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Logorama presentation
Logorama is an animated short film set in a world entirely comprised of brand logos. It tells the story of Ronald McDonald as a villain being chased by police officer Michelin men. Throughout the film, various logos come to life as characters and iconic brands are represented through their mascots. The film uses this setting to comment on how advertising and corporate brands have come to dominate society.
Opening sequence analysis
The opening sequence of Leon: The Professional begins with an animated sequence of a boy picking a flower at night set to a romantic score. The flower transforms into the Gaumont production company logo. Text credits appear over shots of New York City establishing the setting. The camera moves through a dark Italian restaurant corridor as the music becomes haunting. A conversation between two men at a table is shown in shot-reverse-shot, revealing they are discussing an assassination job. The opening sequence ends with a close-up of one man finishing his glass of milk, signaling their business discussion is complete.
Rom-com Synergy
The document analyzes the codes and conventions used in the film posters, magazine covers, and trailers for the romantic comedies The Break-Up and The Proposal. For The Break-Up, it notes the use of blues and pinks in the poster to indicate the hybrid romantic-comedy genre and that the main characters and basic narrative are made clear. The trailer uses humor and shows the characters' acting and behavior to portray the break up aspect. For The Proposal, it states the poster and trailer combine to show the female lead is dominant and controlling through the use of reds, whites, and blacks.
Goodfellas analysis
The Goodfellas trailer uses costume, lighting, cinematography, editing, and sound to set the tone and provide context. Costume shows the characters' wealth and profession. Lighting remains high key except for one low key scene showing secrecy. Cinematography uses pan shots to show fast action and the environment. One shot of Joe Pesci firing at the audience references a classic film. The trailer has three acts that change the feel through Henry Hill's narration and era-appropriate music to demonstrate the progression of time and the characters.
Logorama
Logorama is an animated short film set in a version of Los Angeles covered in brand logos and advertisements. The film uses various shots to overwhelm the audience with images of logos and features brand mascots like Ronald McDonald and the Michelin men as characters. It tells a straightforward narrative of conflict between Ronald McDonald and police using dark humor. Though initially seen as unlikely to succeed due to legal issues involving the brands, the film was nominated for an Oscar and gained popularity for its commentary on how advertising dominates society.
Opening sequence analysis 'North by Northwest'
The opening title sequence of North by Northwest was created by graphic designer Saul Bass and known for its use of kinetic typography. It begins with the static MGM logo against a green background followed by scrolling text introducing the director, actors and title. Blue lines that form rectangles on the green screen hint at the story's themes of deception. Shots of a busy New York street establish the film's setting and show crowds rushing to commute, capturing the intensity and aggression of urban life. The sequence ends with a cameo of director Alfred Hitchcock missing his bus.
9 key frame analysis
This document analyzes key frames from the opening title sequence of the film "The Road". It summarizes the symbolism and meanings conveyed in each frame through colors, settings, and objects shown. Frames use smoke, rain, dead plants, and a deserted road to set a dull, dismal atmosphere and imply danger, death, and disaster. The destroyed landscape in one frame conveys some abnormal event happened. Ships seen inland and damaged infrastructure suggest a devastating occurrence. Overall, the frames outline the post-apocalyptic genre and setting through symbolic codes and things provoking the audience to question what happened.
Taxi Driver - Textual Analysis
The document provides a textual analysis of the opening scenes of the film "Taxi Driver". It summarizes that the opening shows a yellow taxi driving through a cloud of smoke with the movie title appearing. This establishes the taxi as significant to the plot. Later scenes show extreme close-ups of a driver's eyes reflecting flashing lights at night, then a point-of-view shot from the driver's window showing it is raining and the busy city at night. Intercut with these shots are opening credits, implying that the driver is the titular "Taxi Driver".
Recommended
Logorama presentation
Logorama is an animated short film set in a world entirely comprised of brand logos. It tells the story of Ronald McDonald as a villain being chased by police officer Michelin men. Throughout the film, various logos come to life as characters and iconic brands are represented through their mascots. The film uses this setting to comment on how advertising and corporate brands have come to dominate society.
Opening sequence analysis
The opening sequence of Leon: The Professional begins with an animated sequence of a boy picking a flower at night set to a romantic score. The flower transforms into the Gaumont production company logo. Text credits appear over shots of New York City establishing the setting. The camera moves through a dark Italian restaurant corridor as the music becomes haunting. A conversation between two men at a table is shown in shot-reverse-shot, revealing they are discussing an assassination job. The opening sequence ends with a close-up of one man finishing his glass of milk, signaling their business discussion is complete.
Rom-com Synergy
The document analyzes the codes and conventions used in the film posters, magazine covers, and trailers for the romantic comedies The Break-Up and The Proposal. For The Break-Up, it notes the use of blues and pinks in the poster to indicate the hybrid romantic-comedy genre and that the main characters and basic narrative are made clear. The trailer uses humor and shows the characters' acting and behavior to portray the break up aspect. For The Proposal, it states the poster and trailer combine to show the female lead is dominant and controlling through the use of reds, whites, and blacks.
