.
8. In this part of the video they have
cleverly used the metallic water, the The effects that have been used
editing fits so well with the music as This shot shows where the water is
contrast to the artists song as you
it goes along with the beat as it going into the next shot and it blurs
only use an umbrella when its
splashes and cuts in time with it. Rihanna's face as it does so.
raining. Here Rihanna is fighting
Rihanna ducks under the water with the water and dodging her body
her body and this also fits well with around it almost like she’s a
the beat of the music because she superior figure.
does it in time.
The metallic water fades/ blends
into the background, the water
flows from shot to shot when being
cut suggesting its consistent and it
looks real. The use of water
suggest control and power when
Rihanna ducks under it and try's to
move her body around the water
coming in her direction.
9. In this shot from the video you can see
that Rihanna is making a strong
impact, this is shown through her
cracking the ice in the back ground. The
ice in the background is shown cracking
due to Rihanna's movements, by her
being able to crack the ice through
movement gives her a dominance and a
power because all the energy is coming
from her.
When the ice in the background does crack Rihanna is The long shot used shows the audience
blurred out and the background stays sharp just for all of her movement and her dominance.
intensity. Using this effect makes Rihanna and the Its shown through her being in the
background stand out with each other. This indicates middle of the shot which again makes her
that Rihanna has met her match with the ice. the main focus. This shot shows Rihanna’s
stance.
Also throughout this part of the video an effect is used
to make the video seem like it is pulsating in time with The light used here is effective due to
the music like inside a speaker would. This is effective them making it more eye catching. The
due to it being in time with the music and showing how lice increases as Rihanna cracks the ice
powerful it is when Rihanna sings. which makes her full of energy.
10.
11. Both of these shots are done as a long shot
which indicates a certain level of power
between them. The snap shot of Jay Z has
him in the centre with the female dancers
around him. As he is performing he look
directly into the camera as if he is speaking
to the audience which portrays him as
dominant.
In Rihanna’s snap shot she is surrounded by male
dancers and in this one they have just got up from
being on the ground which makes Rihanna stand
out amongst them and as a more powerful figure.
Here is shows the dancers copying Rihanna’s
movements which portrays her as a leader. There
is a lot of energy shown in these shots through
the electric sparkles, it shows importance.
12. In this mid shot of Rihanna all we can see is a female figure showing
a lot of skin behind some sparkles. The entire shot is blurred out
and then slowly comes back into focus while the artist is still moving
in a seductive way which enhances that sex appeal.
The light in the shot makes the sparkles to stand out which makes
the shot strong and dominant.
In the above shot it is a close up of Rihanna’s face to show us her
expression. It shows us a clear strong expression which adds to her
powerful image.
In the mid shot to your right you can see Rihanna’s facial expression
being mimicked by the back ground dancers which indicates her
being an idol or role model with them copying her. In this shot
Rihanna stands out amongst the dancers sue to them fading into
the background.