Goodfellas analysis
The Goodfellas trailer uses costume, lighting, cinematography, editing, and sound to set the tone and provide context. Costume shows the characters' wealth and profession. Lighting remains high key except for one low key scene showing secrecy. Cinematography uses pan shots to show fast action and the environment. One shot of Joe Pesci firing at the audience references a classic film. The trailer has three acts that change the feel through Henry Hill's narration and era-appropriate music to demonstrate the progression of time and the characters.
Logorama
Logorama is an animated short film set in a version of Los Angeles covered in brand logos and advertisements. The film uses various shots to overwhelm the audience with images of logos and features brand mascots like Ronald McDonald and the Michelin men as characters. It tells a straightforward narrative of conflict between Ronald McDonald and police using dark humor. Though initially seen as unlikely to succeed due to legal issues involving the brands, the film was nominated for an Oscar and gained popularity for its commentary on how advertising dominates society.
Opening sequence analysis 'North by Northwest'
The opening title sequence of North by Northwest was created by graphic designer Saul Bass and known for its use of kinetic typography. It begins with the static MGM logo against a green background followed by scrolling text introducing the director, actors and title. Blue lines that form rectangles on the green screen hint at the story's themes of deception. Shots of a busy New York street establish the film's setting and show crowds rushing to commute, capturing the intensity and aggression of urban life. The sequence ends with a cameo of director Alfred Hitchcock missing his bus.
9 key frame analysis
This document analyzes key frames from the opening title sequence of the film "The Road". It summarizes the symbolism and meanings conveyed in each frame through colors, settings, and objects shown. Frames use smoke, rain, dead plants, and a deserted road to set a dull, dismal atmosphere and imply danger, death, and disaster. The destroyed landscape in one frame conveys some abnormal event happened. Ships seen inland and damaged infrastructure suggest a devastating occurrence. Overall, the frames outline the post-apocalyptic genre and setting through symbolic codes and things provoking the audience to question what happened.
Taxi Driver - Textual Analysis
The document provides a textual analysis of the opening scenes of the film "Taxi Driver". It summarizes that the opening shows a yellow taxi driving through a cloud of smoke with the movie title appearing. This establishes the taxi as significant to the plot. Later scenes show extreme close-ups of a driver's eyes reflecting flashing lights at night, then a point-of-view shot from the driver's window showing it is raining and the busy city at night. Intercut with these shots are opening credits, implying that the driver is the titular "Taxi Driver".
German whip
The video tells the story of a rapper named Meridian who is going through financial difficulties, shown by scenes of him struggling to start his old Ford. However, the song is about luxury German cars. Later scenes show Meridian in a better place, driving a Mercedes Benz and surrounded by other men in expensive cars. While the men live in the ghetto, they flaunt their wealth through driving luxury vehicles. The video juxtaposes scenes of Meridian struggling with scenes of him succeeding and enjoying the finer things in life through his new vehicle.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
1408 9 scene analysishjdfg
Mike Enslin, who investigates haunted locations, checks into an antiquated hotel after driving down a stormy country lane. The hotel managers and Mike's room have an old-fashioned style that adds to an ominous atmosphere. In the last scene, a disappointed Mike drives away from the hotel, still seeking a frightening experience to document.
I am legend
The document summarizes different scenes from a movie sequence. It shows an establishing shot of an empty New York City with dull, neutral colors to portray the city in a negative light. Isolation is immediately shown through the lack of people and empty streets, unlike Times Square which is usually busy. Abandoned police cars and other vehicles represent the lack of law in the city and raise questions. Isolation continues as a theme throughout the sequence, shown through the main character only communicating with his dog, displaying his lonely character.
Dj tjaey – look like you remix
This song mixes afrobeat and grime genres to appeal to a youthful audience. A performance-based, lip-synced promo video is proposed to match the song's sound and lyrics without losing interest through excessive narrative. The idea is for a male lead singer to perform across different areas and end with surrounding actors at a "block party" location, visually linking the video to the song's blending of genres in an easily understood way.
Pormotional
The document analyzes an advertisement about air pollution. It uses symbolism to convey its message, including an old gun representing the long history of pollution and a gloomy, polluted sky affecting buildings. The advertisement features a slogan that air pollution kills 60,000 people per year. It depicts a third world setting to link with the harmful effects of pollution. A mid-long shot captures the whole image. The advertisement aims to raise awareness of air pollution through its use of symbolic imagery and colour scheme.
Soundtrack
The document discusses four sound effects used in the soundtrack of a film: 1) A deep sudden sound is used to signify the appearance of antagonists. 2) Wind howling is used to set the genre as thriller/horror and convey isolation. 3) A phone hanging up sound signifies both the end of a phone call and the end of a character's life. 4) Music played through headphones of a character makes them less aware of their surroundings, possibly leading to them being attacked.
39 steps
The document provides analysis of the mise-en-scene, sound, camera shots, and editing techniques used in the first three minutes of the film 39 Steps. It summarizes that the black and white filming establishes the early 20th century setting. Upbeat non-diegetic music and lighting create an atmosphere of excitement for a glamorous theater occasion. Shadows and shots of a mysterious man in a trench coat create intrigue about the unfolding mystery genre narrative. Formal staging of two suited men on stage signals the start of a comedy performance to a sophisticated, upper-class audience. Linear editing moves the story along without disorienting the viewer as they are introduced to this world.
Titles
The title sequence for the film "Panic Room" uniquely integrates the credits directly into shots of New York City, making it seem like the text is floating over the city. The credits are in a bold 3D metallic font and react realistically to light and shadows. This creates an eerie atmosphere and hints at the impending threat in the film. The sequence for "Snatch" uses stylized freeze frames and transitions between scenes connected to gangster icons to introduce characters amidst a tense fight scene. It contrasts noir and comedy elements through fast editing and music to set the exaggerated crime tone. Both sequences creatively integrate credits into the visuals rather than just overlaying text.
Wall Street: Money Never Sleeps
The teaser trailer for the film Inception depicts wealthy businessmen engaged in a lucrative but demanding and high-pressure industry, possibly stock trading, as suggested by shots of the stock market and luxury items like cigars and champagne. Scenes of tall office buildings and cities indicate the story will be set in urban financial centers involving themes of wealth, power, and risk-taking. A shot of a character breaking a frame hints at underlying tensions and violence beneath the surface of the characters' lavish lifestyles.
Deconstruction
This document provides a deconstruction of the music video for the grime song "Illegal 2" by Mischief x 67 Dimzy. It analyzes various shots and visual elements in the video. The summary is as follows:
The video utilizes typical grime music video aesthetics like amateur, fast-paced shots filmed on mobile phones in working-class urban areas of London. Shots emphasize the artists' involvement in street culture through gang gestures and faces covered with hoods. In contrast to hip hop videos that exploit women, the female depicted in "Illegal 2" is dressed appropriately and seen as "part of the mandem" rather than an object. Overall the video emphasizes grime's roots in working-
Call sheet
The call sheet is for the production "Depth" taking place on November 1st, 2017 at Reigate College and Reigate Park. Crew and actors are called for 9am with filming finishing at 4:15pm. Emma Niemann is the assistant director and Millie Weller is the director. Callum McDonnal and Beth Riddle are the camera crew. Emma Niemann and Millie Weller play actresses while Callum McDonnel plays an antagonist. Equipment including keys, rope, camera, and tape will be brought by Emma. A photograph and clock/chair will be provided by Millie and the location.
Shot-by-shot Analysis Assignment
The document provides instructions for students to analyze a music video or short film shot-by-shot. It describes what should be included in each shot description such as camera angle, shot length, and what is happening. It also instructs students to pull meaning from the video and describe the ideologies and connotations expressed in each scene. An example analysis is provided of the music video for "Cry Me a River" by Justin Timberlake as an example of the required format and level of analysis.
Presentation1
The mise-en-scene includes buses, taxis, and buildings in dark colors with plain costumes to lack color. The lighting uses a green background and bright views of busy American streets with yellow taxis to set the scene and tone for a thriller. The opening music is choppy, exciting, and tense to build atmosphere and set the tone. Credits scroll individually on screen before the title appears and fades, removing the green background. The atmosphere creates enigma as the audience does not know the main character but can assume he is a wealthy businessman with a secretary based on the setting.
History 3-4
Psychological thrillers have evolved significantly from 1910 to present day. Early films from 1910-1940s used techniques like low lighting and camera angles to build tension without sound. From 1950s-1980s, films added elements like music, flashbacks, and quick edits to intensify fear and the psychological experience. Modern films from 1990s-present utilize advanced cameras, sound, and color to create highly intense and realistic psychological thrillers. Over the past century, the genre has increasingly focused on the psychological aspects and mind of characters to disturb and immerse audiences.
Submarine title sequence
The document provides an in-depth analysis of the opening credits sequence of a film. It examines the purpose and meaning behind the font styles, animation, sound effects, and order that the production companies and distributors are shown. The credits are presented in a blue-and-white box style to connote the film's seaside setting. The sounds of birds and waves are used to establish the coastal location. The sequence aims to inform viewers of the companies involved, imply the film's genre, and set the scene for the story through its design and stylistic choices.
Superbad opening sequence
The document summarizes the opening credits sequence of a comedic film. It establishes the major production companies at the beginning to build recognition. Upbeat music sets the comedic tone. Actor credits appear before director credits, unlike typical sequences. Bright, fast transitions and changing font colors maintain audience engagement throughout as the credits ascend in importance until revealing the director at the end.
*
The opening credits sequence of the film The Number 23 uses a sparse color palette of sepia tones, black, and red to set a dark and eerie tone. Scenes focus on the number 23, which is revealed through shots of documents and pages with numbers replacing letters to spell out names. Historical facts are presented that relate to the number 23, covered in simulated blood, building intrigue around the significance of the number to the plot. The increasing amount of blood in each shot seems to suggest that uncovering the meaning of 23 will lead to more death and violence.
Twist of fate
A London gangland drug deal goes wrong, leaving one man arrested for murder. After his release from prison, he seeks revenge on those who set him up. The film follows this man as he tracks down those linked to his friend's death and confronts them, which results in an epic finale with one of their deaths. Made on a £50,000 budget, the filmmakers expect it to gross around £1,000,000 based on comparisons to similar films like Adulthood and Green Street Hooligans. Thomas Turgoose is attached to a role, while other parts will be cast via open call auditions to save costs.
Digipack Presentation
The document analyzes and summarizes the design elements of digipak album covers from four different artists: Red Hot Chili Peppers, AC/DC, Foo Fighters, and Emineh. For each album cover, key design elements like colors, images, text styles and placements are described. Comparisons are made between how the designs fit or diverge from conventions within their respective genres of rock or rap music. Overall impressions and opinions on what design aspects work well or could be improved are also provided.
Media Evaluation
The document summarizes audience feedback received on a student's music video project. Key points:
- The audience enjoyed the storyline, narrative, and Grace's performance as the ballerina. Shots using different camera angles fit well and added pace.
- Feedback led to recasting the lead role, "Isabel Beau", twice until settling on Jess, whose performance was an improvement but some felt she did not fit the stereotypical pop star image. Others appreciated her unconventionality.
- Jess's emotions and performance strengthened in upbeat parts of the song, relating to a theory of polysemic meaning, though this was unintentional.
- Outdoor filming locations were tried but did not work
More Related Content
What's hot
German whip
The video tells the story of a rapper named Meridian who is going through financial difficulties, shown by scenes of him struggling to start his old Ford. However, the song is about luxury German cars. Later scenes show Meridian in a better place, driving a Mercedes Benz and surrounded by other men in expensive cars. While the men live in the ghetto, they flaunt their wealth through driving luxury vehicles. The video juxtaposes scenes of Meridian struggling with scenes of him succeeding and enjoying the finer things in life through his new vehicle.
Leon The Professtional
1) The opening sequence introduces the director, production company, and title of the film "Leon the Professional" through text over shots of black and white imagery.
2) The sequence then introduces the main actors through their names fading in and out over shots of the sea and land. Music plays as the camera tracks between locations.
3) The sequence establishes the story takes place in Little Italy, New York through text and shots of banners and signs. The camera tracks into a restaurant called "Guido's" where two men have a tense conversation at a table under dim lighting.
1408 9 scene analysishjdfg
Mike Enslin, who investigates haunted locations, checks into an antiquated hotel after driving down a stormy country lane. The hotel managers and Mike's room have an old-fashioned style that adds to an ominous atmosphere. In the last scene, a disappointed Mike drives away from the hotel, still seeking a frightening experience to document.
I am legend
The document summarizes different scenes from a movie sequence. It shows an establishing shot of an empty New York City with dull, neutral colors to portray the city in a negative light. Isolation is immediately shown through the lack of people and empty streets, unlike Times Square which is usually busy. Abandoned police cars and other vehicles represent the lack of law in the city and raise questions. Isolation continues as a theme throughout the sequence, shown through the main character only communicating with his dog, displaying his lonely character.
Dj tjaey – look like you remix
This song mixes afrobeat and grime genres to appeal to a youthful audience. A performance-based, lip-synced promo video is proposed to match the song's sound and lyrics without losing interest through excessive narrative. The idea is for a male lead singer to perform across different areas and end with surrounding actors at a "block party" location, visually linking the video to the song's blending of genres in an easily understood way.
Pormotional
The document analyzes an advertisement about air pollution. It uses symbolism to convey its message, including an old gun representing the long history of pollution and a gloomy, polluted sky affecting buildings. The advertisement features a slogan that air pollution kills 60,000 people per year. It depicts a third world setting to link with the harmful effects of pollution. A mid-long shot captures the whole image. The advertisement aims to raise awareness of air pollution through its use of symbolic imagery and colour scheme.
Soundtrack
The document discusses four sound effects used in the soundtrack of a film: 1) A deep sudden sound is used to signify the appearance of antagonists. 2) Wind howling is used to set the genre as thriller/horror and convey isolation. 3) A phone hanging up sound signifies both the end of a phone call and the end of a character's life. 4) Music played through headphones of a character makes them less aware of their surroundings, possibly leading to them being attacked.
39 steps
The document provides analysis of the mise-en-scene, sound, camera shots, and editing techniques used in the first three minutes of the film 39 Steps. It summarizes that the black and white filming establishes the early 20th century setting. Upbeat non-diegetic music and lighting create an atmosphere of excitement for a glamorous theater occasion. Shadows and shots of a mysterious man in a trench coat create intrigue about the unfolding mystery genre narrative. Formal staging of two suited men on stage signals the start of a comedy performance to a sophisticated, upper-class audience. Linear editing moves the story along without disorienting the viewer as they are introduced to this world.
Titles
The title sequence for the film "Panic Room" uniquely integrates the credits directly into shots of New York City, making it seem like the text is floating over the city. The credits are in a bold 3D metallic font and react realistically to light and shadows. This creates an eerie atmosphere and hints at the impending threat in the film. The sequence for "Snatch" uses stylized freeze frames and transitions between scenes connected to gangster icons to introduce characters amidst a tense fight scene. It contrasts noir and comedy elements through fast editing and music to set the exaggerated crime tone. Both sequences creatively integrate credits into the visuals rather than just overlaying text.
Wall Street: Money Never Sleeps
The teaser trailer for the film Inception depicts wealthy businessmen engaged in a lucrative but demanding and high-pressure industry, possibly stock trading, as suggested by shots of the stock market and luxury items like cigars and champagne. Scenes of tall office buildings and cities indicate the story will be set in urban financial centers involving themes of wealth, power, and risk-taking. A shot of a character breaking a frame hints at underlying tensions and violence beneath the surface of the characters' lavish lifestyles.
Deconstruction
This document provides a deconstruction of the music video for the grime song "Illegal 2" by Mischief x 67 Dimzy. It analyzes various shots and visual elements in the video. The summary is as follows:
The video utilizes typical grime music video aesthetics like amateur, fast-paced shots filmed on mobile phones in working-class urban areas of London. Shots emphasize the artists' involvement in street culture through gang gestures and faces covered with hoods. In contrast to hip hop videos that exploit women, the female depicted in "Illegal 2" is dressed appropriately and seen as "part of the mandem" rather than an object. Overall the video emphasizes grime's roots in working-
Call sheet
The call sheet is for the production "Depth" taking place on November 1st, 2017 at Reigate College and Reigate Park. Crew and actors are called for 9am with filming finishing at 4:15pm. Emma Niemann is the assistant director and Millie Weller is the director. Callum McDonnal and Beth Riddle are the camera crew. Emma Niemann and Millie Weller play actresses while Callum McDonnel plays an antagonist. Equipment including keys, rope, camera, and tape will be brought by Emma. A photograph and clock/chair will be provided by Millie and the location.
Shot-by-shot Analysis Assignment
The document provides instructions for students to analyze a music video or short film shot-by-shot. It describes what should be included in each shot description such as camera angle, shot length, and what is happening. It also instructs students to pull meaning from the video and describe the ideologies and connotations expressed in each scene. An example analysis is provided of the music video for "Cry Me a River" by Justin Timberlake as an example of the required format and level of analysis.
Presentation1
The mise-en-scene includes buses, taxis, and buildings in dark colors with plain costumes to lack color. The lighting uses a green background and bright views of busy American streets with yellow taxis to set the scene and tone for a thriller. The opening music is choppy, exciting, and tense to build atmosphere and set the tone. Credits scroll individually on screen before the title appears and fades, removing the green background. The atmosphere creates enigma as the audience does not know the main character but can assume he is a wealthy businessman with a secretary based on the setting.
History 3-4
Psychological thrillers have evolved significantly from 1910 to present day. Early films from 1910-1940s used techniques like low lighting and camera angles to build tension without sound. From 1950s-1980s, films added elements like music, flashbacks, and quick edits to intensify fear and the psychological experience. Modern films from 1990s-present utilize advanced cameras, sound, and color to create highly intense and realistic psychological thrillers. Over the past century, the genre has increasingly focused on the psychological aspects and mind of characters to disturb and immerse audiences.
Submarine title sequence
The document provides an in-depth analysis of the opening credits sequence of a film. It examines the purpose and meaning behind the font styles, animation, sound effects, and order that the production companies and distributors are shown. The credits are presented in a blue-and-white box style to connote the film's seaside setting. The sounds of birds and waves are used to establish the coastal location. The sequence aims to inform viewers of the companies involved, imply the film's genre, and set the scene for the story through its design and stylistic choices.
Superbad opening sequence
The document summarizes the opening credits sequence of a comedic film. It establishes the major production companies at the beginning to build recognition. Upbeat music sets the comedic tone. Actor credits appear before director credits, unlike typical sequences. Bright, fast transitions and changing font colors maintain audience engagement throughout as the credits ascend in importance until revealing the director at the end.
*
The opening credits sequence of the film The Number 23 uses a sparse color palette of sepia tones, black, and red to set a dark and eerie tone. Scenes focus on the number 23, which is revealed through shots of documents and pages with numbers replacing letters to spell out names. Historical facts are presented that relate to the number 23, covered in simulated blood, building intrigue around the significance of the number to the plot. The increasing amount of blood in each shot seems to suggest that uncovering the meaning of 23 will lead to more death and violence.
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Twist of fate
A London gangland drug deal goes wrong, leaving one man arrested for murder. After his release from prison, he seeks revenge on those who set him up. The film follows this man as he tracks down those linked to his friend's death and confronts them, which results in an epic finale with one of their deaths. Made on a £50,000 budget, the filmmakers expect it to gross around £1,000,000 based on comparisons to similar films like Adulthood and Green Street Hooligans. Thomas Turgoose is attached to a role, while other parts will be cast via open call auditions to save costs.
Digipack Presentation
The document analyzes and summarizes the design elements of digipak album covers from four different artists: Red Hot Chili Peppers, AC/DC, Foo Fighters, and Emineh. For each album cover, key design elements like colors, images, text styles and placements are described. Comparisons are made between how the designs fit or diverge from conventions within their respective genres of rock or rap music. Overall impressions and opinions on what design aspects work well or could be improved are also provided.
Media Evaluation
The document summarizes audience feedback received on a student's music video project. Key points:
- The audience enjoyed the storyline, narrative, and Grace's performance as the ballerina. Shots using different camera angles fit well and added pace.
- Feedback led to recasting the lead role, "Isabel Beau", twice until settling on Jess, whose performance was an improvement but some felt she did not fit the stereotypical pop star image. Others appreciated her unconventionality.
- Jess's emotions and performance strengthened in upbeat parts of the song, relating to a theory of polysemic meaning, though this was unintentional.
- Outdoor filming locations were tried but did not work
Target Audience
The target audience for the film "Twist of Fate" is 15-23 year olds, as crime and drug-related shows are popular among this age group. People in this demographic also tend to have more disposable income as they enter the workforce, making them more likely to pay for cinema tickets. The film aims for an age rating of 15-18 to attract a wide audience, similar to movies like "Kidulthood" and "Trainspotting".
Lyric booklet finished
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
What have you learned from your audience feedback?
The band received feedback from audiences at various stages of creating their music video that helped improve the end product. Early feedback helped them select a band name and song. Screening the initial video, audiences suggested adding more shots that were cut to the beat and more band performance footage. Additional filming and feedback led to close-ups being added to make the video more fast-paced. Changing to black and white also gained positive feedback. Overall, feedback from different groups helped the band notice and address issues they may have otherwise missed.
Pitch charlotte
Naya Clarke is a 23-year-old solo artist from South East London who formed a band in school but now pursues her career solo. She got signed to Columbia Records in 2014 after they discovered her from one of her London gigs. The logo for her brand uses a minimalist font that incorporates geometric shapes and gemstone designs. Her target audience is females aged 16-25 who are in secondary school or college, listen to indie pop/rock, use social media to follow artists, and work part-time or are unemployed. The mood board is in the shape of a quartz and features images representing her style and locations from her videos. The music video narrative will follow Naya on a journey from day to
A2 Media Studies Revision Pack
The document provides information and advice for a Media Studies exam, including:
- The exam is worth 25% of the final grade and has two sections - theoretical evaluation of productions and contemporary media issues.
- Section A asks students to describe and evaluate the development of their skills over their AS and A2 production work, focusing on areas like digital technology, creativity, research and planning, and post-production.
- Advice is given on what to discuss for each skill area, with examples of how skills have progressed. Higher grades require evaluating the impact and importance of skill development rather than just describing it.
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What have you learned from your audience feedback?
What have you learned from your audience feedback?
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Art of the title
The document discusses title sequences in films and TV. It explains that title sequences set expectations and introduce key crew while drawing the audience in. Examples are given of effective horror, crime, and drama title sequences from Dawn of the Dead, Catch Me If You Can, and Forrest Gump. Specific title sequences from Dawn of the Dead and Catch Me If You Can are then analyzed in more detail. The document also discusses interviews with Richard Morrison about designing title sequences for Sweeney Todd and Batman.
Richard Morrison
Richard Morrison is an accomplished title sequence designer with over four decades of experience. He got his start assisting with Bond movie title sequences and got his big break designing the titles for Quadrophenia in 1979. Some of Morrison's most notable title sequences include Brazil (1985), Batman (1989), High Fidelity (2000), The Dreamers (2003), and Sweeney Todd (2007). For Sweeney Todd, Morrison designed a title sequence using a trail of blood to build intrigue without revealing details, wanting to pull viewers into the unknown story. Similarly, for The Dreamers Morrison aimed to avoid giving away the plot but make the audience feel like they were falling.
Final evaluation A2 advanced portfolio
The document provides an evaluation of a media product called "Rebirth" by Sophie Cornelius. It includes a synopsis of the film, which follows Callum, a troubled teen released from prison who spirals into depression after being rejected from his old gang. He seeks comfort in Maisie, a former flame, who finds herself becoming entangled in Callum's dangerous lifestyle. Inspiration and conventions used in the poster, trailer, and website are then discussed. Location choices, camera work, editing, sound, and characterization in the trailer are analyzed. Finally, audience feedback on early drafts of the trailer is presented, highlighting improvements made.
Influential Figures
Alfred Hitchcock is an influential filmmaker because he revolutionized the thriller genre with films like Psycho and utilized suspenseful music and unique stylistic techniques. He also made cameo appearances in his own films. Martin Scorsese is also influential for his realistic violence and use of music, lighting, and fast camera shots to build tension in thrillers. Scorsese's film trailers build anticipation through intense music and rapid editing.
Richard Morrison
Richard Morrison is an English designer known for his film title sequences. He has created over 150 title sequences for films. He studied graphics, photography, and film, and began his career working on James Bond films. Some of the notable films he has created title sequences for include Sweeney Todd: The Demon Barber of Fleet Street, Girl with a Pearl Earring, Scott Pilgrim vs the World, The Golden Compass, and Batman. Morrison aims to subtly convey the tone and flavor of each film through the title sequence without giving too much of the plot away.
Form research for our social Realism Production :)
The document discusses film title sequences and their importance in setting the tone for a film. It provides details on graphic designer Saul Bass, noting he designed title sequences for many famous films, most notably Alfred Hitchcock's Psycho. The document then analyzes the opening title sequences of two films - KES and Psycho - examining how they establish characters, themes and adhere to conventions for mainstream title sequences. Research is also presented on techniques that could be used for a social realism film title sequence, such as location shots, close-ups and camera movement.
As media evaluation updated!
The student produced a horror film opening set in a graveyard. They used many horror film conventions such as tense music, a mysterious atmosphere, and a masked killer chasing the main character. While drawing on classic horror tropes, the student aimed to challenge conventions by avoiding gore and creating a realistic plot. The opening sequence introduces the characters and setting effectively to hook the audience without revealing too many details.
Top 10 directors within my chosen genre
The document analyzes top directors in the horror genre to help the author with their upcoming film production. It discusses Wes Craven, Stanley Kubrick, Tobe Hooper, James Wan, and George Romero. For each director, it provides biographical information, lists some of their horror films, and identifies trademarks and techniques they used, such as Craven's emphasis on costumes/appearances and use of foreshadowing. The document aims to increase the author's knowledge of successful techniques within the genre.
Richard Morrison Resarch and Analysis
Richard Morrison is an English film title designer whose career began with James Bond films in the 1970s. He has since created over 150 title sequences for major films such as Batman, Brazil, and Sweeney Todd. Morrison studied graphics, photography and film and is currently developing title sequences for films by Tim Burton and David Mamet.
Genre conventions film
The document analyzes the genre conventions used in film trailers for action/mystery thrillers. It discusses three film trailers - Inception, Phone Booth, and Law Abiding Citizen - and how they effectively employ techniques like establishing shots, symbolic coding, soundtrack buildup and climaxes to attract audiences. Key conventions highlighted include the use of ominous music, shots of danger/violence, dark clothing, and an omniscient narrator to generate suspense and intrigue. The document inspires ideas for the narrator's trailer, such as using the villain's perspective in voiceovers and focusing on symbolic phone imagery to set up the main character's peril.
Media evaluation 1
This document discusses how the author's horror trailer product uses and develops conventions of real horror media. Some techniques used include filming in an enclosed wooded location to create a claustrophobic feeling, using parallel music to build suspense, including archetypal characters like the psycho killer and final girl, and ending with a jump scare. The trailer references films like Psycho, Dawn of the Dead, Sinister and Evil Dead through techniques like a blood smear on a wall and use of text in the trailer. Overall, the author drew influence from critic Andrew Sarris' auteur theory and director Alfred Hitchcock's style to craft their own psychological horror trailer.
Form research on what we need to include in our Social Realism production.
The document discusses film title sequences and their importance in setting the tone for a film. It provides examples of mainstream title sequences that follow similar structures and styles. Saul Bass is identified as one of the most famous film title designers, having created memorable title sequences for films like Psycho. The document also analyzes the opening titles and sequences of the films KES and Psycho in detail, noting how they effectively establish mood, characters and relate to conventions of their genres through techniques like lighting, camerawork and sound.
Form research in Social Realism
The document discusses film opening sequences and title design. It provides background on Saul Bass, a pioneering American graphic designer and film title sequence designer. It notes that opening sequences set the tone for films and that mainstream sequences follow similar structures. It then examines the opening sequences of the films "KES" and "Psycho" to show how they conform to standard title designs and use techniques like lighting, camerawork and sound to immerse viewers. The document advocates studying title sequences to inform one's own filmmaking choices around areas like pacing, location shooting and conveying meaning.
Guy riche research
Guy Ritchie is an English film director known for crime films like Lock, Stock and Two Smoking Barrels and Snatch. The document discusses how Ritchie establishes genre and tone through consistent stylistic elements in his film openings. These include music, camerawork, fonts and mise-en-scene that set the period and convey information about characters. Ritchie's openings across different films have recognizable similarities that signal to audiences they are watching one of his movies.
Richard morrison graphic designer
This document provides a summary of graphic designer Richard Morrison's career and some of his most notable film title sequences. Over three decades, Morrison has created over 150 title sequences for major films from directors like Tim Burton and Ridley Scott. The document discusses two of Morrison's sequences in particular, for Sweeney Todd and Vantage Point, and includes quotes from Morrison about his design process and goals for those sequences.
Theory Essay fixed reference
The document discusses how auteur theory is relevant to analyzing the work of videographer Matthew Dillon Cohen. It analyzes some of Cohen's music videos, particularly those with Gus Dapperton, to identify stylistic techniques and themes that are consistent across Cohen's body of work. These include his skilled use of lighting, both natural and artificial, framing shots in unique ways, and including transitional elements between shots. While still early in his career, the document argues Cohen's work shows some signs of auteurship through these identifiable directorial trademarks.
A2 Music Video Pitch Goooojooooood
The video concept involves a main subject traveling around town taking mysterious photographs with a film camera. As he develops the photos in a dark room, colorful psychedelic images emerge. Throughout the video, the artist will be seen randomly lip syncing as different people encounter the main subject. In the end, it is revealed that all of the developed photos are completely blank, subverting expectations.
Evaluation 1
The document discusses how the film opening adheres to and challenges conventions of the horror/thriller genre. It establishes mystery and ambiguity through minimal narrative, unsettled shots and clues placed in the mise-en-scene. Tension is built through slow initial shots and quicker cuts at the end. Common techniques like tracking shots, dark settings and casual costumes are used, but gore and stereotypical criminal representation are avoided to prevent predictability. Titles follow conventions of placement and fonts are simple rather than overly animated to not overwhelm audiences.
Evaluation analysis part 1 (finished)MNBJ
1) The document analyzes how the author's horror movie trailer uses and develops conventions of real horror movie genres and trailers.
2) The trailer follows conventions of pacing, starting slow and building tension through quick cuts and jump scares at the end. It incorporates both scenes and highlights from the film.
3) Key influences on the trailer include the works of Alfred Hitchcock, particularly his use of slow and quick montages to build suspense through collision cutting editing techniques.
In a film analysis
This document discusses different approaches to film analysis, including genre analysis and auteur theory. Genre analysis examines how a film follows or breaks conventions of its genre. Auteur theory analyzes a director's personal creative vision and tendency to blend genres. The document provides several examples of films and directors that demonstrate these theories, such as the works of Stanley Kubrick, Quentin Tarantino, and Luc Besson. It also analyzes specific films like Pulp Fiction, Quantum of Solace, and Leon in terms of their genres and directors' styles.
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Form research for our social Realism Production :)
Form research for our social Realism Production :)
Form research on what we need to include in our Social Realism production.
Form research on what we need to include in our Social Realism production.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
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4:这个认证书并且可以归档倒地方
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Richard morrison
- 1. RICHARD MORRISON By Ben, Michael and Jonathan
- 2. BIOGRAPHY He began his career on the Bond series alongside Maurice Binder. His career has spanned for 30 years, in this time he has made films like: Sweeny Todd, Batman, Seed of Chucky, Circus and Day of Flowers. He was originally drawn to advertisement, so he joined Garland Compton, then Fowler & Coates and after a successful stint working on film campaigns he rejoined GSE as Head of Design Department. In the late 70’s he formed Plume which was a design and production company for film and TV media, specialising in title sequence; branding commercials. He has worked on over 150 film title sequences and worked on film trailers,
- 3. CATALOGUE OF WORK These are some of the title sequences that Richard Morrison.
- 4. SWEENY TODD Richard Morrison, shows the names of the companies first, he uses dark backgrounds so the titles stand out more it also represents the theme of the film and how it will be showed. He focuses on blood passing through the process of making a pie. The pie grinding gives us a sense of the murderers preferred method of killer. The dark lighting helps add to the eeriness and suspense of the film. Once inside the house the camera continuously follows a drip which falls from a chair then goes throughout the house, this could connote that the killer murders people in his own home and the way the chair is the center of attention could suggest that it’s important to the story. The music is fast paced and eerie and mainly focused on violins which builds up tension. http://www.richard-morrison.co.uk/sweeney-todd.html
- 5. CIRCUS The title sequence for this film is very different form the rest he has done, the music in the background is very up-beat and cheerful. The music fits well with what is being seen in the title sequence. He blurs out all the lighting in the background making the image look distorted, carnival rides appear to be in the background which links with the title of the film. The titles that appear look like they are always moving which gives the effect of fast paced action, he also uses a dark colour for the name of the film, which is surrounded by bright distorted colours. http://www.richard-morrison.co.uk/circus.html
- 6. COMMENT FROM DESIGNER “Whatever technical changes are made there is a limitless world of creativity for future generations of designers. They will investigate and explore the moving image in their own way”.